Reviews

Who knew Taylor Sheridan's titan reign at Paramount was going to be such a disaster for Netflix? Well, just about everybody – and the new western series The Abandons completely proves that.

Let's set the scene. Instead of the usual Kevin Costner-style male dominated environment, two matriarchs rule this version of the Wild West. Wealthy tyrant Constance Van Ness (Gillian Anderson) rules the town of Angel's Ridge with an iron fist, determined to control every last inch of it.

Unfortunately for her, poor rancher Fiona (Lena Headey) is a woman who stands her ground. She's fighting to keep her found family's ranch in their hands, resulting in a fatal clash between the two women. Or a 'mother-off', as the kids on TikTok might say.

It sounds like an almighty spectacle, and in some respects it is. The action is big scale on a big budget, the ensemble is fully invested and the production of all seven episodes is absolutely outstanding.

But then there's the overarching storyline, and the overall effect. When you're releasing a western series in the 21st century, it will naturally be compared to 'Sheridanverse' juggernauts like Yellowstone, Landman and 1923. If you watch them all and remember The Abandons, I'd be very surprised.

The Abandons is cursed by an environment way out of Netflix's control

If any main streamer or broadcaster releases a western these days, we're watching it with intense scrutiny. A decade ago, nobody would have batted an eyelid, but the genre has been single-handedly resurrected by Sheridan and Paramount's partnership. As he continues to churn out smash hit shows, that doesn't really leave room for anyone else.

For Netflix, this means that any content that isn't an automatic smash hit is likely to be forgotten, and I think The Abandons falls into this category. It's had more success with new western-romance shows like Ransom Canyon, and I think if the streamer wants to be an industry leader in the genre, that's where it should direct its efforts.

This makes it sound like The Abandons is absolutely dreadful, and it's anything but. However, it doesn't stray to far from "fine". Every element of its composition is solid and delivers what it needs to, but exceptional? Memorable? I'm not so sure about that.

Part of the problem is due to how the overarching storyline unfolds. In episode 1, we're thrown into a myriad of plots that aren't properly explained – and I don't mean that we should naturally be kept in suspense, like a murder mystery.

As an example, Fiona comes from Ireland and has managed to congregate a found family on the Abandons ranch over the course of a few years. How she got to the US, and how they all found each other, becomes convoluted too quickly.

I'm all for a bit of "show don't tell," but I need enough of an understanding to full sink my teeth into the western illusion. Instead, I'm flailing around like a bystander caught in the middle of a gunslinging duel. This effect continues over the series, and that's not amazing incentive to keep on binging.

Gillian Anderson and Lena Headey mother the house down

This image alone got me to tune in. (Image credit: Netflix)

However, it's not all doom and gloom – let's do my favorite thing in the world and talk about Gillian Anderson. I don't think this is her best role of the year (that would be in Trespasses on Channel 4 in the UK), but she never turns out a bad performance. Obviously, because she's Gillian Anderson.

Constance Van Ness is everything you want in an archetypal villain, and remains calculated, cold and cruel in every decision she makes. She's quite literally on her high horse here, metaphorically (and sometimes physically) kicking every person and mutt who dares to get in her way. For a Gillian Anderson fan, it's everything that you could possibly want, and I see new YouTube fan edits in her future.

Of course, Lena Headey isn't far behind Anderson. Fiona is as tenacious as she is decisive, almost single-handedly driving the plot forward with dangerous inciting incidents and turning points. At the same time, she's guarded and elusive, and the urge to learn more about her becomes overbearing. Scenes between the two are actually few and far between, but when they happen, they're golden.

Obviously, anything these two are in automatically holds more weight, but to say the good in The Abandons rests solely on their shoulders isn't fair. Their ensemble cast is strong, and the ranch, Angel's Ridge and the natural countryside beauty are almost all characters in their own right.

I don't think the new Netflix western will be the most satisfying TV binge this December, but you won't be wasting your time by watching, either. It's certainly a budget version of a Taylor Sheridan show (metaphorically speaking, not in production value), but if you're a fan of our leading ladies, The Abandons is a slam dunk.

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Samsung Galaxy S25 Edge review: One-minute review

(Image credit: Philip Berne / Future)

The Fan Edition range, now dubbed FE, offers a premium flagship experience at a more affordable price, but this is naturally achieved through compromises on the specs sheet. This year’s Galaxy S25 FE tries to be a lower-cost Galaxy S25 Plus, and toward this goal, Samsung has completely delivered.

The Galaxy S25 FE features a solid specs sheet and an experience that’s mostly akin to its more expensive siblings, but some of the tradeoffs result in an experience that’s hard to recommend. The Galaxy S25 FE delivers the same battery life and charging speeds, the same great display, and two of the three cameras are also identical. Yet, the reduction in RAM to 8GB and the switch to last year’s Exynos 2400 processor resulted in performance I found considerably wanting.

A key challenge is the competition - rivals are proving that Samsung may need to tweak its approach to the Fan Edition to deliver on its value. If you’re in the US, the Galaxy S25 FE is much easier to recommend at its starting price of $650, but even then, the OnePlus 13R is a worthy alternative.

In the UK, the Galaxy S25 FE is much harder to recommend. It's starting price is still £649, but there are competitors in this price range that you won't find in the states, like the Honor 400 Pro and Poco F7 Ultra, which both offer more powerful chipsets, better cameras, faster charging, and longer battery life.

That ultimately sums up the biggest challenge for the Galaxy S25 FE. It offers a solid, yet unremarkable experience that doesn’t excel in any particular area and struggles to stand out against its rivals, whether from Samsung or others. It’s a good phone that’ll keep you mostly happy, but there are better choices out there.

Samsung Galaxy S25 Edge review: Price and availability

• Starts at $649 / £649 / AU$1,099 for 128GB/8GB configuration
• That’s $350 / £350 / AU$600 less than S25 Plus, although this has double the storage.

(Image credit: Nirave Gondhia)

The US and UK launch prices for the Galaxy S25 FE are competitive, especially as they’ll likely reduce further with sales, and Samsung is offering incentives such as a free Watch 7 and Buds in the UK. It’s worth noting that this pricing applies to the 128GB storage option; the 256GB model costs an extra $50, £50, or €50. If you want the top 512GB model, it’ll cost you a further $100, £100, or €100; at $799 in the US, other devices offer a true flagship experience and also come with similar amounts of storage.

At $649, the Galaxy S25 FE offers considerable value for US audiences and fills an emerging market need. Still, Samsung could do more to deliver a truly competitive experience at this price point.

Storage

US price

UK price

AU price

128GB

$649

£649

AU$1,099

256GB

$699

£699

AU$1,199

512GB

$799

£799

AU$1,399

• Value score: 4 / 5

Samsung Galaxy S25 FE review: Specs

The Galaxy S25 FE is effectively a pared-back version of the Galaxy S25 Plus at a lower price. It weighs the same, has the same-sized screen, the same battery life and charging speeds, and two of the three cameras are also identical.

To achieve this, Samsung chose to cut down on the RAM (from 12GB to 8GB), reduce the peak brightness of the screen to 1,900 nits, and drop the Snapdragon 8 Elite processor for its own Exynos 2400 processor. The periscope camera is lower resolution and has a longer focal length, but it still offers the same 3x optical zoom.

The 4,900 mAh battery is identical to the Galaxy S25 Plus, as is the 45W charging, which is faster than the 25W included in the more expensive Galaxy S25. There’s also 15W wireless charging and Qi2-Ready cases that add magnetic wireless charging support. As it launches with Android 16 and One UI 8 out of the box, the Galaxy S25 FE will receive one more software update than its namesake siblings.

Samsung Galaxy S25 FE

Dimensions

161.3 x 76.6 x 7.4 mm

Weight

190g

OS

OneUI 8, Android 16, up to 7 major Android upgrades promised

Display

6.7-inch Dynamic LTPO AMOLED 2X, 120Hz, 1,900 nits peak brightness

Chipset

Exynos 2400 (4nm)

RAM

8GB

Storage

128GB / 256GB / 512GB

Battery

4,900mAh

Rear cameras

50MP main, 12MP ultra-wide, 8MP telephoto

Front camera

12MP

Charging

45W wired, 15W wireless

Colors

Icyblue, Jetblack, Navy, White

Samsung Galaxy S25 FE review: Design

• The same familiar design as the rest of the Galaxy S25 lineup
• The rear finish is less prone to scratching than the S25 Plus

(Image credit: Nirave Gondhia)

Put the Galaxy S25 FE and Galaxy S25 Plus next to each other, and by design, they’re virtually indistinguishable. The Galaxy S25 FE offers most of the Galaxy S25 Plus experience at a lower price by retaining the same design language as the rest of the Galaxy S25 series.

The exception to this is in the rear glass finish. Almost a year after the Galaxy S25 Plus, the Galaxy S25 FE solves one of my key problems with the Plus's navy finish: it scratches extremely easily. Although there’s no notable change to this finish, during my time with the Galaxy S25 FE, I’ve found that the rear finish is more durable than the Galaxy S25 Plus, which is a welcome improvement that wasn’t even applied to the Galaxy Z Fold 7 a few months ago.

