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Some people love all-in-one computers; some hate them. I've been in offices where every station has an iMac, in environments where everyone has a desktop with a monitor, in workspaces where everyone has a laptop, and in hot desk offices.

I always prefer to have what I need in my bag or a hot desk scenario, but for that workspace that makes sense, like a front desk, an admin's desk, or a simple in-room computer, for whatever reason, the best all-in-one computers make a lot of sense.

The goal is to have something that is simply all in one; there is no need for extra docks, monitors, adapters, or bulk. Just one display with a machine built into the casing is always there and ready to go. Simple.

That's where the ThinkCentre M90a Gen 5 thrives. It's a simple machine. However, that can also be its downfall if misused.

(Image credit: Collin Probst // Future) ThinkCentre M90a Gen 5: Price and Availability

The Lenovo ThinkCentre M90a Gen 5 is available on the Lenovo main site for $959.40. It's also widely available from online retailers, so you should have no trouble getting your hands on one.

(Image credit: Collin Probst // Future) ThinkCentre M90a Gen 5: Unboxing & first impressions

The Lenovo computers are always well packaged, ensuring no damage in transit or delivery. This model specifically had some odd instructions for assembly, though we were able to put the few pieces together to get this machine booted up and running as it should.

(Image credit: Collin Probst // Future)

At first glance, this machine stood out as more modern-looking, with a professional leaning toward it. It's designed for an office space as a front desk unit or at a desk in a cubicle. The display, the center of an AIO unit, offers good color accuracy and brightness, though nothing ground-breaking with its FHD resolution.

The ThinkCentre M90a also comes with a bundled mouse and keyboard, though I'd suggest not using it, grabbing a decent Bluetooth mouse and keyboard, and freeing up those ports.

In my initial feel test, setup, and first impression of this machine, it seems capable of what it's designed for. With ports to spare, this machine could be a true all-in-one, not needing extra docks or hubs to get the basics done as many computers need.

ThinkCentre M90a Gen 5: Design & Build Quality Specs

Processor: Up to 14th Gen Intel Core i7-14700
Memory: Up to 64GB DDR5
Storage: Up to 4TB PCIe SSD
Graphics: Integrated Intel UHD Graphics 770
Display: 23.8" FHD (1920 x 1080) IPS
Ports: Multiple USB-A and USB-C ports, HDMI, DisplayPort, Ethernet
Camera: 5MP with privacy shutter
Audio: Dual 3W speakers with Dolby Atmos
Operating System: Windows 11 Pro

The Lenovo ThinkCentre M90a Gen 5 has the build quality you'd expect if you have any experience with Lenovo products. It's built well, feels like it will last, and is relatively compact.

That compact design saves overall desk space because you don't need a monitor, a desktop, or a dock; all you have on the desk is the base to the AIO if even that. If you want to, you can VESA mount this machine and get it off the desk entirely.

If you choose to use the stand, it has adjustable tilt and height with some integrated cable management as well, helping to keep that tidy workspace even more.

(Image credit: Collin Probst // Future) ThinkCentre M90a Gen 5: In use

This machine is designed for basic admin and basic office work. In that sense, it handled those tasks efficiently and easily. I started trying to push it under the heavy load of my day, but I felt a bit slow. However, for the vast majority of users who could benefit from a Lenovo AIO machine, you'll be just fine with the ThinkCentre M90a Gen 5 capabilities.

I've been on a single monitor kick recently. I went through my phase of wanting as many monitors as possible, and many of my reviews around here will showcase some images from those days. However, recently, I have become a big fan of simplicity. I realized while using this machine that it doesn't get much simpler. It's just a machine that you can leave wherever you are. You have one power cable running into it, and you know it will always be there, ready to work when you are.

If you want to expand your screen real estate, there is an HDMI and a DisplayPort out, allowing you to plug into an external monitor and have even more room to work with. This would be great for a TV if you need to prep and present things in a conference room but don't want to mount a headless mini desktop behind the TV or if you have a desk running a menu board or display screen. Or, of course, it's also great if you just want to see what you are working on even better than before.

All around, this machine is solid for what it is; it's a simple productivity machine for business tasks that don't require a heavy computational load. For that, this computer is good, but this one feels a tad lacking in the world of high-performing, high-powered machines.

(Image credit: Collin Probst // Future)

Attributes

Notes

Rating

Design

Simple, compact

⭐⭐⭐⭐

Ease of use

Easy to use

⭐⭐⭐⭐⭐

Practicality

Right for the right person

⭐⭐⭐⭐

Price

Mid range price

⭐⭐⭐⭐

ThinkCentre M90a Gen 5: Final verdict

Lenovo ThinkCentre M90a Gen 5 is an all-in-one desktop PC that blends nicely into professional settings.

It is an excellent model for use by someone with everyday computing demands since it makes for a streamlined and clean environment and gives users solid and steady performance one can rely on.

For people or professionals, though, who either need improved performance for their graphics or have specific requirements, this may not be the machine for you, and that's okay.

For more pro-level devices, we've reviewed the best business computers and the best business laptops for professionals.

Ironheart: key information

- Will make its Disney+ debut in late June with a three-episode premiere
- First trailer unveiled in mid-May
- Dominique Thorne returns as Riri Williams/Ironheart
- Numerous supporting cast members confirmed
- Story synopsis revealed
- No word on whether a second season will be made

Ironheart is finally ready to see the light of day. Over four years after it was first announced by Marvel President Kevin Feige, the Dominique Thorne-fronted TV series will land on Disney+ on June 24.

With the live-action show's first trailer being released on May 14 and its actual release being only a month away, there's no better time than now to learn more about Ironheart. With that in mind, I've compiled this handy guide to bring you more information (and the odd rumor) on the small screen project.

Below, you'll learn more about its confirmed cast, story specifics, and wider ties to the Marvel Cinematic Universe (MCU), among other notable tidbits. Spoilers follow for Black Panther: Wakanda Forever, the Marvel film in which the titular character made her debut.

Ironheart release date

Marvel Television's all-new series #Ironheart launches with a 3-episode premiere June 24 at 6pm PT/ 9pm ET, only on @DisneyPlus. pic.twitter.com/ZGRhMf33fFMay 14, 2025

As I mentioned, Ironheart will take flight on Tuesday, June 24 in the US, and Wednesday, June 25 in the UK and Australia (NB: it'll launch in other world regions on these dates). It'll launch with a three-episode premiere, too.

Ironheart's release has been a long time coming. Initially conceived as a movie, the Marvel Phase 5 project was reworked into a TV show in December 2020 – a developmental shift that came almost two years after its original announcement.

Despite making her debut in Wakanda Forever in late 2022, Ironheart's standalone MCU adventure has been trapped in development hell ever since. There's little to no public information on why it's taken so long for this project to get off the ground. But, with Disney confirming Ironheart would be among its 2025 TV line-up last October, the countdown is on to its long-awaited debut.

Ironheart trailer

Ironheart's official trailer made its worldwide debut on May 14. And, while it looks and sounds like a fun ride, Ironheart's rumored episodic release format has got me worried about how good it'll actually be.

Fans had expected it to be released a day earlier during Disney's Upfront 2025 presentation. Instead, Marvel opted to build excitement for the trailer's arrival by releasing a behind-the-scenes (BTS) featurette containing lots of new footage for viewers to pore over.

Before the trailer's long-overdue unveiling and the BTS featurette's release, Marvel revealed Ironheart's first official footage as part of a Disney+ sizzle reel teaser celebrating its 85th birthday last August. The brief clips showed Williams flying through the streets of Chicago in her new super-suit, but that's all we were treated to until this wave of new footage hit the internet one month before the show's debut.

Ironheart confirmed cast

Who's joining Dominique Thorne (pictured) in Ironheart? (Image credit: Marvel Studios/Disney+)

Possible spoilers follow for Ironheart.

Here are the actors you'll see, plus the characters they'll play, in Ironheart:

• Dominique Thorne as Riri Williams/Ironheart
• Anthony Ramos as Parker Robbins/The Hood
• Lyric Ross as Natalie Washington
• Alden Ehrenreich as Joe McGillicuddy
• Regan Aliyah as Ronnie Williams
• Manny Montana as Cousin John
• Matthew Elam as Vaxier Washington
• Jon Rash as the Dean of MIT
• Anji White as TBC

Thorne, who portrayed Williams in Wakanda Forever, returns to play the same character in her standalone program. For those who need a refresher: Williams is an MIT student with a genius intellect who builds a super-suit not unlike the one Tony Stark invented.

In Wakanda Forever, Williams' first attempt to build said suit is still in early development. And, while she's gifted a souped-up version of her design by Shuri in that film's final act, Williams is told to leave it in Wakanda at Shuri's request. In short, she'll need to continue working on her own suit in her self-titled show.