Beyond this, the build is virtually identical to the Galaxy S25 Plus, right down to the same 190 grams weight. By virtue of larger bezels — more on that below — the Galaxy S25 FE is almost 3 mm taller and 1 millimeter wider than the Galaxy S25 Plus, but this doesn’t have a large impact on daily usage. Instead, it feels just like the Galaxy S25 Plus does.

If you’ve seen a recent Samsung phone, the design of the Galaxy S25 FE will feel instantly familiar. However, I hope that, in future versions, Samsung aims to differentiate it somewhat so it feels unique, in much the same way that the Galaxy S25 Edge feels familiar yet unique within the rest of the Galaxy S25 family.

• Design score: 4 / 5

Samsung Galaxy S25 Edge review: Display

• Large, vibrant display that's on par with the Galaxy S25 Plus and Galaxy S25 Plus
• Just as capable as the best Samsung phones.

(Image credit: Nirave Gondhia)

The key selling point for the Galaxy S25 FE is that it offers a display of the same size and quality as the flagship Galaxy S25 Plus, but at a more affordable price. In this vein, the 6.7-inch screen on the FE absolutely delivers, and it’s one of my favorite features on this phone.

A peak brightness of 1,900 nits is lower than the Galaxy S25 Plus (which reaches 2,600 nits) and lower than key rivals such as the Pixel 10 (up to 3,000 nits) and OnePlus 13R (up to 4,500 nits). Yet, under the bright sunshine in Bali over the past few days, I’ve had zero issues with this lower brightness and it’s proven to be just as capable as its siblings in direct sunlight. There’s also the same 1-120Hz dynamic refresh rate and HDR10+ support, although it lacks the Dolby Vision support that some non-Samsung rivals continue to offer.

Although the screen size is the same, the bezels around the Galaxy S25 FE display are slightly larger than on the Galaxy S25 Plus, but this doesn’t affect daily usage. Similarly, the drop from Gorilla Glass Victus 2 to Gorilla Glass Victus+ on both the front and rear hasn’t led to any reduction in protection, at least in the time I’ve been using it, especially since both feature the same Mohs hardness rating for durability.

Samsung consistently makes my favorite smartphone screens, and the Galaxy S25 FE screen is up there with the best Samsung phones. If you want a large, vibrant, and colorful display, this one hits the mark!

• Display score: 5 / 5

Samsung Galaxy S25 Edge review: Software

• Seven years of Android and security updates
• Slower AI performance thanks to more reliance on the cloud

(Image credit: Nirave Gondhia)

The Galaxy S25 FE runs One UI 8 on top of Android 16 out of the box, and comes with the same seven-year commitment towards software and security updates as the rest of the family. By launching with the latest Android version out of the box, the seven-year commitment means it will support up to Android 23, whereas the rest of the Galaxy S25 is only guaranteed to support up to Android 22.

Samsung has proven to be quite adept at rolling out updates quite quickly — a stark contrast to its past history of being amongst the slowest — so it’s likely that the Galaxy S25 FE will receive updates in a timely way like the rest of the lineup.

One UI 8 remains one of the most polished Android experiences you can find, and the Galaxy S25 FE does nothing out of the ordinary that you won’t find on the rest of the lineup. However, the lower RAM and change in processor — more on that below — also mean AI performance is far weaker, with more tasks requiring cloud assistance rather than being performed on-device.

Samsung’s Galaxy AI suite has all the features you’d expect from an AI suite on a flagship smartphone, but the lack of performant capabilities means you are less likely to use these. That’s a shame as Writing Tools, editing in the Gallery app, and Circle-to-Search are all features I use quite often. On the Galaxy S25 FE, I’ve found I use them less often simply because there’s a notable delay in responses and completing requests.

Beyond this, you’ll find that the Galaxy S25 FE feels just like any other Samsung smartphone. It’s designed to be instantly familiar to anyone who has used a modern Samsung smartphone, and it delivers the same experience and interface as the One UI 8 update for the Galaxy S25 Ultra, Galaxy S25 Edge, and Galaxy S25 Plus.

• Software score: 3 / 5

Samsung Galaxy S25 Edge review: Cameras

• A nearly identical experience to the Galaxy S25 Plus camera
• A poorer telephoto camera, that's even farther behind the competition

(Image credit: Nirave Gondhia)

Look at the Galaxy S25 Plus camera and the Galaxy S25 FE camera, and you'll notice that they're virtually the same. This is both a blessing and a curse, as it's easy for Samsung to use this camera system again — it's been the same in many recent Samsung phones — but it continually struggles against the competition.

However, dive deeper, and you'll notice that while the 50MP main and 12MP ultrawide cameras are the same as the Galaxy S25 Plus, the 8MP telephoto is a step lower than the 12MP telephoto in the Galaxy S25 Plus. As a result, average telephoto performance on the Plus is even worse on the Galaxy S25 FE.

The net result is that while this camera is mostly as capable as the rest of the Galaxy S25 family — save for the flagship Galaxy S25 Ultra — it's not a true flagship camera. Instead, the main and ultrawide cameras are slightly above average at best, while the telephoto is below average, especially compared to the competition.

Despite this, the Galaxy S25 FE does retain one of my favorite camera features on any smartphone camera: color point in portrait mode.

Samsung's portrait mode has proven more versatile than the competition, with a variety of options that can be adjusted before or after taking a photo.

Color Point is the most unique feature on a phone. It lets you keep a subject in color while turning the background grayscale. While performance is less capable on the Galaxy S25 FE than on other Samsung phones, it still lets you capture unique photos that no other phone can natively.

Then there's the 12MP selfie camera, and this delivers the same performance as the rest of the lineup, which uses the same selfie camera. I've found that images are a little soft and lacking in detail, but this is true of most of its siblings.

That mostly summarizes the entire Galaxy S25 FE camera experience: it's virtually identical to the Galaxy S25 Plus, but this isn't necessarily a positive, especially as the Galaxy S25 Plus camera is slightly above average at best. However, the Galaxy S25 FE offering this at a lower price does mean it's better than most phones at this price point.

• Camera score: 3 / 5

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(Image credit: Nirave Gondhia)Samsung Galaxy S25 Edge review: Performance

• Average performance from the Exynos 2400 processor in daily tasks
• Below average performance under heavy usage, or when using AI features.

(Image credit: Nirave Gondhia)

If there's one area where the Galaxy S25 FE has proven disappointing, it's performance.

Samsung managed to reduce the price of the Galaxy S25 FE (compared to the Galaxy S25 Plus) by switching from Qualcomm's flagship Snapdragon 8 Elite for Galaxy to last year's Samsung Exynos 2400. While this is acceptable for daily use, it has a marked impact on performance under gaming, heavy loads, and AI.

Simply put, the Galaxy S25 FE begins to struggle under heavy loads, especially since the lower RAM means it's often bumping up against the edge of available memory. This is also readily apparent in the camera app, where image processing takes considerably longer than on the Galaxy S25 Plus.

In most daily tasks, the Galaxy S25 FE delivers flagship-level performance, but if you're a heavy user, you will likely find it wanting. Similarly, the fingerprint sensor remains one of the worst on a smartphone to date — just like the rest of the Galaxy S25 family — and Samsung needs to improve it considerably in future phones, especially as the competition is significantly better.

• Performance score: 3 / 5

Samsung Galaxy S25 Edge review: Battery

• Solid battery life that delivers a day of use with a little to spare.
• 45W charging is also a welcome improvement

(Image credit: Max Delaney / Future)

The Galaxy S25 FE features the same 4,900 mAh battery as the Galaxy S25 Plus, and as such, it delivers mostly the same battery life.

During my time with it, it has mostly lasted a full day of use with around 5-6 hours of screen time, but it doesn't achieve much more than that. With heavy usage, this slips to just under five hours, and the battery needs recharging by the end of the day, but this is mostly when using the camera extensively or gaming heavily.

When you need to recharge the battery, charging speeds have improved from 25W to 45W, reducing overall charging time to around an hour.

However, like the rest of Samsung's lineup, achieving the top speeds requires using Samsung's own 45W charger, or another higher-rated PPS charger. When plugged into my trusty Nomad wall charger — which can deliver up to 100W for most phones — or my Anker power bank, I've experienced charging speeds closer to 30W, and overall charging time dropped to around an hour and 20 minutes.

Then there are two different occasions where the Galaxy S25 FE decided to trickle charge and took over 3 hours to charge to full. When I next charged it with the same charger, it had suddenly returned to the fast charging speeds, and even restarting the phone didn't help when it had entered this trickle charging mode. There's no specific reason this should have happened, and I've yet to replicate it beyond those two occasions, but it's puzzling and a little concerning.

Overall battery life is more than good enough for most people, but the charging situation remains somewhat puzzling. It can deliver a fast charge in an hour, but it can also take much longer, and there seems to be little rhyme or reason for it.

• Battery score: 3 / 5

Samsung Galaxy S25 Edge score card

Value

If you want a Galaxy S25 Plus at a more affordable price, the Galaxy S25 FE delivers. However, rivals stand out for key reasons in ways that the Galaxy S25 FE just can't.

4/5

Design

An improved rear finish over the Galaxy S25 Plus, but otherwise this is virtually indistinguishable from the rest of the Samsung's lineup. I wish Samsung had found a way to make it stand out.

4/5

Display

The same great display I saw on the Galaxy S25 Plus (with the same below-average fingerprint scanner). It’s vibrant and sharp, even in direct light despite the lower peak brightness, but it remains one of the best screens on a phone.

4/5

Software

Samsung’s One UI looks as good as ever, though the lack of performance means the AI features are less useful than ever. Thankfully, this phone still gets seven years of updates so is a solid buy for long-term support.

3/5

Cameras

The cameras are virtually identical to the Galaxy S25 Plus, meaning you get the same above-average camera experience. Yet, this is the same camera system found on Samsung phones for years, and doesn't stand out in any way, especially when rivals offer better zoom performance.

3/5

Performance

The Exynos 2400 is a key difference to the rest of the Galaxy S25 family, and also a source of disappointment for overall performance, but especially on-device AI features. An older Snapdragon chipset would likely have performed better here.

3/5

Battery

Solid but unremarkable battery life, that's just shy of the battery found on the Galaxy S25 Plus.. The 45W charging is a welcome improvement, but doesn't markedly change overall charging times and neither stands out against the competition.

3/5

Buy it if...

You want a cheaper Galaxy S25 Plus
The Galaxy S25 FE is effectively a more affordable Galaxy S25 Plus, so if your budget doesn't stretch that far, or deals aren't as widely available, you should consider the Galaxy S25 FE.

The camera isn't as important to you. If you don't take many photos or don't care about the best camera, the Galaxy S25 FE is worth considering.

Don't buy it if...

You want the best phone.
If you want the best phone, look elsewhere. The Galaxy S25 FE is fine, but there are better phones you can buy at a similar price.

You want a camera that doesn’t disappoint.
The Galaxy S25 FE's camera can be disappointing if you want the best or if you take a lot of photos.

Samsung Galaxy S25 Edge review: Also consider

Samsung Galaxy S25 Plus
The Galaxy S25 Plus is a better version of the Galaxy S25 FE, and is often available at a similar price, especially outside the US. If it's between these two, the Galaxy S25 Plus is a much better purchase.

Read our full Samsung Galaxy S25 Plus review

Samsung Galaxy S25 Ultra.
If you want the best Samsung phone you can buy, this is it, as it comes with an S Pen, anti-glare screen, two zoom lenses, incredible battery life, and up to 1TB of storage. The only problem? It's twice the price.

Read our full Samsung Galaxy S25 Ultra review

How I tested the Samsung Galaxy S25 Edge

• I used the phone as my primary phone for a week, and as a secondary phone for another two weeks.
• I took over 100 photos and videos in a variety of lighting conditions
• I played games and watched movies
• I checked my email, posted on social media and worked in Slack
• I used AI features extensively

I've been using the Galaxy S25 FE for over two months since its launch in early September.

Before posting this review, I used it extensively in the US, UK, and Bali for a week, complete with two active SIM cards. I tested all of the AI features on both Wi-Fi and mobile data connections, as well as

Future Labs tests phones using a mix of third-party benchmark software and proprietary, real-world tests. We use Geekbench, CrossMark, JetStream, WebXPRT, Mobile XPRT, and 3DMark for performance testing. We test a phone's performance on video tasks using Adobe Premiere Rush. We also measure display color output and brightness.

For battery testing, we perform proprietary tests that are the same for every phone, which enable us to determine how long it takes for the battery to run down.

Read more about how we test

Why you can trust TechRadar

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☑️ 15 years of product testing
☑️ Over 16,000 products reviewed in total
☑️ Nearly 200,000 hours testing tech

Now, I love my trusty M4 Pro 14-inch MacBook Pro. It helps me run all of what I do for my business, all my clients, and beyond. But, when I got word of a laptop with a rolling display from Lenovo, I knew it was going to be something uniquely incredible.

I've tested some of the best business laptops around. Some that have incredible performance, some with incredible screens, some with more power than some entire companies can produce, and some with features that are sweet and enhance productivity in cool ways. But a rolling laptop with an extendable display at the touch of a button is something that I never expected. After all, as Lenovo is keen to remind us, this is the world's first rollable laptop for working on the go.

The ThinkBook Plus Gen 6 Rollable's extending display isn't even a gimmick; it works, and it works well. It's genuinely helpful, and it's something that I have learned to love and cannot wait to see what version 2 looks like.

Lenovo ThinkBook Plus Gen 6 Rollable: Price and availability

(Image credit: Collin Probst // Future )

The Lenovo ThinkBook Plus Gen 6 Rollable is a first-generation device. No other laptop has done this before, so I don't expect this to be a budget laptop. On top of that, this computer packs an Intel Core Ultra 7, Windows 11 Pro with Copilot, 32 GB of soldered memory and a terabyte of storage. This would be a capable business machine even without the rollable screen, that's just the icing on the cake.

Lenovo ThinkBook Plus Gen 6 Rollable: Unboxing and First Impressions

(Image credit: Collin Probst // Future )

The Lenovo ThinkBook Plus Gen 6 Rollable Laptop is the first time that I haven't left the charger in the box in a long time. Usually, I jump to using an Anker or UGREEN charging brick and cables due to being more compact and powerful than most laptop bricks (except for the monster workstations I test), or I know I'm going to be hopping from docking station to docking station and only need to maybe top off on the go. But, with Lenovo's GaN charger in the box, I may actually keep this one in my bag for a while as my USB-C Charger on the go, or at least I don't feel the need to change it up right away.

Beyond that, the computer comes with docs, and the laptop itself. pretty straightforward. Right away, after I started the computer, of course the first thing I had to do was open the rollup screen. That first time even to now, after using this computer in my personal rotation for 99 days at the time of writing this, I am still blown away at the display. It feels magical every time.

It's taken a little bit to get the settings dialed in the way I want, mostly with choosing to finally disable the smart widgets when I extend the display. For some, I could see this being super helpful, but for me, when I extend the screen it's because I want to control what is down there, not have Lenovo throw a calendar and some other widgets at me, but then again, maybe that's showing my control issues a bit too much.

Lenovo ThinkBook Plus Gen 6 Rollable: Design & Build Quality

(Image credit: Collin Probst // Future )

The rolling mechanism still shocks me. I've opened and closed this display countless times, and still, I'm blown away. The motor-driven display is smooth, easy, and surprisingly fast.

Beyond the display, the keyboard is comfortable, even for all-day typing, and I appreciate the full-function row on the top. The touchpad is good, nothing amazing, but nothing negative so far, and the built-in fingerprint reader is a nice touch.

Lenovo made the ThinkBook Plus Gen 6 Rollable MIL-STD 810H-certified, with a still 50% recycled aluminum bottom cover.

Lenovo ThinkBook Plus Gen 6 Rollable: In use

(Image credit: Collin Probst // Future )Specs

CPU: Intel Core Ultra 7 258V
GPU: Intel Arc Graphics
Memory: 32 GB
Storage: 1 TB SSD
Display: 14″ (2000 × 1600) → 16.7″ (2000 × 2350) POLED, 400 nits, 100 % DCI-P3
Camera: 5 MP + IR
Ports: 2 × USB-C (Thunderbolt 4 / DisplayPort 2.1 / PD 3.1), 1x 3.5 mm audio combo
Connectivity: Wi-Fi 7, Bluetooth 5.4
Battery: 66 Wh Rapid Charge (up to 80 % in 1 hr)
Dimensions: 303.5 × 230.6 × 19.9 mm
Weight: 1.69 kg (3.72 lb)

Like I mentioned above, I've had this computer in my rotation for almost 100 days at the time of writing this. It's been one of the most fun laptops to carry around because everyone around stops and stares and asks questions, regardless of if I am working from an office I frequent, a coffee shop, a co working space, on a train or even in my own home, my three kids are shocked every time they see it, even my one-year-old daughter gasps "whoaoww" every time I extend the display.

When you first use the extended screen, Lenovo suggests using their smart workspace feature that allows for pinning apps or widgets for quick access. Personally, I didn't find anything worth putting there, but that could be due to my particularity.

What I do like to do, though, is when I want more screen, I will simply wait for it to fully extend while working on whatever I am working on, then I will use a quick command or the trackpad to pull the window down to the bottom third or half. That section is also great for messaging apps such as Slack or Project management tools like Notion. However, Lenovo has made this display so seamless and excellent that you don't even need to think of that extended display as an extension, but rather a continuation of the main display.

(Image credit: Collin Probst // Future )Lenovo ThinkBook Plus Gen 6 Rollable: Final verdict

The ThinkBook Plus Gen 6 Rollable laptop changes what I think of when I think of a laptop. It also changes what is possible when it comes to working remotely or on the go.

Granted, adding two inches of screen real estate is not the same as bringing along the Sotsu Portable monitor or whipping out a tablet for extra productivity, but it also isn't trying to be. This is a whole new way of thinking about laptop size and functionality.

Much like how when the Cybertruck hit the market and shook up the truck world by being a truck but not a truck, the ThinkBook Plus Gen 6 Rollable laptop is a laptop, but its more.