Meanwhile, Ramos (In the Heights, Transformers: Rise of the Beasts) will portray Ironheart's Big Bad in The Hood. In Marvel literature, he's a Chicago-based individual who wears a mystical hood that grants him the ability to use dark magic. In the MCU, he's initially billed as an ally of Thorne's Williams, with Robbins' street gang-turned-activists – the Young Lords – offering to help Williams create her suit of armor. Based on the trailer, though, the pair will be at odds with each other soon enough.

Parker Robbins, aka The Hood, is expected to be the series' main antagonist (Image credit: Marvel Studios/Disney+)

That leading duo is joined by other familiar faces and newcomers.

Ross (This is Us) is attached to play Natalie Washington, Riri's MIT roommate, while Star Wars alumnus Ehrenreich (Solo: A Star Wars Story) is set to play Joe McGilllicuddy, who's reportedly another of Riri's friends and, according to some rumors circulating online, the son of Iron Man villain Obadiah Stane.

Rounding out the confirmed cast are White (Fargo, Chicago PD) is as Riri's mom, Montana (Good Girls) as Cousin John, Elam (The Many Saints of Newark) as Xavier Washington, Rash (Harley Quinn, Captain America: Civil War) as the Dean of MIT, and Aliyah (XO, Kitty) in an undisclosed role.

Additionally, Sacha Baron Cohen has reportedly been cast as the Marvel demon lord called Mephisto. Given The Hood will dabble in the dark side of the Mystic Arts, this isn't as big a stretch as it sounds.

If true, it'll mean Ironheart will include a previously rumored WandaVision villain. Indeed, MCU fans were convinced that Mephisto was the primary villain of that Elizabeth Olsen-starring TV show for much of its run. Kathryn Hahn's Agatha Harkness was eventually revealed to be WandaVision's antagonist.

Ironheart plot synopsis and rumors

Will Ironheart prove to be a truck-flipping good time? (Image credit: Marvel Studios/Disney+)

Potential spoilers follow for Ironheart.

Here's Ironheart's official plot brief: "Set after the events of Black Panther: Wakanda Forever, Marvel Television’s Ironheart pits technology against magic when Riri Williams – a young, genius inventor determined to make her mark on the world – returns to her hometown of Chicago.

"Her unique take on building iron suits is brilliant, but in pursuit of her ambitions, she finds herself wrapped up with the mysterious yet charming Parker Robbins, aka The Hood."

This kind of synopsis is par for the course for Marvel projects, but Ironheart's cast and crew have given us some other hints about the character's standalone MCU story.

Williams will be hard at work trying to build her own technologically advanced armor at MIT (Image credit: Marvel Studios/Disney+)

One of the most pertinent things to bear in mind is that Ironheart isn't replacing Tony Stark as the MCU's new Iron Man-esque hero. Long-time Marvel fans will know that the pair had a mentor-mentee relationship in the comics, which is something executive producer Ryan Coogler touches on in the BTS featurette that you can watch in this article's trailer section.

However, discussing the series in the same video, Marvel's Head of Television Brad Winderbaum said of the MCU's take on Williams/Ironheart: "The story of Ironheart is not one about the mantle of Iron Man getting passed. If anything, it's the opposite."

"It's about her proving herself and shaping her own legacy," Zoie Nagelhout, another of the show's executive producers, added. In short, this is a tale about Williams and finding her own path without outside intervention.

Williams has been inspired by Tony Stark to invent her own super-powered suit (Image credit: Marvel Studios/Disney+)

Well, from Stark (or, rather, his posthumous hologram because, well, he died in Avengers: Endgame) anyway.

At first, The Hood and his gang of misfits seemingly want to help Williams achieve her ambitions of creating a suit that can rival Iron Man's. However, while the trailer and BTS featurette confirm Williams will succeed in this endeavor, it's unclear how much of a role The Hood and company will play in its development.

What is clear is how much time has passed since Wakanda Forever's ending and the start of this program. Per Ironheart's BTS video, head writer Chinaka Hodge revealed it takes place "in the days after" Black Panther 2. So, while many other Marvel films and TV shows are set in the MCU's "present" (i.e. around 2026/2027), this series is apparently taking a step back into the MCU's past and is actually set in mid-2025.

Thorne's Williams made her MCU debut in 2022's Black Panther: Wakanda Forever (Image credit: Marvel Studios)

But I digress. If you haven't picked up on it by now, Ironheart's story will be as much of a battle between two very different forms of creation: science (or, to be more specific, technology) and magic.

That's a given when you consider Williams and The Hood occupy the roles of each field's creator-in-chief in this series. However, as Kevin Feige pointed out at D23 Expo 2022 (per The Direct), this is the first time that these opposing forces will clash in an MCU production.

"[The Hood], from the comics, he deals in the dark arts," Feige said. "He deals in magic. Riri is a technologist. We've had technological heroes and villains. We've had supernatural people dealing with magic. We've never had the two at the same time, so seeing Riri go up against [The Hood] in a way that is very unique is what I think I'm most excited for."

Here's hoping there's more than an air of creativity when these characters collide physically, then, and we're not treated (if that's the right word to use) to more bland, VFX-infused battles where the hero's skillset mirrors that of the villain's.

What Marvel movies and shows do I need to watch before Ironheart?

Black Panther: Wakanda Forever is the only Marvel production you need to stream before Ironheart (Image credit: Marvel Studios)

There's only one Marvel production you need to watch on Disney+, aka one of the world's best streaming services, before Ironheart is released. If you've read through this guide so far, you'll know that Black Panther 2, i.e. one of the best Marvel movies of recent years, is all you need to stream to catch up on Williams' story.

She's also appeared in season 3 of the animated MCU TV show What If...? but because it has no bearing on Ironheart's journey in the MCU, it isn't necessary to watch the episode she appears in.

Not signed up to Disney+ yet, but want to know how much it costs? Read our Disney+ price guide.

How will Ironheart impact the MCU?

Will Dominique Thorne join Robert Downey Jr (pictured) on the cast list for Avengers: Doomsday? (Image credit: Marvel Studios)

The short answer is: I don't know. Ironheart could've become a fundamental part of the MCU if her solo series had released sooner – in fact, given her comparisons to a certain Tony Stark and his superhero alter-ego in Iron Man, Thorne's Williams could've been his natural MCU successor.

With Disney shaking things up at Marvel Studios since Ironheart was greenlit and the latter failing to capitalize on her potential popularity post-Wakanda Forever, though, the character's MCU fate is yet to be determined.

If Ironheart is a hit, it's possible that she'll be a late addition to the cast of Avengers: Doomsday and/or Avengers: Secret Wars. However, should the series struggle to leave an impression, Williams could find herself relegated to the side lines.

Land somewhere in-between the two and, given her relative age, she may join the ranks of the MCU's long-rumored Young Avengers (or Champions, whatever they'll be called...) production. Until her show ends, then, we're none the wiser about what impact Ironheart will have on Marvel's cinematic juggernaut.

For more MCU-based coverage, read my guides on how to watch the Marvel movies in order, The Fantastic Four: First Steps, Spider-Man: Brand New Day, and Daredevil: Born Again season 2.

Aura Aspen: review

The Aura Aspen is a 1600 x 1200 11.8-inch digital photo frame. Sitting slap bang in the middle of the market, it retails for $229 (around £175) – while it’s currently only available in the US, the company has confirmed it will launch internationally later in 2025. In return, it offers a polished performance, neat design and unlimited cloud storage, making it a pretty reasonable investment.

Setting up the Aspen could not be more straightforward. Once you’ve downloaded the Aura app, you just need to tap +New Frame and plug in the frame. To connect your frame to Wi-Fi, simply enter the numbers displayed on the frame into the app, and it’ll connect to your home network. You’ll then be able to add users to the frame or just get on with adding photos.

And that could not be easier. You can navigate through the app – just tap Add Photos and pick an unlimited number of snaps and videos from your gallery – or use the built-in share button in most photo apps to share directly with the frame. After a quick upload, they’ll start appearing on the frame's screen.

Once they do, you’ll immediately see how impressive the Aspen’s screen is. While its display isn’t the highest pixel density we’ve seen – at 11.8 inches and a 1600 x 1200 resolution, it sits at around 170ppi – its images subjectively look about as crisp as we’ve seen from any of the best digital photo frames. However, it does occasionally overstep the mark (it was pretty unforgiving of the artificial bokeh on some of my iPhone 16 Pro snaps), making me wonder if it subtly sharpens images to give them that extra-well-defined look.