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Value

First-Gen rollable laptop, yet reasonably priced for what it is

4 / 5

Design

Sleek design with smooth OLED rollable display

4.5 / 5

Hardware

Fast chip, fast ram, fast wireless, and a fancy display

4.5 / 5

Performance

Great for productivity, which is what it's designed for

4.5 / 5

Overall

This laptop is clearly for the individual that is productivity-focused, this is a really unique and powerful option

4.5 / 5

Buy it if...

You like new technology
Rolling displays are still on the forefront, so if you want to hop on the bandwagon of new technology, check this out.

You always want more screen
If you're the kind of person always wishing they had a bit more screen real estate, look no furtherView Deal

Don't buy it if...

You're needing the most powerful laptop experience
This laptop is a productivity machine, but not the most powerful of workstations. It's a business laptop first and foremost.

You need a lot of ports
Sadly, this laptop only has two USB-C/Thunderbolt ports. If you need more, this just does not have it, sadly

For more, we've tested the best Lenovo ThinkPad laptops.

I'm a big fan of compact desktops. The more I do and grow in my professional career, the more I appreciate their value. Not only are compact desktops great for administrative roles, but also front desks, stationary desktops for employees to be able to utilize, perhaps you have offices where part-timers, or hourly employees need to be able to work and access company data or systems, or maybe the setup that you have you need to have a compact workstation and a laptop doesn't make sense for whatever reason.

Mini PC's are phenomenal in these areas. Now, for this review, I am not going to act like this is the most powerful machine I have worked with and that it is capable of running large LLM Models, a massive codebase, edit 12K videos and teach you how to perform open heart surgery all at the same time, I understand that while there are machines that are built to be powerhouses, this is meant to be a compact machine, it's meant to give you the power that is needed at a reasonable price and a better footprint.

MSI isn't trying to break records with this machine; they are trying to create a machine for everyday users. It wanted to make a machine that can be plugged into any display and perform basic tasks, or run headless and connect to servers, run processes in the background, or something along these lines.

MSI Cubi NUC AI+ 2MG: Price and availability

(Image credit: Collin Probst // Future )

The MSI Cubi NUC AI+ 2MG is widely available from online retailers like Amazon. I'm seeing prices starting at around the $1000 / £1000 mark depending on where you buy.

MSI Cubi NUC AI+ 2MG: Unboxing and First Impressions

(Image credit: Collin Probst // Future )

The Cubi NUC is a simple setup. It's included in a basic package, which consists of power, a VESA mount, and an extended power button, if needed. The VESA mount design is excellent, allowing you to easily use it or forget it exists without altering the layout, restricting access to key ports, or requiring the purchase of an accessory. The VESA mount is ideal for mounting behind a monitor, TV, or display, or for attaching to the underside of a desk, wall, or other surfaces.

Like so many of the best mini PC machines I've used, the size of the Cubi NUC lends itself to plenty of different use cases as well. It's ideal for tucking away in a cabinet at a medical office, on a cart in a hospital, in a digital screen display kiosk, in a classroom, at a welcome desk, and more. That's where a machine like this thrives.

I was pleased to see the port layout, which makes quick-access ports extremely easy to reach, along with a fingerprint scanner for added security. Additionally, for setups and use cases where the computer may be tucked away, mounted, or hidden out of reach, MSI includes an external power button with a long cable, allowing you to place it in a readily accessible area and keep the machine where you ideally want it.

MSI Cubi NUC AI+ 2MG: Design & Build QualitySpecs

CPU: Up to Intel Core Ultra 9 Processor 288V
Graphics: Up to Intel Arc Graphics 140V
Memory: Up to 32GB
Storage: 1x M.2 2280 SSD
IO: 4x USB-A, 1x MicroSD, 1x Headphone, 2x USB-C Thunderbolt 4, 2x RJ45, 1x HDMI
Wireless: Up to Wi-Fi 7

The design is both minimal and functional. Unlike some machines that place all ports on the back to maintain an ultra-minimal look, MSI understands that this approach is not always the most functional.

Therefore, they opted to divide the ports on the front and back to maximize productivity. The quick access ports are on the front, accessible if the machine is mounted or on top of a desk, and the (typically) one-time-plug-in-and-forget-about-it kind of ports are in the back. This layout facilitates cable management, as it positions the majority of the cables to the back of the desk, or at least away from the user.

For a business machine that isn't competing in any beauty pageants, this design is excellent, focusing on productivity and functionality.

(Image credit: Collin Probst // Future )MSI Cubi NUC AI+ 2MG: In use

(Image credit: Collin Probst // Future )

MSI's Cubi NUC AI+ 2MG has been in my fleet (yes, it's a fleet at this point, as I currently have 18 computers in my review queue) for 92 days. In that time, I've had it set up at my secondary desk in my home office, plugged into my BenQ EW2790U on my Flexispot E7 Plus Desk Setup. It's been great for background tasks, writing, emails, and some productivity work as well.

The ease of having a machine always ready to go is fantastic. I like having a server computer that I can remotely access using a VPN, Remote Desktop, or my recent favorite, Chrome Remote Desktop, to modify my network drives. Locally access my Synology, rip content without slowing down my primary machine, transfer data, or perform other tasks that don't require my primary machine.

Having a computer ready to go, plugged in at all times, is also great if you want the least amount of friction possible to get from not working to working and then back to not working again. You just have to sit down, press a key on a keyboard and you are good to go.

The dual network lines came in handy when I tested connecting to my Synology BeeStations and Disk Stations for some updates to the newest DSM software, while I also wanted to connect to my LAN. Granted, Synology allows for LAN access, but I wanted to transfer some content quickly to my NAS as well, making this a perfect solution.

Another great use case for the dual Ethernet would be if you need to connect to a redundant network, a secure network, and a more open network, a server, a network audio controller, or really any other network-controlled device. It’s a little machine like this that can take your workstation, studio, office, or role to the next level, harnessing the simplicity and power of its ease, connectivity, and possibilities as a headless unit to run tasks for you in a more efficient way.

(Image credit: Collin Probst // Future )

There are some scenarios where these armrests may not be ideal, but for most, they’ll be fine, or worth the lack of adjustment if you like the style and overall aesthetic and feel of this chair.

Some chairs you give up look and design for overall comfort and features. The Serene Nox by Eureka is the exact opposite, you give up highly adjustable armrests and lumbar for the overall aesthetic.

That’s another element of this chair that you should probably know. You’re not going to want to use this chair with a cheap folding desk, nor at the kitchen table, where your temporary workspace is, you won’t even want to use this chair in a bullpen, you want to use this chair in offices, in executive corner suites, you want this chair at the reception desk of a high end corporation so that it can look the part and still provide comfort.

MSI Cubi NUC AI+ 2MG: Final verdict

The MSI Cubi NUC AI+ 2MG is not for everyone. In fact, it may not even be for most people. But it's well-specced for those who need an easy office machine. It'll capably handle tasks like a Windows headless unit to run a server, running multiple digital displays, or an always-on machine that can be on dual networks at once.

It’s a discreet and smart machine that may just be the building block to a more efficient chain of automations, or simplified workflows, or introducing AI into your sphere, all without taking up precious real estate on your desk, or locking you into a non-upgradable display that may or may not meet your desired specifications.

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Value

Upper mid range, strong ports and usability for the right business applications

4 / 5

Design

Sleek, compact, and thoughtful layout and port offering

4 / 5

Hardware

Modern chips, great ports, Thunderbolt, fingerprint sensor

4 / 5

Performance

Quiet, responsive, reliable, great for headless access and server access

3.5 / 5

Overall

A great mini PC for the right user, always-on needs, digital signage, server companions, and perhaps remote access

4 / 5

Buy it if...

You need a compact, always-on, Windows machine
While this may not be the powerhouse your creative department needs, this could be what your development team could use for accessing servers, running background processes, or running digital signage

You want a solid, redunant-backed, connection
Dual LAN ports are vital for those who want a redundant backup for a vital piece of machineryView Deal

Don't buy it if...

You need a machine for your creative department
This is not the machine you want for graphic intensive proceses or workstation-level performance.

You need something portable
While this mini PC is ultra-portable, it's still nowhere close to the power and performance you can get in a quality laptop, so unless there is a unique usecase, check out some of our best laptops.

For more professional-grade computing, we've tested the best business laptops and best business computers.

I've reviewed a number of products from Eureka Ergonomic - office chairs, standing desks - and each one always has a certain style to them that goes beyond the usual office furniture designs. So, when I had the chance to review the Nox genuine leather office chair, I had to check it out.

It doesn't fit the mold of most of the best office chairs I've reviewed, and maybe that's just what makes it a space in the market. This chair has a distinct vibe that will be an absolute dream - if you don't mind the executive price-tag.

Eureka Ergonomic Nox: Price and availability

(Image credit: Collin Probst // Future )

The Eureka Serene Nox is an upgrade to the Standard Serene chair that I have reviewed in the past. The Nox is made of genuine leather and, like the Model T Ford, is offered in only one color: black.

It's currently available direct from Eureka Ergonomic's website, retailing for $750 - although at the time of review, it's down to $600.