(Image credit: Future)

One area it absolutely nails, however, is color reproduction. Whether it’s the marbled turquoise and azure of the Ionian Sea or the riot of peach and magenta of rhododendrons in full bloom, the Aspen made every hue in my photos look rich and enticing. And it never strays into looking artificial; it’s steadfast in its accuracy, not once overstepping the mark into that lurid oversaturation that some screens are susceptible to.

To top off this strong performance, the Aspen also has a pretty decent feature set. Alongside the ability for friends and family to share their shots to your frame, the Aspen automatically detects the orientation of the frame and rotates images accordingly. Unfortunately, while you can manually crop images to center them according to your preferences, you can’t crop them differently for landscape and portrait, or select which images you’d rather appear in either orientation. Still, few digital photo frames I’ve tested handle this perfectly, so I can absolutely forgive this here.

And the Aspen has some innovative features that few other frames offer. Perhaps the most attention-grabbing is its colorization feature, which adds color back to black-and-white photos. The results are, inevitably, a bit hit and miss, as it tends to default to the most conventional colors for everything. For example, it rendered the rock and sand of Fuerteventura in drab khaki and dull beige, rather than their true colors of ochre and gold. Meanwhile, its in-app scanner allows you to ‘digitize’ – read ‘take photos of’ – existing physical pictures. Both of these are a lot of fun to play with, even if I suspect you won’t end up using them that much.

(Image credit: Future)

When it comes to controlling the Aspen, you can, of course, use the Aura app. However, for those who prefer a more tactile method of control, the frame has two touch-capacitive bars that sit on top of the frame in either orientation. These allow you to swipe left and right to select photos from your playlist, tap to hide photos or double-tap to see image info. While this is less futuristic than the Netgear Meural Canvas II’s touchless gesture control, it also feels much more intuitive and foolproof. Put simply, it’s one of the best control mechanisms I’ve ever used when reviewing digital photo frames.

And this kind of pragmatic yet refined styling is a design language the Aura Aspen seems fluent in. Its white 1.4-inch (35mm) bezels have a matte, textured paper effect, making them feel convincingly like an authentic mounting board. Meanwhile, rather than the flimsy stick some digital photo frames rely on, its stand is a sturdy arrowhead shape fashioned out of weighty metal, meaning I never had to worry about it tipping over. The device showcases this kind of dependable, considered build quality throughout, making it feel suitably premium.

If you’re already convinced and ready to pick up the Aura Aspen, I doubt you’ll be disappointed. For those on the fence, there is one more factor to consider: its price. Yes, at $229, it’s marginally pricier than the similarly impressive Pexar 11-inch Digital Picture Frame, which retails for $159.99 / £149.99 and offers a slightly higher 221 PPI pixel density. However, the Aura offers a more premium-feeling build and unlimited uploads and storage, so which frame edges out the other is a matter of your biggest priorities.

(Image credit: Future) Aura Aspen review: price & release date

• Launched April 16, 2025
• Retails for $229 (around £175)
• Currently only available in the US

Launched on April 16, 2025, the Aura Aspen is available in the US now. Customers elsewhere in the world will have to wait a little longer for it, as according to Aura, its international rollout is currently pencilled in for ‘later in 2025’.

The Aura Aspen retails for $229 (around £175), positioning it slightly above the $159.99 / £149.99 Pexar 11-inch Digital Picture Frame and far more than budget options like the Aeezo Portrait 01, which you can currently pick up for as little as $39.99 / £53.19 from Amazon. The Aspen is subscription-free, however, and that price includes unlimited transfers and cloud storage, so there aren’t any hidden costs or upgrade fees included.

It's available in a single size, but offers two colorways: Ink, the charcoal-hued frame we tested here, or Clay, a neutral beige color.

(Image credit: Future) Aura Aspen review: specs

Dimensions

12.7 x 10.1 x 1.1 inches (323 x 257 x 28mm)

Display size

11.8-inch

Resolution

1600 x 1200, 170 pixels per inch

Aspect Ratio

4:3

Touch Screen

No

Sound

Built-in speaker

Orientation

Portrait or landscape

Storage

Unlimited cloud storage

Connectivity

Wi-Fi

(Image credit: Future) Should I buy the Aura Aspen?

Attributes

Notes

Rating

Features

From a streamlined, user-friendly app to innovative features like photo recoloring, the Aspen has a decent feature set.

4/5

Design

Excellent build quality meet gorgeous aesthetics – it’s a work of art in its own right

5/5

Performance

Colors are vibrant yet faithful, the screen is bright and glare-free and the resolution is decent, even if bokeh occasionally looks a little sharp.

4/5

Value

Not the cheapest frame on the market, but its sturdy build and excellent finish more than justify the price.

4/5

Buy it if…

You’re looking for a lush, detailed display
While it doesn’t have the highest resolution on the market, what the Aspen is capable of is rather impressive, offering gorgeous color and crisp details.

You want a frame that looks as good as your snaps
Aesthetically, the Aspen is a gorgeous frame – not only is it made of premium materials, but its textured mount makes it feel like an authentic, high-quality picture frame.

Don’t buy it if…

You want the best bang for your buck
The Aspen is great quality, but in terms of sheer value, the $159.99 / £149.99 Pexar 11-inch Digital Picture Frame offers similarly stellar performance for marginally less investment.

You want a massive screen
At 11.8 inches, the Aspen is far from the largest screen on the market. If you want a frame that will occupy a decent amount of wall space, something like the gargantuan 27-inch Netgear Meural Canvas II might serve you better.

Aura Aspen review: also consider

Aura Aspen

Pexar 11-inch Digital Picture Frame

Aura Walden

Dimensions

12.7 x 10.1 x 1.1 inches (323 x 257 x 28mm)

7.4 x 11.2 inches (18.9 x 28.4cm)

15.7 x 12.7 x 1.2 inches (399 x 323 x 30mm)

Display size

11.8-inch

11-inch

15-inch

Resolution

1600 x 1200, 170 pixels per inch

2000 x 1200, 212 pixels per inch

1600 x 1200, 133 pixels per inch

Aspect Ratio

4:3

5:3

4:3

Touch Screen

No

Yes

No

Sound

Built-in speaker

Built-in speaker

Built-in speaker

Orientation

Portrait or landscape

Portrait or landscape

Portrait or landscape

Storage

Unlimited cloud storage

32GB

Unlimited cloud storage

Connectivity

Wi-Fi

Wi-Fi, SD card, USB-A, USB-C

Wi-Fi

Pexar 11-inch Digital Picture Frame
One of my go-to recommendations at this price point, the Pexar offers an excellent balance of performance and price. Its true 2K resolution means it offers a staggeringly sharp 212 PPI pixel density, while colors are striking yet faithful. It’s not quite as gorgeous to look at as the Aspen, though. Read our full Pexar 11-inch Digital Picture Frame review.

Aura Walden
If you love what the Aspen is all about but fancy a little extra screen estate, the Aura Walden is a great option. After all, we named it our best premium digital photo frame for a reason: it has a larger 15-inch display while still offering the same premium build quality and ease of use. Bear in mind, though, that the increased screen size means you get a lower 133 PPI pixel density. Read our full Aura Walden review.

How I tested the Aura Aspen

• Tested the product over multiple weeks
• Uploaded a wide variety of photos
• Have many years of experience working with photography

I tested the Aura Aspen over several weeks. First, I used its app to set up the frame, upload images, and explore its various features. I tried sending both individual snaps and bulk uploading whole folders to see how it coped in terms of transfer times.

I uploaded a variety of shots, from brilliantly hued blossoms to detailed monochrome compositions designed to help assess resolution and color performance. I also tried the frame in a range of settings to help assess its capabilities at different angles and distances, and in different light levels.

When it comes to experience, not only have I tested a wide range of digital photo frames for TechRadar, but I’m an experienced photographer, having taken over 40,000 photos on cameras from my Canon DSLR to my iPhone 16 Pro. I also spent many years working in print publishing, giving me a keen eye for image resolution and color accuracy.

• First reviewed: May 2025
• Read more about how we test

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OXS Storm G2: two-minute review

The OXS Storm G2 is a wireless gaming headset compatible with PlayStation and Nintendo consoles, as well as PC and mobile, thanks to its various connectivity modes. It looks sleek and quite understated, although there are a few flourishes that mark it out as a gaming peripheral, and these are its least attractive aspects. However, the RGB lighting does add some tasteful vibrancy to proceedings.

The buttons operate solidly and smoothly, and are well located to make for easy access. The volume wheel is placed underneath rather than behind the left driver, which prevents miscrolls when leaning back in a chair. However, it’s a shame that it’s awkward to use, owing to its low profile and rough notching.

It’s also pleasingly light and not as bulky as some of its rivals. However, it doesn’t feel as premium as the best wireless gaming headsets out there, with the plastics letting the side down somewhat. The fit and finish in certain areas is admirable, while it’s wanting in others.

The hooks for the drivers feel reassuringly solid, although their height adjustment mechanism is quite poor, as it’s difficult to move them smoothly. Still, at least they offer plenty of security.

The Storm G2's earcups fail to provide as much cushioning as you might expect based on their thickness: the inside of the drivers touched my ears, it felt as if the lower portion of my ears weren’t cupped sufficiently by the padding.

They also exerted a little too much pressure against the sides of my head. Admittedly, this is a problem I experience with many headsets, and the effect wasn’t too problematic here. However, the issue was made worse when wearing glasses, as the drivers pushed the arms of my frames into my head slightly too much. I found the Storm G2 comfortable for short and medium sessions, but for anything longer, I would experience fatigue.

Despite the lack of software, there are three EQ modes selectable via a dedicated button. These offer meaningful differences to audio quality, with Music and Surround modes being the highlights, as both provide enough fidelity and low end for an enjoyable experience, regardless of the kind of content being consumed. I was also pleasantly surprised by the microphone quality, which is clear and free from distortion.

What’s most impressive about the Storm G2, though, is its low price. There aren’t many gaming headsets with multiple wireless connectivity modes this cheap, still less those that perform as strongly.

There are better sounding gaming headsets out there with budget prices, but they’re still more expensive than the Storm G2 – although some offer software for accessing additional features and tweaks. But at this price point, the Storm G2 is a strong choice for those on the hunt for a decent and affordable gaming headset.

(Image credit: Future) OXS Storm G2 review: price and availability

• $79 / £62 (about AU$123)
• Available now in black and white finishes
• Very good price for a wireless gaming headset

The Storm G2 costs $79 / £62 (about AU$123) and is available now in black and white colorways. It comes with a detachable microphone, carrying bag, USB charging cable, USB-C dongle (with USB-A adapter), and a 3.5mm AUX cable.

This is a very low price for a wireless gaming headset, especially one that supports both Bluetooth and 2.4GHz standards. If you’re looking for a similarly budget-friendly wireless headset, the Corsair HS55 Wireless is a great alternative, as we think it’s the best PC gaming headset in this category.

It’s still more expensive than the Storm G2, but it can be customized using the iCue software, while the Storm G2 lacks any such tool. It also has good sound, if lacking low-end response somewhat.

If you’re looking to save even more money and don’t mind being tethered, the Epos H3 is one of the best wired gaming headsets around in our view. It boasts superb sound and comfort levels, but like the Storm G2, it lacks software.

OXS Storm G2 review: Specs

Price

$79 / £62 (about AU$123)

Weight

9.9oz / 282g

Compatibility

PC, PlayStation 4, PlayStation 5, Nintendo Switch, Android, iOS

Connection type

Wired (USB-A), Wireless (2.4GHz, Bluetooth)

Battery life

Up to 40 hours

Features

Three EQ modes, detachable mic

Software

None

(Image credit: Future) OXS Storm G2 review: design and features

• Sleek-ish looks
• Passable build quality
• No software

The Storm G2 has a mixed appearance, with sleek elements that are somewhat undermined by the gaming-oriented flourishes, such as a nondescript symbol and contoured drivers. The RGB lighting does inject some attractive dazzle, though.

It feels quite light, and the build quality appears durable enough. However, the plastics aren't the most premium, and some of the panels and their joins feel a little sharp and unrefined.

The stitching around the headband is more impressive, with its tight and precise execution, and the hooks for the drivers are reassuringly solid. Making height adjustments, though, isn’t the smoothest process, as they tend to grab when sliding them back and forth, but at least remain secure once in place.

The drivers themselves are pleasingly slim, with less bulk than those adorning some other gaming headsets. And while the buttons on the left driver don’t look particularly elegant, their simple layout makes for easy and intuitive operation when wearing the Storm G2.

I was also pleased to see the volume wheel located at the bottom of the driver rather than at the back, as this prevents it from accidentally jogging when leaning back in a chair or sofa – an issue I’ve experienced with other gaming headsets. However, I wish it protruded a little further, as it can be awkward to use at times.

On the issue of comfort, the Storm G2 is again somewhat inconsistent. Despite appearances, the earcup padding isn’t the plushest, which means it fails to buffer the pressure of the drivers pressing inwards, especially around the tops of the ears. This is especially bad news for glasses wearers, as I found the lack of cushioning pushed the arms of my frames into my head with more pressure than I would’ve liked.

(Image credit: Future)

The effect isn’t as egregious as some other gaming headsets I’ve tried, and I was comfortable wearing the Storm G2 for an hour or so, but for anything longer, I would start to experience some mild aching and fatigue.

Curiously, the drivers didn’t feel as secure around the bottom of my ears as I was expecting; coupled with the fact that the inside of the drivers made contact with my ears, this made the Storm G2 feel more like an on-ear rather than an over-ear headset.

Thankfully, the headband has a better design; the outer material feels premium, although it still lacks cushioning. Again, this meant I would start to experience aching after long sessions, although I should say it wasn’t to the same degree as I’ve experienced with other gaming headsets.

The detachable microphone has a flexible gooseneck design, which I always welcome, although it doesn’t feel as stable as others I’ve tried. However, it remained in position during use, and it’s very easy to wrangle into the ideal position.

Unfortunately, there’s no customization software for the Storm G2, so those looking for extra features and tweaks will be disappointed. There’s also no way to check the battery level, which is another inconvenience.

(Image credit: Future) OXS Storm G2 review: Performance

• Crisp and punchy sound
• Useful EQ profiles
• Good connectivity

The overall sound of the Storm G2 is quite admirable, with crisply rendered mids and highs without much distortion, although fidelity isn’t up there with headphones dedicated to audio playback. Still, in this sector, the Storm G2 acquits itself well enough for a pleasurable listening experience.

The various listening modes make a meaningful difference to sound as well. Music mode offers the most impact thanks to its punchy bass response, although sub frequencies aren’t as deep or sonorous as those of the best sounding headsets.

Meanwhile, Surround mode lives up to its name and imparts a greater sense of space, which I found helpful when trying to locate footsteps more precisely in Counter-Strike 2, for example. What’s more, this mode also retains the fuller sound of Music mode.

Game mode, however, is perhaps the weakest of the three modes, and only seems to take away fidelity and low-end, with no real benefit to balance this out.

No matter what connectivity mode you use, audio response is fast, and the audio quality is consistent. However, I seemed to detect a slight lag when using Bluetooth. Also, it’s a shame that in wired mode, the various EQ modes, the microphone, and the volume wheel all cease to function. It does seem to default to Music mode, though, which is something I welcomed.

The Storm G2 connected easily to the various platforms I tried it on via both Bluetooth and the 2.4GHz dongle, and is level with the best Nintendo Switch headsets in terms of setup with the console. Battery life is hard to discern, since there’s no indicator, although I can say that it at least lasted a whole day’s worth of testing.

(Image credit: Future) Should I buy the OXS Storm G2? Buy it if...

You want to save money
There aren’t too many wireless gaming headsets around at this price, and it punches above its weight in terms of performance.

You want multi-platform compatibility
Thanks to 2.4GHz and Bluetooth modes, as well as a 3.5mm cable for wired play, the Storm G2 is compatible with various systems.

Don't buy it if...

You want the best comfort
The Storm G2 can get a little uncomfortable after long periods, especially for the bespectacled.

You want to tweak settings
The Storm G2 has no accompanying software, so the only adjustments you get are the three EQ profiles selectable via a button.

OXS Storm G2 review: Also consider

OXS Storm G2

Corsair HS55 Wireless

Epos H3

Price

$79 / £62 (about AU$123)

$119.99 / £119.99 / $229

$119 / £109 / AU$179

Weight

9.9oz / 282g

9.4oz / 266g

10.5oz / 298g

Compatibility

PlayStation, PC, Nintendo Switch, Mobile

PlayStation, PC, Mac

Xbox, PlayStation, PC, Nintendo Switch, mobile

Connection type

Wired (USB-A), Wireless (2.4GHz, Bluetooth)

Wireless (2.4GHz, Bluetooth)

2 x 3.5mm jack / 1 x 3.5mm jack (GSA 30 PC Cable/GSA 30 Console Cable)

Battery life

40 hours

24 hours

N/A

Features

Three EQ modes, detachable mic

Omnidirectional boom mic, Dolby Audio 7.1

Lift-to-mute mic, EPOS BrainAdapt Technology

Software

None

iCue

None

Corsair HS55 Wireless
The HS55 provides detailed audio, if a little underwhelming in the bass department, and is light and comfortable to wear. Furthermore, customizations are available courtesy of the iCue software, which remedies one of the main drawbacks of the Storm G2. It’s considerably more expensive than the Storm G2, but relative to other gaming headsets, it’s still well-priced. Read our full Corsair HS55 Wireless review

Epos H3
If you want to save even more cash and can settle for wired-only connectivity, the H3 is one of the best around. We found its sound and comfort levels to be excellent, while the microphone is crisp and clear, if a little too large for our liking. But considering how low this headset now goes for, that’s a small price to pay. Read our full Epos H3 review.