(Image credit: Collin Probst // Future )Eureka Ergonomic Nox: Unboxing and First Impressions

The Eureka Nox came in quality packaging, nice protective material and a quality box. The setup was quick and painless, only taking about 20 minutes by myself to build. While most chairs have a handful of colorway options, by very nature of the name itself, the Nox comes in black, and only black.

This, paired with the sleek metal frame makes this chair look stunning. The lumbar has a slight pattern to it which is super interesting to look at, and other than that, the angular armrests are artistic over functionality, though they are fine most of the time.

Eureka Ergonomic Nox: Design & Build QualitySpecs

Dimensions: 26.77" D x 26.77" W x 48-51.5" H
Weight: 42.88 lbs.
Weight Capacity: 300 lbs.

This chair doesn't scream but confidently whispers high-end, professional office chair. Whether that is a top-tier executive or Bondian super-villain, I cannot tell yet. It's a bold design, all about strong lines gently tapering at the lumbar support, sweeping padded armrests that glide around the chair to the seat base. It's striking in all the right ways.

The chair has simple, yet capable controls, offering tilt and lock options, height adjustments, and tension control. The lumbar section of the chair provides a good amount of support, but doesn't affect that silhouette, remaining cool, calm, unobtrusive. One part that I noticed even more than the lumbar is the waterfall-style seat, caressing the sides of my legs and alleviating pressure at the same time.

All around, this chair is supportive, firm, yet comfortable, and minimal, all while looking beautiful. It’s perfect for a professional office, an executive suite, the Batcave.

(Image credit: Collin Probst // Future )Eureka Ergonomic Nox: In use

(Image credit: Collin Probst // Future )

I’ve had this chair in my rotation for my team for 100 days. Member of my team and I have spent entire days in this chair, all without any discomfort or need to switch to another chair. The lumbar support is not the most aggressive, but that’s okay, not every chair needs to have intense lumbar protrusions.

Even after a full work day, we have not had any complaints of back pain, so I’d be willing to say that lumbar support is a strong suit of this chair. Another interesting note is that even though these armrests are not adjustable, I have yet to have a team member complain. Perhaps that is because when you sit in this chair you don’t expect it to be something that it’s not, you sit in this chair and you feel like an executive.

You could be sitting in this chair in your office with literally nothing to do, no power, on your first day and you’ll feel like you are starting with a leg up due to this chair. That’s just how this chair makes you feel when you sit in it.

(Image credit: Collin Probst // Future )

There are some scenarios where these armrests may not be ideal, but for most, they’ll be fine, or worth the lack of adjustment if you like the style and overall aesthetic and feel of this chair.

Some chairs you give up look and design for overall comfort and features. The Nox is the exact opposite, you give up highly adjustable armrests and lumbar for the overall aesthetic.

That’s another element of this chair that you should probably know. You’re not going to want to use this chair with a cheap folding desk, nor at the kitchen table, where your temporary workspace is, you won’t even want to use this chair in a bullpen, you want to use this chair in offices, in executive corner suites, you want this chair at the reception desk of a high end corporation so that it can look the part and still provide comfort.

Eureka Ergonomic Nox: Final verdict

The Eureka Serene sits in a very specific niche. It’s for professionals, it’s for executives, its for those who want something that looks the part, looks professional, looks high end, and looks luxury. This chair isn’t the kind you’d see at a budget operation, but one that you would see at a highly successful firm.

And, as a result, this kind of chair makes anywhere that it is feel a bit elevated. If you are looking for a quality chair that fits an aesthetic first and foremost, then you should absolutely consider the Eureka Ergonomic Nox. But if you’re on a budget, or want something that is more lumbar supportive, than this may not be the best chair for you, maybe send the link to your boss.

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Value

Premium materials, premium craftsmanship, premium price.

3.5 / 5

Design

Executive office styling, quality materials, statement-making design

5 / 5

Hardware

Quality frame, comfortable seat, smooth recline

4.5 / 5

Performance

All-day comfort, comfortable lumbar, quiet operation, but fixed arms

4 / 5

Overall

Luxury office chair for those who are willing to pay the price for the design

4 / 5

Buy it if...

You want a premium, leather executive chair
The Eureka Ergonomic Nox is a nice chair, but it's really designed for those who want a comfortable chair that looks like a really nice executive chair as well.

You sit for a long time
This chair doesn't have a lot of adjustability, but it may not need it as it focuses on making sure that what features it does have, it does very well.View Deal

Don't buy it if...

You need adjustable armrests
While the seat is comfy, and the armrests look pretty, they do not adjust, so if you need some that can move, this chair is not for you

You're on a budget
If you're on a budget and care more about value or functionality than just a certain aesthetic, then check out another chair on our best of list9

For more office furniture essentials, we've tested and reviewed the best standing desks.

Octopath Traveler 0 is a different kind of Octopath game.

It still features the series’ distinctive HD-2D aesthetics, the tried and tested break and boost battle system, and even returning characters and locations. It also mixes things up from the now well-understood formula.

Review info

Platform reviewed: Nintendo Switch 2
Available on: PS5, PS4, Nintendo Switch, Nintendo Switch 2, Xbox Series X|S, PC
Release date: December 4, 2025

The plot, for example, doesn’t feature the namesake eight-character storylines – the octo paths, as it were. Instead, your adventure focuses on your own player-created character for the first time, who is on a quest of retribution against the villains that destroyed their home town – each embodying the vices of Wealth, Power, and Fame.

You are still joined by other adventurers – over 30 in fact, though I haven’t unlocked them all yet – however, they are along for your ride rather than you following each of their distinct journeys like we would in the other series entries.

The eight-person theme isn’t wholly lost, thankfully, with combat being redesigned to feature eight-person parties – a team of four in the front, and four in the back. I’ll go into more details on why I love this change below, but know that it provides a lot more depth and customisation possibilities to party composition without making fights feel too trivially easy.

Something wicked this way comes (Image credit: Square Enix)

Both of these changes make sense; however, when you remember Octopath Traveler 0 isn’t a new game. It’s adapted from the Octopath: Champions of the Continent mobile gacha game. A free-to-play system necessitates a wide array of characters to unlock, can’t have its story focus too much on your party because you might not own those travelers, and would want to allow for bigger teams so you can use more of the cool units you’ve invested in financially.

Now, Octopath Traveler 0 isn’t a gacha game. I’m just saying you can feel remnants of the game it’s based on from what’s presented, and it can feel a little jarring at first because it isn’t Octopath as we’ve known it – in fact, you could convince me it's a lost 2D Final Fantasy at times.

Stick with this adventure, however, and you’ll see it has plenty to offer on an engaging adventure that will keep you entertained for tens and tens of hours – no additional purchases necessary.

Revenge and reconstruction

(Image credit: Square Enix)

As I mentioned in the intro, in terms of its story, Octopath Traveler 0 doesn’t feel very ‘Octopath’ at all. Rather than following eight plots for eight distinct adventurers which coalesce into a finale, you instead follow your own adventure – and can recruit over 30 different heroes to your party.

You create your own custom character for this game and then must face stories focused on the corrupting influences of Wealth, Power, and Fame – where you'll find the meat of the plot.

This focus on a linear story with a more limited opportunity to explore branched tracks is very different from Octopaths that have come before, but it’s not a wholly negative change. My gripe is simply that the less free-form plot feels better suited to a classic Final Fantasy 2D entry rather than an Octopath adventure.

It's not a bad adventure, though, in fact, it's a very compelling one with proper villains you can’t help but hate – a real classic RPG story. I simply found the change of pace a little jarring for this series specifically.

Time to rebuild (Image credit: Square Enix)

There's also the Rekindling the Flame plot, which has the protagonist reconstruct their old home town by finding its surviving residents and rebuilding the long destroyed features that made it a home.

It's not as in-depth as a true cosy town simulator, but it is a delightful change of pace from the action-focused adventure. Plus, channelling your retribution into something more constructive can yield useful benefits – including the ability to power up your allies. So it's worth pursuing even if vengeance is your only goal.

To battle!

While the plot might not feel very Octopath, the turn-based combat feels more Octo than ever. That’s because your group now consists of eight fighters – a four-person front row and a four-person back row – which allows for a much more diverse team composition than the series’ usual four-person limit.

Only the characters in the front row can take actions, but each hero can swap with their partner behind them so that they can take a turn, and there are unlockable skills that allow your back row to support the folks in front of them without needing to take an action, or allow your front row to use a skill and tag out in a single move.

(Image credit: Square Enix)

For example, in my currently build I’ve paired up a cleric who can automatically heal the person in front of them with my squishy spell caster as their health can run low very quickly without support, and my tank who can provoke attacks is paired with an ally who has a skill that lets her fire her bow and instantly tag out – so she can swap in for a quick damage burst and then let my tank keep taking the hits.

Best Bit

(Image credit: Square Enix)

Combat feels like such a step up from the previous game, thanks to the bigger party allowing for more personalization of your team than ever, and setting off an Ultimate Technique never gets old.

The other big change is that your created character has unlocked a special skill called an Ultimate Technique. As the name implies, this charged ability (you can’t just spam it all the time) allows the protagonist to perform a big burst – you can unlock options like performing a mass heal or dealing a powerful strike, among others – that can turn the tide of battle in your favor.