How I tested the OXS Storm G2

• Tested for a full day
• Used with various platforms
• Plentiful gaming experience

I tested the Storm G2 for a day, during which time I used it for gaming, listening to music, and watching video content. I connected to multiple devices via its various connectivity modes.

I played Counter-Strike 2, which is ideal for testing surround sound qualities and response times. I also played Gran Turismo 7 on PS5 and The Legend of Zelda: Tears of the Kingdom on Switch, which both offer different kinds of sonic experiences as they focus on different frequency ranges.

I have been gaming for over two decades, and during that time, I have experienced numerous headsets. I have also reviewed a number of them across a range of brands, varying in their price points, features, and form factors.

• First reviewed: May 2025.
• Read more about how we test

NPR's Scott Simon reflects on the discovery that what Harvard University thought was a copy of the Magna Carta is actually an original.

(Image credit: Lorin Granger)

• The iPhone 17 Air is tipped to be just 5.5 mm thick
• A weight of 143 grams has also been rumored
• The battery capacity is predicted to be 2,800 mAh

It's the year of the ultra-thin phone, and after the grand unveiling of the Samsung Galaxy S25 Edge earlier this week, we now have some rumored specs for the iPhone 17 Air that Apple is expected to be unveiling in September.

According to well-known tipster Yeux1122 (via @Jukanlosreve), the iPhone 17 Air is going to be a mere 5.5 mm front to back – that beats the 5.8 mm thickness of the Galaxy S25 Edge by a narrow margin.

The other details revealed here are that it's going to come with a 2,800 mAh battery (compared to 3,900 mAh for the Galaxy S25 Edge) and weighs around 145 grams (compared to 163 grams for the Samsung model).

Considering the iPhone 16 comes with a 3,561 mAh battery packed inside, that raises some questions about just how long the iPhone 17 Air is going to last between charges – and whether you'll be able to make it through the day without plugging it in.

Battery capacities and cases

iPhone 17 Air rumor:5.5mm thickness145g weight2800mAh battery???However, there's a possibility that a high-density battery will be used despite the 2800mAh capacity. pic.twitter.com/G8r9QayG7oMay 17, 2025

Let's hope Apple's engineers are able to find a way to get as much juice as possible from this smaller battery and super-thin frame. Bloomberg's Mark Gurman, who is usually reliable when it comes to Apple rumors, says the iPhone 17 Air battery life is going to be on a par with current iPhones.

We've also heard that Apple is going to introduce new high-density battery technology with this model, meaning more battery life from less capacity. Apparently the same tech is set for the upcoming foldable iPhone as well.

Also of note: one source says Apple is going to bring back its official iPhone battery case this year, in order to make up for battery shortcomings with the iPhone 17 Air. You might want to factor that into your budget if you're thinking of picking one up.

While nothing is confirmed yet, the iPhone 17 Air is widely expected to be replacing the iPhone 16 Plus in the current lineup. There has also been a lot of talk about a significant redesign for the iPhone 17 Pro and iPhone 17 Pro Max models, so there's a lot to look forward to in September.

You might also like

• Apple's iPhone 17 Air could come with a key charging benefit
• The iPhone 17 Air looks very slim in this comparison image
• Your iPhone battery could get a big boost soon thanks to iOS 19

New data shows internet performance gaps are growing between urban and rural areas despite improved broadband speeds.

Canon EOS R50 V: two-minute review

The Canon EOS R50 V is the company’s latest mirrorless camera. Put simply, it’s an affordable video-centric model aimed at content creators and vloggers, offering 4K video recording at up to 30fps, four-channel 24-bit audio from its built-in microphone and decent wired and wireless connectivity.

I’ve reviewed a lot of vlogger-focussed cameras recently, including Canon’s own PowerShot V1, a fixed-lens compact that launched alongside the EOS R50 V and costs a similar amount, so I was interested to see how this interchangeable lens camera performed in comparison. In some ways, the PowerShot V1 has more appeal: it’s more compact and its lens is faster and wider than the 14-30mm kit lens that can be purchased bundled with the EOS R50 V. It comes with a built-in ND filter too.

What the R50 V has on its side is future versatility, thanks to an RF lens mount. With the ability to use other lenses in the RF system, upgrading image quality or gaining a new field of view is easily achievable here. With the PowerShot V1, you’ve only got that one lens.

The EOS R50 V’s 24.2MP APS-C sensor is also physically bigger than the 1.4-inch sensor on the PowerShot V1. Not by much, mind you – and image quality isn’t too different on the two cameras.

The EOS R50 V can capture video at 4K at up to 30fps, or a cropped 4K at up to 60fps. The latter isn’t really ideal for vlogging, as it greatly reduces the field of view and I found it difficult to get myself comfortably in frame while holding the camera. The uncropped 4K delivers a much more expansive field of view, albeit at the expense of frame rate – but I don’t think many will require 60fps for vlogging. The other resolution on offer is 1080p, which can capture at up to 120fps – ideal for slow-motion playback.

(Image credit: Future | Sam Kieldsen)

Videos and JPEGs look great straight out of the camera, as I’ve come to expect from the best Canon cameras and their color science. For those who want to edit or grade in post, however, RAW photos and a flat C Log color profile are also available.

There’s a lot to like about the EOS R50 V’s all-round performance. Its autofocus system is fast and accurate, and able to recognize and track human, animal and vehicle subjects. Its optical image stabilization is decent (if unremarkable, thanks to no in-body IS) and its on-board microphones perform well indoors in quiet conditions. Testing outside on a blustery day, I found the wind reduction mode to be almost completely ineffective, so a decent external mic is required; the PowerShot V1 includes a fluffy windshield that works quite well, and it’s odd Canon didn’t supply one here.

Connectivity is what you’d expect from a video-centric camera, while the LP-E17 battery supplies around 480 photos according to Canon. I did find it drains quite quickly while shooting 4K video, as you might expect – but thankfully the USB-C port can be used for on-the-go recharging or even constant power supply.

I’m quite impressed with the EOS R50 V. There’s nothing particularly fancy about it, and in many ways its sister camera the PowerShot V1 is a much more interesting device – being more of an all-in-one vlogging machine. But the R50 V’s lens mount means it might be a better choice for vloggers who plan on gradually upgrading their setup over the years.

The EOS R50 V (left) alongside the EOS R50 (right). They share much of the same tech, but the R50 V id designed more specifically for video. (Image credit: Tim Coleman) Canon EOS R50 V: Price and availability

• $649 / £729 / AU$1,169 body only
• $849 / £959 / AU$1,499 with Canon 14-30mm lens

The EOS R50 V is available to order, priced at around $649 / £729 / AU$1,169 body only or $849 / £959 / AU$1,499 in a kit with Canon’s new 14-30mm f4-6.3 IS STM PZ power zoom lens.

That strikes me as a competitive and affordable price, particularly with the lens – and especially for US-based consumers. I think the kit is the one to go for, unless you already own a few RF lenses, of course – but do bear in mind that you may need to buy an external microphone too.

• Price score: 4/5

(Image credit: Future | Sam Kieldsen) Canon EOS R50 V: specs Quick Specs

Camera type:

Mirrorless

Lens mount:

Canon RF

Sensor:

APS-C, 24.2MP

Video:

4K 30fps / Cropped 4K 60fps / 4:2:2 10-bit

Battery (CIPA rating):

480 shots (LCD)

Dimensions:

119.3 x 73.7 x 45.2 (body only)

Weight:

370g (body only)

Canon EOS R50 V: Design and handling

• 3-inch, 1.04m-dot vari-angle LCD touchscreen
• Front tally lamp and record button
• Camera weighs just 370g without a lens

The EOS R50 V is a small and mostly plastic-bodied camera designed primarily for video. There’s no built-in flash and no viewfinder like you get with the EOS R50, which photographers might miss. For video users, the vari-angle screen handles composition more than adequately and the 21-pin multi-function hot shoe and extra, side-mounted tripod thread are very useful additions.

The side mounting point is ideal for recording 9:16 portrait ratio videos. (Image credit: Future | Sam Kieldsen)

I found the control layout to be user-friendly, particularly the second video recording button on the front. There’s also a front-facing tally lamp, to let you know when you’re recording video. On the back and up top you’ll find the usual well-labelled dials and buttons, and with the help of the touchscreen I never struggled to change a setting or switch between shooting modes.

The camera isn’t weatherproofed, and the plastic body feels lightweight. In fact, at just 370g without a lens, it’s one of the lightest mirrorless cameras I’ve used in a long time. Adding the 14-30mm kit lens doesn’t tip the scales by much either: it’s just 181g, keeping the complete weight for camera and lens well under 600g.

• Design score: 4/5

(Image credit: Future | Sam Kieldsen) Canon EOS R50 V: Performance and features

• No in-body image stabilization
• 12fps continuous shooting with mechanical shutter
• 24-bit or 16-bit stereo audio via internal mic

Image stabilization is very important for a vlogging camera, but with no in-body stabilization here, it all has to come from the lens. The kit lens, for example, comes with optical stabilization and I think that’s just about enough for vloggers who want to walk around with the camera. You can see some real-world examples of the stabilization in action in my sample video in the next section of this review. Just be aware that you won’t get assistance if you fit a non-stabilized lens.

The Dual Pixel CMOS AF II autofocus system is excellent: fast, accurate and able to recognize and track humans (eyes, face, head or body), animals (dogs, cats, birds and horses) or vehicles (cars, motorcycles, trains and aircraft). I encountered no problems with it at all during my time using the camera, during which I was mostly filming myself in a mock vlog style. It kept me in focus no matter how I moved around the frame.

(Image credit: Future | Sam Kieldsen)

Despite the EOS R50 V’s video-first design, it does have a mechanical shutter. It’s a pretty adept stills camera, actually, thanks both to the aforementioned autofocus setup and its ability to shoot at a respectable continuous speed of 12fps (with mechanical shutter) and 15fps (with electronic shutter).

Connectivity-wise, I wasn’t disappointed. There are dedicated 3.5mm jacks for a mic and headphones, a micro HDMI output (while I’d prefer full-size, the compact body always made this unlikely) and a USB-C 3.2 port that works for data transfer, battery charging and power supply. It’ll also support live streaming when connected to a computer and allows users to set up the EOS R50 V as a webcam. There’s Wi-Fi and Bluetooth too, supporting wireless image transfer, printing and upload to Canon’s cloud services.

The built-in microphone can record in four-channel 24-bit or two-channel 16-bit modes, and comes with a wind noise reduction mode that is supposed to kick in automatically if needed. I tested in indoors and found it excellent quality, but outside on a windy day the noise reduction feature was next to useless. I’d have liked at least a furry windshield included to help mitigate interference, but I think vloggers using the EOS R50 V outside in anything but the calmest of conditions will need an external microphone of some kind.

• Performance and features: 4.5/5

The 14-30mm kit lens is compact, but its maximum f/4 aperture is quite limiting especially in low light. (Image credit: Tim Coleman) Canon EOS R50 V: Image and video quality

• APS-C sensor delivers 4K video and 24.2MP photos
• Full HD slow-motion capture at 100fps or 120fps
• Canon Log 3 color mode supported

Canon’s much lauded color science makes the EOS R50 V almost too easy to use. Whatever you point it at, it’ll produce great-looking JPEGs and videos right out of the camera, with no need for intervention on your part. I’ve made some very minor tweaks to the photos you see below in Adobe Lightroom to draw a bit more detail out of shadows, but overall I could have left them be and been more than happy to use them.

The kit lens is pretty poor in terms of brightness, having only a maximum f/4 aperture. Coupled with the smallish APS-C sensor, it makes this camera quite unsuited to low light photography out of the box. Slap a faster lens on here and you might get good results, however.

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(Image credit: Future | Sam Kieldsen)

For the 4K sample video (I apologize for the lack of camera audio on the outdoor shots – but the wind noise was just too intrusive to keep it in), I made no adjustments at all. All these clips are presented here exactly how they came out of the camera.

I recorded these at 4K 24fps quality, to make the most of the full sensor size. You can also capture cropped 4K video at up to 60fps, but for vlogging I felt that crop was a bridge too far, reducing the frame too much to comfortably get my head in. It’d be fine for capturing b-roll, however. I’ve not included any here, but the camera can also shoot in Full HD, and in up to 120fps for some smooth slow-motion playback if desired.

The EOS R50 V shoots RAW photos and can capture video in Canon’s flat C Log 3 color profile, should you want to perform more editing and grading yourself. So, there’s plenty of support here for imaging enthusiasts who want to achieve their own look.

• Image quality score: 4/5

Canon EOS R50 V: testing scorecard Canon EOS R50 V

Attributes

Notes

Rating

Price

Decent price, especially in the US.

4/5

Design

Compact and video focused by design.

4/5

Performance and features

Shame not to have in-body IS, but that's understandable given the price.

4/5

Image and video quality

Canon knows how to do gorgeous colors, but the EOS R50V's kit lens is so-so.

4.5/5

Should I buy the Canon EOS R50 V? Buy it if...

You want an expandable cheap video camera
The RF mount and connectivity make the R50 V a great starting point for a content creator. You can always add more lenses to widen your creative capabilities as you gain popularity.

You love Canon’s color science
It’s hard to fault the look of the images and videos that come straight out of the R50 V. Canon knows how to produce punchy, pleasing pictures with minimal user effort.

Don't buy it if...

You want an all-in-one vlogging camera
You’ll still need a decent external mic if you plan on vlogging outdoors with the R50 V, as wind noise is an issue.

You’re a stills photographer first
With no flash and no viewfinder, photographers get a bit of a raw deal here. That’s fine – it’s a video camera first – but it’s something to be aware of.

(Image credit: Future | Sam Kieldsen) Canon EOS R50 V: Also consider Canon PowerShot V1

With similar performance and color science, plus a superb, bright built-in lens, this sister camera to the EOS R50 V makes for a great one-stop-shop video compact camera. True, you can’t upgrade the lens, but it’s a great pick if you want a single small camera to handle all your video needs.

Read our in-depth Canon PowerShot V1 review

DJI Osmo Pocket 3

With its 1-inch sensor, a gimbal-stablized 4K camera, a pocketable and compact stick-like form factor, the Pocket 3 is brilliant focused vlog camera. It’s cheap too. While the R50 V has the bigger sensor and interchangeable lenses, if you’re looking for a great affordable vlogging option, don’t discount this.

Read our in-depth DJI Osmo Pocket 3 review

How I tested the Canon EOS R50 V

• Tested a full production model for three days
• Shot clips handheld and on vlogging handle
• Used a range of video resolutions and frame rates

Owing to a short loan time, I didn't have as long as I would have liked to review the EOS R50 V – just a few days. Even so, I was able to get outside multiple times to test its photo and video capabilities in real-world conditions, which I did in generally favorable weather conditions (wind aside). I mounted the camera on a Joby GorillaPod for vlogging purposes.

• First reviewed May 2025

JVC DLA-NZ700 projector: two-minute review

The JVC DLA-NZ700 is a new mid-range projector from the brand, combining its existing BLU-Escent laser light source and redesigned D-ILA 4K chipset into a more compact and lighter body.

The result with the JVC DLA-NZ700 is a highly capable beamer that builds on JVC’s success with the previously released DLA-NZ800 and DLA-NZ900, while allowing its lineup to more effectively compete with the best projectors in terms of price.

The new lens may combine plastic with glass, but it still delivers a crisply detailed image, and the picture accuracy is superb with both SDR and HDR. The latter really impresses thanks to JVC's proprietary dynamic tone mapping, along with support for HDR10, HLG and HDR10+. The laser power setting also offers more precise control for dialling in brighter HDR without fan noise.

What is most remarkable about the NZ700 is that, despite its lower price, it delivers a brightness and contrast performance that matches the earlier, and more expensive, NZ8. It even includes a colour filter to cover the DCI-P3 colour space, along with the Deep Black function and Balanced dynamic laser mode. There’s also an effective remote, redesigned menus, and flexible installation.

Of course, JVC has dropped some features to shave off costs, although most probably won’t miss the lack of 8K or 3D support. On the other hand gamers will bemoan the lack of 4K 120Hz, along with a rather high input lag. Otherwise, this affordable and feature-packed native 4K HDR projector will give any other high-end beamer a run for its money.

JVC DLA-NZ700 projector review: price and release date

A new optical unit and 80mm hybrid lens in the NZ700 contribute to its compact size (Image credit: Future)

• Price: £9,499 / $8,999 / AU$14,999
• Release date: May 2024
  

The JVC DLA-NZ700 (DLA-RS2200) is the mid-range model in the brand’s revised line-up of 4K laser-powered projectors. It’s available now and retails for £9,499 / $8,999. The NZ700 replaces the outgoing DLA-NZ7 (DLA-RS2100), and sits between the equally new DLA-NZ500 (DLA-RS1200) at £6,499 / $5,999, and the higher range DLA-NZ800 (DLA-RS3200), which costs £15,999 / $15,999.