As you improve your town, you'll rebuild the training grounds so other party members can unlock their techniques too – I told you there’s a reason to play house even if your only goal is violence.

None of this is to say fights are trivial thanks to your ultimate moves and larger team. Boss battles and higher-level bouts can still present a challenge if you don’t prepare yourself. You can push your luck into higher-level locations to some extent, but for main quests, you'll find even adventures three or four levels above where you currently are can prove trickier than expected if you aren’t careful.

(Image credit: Square Enix)Octopath or not, it's still delightful

Octopath Traveler 0 is a really enjoyable RPG experience, whether it feels truly Octopath to me or not.

Because all of the changes still work. The cohesive, more solo story is an awesome adventure that feels like the fantasy epic that RPGs have taken players on for decades, and the combat is compelling and with some many team members allows for some really creative and personal party composition.

There’s also been a simplification of path actions, which is a lot easier to follow than the confusing web of abilities offered in Octopath Traveler 2 – even if it strips away the identity of each character further than their lack of a unique plot already does.

If you love the Octopath series, a new adventure through Osterra will appeal, while fans of more typical RPGs may find this entry to be more accessible than ever, given that it follows a more standard story structure.

I’ve had a delightful time on my adventure, and at the end of the day, that’s all that really matters.

(Image credit: Square Enix)Should you play Octopath Traveler 0?Play it if…

You want a classic RPG
Octopath Traveler 0 feels like a classic RPG. You've got a meaty plot and robust turn-based combat system to sink your teeth into.

You like to choose your own adventure
While not quite as free and open as Octopath usually is, this entry does feature a branching plot and a wide variety of characters to customize your team around.

You crave 2D beauty
I don't care how many times I see HD 2D aesthetics; they'll always be beautiful, and Octopath Traveler 0 is as pretty as a picture.

Don't play it if…

You want a cozy town builder
While rebuilding your home is a core plot of this story is still mostly focused on combat and adventure than cozy vibes.

You want proper Octopath
If Octopath‘s distinct brand of RPG is what you crave, then you won't hate this title; it just might not quite hit the spot for you.

You hate turn-based tactical combat
Turn-based combat isn’t for everyone, and while Octopath's break and boost system does some things to liven up the combat, it won't make turn-based action everyone's bag.

Acessibility

In terms of accessibility as a turn-based RPG, Octopath Traveler 0 has the advantage that players can take combat at their own pace – you can take 5 seconds or 5 minutes to make a move if you need.

The cutscenes are also played out as text dialogue that you can have play automatically, one message at a time, or at a faster auto speed if you want to rush through. Again, allowing you to enjoy the game at your own pace.

Most major cutscenes are also voiced, making it even easier to follow the plot if you hate excessive reading (as someone who’s dyslexic, voice acting is always a massive help for me).

How I reviewed Octopath Traveler 0

I played Octopath Traveler 0 on my Nintendo Switch 2, mostly playing undocked, but I did make sure to load the game up on my TV too to get a sense of the grander scale it has on a 55-inch QLED screen.

During my playthrough, I tried not just to follow the mainline quest but also to explore the sidequests and other adventuring opportunities to get a feel of the whole experience Octopath Traveler 0 offers.

First reviewed November-December 2025

I'll tell you what wasn't on my Christmas list to Santa this year – unironically enjoying (nay, loving) a Netflix festive film. I've watched a lot of bad ones in this job, but My Secret Santa is undoubtedly the best of the sappy genre.

In a nutshell, it's Mrs. Doubtfire if Robin Williams decided to be a Santa drag king instead of a sassy Scottish pensioner. Instead of a man desperately trying to win his estranged wife back, single mom Taylor (Alexandra Breckenridge) needs fast cash to send her daughter to an elite snowboarding resort.

By being employed there, she'd get a staff discount, but the only opening is for a seasonal Father Christmas. Bing bang boom... she gets the job in a full Santa makeover.

Of course, romance is in the air too. Matthew (Ryan Eggold) recognizes former singer Taylor in a record store, and just so happens to be the new general manager at the resort – you can already guess how it's going to end just by reading this synopsis.

Whichever Netflix casting agent had the foresight to merge Virgin River and New Amsterdam's leading actors together deserves a massive festive bonus, in my eyes. Together Breckenridge and Eggold deliver a genuinely well-crafted tale that perfectly slots into the cozy sub-genre they've both whittled into shape over the years.

If anything, it almost makes up for the fact we're not getting Virgin River season 7 this month (if you squint hard enough, I'm sure Eggold would look enough like Martin Henderson).

My Secret Santa cements Alexandra Breckenridge as the Queen of Netflix

If you suggest I'm solely writing this review as an excuse to write a love letter to Breckenridge's work and further my cause to try and interview her in 2026, I don't know what you're talking about.

She carries My Secret Santa squarely on her shoulders, and she completely pulls off what is, rationally speaking, a completely implausible story. This is the kind of tale she was born to tell, and the movie's happy-go-lucky vibes underpinned by more authentic real-world problems suits her warm and engaging personality incredibly well.

In essence, I don't actually care about Taylor's character arc or her capers while wearing the baggy pants of Father Christmas – I'm just always buying what Breckenridge is selling. It's impossible to not be entranced by her screentime, exuding natural charm in everything she does. You want to be her, you want to be best friends with her... even when she's pretending to be an old man.

As far as Christmas movies go, this one is pretty original

I don't think Alexandra Breckenridge has ever looked better. (Image credit: Netflix)

The biggest compliment I can give My Secret Santa is that it feels current without trying too hard. There are no shudder-worthy TikTok jokes, no trends being jumped on, and nobody trying too hard to fit into a mould that isn't inherently them. Yes, the ending is undoubtedly cringe, but it's in keeping with the spirit of Christmas movies.

Tia Mowry isn't a natural fit as a villain, and there's no huge stakes aside from Taylor's daughter not being able to snowboard. However, we're here to get invested into a romantic connection, not be plunged into terror. Obviously, it's all a bit naff (lacking in taste and style, for my non-Brits), but that comes with the territory.

I can't believe I'm writing this, but I'm already contemplating watching My Secret Santa again (which is essentially the equivalent of pigs flying). I got so much joy, warmth and feel-good vibes from Netflix's latest festive offering, and that's how you know it's a job done well.

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FiiO FT13: Two-minute review

If you’re after a touch of individuality in your wired, over-ear, closed-back headphones, the FiiO FT13 have you covered. These are big, relatively bulky headphones but that does mean that on the outside there’s plenty of room for a quantity of highly polished purpleheart wood, while on the inside you've got a pair of 60mm ‘W’-shaped dynamic drivers that offer a frequency response of 7Hz - 40kHz.

The standard of build and finish is excellent, and the combination of plenty of adjustability in the headband and some judicious clamping force means the FT13 are comfortable in situ. Mind you, the use of lambskin on the inside of the headband, and the choice of suede even more lambskin for the earpads, means vegetarians aren’t going to be comfortable in the slightest.

Inside the big, nicely tactile travel case there’s a choice of four cable terminations, along with a generous length of very credible Furukawa cable that connects to both earcups. These options mean you should be able to connect your FiiO to pretty much any source of sound available.

Once they’re connected, there’s plenty to enjoy. The sound is large and spacious, and thanks to good low-frequency control there’s lots of momentum and rhythmic confidence. The FT13 communicate readily through the midrange, too. If it weren’t for a slight tonal discrepancy at the top of the frequency range and a more obvious rolling off of the same area, they’d be even more obvious front-runners and part of the best wired headphones.

(Image credit: Future / Simon Lucas)FiiO FT13 review: Price and release date

• Released November 5, 2025
• $329 / £269 / AU$499 (approx.)

The FiiO FT13 wired over-ear closed-back headphones are on sale now, and in the United States they sell for no more than $329. The going rate in the United Kingdom is £269, while in Australia you’re looking at something like AU$499, where sold.

The FT13 look, on paper, like a lot of headphones for the money, but with everyone from Austrian Audio to Sennheiser having broadly similar alternatives available, it’s not going to be plain sailing…

(Image credit: Future / Simon Lucas)FiiO FT13 review: Features

• 60mm ‘W’-shaped dynamic drivers
• 7Hz - 40kHz frequency response
• 1.5m Furukawa silver-plated OFC cable

As we all know, FiiO never knowingly underspecifies any of its products. And that’s the case again here – wired headphones may not offer much scope for piling on the features, but the company has given it a proper go.

So, there’s a 1.5m length of Furukawa monocrystalline silver-plated oxygen-free copper cable in the package. This is terminated with two 3.5mm plugs at one end – each earcup must be wired – while at the other FiiO offers a choice. Thanks to a neat plug arrangement, the cable can be terminated with either 3.5mm unbalanced or 4.4mm balanced sockets; the 3.5mm version can accept a supplied 6.3mm adapter, and the 4.4mm version can accept a supplied four-pin XLR adapter. Good luck finding a piece of audio equipment with a headphone socket the FT13 can't connect to.

The cable feeds a pair of 60mm dynamic drivers. These are a ‘W’-shaped design, which makes the active area of an already oversized driver even larger than is the norm. The diaphragm is just 0.1mm thick and is made of a carbon-fiber and wood pulp that’s stiffened by wool fibers until it’s as light and rigid as possible.

The drivers are activated by a light, responsive CCAW (copper-clad aluminum wire) voice coil – it’s a high-efficiency design, says FiiO, and combines with the rest of the hardware to deliver a frequency response of 7Hz - 40kHz. Low impedance (32ohms) and high sensitivity (98dB) mean the FT13 are one of the more easy-to-drive options of their type around.

The headphones feature a long, slender, ‘U’-shaped damping tube above the back of the driver assembly inside the earcup. It’s intended to lower the resonant frequency inside the cavity in an effort to liberate greater low-frequency extension and control, and in combination with a standing wave chamber plus a quantity of resonance-absorbing cotton, FiiO suggests the FT13 offer more passive noise-isolation than any comparable design.

• Features score: 5 / 5

(Image credit: Future / Simon Lucas)FiiO FT13 review: Sound quality

• Spacious, well-defined presentation
• Driving, rhythmically positive sound
• Lack a touch of high-frequency presence

Flawless sound is hard to come by no matter how much you’re spending on a pair of headphones, of course, and sure enough the FiiO FT13 are not flawless in the way they sound. In the context of the asking price, though, and balanced against all the ways in which their sound is deft and enjoyable, it doesn’t seem all that reasonable to get too bogged down in their deficiencies.

In any case, those deficiencies are fairly slight. The way they go about reproducing the top of the frequency range means treble sounds don’t have a whole lot in common, tonally speaking, with all the frequency information below here – and they roll off the top end quite pointedly. If it’s real high-frequency attack and drive you value in your headphones, the FT13 are going to be altogether too polite and mild-mannered for your tastes.

Otherwise, though, the news is all quite positive. With a nice fat 24bit/192kHz FLAC file of David Bowie’s Sound and Vision playing, the FT13 create a large, well-laid-out soundstage and keep every element of the recording secure in a little individual pocket of space. They do this, though, without sacrificing any sense of togetherness or performance – they just ensure everyone gets sufficient elbow room.

Low frequency presence is considerable, but bass reproduction here is no blunt instrument. There’s plenty of detail regarding tone and texture available, and this level of variation combines nicely with decent observance of the attack and decay of low-end information. The FiiO describe rhythms confidently as a result. The modulation into the midrange is smooth, and here there’s similarly impressive detail retrieval and tonal fidelity – the double tracking of the vocal in this recording is made obvious, and the small harmonic variations in the voice are identified without being overstated. The FT13 communicate vocal intentions and attitudes really well.

Dynamic headroom is considerable, as a listen to a 24bit/44.1kHz FLAC file of Holy Ghost by Young Fathers makes apparent. The open and spacious sound of the FiiO allows the shifts in volume and attack in this recording to be made plain, and the distance between the quiet/malevolent and loud/even more malevolent passages couldn’t really be any greater. It’s worth noting the FiiO are pretty agnostic in this regard – they are more than happy to dig in and kick off if a recording demands it, but are just as comfortable dealing with the small-scale and understated.

• Sound quality score: 4 / 5

(Image credit: Future / Simon Lucas)FiiO FT13 review: Design

• 356g (without cable)
• Magnesium alloy headband and frame
• South American purpleheart wood

Just as in the ‘features’ section, with the FT13 FiiO has taken what might, on the face of it, seem like an unpromising product type where ‘design’ is concerned and done its utmost. Unlike almost every price-comparable alternative, here it’s possible to discern that ‘design’, rather than simply ‘construction’, has happened.

The relatively large earcups are supplied with a choice of earpads. There’s suede (for a warmer sound, so the company says) or lambskin (for a cleaner presentation) and they’re easily swapped, but it should be noted that there’s no vegetarian option. On the outside of the earcups, meanwhile, the polished and lacquered purpleheart wood offers a genuine point of difference. The deep purple colour is entirely natural, the specifics of the grain are obviously unique to each pair of headphones, and its acoustic properties are long-established.

At 356g without the hefty cable attached, the FT13 are far from the lightest closed-back over-ear headphones around. But thanks to a light-yet-robust ‘U’-shaped magnesium alloy frame, some very carefully judged clamping force, and a ball-bearing adjustment mechanism with plenty of adjustability, it’s possible to get comfortable inside the FiiO and to stay that way for extended periods.

There’s a degree of articulation in the earcups, but the FT13 don’t come anywhere close to folding – the case in which they travel is necessarily bulky. It’s a reasonably good-looking case, at least, and the Yaoli linen from which it’s made is tactile, plus there are compartments inside for storing all your very many adapters and cable terminations.

• Design score: 5 / 5

(Image credit: Future / Simon Lucas)FiiO FT13 review: Usability and setup

• Select your source of music...
• Ensure you have the appropriate cable termination fitted...
• And away you go

Something would be terribly wrong, wouldn’t it, if the setup and usability of a pair of hard-wired passive headphones was in any way complicated?

The FT13 are about as involved as it ever gets, really. The quartet of options for cable termination means it might take you a beat or two longer to plug into your source of sound than it otherwise would.

After that, ensure you have your favored earcup in place, get comfortable using the headband adjustment mechanism, and you’re in business.

• Usability and setup score: 5 / 5

(Image credit: Future / Simon Lucas)FiiO FT13 review: Value

• Standard of build and finish superb
• Lots of available connectivity options
• Excellent sound quality for price

In terms of specification, materials, the standard of build and finish, and the available connectivity options, there’s really no arguing with the value the FT13 offer. In fact, if you consider the generous use of staunchly non-vegetarian materials in their construction, perhaps there’s too much going on here.

But when it comes to performance, the sound quality that’s available here is likeable in lots of ways – and if the balance FiiO has struck is your kind of thing, you’ll find the FT13 offer very acceptable value for money indeed.

• Value score: 4.5 / 5

(Image credit: Future / Simon Lucas)FiiO FT13 review: Should you buy them?

Attributes

Notes

Rating

Features

Dizzying array of connections; 60mm dynamic 'W-shaped' drivers; good passive noise-isolation.

5 / 5

Sound quality

Spacious and well-defined, with a driving, rhythmically positive sound; but slight lack of high-frequency presence.

4 / 5

Design

Purpleheart wood offers unique finish; highly adjustable headband finds the midpoint between 'design' and 'construction'.

5 / 5

Usability and setup

Select the termination you want for your music source, and you're away.

5 / 5

Value

No arguing with the standard of build, finish or connectivity terminations, but lack of vegetarian options.

4.5 / 5

(Image credit: Future / Simon Lucas)Buy them if...

You like a bit of individuality
How many pairs of headphones that feature lots of purple-ish wood can you think of? Exactly.

You have several sources of music
The FT13 come with several different cable terminations.

You enjoy big and organized sound
The FiiO sound every bit as large as they look, and they control their soundstage with real determination.

Don't buy them if...

You’re vegetarian
Suede or lambskin are your options for earcups, and there’s more lambskin on the inside of the headband.

You’re on the small-headed side
These are relatively large headphones with relatively large earcups, and they could swamp those with a smaller-than-average head.

You like a bit of bite and shine to your sounds
The FT13 play it overtly safe where treble response is concerned, and they sound just slightly blunt at the top end as a result.

FiiO FT13 review: Also consider

Sennheiser HD 620S
The Sennheiser HD 620S have none of the FT13’s visual drama, but they most certainly have plenty where it counts - their sound is poised and spacious. They’re not as comfortable as the FiiO, it’s true, but then they’re not as off-putting to vegetarians, either.
Read our Sennheiser HD 620S review for more

FiiO FT13 review: How I tested

• Tested for well over a week
• Used as listening headphones, at home
• Connected to numerous music sources using various different formats, file types and sizes

I connected the FiiO FT13 to the same brand’s M15S digital audio player using the balanced 4.4mm connection, to an Apple MacBook Pro using the 3.5mm jack and a Linn Majik DSM (5th Gen) using the 6.3mm connection. This way I got access to lots of different music, of numerous different formats, file types and file sizes, and I listened to the headphones for well over a week in several different rooms of my house.

The size and the purpleness of the headphones, along with the unwieldy nature of the cable, put me off using them outdoors, though.

• First reviewed: December 2025
• Read more about how we test

Metroid Prime 4: Beyond's title screen is somewhat indicative of the game as a whole. The hypnotic, curvy eye motif and mysterious purple hue are backed by yet another belter of a title screen track; a series staple I'm glad is intact here. The presentation is immediately absorbing, and it's hard to suppress the goosebumps at the feeling that Metroid's 3D subseries is truly back. And then the whole aesthetic is ruined by a massive 'Nintendo Switch 2 Edition' logo slapped dead center of the display.

Review info

Platform reviewed: Nintendo Switch 2
Available on: Nintendo Switch, Nintendo Switch 2
Release date: December 4, 2025

Nevertheless, Metroid Prime 4: Beyond absolutely holds up against the games that came before it. It's leagues ahead of Metroid Prime 3: Corruption and its Wii Remote waggling gimmicks and unsatisfying exploration. Beyond also returns to an atmospheric feel very much in line with the original Prime.