JVC DLA-NZ700 projector review: Specs

Screen sizes supported:

30-150 inches

Brightness (specified):

2,300 lumens

HDR support:

HDR10+, HDR10, HLG

Display technology:

Laser, D-ILA

Resolution:

Native 4K (4,096 x 2,160)

Connections:

2x HDMI 2.0

Dimensions:

450 x 180 x 479mm (18 x 7 x 19 inches)

Weight:

15.2kg (33.5lb)

JVC DLA-NZ700 projector review: design and features

The NZ700 uses the same third-generation D-ILA 4K chipset found in JVC's step-up NZ800 and NZ900 projectors (Image credit: Future)

• World's smallest native 4K projector
• New 80mm hybrid lens
• Gen2 Frame Adapt HDR

The JVC DLA-NZ700 sports a completely new design inside and out, resulting in a more compact chassis that, along with the NZ500, makes it the world’s smallest native 4K projector. The NZ700 is noticeably smaller and lighter than its predecessor, especially when they’re placed side by side.

The NZ700’s size and weight have been reduced by utilising a new optical unit and 80mm hybrid lens. However, the build quality remains excellent, and the NZ700 is still finished in matte black, making it ideal for dedicated home theatre installations. It measures 450 x 180 x 479mm (18 x 7 x 19 inches) and weighs in at 15.2kg (33.5lb).

At the rear are a pair of HDMI 2.0 inputs that support bandwidths up to 32Gbps and are limited to 4K 60Hz (which isn’t great news for console or PC gamers). The HDMI ports can also handle HDCP 2.3, and high dynamic range – specifically HDR10, hybrid log-gamma (HLG), and HDR10+.

The provided remote is the same slightly tweaked version included with the NZ800 and NZ900, with its more luminescent light button, and small bumps on the on/off and enter buttons – all of which make this well-designed controller very easy to use in a fully blacked-out home cinema.

The JVC DLA-NZ700 incorporates the same third-generation D-ILA 4K chipset introduced on the NZ800 and NZ900. The new design is more efficient, allowing for brighter images, deeper blacks, and improved uniformity. As a result, despite using the same laser light source as earlier models, the NZ700 has a claimed peak brightness of 2,300 lumens and a native contrast ratio of 80,000:1.

In addition to the improved black levels offered by the upgraded D-ILA chipset, the NZ700 has the new Deep Black function with its revised algorithm to further enhance contrast without crushing shadows. In addition, the dynamic laser control includes the new Balanced setting for pictures that appear punchier without introducing the brightness fluctuations seen on earlier models.

The NZ700 has the improved sliding scale control in the laser power sub-menu, allowing for more granular adjustments as you gradually boost brightness without a sudden increase in fan noise, thus enabling the creation of more useful settings for HDR. There’s also the new “Vivid” mode that JVC added previously for watching SDR sports or gaming in a room with some ambient light.

The NZ700 retains the BLU-Escent laser diode light source with its claimed minimum 20,000-hour lifespan and greater consistency. Other features include motorised focus, zoom and shift controls, which makes installation easier, plus there are lens memories for different aspect ratios on a 2.35:1 screen. There’s also a Filmmaker Mode, along with ISF-certified calibration controls.

JVC’s tone mapping remains state-of-the-art, with the latest proprietary Gen3 Frame Adapt HDR dynamically analysing HDR10 content on a frame-by-frame basis to optimise the image, while 18-bit gamma processing results in smoother and finer gradations. However, JVC has dropped the Theatre Optimiser, which enhances tone mapping based on your screen’s size, shape and gain.

In addition to the existing analysis of an incoming HDR signal, the NZ700 now reads the Display Mastering Luminance (DML) metadata that tells the tone mapping the peak brightness of the display on which the content was originally mastered. This is useful because the more metadata the tone mapping has to work with, the better the results in terms of the displayed HDR images.

The NZ700 has a revised menu system compared to the NZ800 and NZ900, with a new main Setting Menu Select page. Here you choose between Picture Settings, HDMI Settings and Installation Settings. Once you’ve selected the Settings you want to adjust, you’ll find all the related sub-menus for those particular settings available, and you can move between them.

• Design and features score: 4.5/5

JVC DLA-NZ700 projector review: picture quality

Rear-panel ports include two HDMI 2.0 connections (Image credit: Future)

• Detailed and cinematic 4K delivery
• Impressive HDR tone mapping
• Wide colour gamut filter

The JVC DLA-NZ700 is nothing short of a revelation, and delivers a performance that I could immediately see was comparable to the NZ800 I reviewed previously. There are similar components, such as the D-ILA chipset and laser light source, but I hadn’t anticipated the new lens producing such a sharp image, nor did I expect the black levels to be quite so impressive.

My first impressions were confirmed during testing, with the NZ700 delivering a contrast ratio of nearly 50,000:1, which is better than the earlier and more expensive NZ8. The laser brightness approaches the claimed 2,300 lumens, although you only hit these peaks in the Vivid mode, and in the preferable Filmmaker or calibrated Natural mode, this is closer to around 1,700 lumens.

The out-of-the-box SDR accuracy is excellent with the white point close to the industry standard of D65, an even greyscale, and colours hitting their saturation targets for BT.709, but this can be improved through calibration. I was able to get reference accuracy using the built-in controls, and anyone spending nearly nine grand should really get their new NZ700 professionally calibrated.

This accuracy also extends to HDR, with the NZ700 covering 97% of DCI-P3 with its colour filter in place. What’s even better is the filter only reduces the brightness by about 15%, although if you’d rather not use the filter (and with HDR10+ you don’t have a choice), then the brightness increases, but the gamut coverage now drops to around 83% of DCI-P3 instead.

The NZ700 may be more affordable, but it still includes JVC’s class-leading HDR tone mapping with the beamer not only accurately tracking the PQ curve standard, but also using dynamic tone mapping to get the best out of content based on the available metadata and real-time analysis of the HDR signal. The ability to read the Display Mastering Luminance also helps in this regard.

The Deep Black feature remains a useful addition, bringing slightly more detail out of shadows while keeping the blacks suitably inky. The Balanced dynamic laser setting is also useful, adding greater depth at the low end while also boosting the brightness at the other end without any ‘pumping’ in the image itself. The superior tone mapping ensures the highlights are also free of clipping.

The NZ700's dynamic tone mapping feature is very adept at optimising its performance (Image credit: Future)

This NZ700 is equally impressive with motion handling, producing smooth pictures that are free of blurring and unwanted artefacts. The projector may be limited to 60Hz, but the motion with games remains excellent, although the responsiveness suffers due to the lack of a low-latency mode. As a result, this projector’s input lag measures 51ms, which is probably too high for serious gamers.

When it comes to SDR content, the NZ700 is a fantastic performer, producing detailed and natural images that enjoy added depth thanks to the impressive contrast ratios. Watching Samsara on Blu-ray reveals a remarkably detailed image, and any concerns I had about the new 80mm lens using a combination of plastic and glass were dispelled by the finely rendered images on display.

Moving on to HDR, the NZ700 continues to dazzle with a spectacular delivery that retains all the fine details in the snowy landscapes of The Revenant. The colours of The Greatest Showman burst off the screen during the musical numbers, and the rain-soaked neon-lit streets of Gotham are bathed with beautifully rendered blacks, deep shadows and nuanced colours in The Batman.

The dynamic tone mapping is very adept at optimising the performance of the NZ700, and the resulting HDR is often comparable to high-end video processors that cost more than the projector itself. When able to use the dynamic metadata of HDR10+, the results are equally impressive, and the kinetic and colourful Motorball sequences in Alita: Battle Angel are brought vividly to life.

• Picture quality score: 5/5

JVC DLA-NZ700 projector review: value

The JVC NZ700's fully backlit remote control (Image credit: Future)

• Exceptional value for money
• Has no direct competitor
• The sweet spot in JVC's projector line-up

The JVC DLA-NZ700 represents remarkable value, especially when you consider it offers much of the same image quality and feature set as the more expensive DLA-NZ800. Yes, you lose support for 8K 60Hz, 4K 120Hz and 3D, plus there’s no low latency mode, but in terms of overall picture performance there isn’t a significant difference between the two, making the NZ700 a great choice for film fans looking to save a few bucks without compromising on contrast and HDR tone mapping.

The NZ800 has a direct competitor in the form of the Sony Projector 8 (VPL-XW6100ES), which is priced at £15,999 / $15,999, while the flagship DLA-NZ900 goes up against the Sony Projector 9 (VPL-XW8100ES), which costs £25,999 / $31,999. However, the NZ700 currently has no direct competitor, and while it’s more expensive than the NZ500, Sony VPL-XW5000ES and Epson EH-QB1000, when you consider its performance and features, it may well be the sweet spot in the JVC projector line-up.

• Value score: 5/5

JVC DLA-NZ700 projector

Attributes

Notes

Rating

Design and features

Compact chassis, and backlit remote; motorised lens controls with memories, class-leading HDR tone mapping, and HDR10+ support, but no 4K 120Hz input or low-latency mode

4.5/5

Picture quality

Excellent black levels and accurate 4K images combine with a bright and cinematic delivery with SDR and HDR

5/5

Value

Remarkable value given the feature set and performance

5/5

Should I buy the JVC DLA-NZ700 projector?

(Image credit: Future) Buy it if...

You want detailed 4K images with that all-important film-like quality: The new 4K chipset and hybrid 80mm lens deliver crystal-clear images, with superior black levels and excellent contrast that result in wonderfully cinematic images that elude the competition.

You want class-leading HDR tone mapping: JVC’s proprietary dynamic tone mapping reads the available metadata and analyses the incoming HDR signal to produce remarkable HDR images that rival ultra-high-end video processors.

You want HDR10+ support: The inclusion of HDR10+ allows the NZ700 to take advantage of the format’s dynamic metadata, ensuring tone mapping that’s optimised for the lower brightness of a projector compared to a TV.

Don’t buy it if… 

You want support for 4K 120Hz high frame rate gaming: The NZ700 lacks HDMI 2.1 inputs, so it doesn’t accept 4K images with a frame rate higher than 60Hz, and that means those with the latest consoles or high-end PC rigs can’t game at 4K 120Hz.

You want a projector with a low input lag: There’s no low-latency mode, and as a result the input lag is 51ms. This is far too high for serious gamers, who should probably consider the cheaper Epson or Sony projectors.

You want support for 3D: JVC has dropped 3D support on both the NZ500 and NZ700, bringing them in line with Epson and Sony. Unfortunately for 3D fans, you’ll have to buy the more expensive NZ800.

Also consider... Comparison: 4K projectors

JVC DLA-NZ700

JVC DLA-NZ800

Epson Pro Cinema LS1200

Price:

£9,499 / $8,999 / AU$14,999

 $15,999 / £15,999 / AU$24,999

$4,999 (£4,399 / about AU$7,090)

Screen sizes supported:

60 to 200 inches

60 to 200 inches

50 to 130 inches

Brightness (specified):

2,300 lumens

2,700 lumens

2,700 lumens

HDR support

HDR10, HDR10+,HLG

HDR10, HDR10+,HLG

HDR10, HLG

Display technology:

Laser, D-ILA

Laser, D-ILA

Laser, 3LCD

Resolution:

Native 4K (4,096 x 2,160)

Native 4K (4,096 x 2,160)

4K (3,840 x 2,160)

Connections:

2x HDMI 2.0

2x HDMI 2.1

2xHDMI 2.1

JVC DLA-NZ800
JVC's NZ800 costs quite a bit more than the NZ700, but adds 8K, 4K 120Hz, and 3D support. For most buyers, choosing the NZ800 over the NZ700 will come down to this projector's gaming features, since it has a low-latency mode plus 4K 120Hz support for console gaming.

Here's our full JVC DLA-NZ800 review

Epson Pro Cinema LS1200
The Epson LS1200 is our pick for the best projector for most people due to its powerful contrast, HDM1 2.1 ports, and reasonable price given the performance and features it delivers. It's a great alternative option if the JVC NZ700 exceeds your budget.

Here's our full Epson Pro Cinema LS1200 review.

How I tested the JVC DLA-NZ700 projector

(Image credit: Future)

• Measured with Calman calibration software
• Evaluated using SDR and HDR content
• Reviewed in a dedicated home cinema

As with all my TV and projector reviews, I use a combination of subjective viewing and objective measurements against the industry standards. For projectors, I also do all my testing in a dedicated home cinema with a completely blacked-out environment and high-quality screen.

The subjective testing is based around watching a variety of familiar scenes, primarily sourced from 4K and 1080p Blu-rays, plus the Spears & Munsil UHD Benchmark 4K disc. Any test scenes have been specifically chosen to evaluate a display’s black levels, contrast performance, colour accuracy, upscaling, image processing, motion handling, and HDR tone mapping.

For the objective testing, I measured the NZ700’s brightness, greyscale and colour gamut in SDR, before doing the same in HDR. I also evaluated the accuracy of the HDR tone mapping, along with the colour gamut coverage for DCI-P3. To do this, I used a pattern generator and colour meter combined with Portrait Display’s Calman calibration software. I measured the NZ700’s input lag in milliseconds using a specialised Leo Bodnar tester.

First reviewed: May 2025

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Hollywood's plummeting film and TV production levels have studio executives and grassroots groups pushing for better incentives to keep business in California.

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The drone hit a bus evacuating civilians from a front-line area in Ukraine's northeastern Sumy region Saturday, hours after Moscow and Kyiv had held their first direct peace talks in years.

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• Netflix has announced that AI-generated mid-roll ads are coming in 2026
• YouTube this week also revealed its new Gemini-powered ad tech
• Both have also tested 'pause ads' that appear when you pause a video

It already felt like the golden age of streaming was well behind us, but Netflix and YouTube have just confirmed it with new kinds of AI-powered ads that will seriously test your patience in the near future.

Netflix was the first to talk glowingly about its ad tech this week – during its Upfront showcase, the streaming giant said it will be launching AI-generated, interactive mid-roll ads, alongside pause ads, in 2026.

What does 'AI-generated' mean? Unfortunately, it's as bad as you feared. Netflix explained during Upfront that these new types of ads will use "generative AI to instantly marry advertisers’ ads with the worlds of our shows".

In other words, mid-roll ads will soon harmoniously blend in with the show you're watching, bathing your eyeballs with subtle messaging.

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Netflix is supremely confident that its ad-supported tier subscribers will stomach these new commercials because, according to Amy Reinhard (its President of advertising), "members pay as much attention to mid-roll ads as they do to the shows and movies themselves". Perhaps subscribers hurling remotes at their TV also counts toward 'engagement'.

Unfortunately, turning up the ad dial makes sense for Netflix's bottom line – its ad-supported tier recently hit 94 million monthly users, which is more than twice the number from the same time last year. And Netflix is far from the only streaming service dabbling with the dark arts of new, AI-powered ad techniques.

The decisive moment

(Image credit: YouTube / Google)

During its Brandcast event this week (via 9to5Google), YouTube also revealed an ad technique with a different twist – one that uses Gemini to work out how to place ads in the most important parts of the video you're watching.

YouTube calls this 'Peak Points', because it uses AI to work out the most meaningful, or "peak", moments to yank you away from an important moment and dunk your head into an ad message.

In the example that YouTube shared, the ad was actually served just after the 'targeted moment' (a marriage proposal) rather than during it, but it still looks like a pretty cynical way to hit you with advertising right when your emotional guard is down.

YouTube didn't say exactly when this new 'feature' will be rolling out. But it seems likely to arrive before Netflix's interactive mid-rolls and pause ads. Talking of pause ads, that's another trick that YouTube has already tested in its bid to break your resolve and push you to YouTube Premium (or, in many cases, uBlock Origin).

Analysis: The streaming giants remove their masks

(Image credit: Netflix)

There was an age when Netflix was the scrappy, ad-free upstart that we all flocked to from cable and its endless commercials, but those days are long gone.

In fact, if you're already tiring of insidious ad creep, there were some chilling remarks from Amy Reinhard (Netflix's President of advertising) at Upfront. "If you take away anything from today, I hope it’s this: the foundation of our ads business is in place," she said during Upfront. "And going forward, the pace of progress is going to be even faster".

Pass me some smart glasses with AI-powered ad blockers, then, because this doesn't sound like a fun ride. I have no issue with ads at all – it'd be hypocritical to say otherwise, writing for a website that's partly supported by them – but making them a central part of a paid service seems a bit greedy, and I worry about the melding of AI-powered ads with entertainment.

As TechRadar contributor Carrie Marshall also recently argued, Prime Video's 'Shop the Show' feature – which lets you instantly buy products featured in its shows – represents a troubling trend that's only going to get worse as we head into 2026. Prime Video is, like Netflix, very much an ad company in disguise.

With AI unlocking new opportunities, the temptation to saturate shows with marketing opportunities is going to be stronger than ever, and we may increasingly feel like Truman Burbank in The Truman Show, wondering why we have the sudden urge to go and buy a Chef's Pal. I just hope escaping these next-gen ads doesn't exclusively become the preserve of the wealthy who can afford to shell out for 14 different ad-free monthly subscriptions.

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• Netflix is getting 114 new movies and TV shows – here's what you need to know
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