The usual biomes are all present here - dense jungle, arid desert, abandoned mines, motorcycle dealership, et al - but all feel richly developed with distinctly alien traces. Ancient ruins, industrial installations, and evidence of twisted experiments lend each major area a rich history long before the arrival of protagonist Samus Aran.

(Image credit: Nintendo)

Of course, this is helped by just how gorgeous of a game Metroid Prime 4: Beyond really is. Naturally you'll get the most out of it with the Nintendo Switch 2 Edition and its support for 4K resolution. Returning developer Retro Studios clearly put a ton of work into environmental design, and an impressive amount of detail helps most areas stand out as a real visual treat.

But I can't quite say Beyond stands shoulder-to-shoulder with the GameCube masterpieces that came two decades before it. The large open desert is the feature that Nintendo arguably made the most noise about in Beyond's marketing, but its enormous size and barren nature ultimately make it serve little outside of boring, needless padding.

Enemy variety is alarmingly lacking, too, with just a couple of actually threatening types across all areas. Bosses follow suit; they often share simlar types of attacks and don't make much use of the various power-ups you'll accrue throughout the game.

There's clearly some rustiness on display here, 18 years on from the last mainline Prime entry. But when Metroid Prime 4: Beyond is firing on all cylinders, it still delivers a deeply rewarding and satisfying first-person adventure.

Can't complain about the View(ros)

(Image credit: Nintendo)

If you're not caught up on the Metroid Prime games or the Metroid series in general, don't worry; like most games in the long-running franchise, Metroid Prime 4: Beyond is designed to be enjoyed as a largely standalone entry. There are callbacks, such as the presence of the Galactic Federation and returning antagonistic bounty hunter Sylux, but don't feel like you have to get up to speed in any sense.

Beyond begins, unsurprisingly, in the same way a lot of these games do. Samus Aran responds to a distress call to aid in pushing back against a Space Pirate invasion at a Galactic Federation base. Things go awry when a mysterious artifact being kept in the base is activated, teleporting Samus and swathes of the base's personnel to the planet Viewros.

Not much is known about Viewros. Like Metroid Prime 2: Echoes' Aether, its existence appears to be something of an anomaly, undiscoverable on any galactic chart. It's on Viewros that we uncover the plight of the Lamorn, a now-extinct alien race that may or may not have invited tragedy upon themselves. The goal, then, is to reactivate Viewros's master teleporter and return Samus and the displaced Gal Fed troopers' home.

(Image credit: Nintendo)

I really like Beyond's story. It's pretty unintrusive, and can largely be discovered through data logs and environmental details via Samus's scan visor. Uncovering the dark fate of extraterrestrial factions isn't anything new for Metroid, but the Lamorn are a particularly fascinating species in their aptitude for psychic abilities and technological prowess.

Much, too, has already been made of the Galactic Federation troopers, with fans worrying that their chatty nature might be at odds with the series' trademark feeling of isolation. I'm happy to say they're really not that bad, and a couple are even quite endearing.

Mackenzie is perhaps the worst offender, but not because of his socially awkward quipping. Rather, like a PlayStation Studios character, he has a habit of spelling out puzzle and progression answers to you before you've even properly had a chance to look around.

There's an element of hand-holding that just isn't welcome, especially when you're prompted to open the map to view an annoyingly unskippable animation showing you exactly where you need to go. That really becomes an issue towards the end of the game when you're just trying to do your 100% item and scan cleanup before the point of no return.

Third eye

(Image credit: Nintendo)

In typical series fashion, Samus loses the lion's share of her abilities after being transported to Viewros. The game doesn't really make a song and dance of it this time, which is just as well; it beats the rather contrived ways Samus has undergone her nerfs in the past.

Best bit

(Image credit: Nintendo)

Metroid Prime 4: Beyond's atmosphere is incredible. Paired with some headphones, the world of Viewros comes alive with wonderful audio design. Gorgeous visuals, lighting, and environmental design all really help ground Samus in this otherworldly setting.

Progression in Metroid Prime 4: Beyond, then, is as you'd expect if you're familiar with the series. You'll explore through a number of different areas, encountering roadblocks as you go that require you to discover power-ups elsewhere to progress.

On Viewros, Samus is able to inherit the psychic abilities of the Lamorn race. This lets her do things like open special doors, uncover hidden platforms, and make use of a psychic beam power-up that can be momentarily controlled to activate switches or hit multiple enemies.

Otherwise, power-ups are played safe in Metroid Prime 4: Beyond. Having the 'psychic' label doesn't stop morph ball bombs, the grapple beam, and various beam cannon types from acting the same than they used to. Even modifiers like fire and ice behave like you'd expect; dealing damage over time or freezing enemies solid respectively.

(Image credit: Nintendo)

My guess is that Retro Studios didn't feel the need to push the boat out too much in regards to Samus's abilities. It's a robust kit that plays to the series' strengths of combat and exploration.

This time, though, the ball has been dropped when it comes to the boss fights. In fact, there's not many bosses to speak of, at least when compared to other games in the Prime sub-series. Unfortunately, this lack of quantity has not translated to a higher level of quality.

Bosses all share a handful of similar attacks, such as generating a wave of energy that Samus must jump over, or rolling around the arena at high speeds. They rarely, if ever, require Samus to make use of her various beam types, and it's not until the truly exceptional final boss that Retro presents a challenging and memorable fight - one of the best in the series, actually.

(Image credit: Nintendo)

Level design and progression also isn't quite as ambitious or winding as we've seen in past games. Metroid Prime 4: Beyond definitely leans on the more linear side. That's not necessarily a bad thing; some of the series' best games, including Metroid Dread and Fusion, are fairly straightforward entries.

Like those games, Beyond more than makes up for it in the atmopshere department. The dense wilderness of Fury Green, the derelict, harshly-lit laboratories of Ice Belt, and the impressive industral scale of Volt Forge all lend their own unique atmospheric flavor, and it's a joy to scour these environments for items and snippets of lore.

Some areas are more painfully linear than others. There are rather annoying combat gauntlets in Volt Forge and the Great Mines, for example, that require at least a couple trips through for both story progression and late-game item hunting. Mercifully, you're never required to hop between gimmicky visor types in this game like Prime 1 and 2, but they show an occasional lack of care and ambition in overall level design.

At least backtracking for items is a pretty painless and actually quite enjoyable affair here. Once you have a certain beam power-up, you can activate a droid in each biome that will reveal item locations on the map. This, paired with some really handy shortcuts in each level, make going for 100% completion doable and worthwhile on your first playthrough.

Deserted

(Image credit: Nintendo)

But this leads me onto easily the weakest element of Metroid Prime 4: Beyond, and it's the barren Sol Valley. This is a massive, arid expanse, in the corners of which sit the game's major locations. And good lord is it dull.

Designed for exploration with Samus's new VI-O-LA motorcycle - which she gets partway through an earlier area - Sol Valley just isn't very interesting. It's simply an enormous stretch of desert with very little in it. Presumably, this is stripped back so the original Nintendo Switch can handle while maintaining 60fps performance.

The motorcycle is fun to drive, at least. It's fast and performs turns and drifts in a satisfying manner. It's even equipped with weaponry to help shoot down a few rather pesky enemy types that periodically bother you while you're out and about.

Unfortunately, the mostly flat terrain of the desert doesn't really play to the bike's strengths. There are a few jumps, and chunks of Green Energy crystals that can be smashed and collected for a handful of optional power-ups, but the desert largely just serves as unenjoyable padding in an otherwise pretty short game.

The good stuff

(Image credit: Nintendo)

I've been pretty critical of many elements in Metroid Prime 4: Beyond, but I do want to leave this review on a few high notes; things the game does exceedingly well. Samus feels better than ever to control in 3D, with tightened-up movement and improvements to physics in her morph ball form.

When Samus has all her abilities late in the game, and you're uncovering the last few rooms in each major biome, the game really comes alive. Backtracking and 100% item collection is superbly paced, and it feels as satisfying as ever to tear through areas with a fully-kitted bounty hunter.

I also really didn't hate the Galactic Federation troopers Samus partners with at various points in her journey. Yes, it's really annoying when Mackenzie points out the obvious or forces you into an unskippable map animation, but there's good chemistry between each of the team members.

Samus isn't with them for overly long, just a handful of sections. One that really stands out is when she partners with a couple of them to take down a massive gunship. And seeing your base camp in Fury Green evolve over time as troopers file in is endearing; you can even catch dialogue between them if you visit at certain times.

But once again I really just have to gush about how gorgeous of a game Beyond is, in both the visuals and soundtrack department. It's easily the best-looking game on Switch 2 so far, and a 4K 60fps lock (or 1080p at 120fps in performance mode) shows a real technical wizardry on both Retro and Nintendo's part.

Multiple control options are also welcome, and all are a success. You have your standard twin-stick movement more in line with contemporary first-person shooters. Or you can make use of the Joy-Con 2 for gyro aiming. Mouse controls are also excellent, providing a level of accuracy that you can't get on other control types without locking onto enemies first.

Flaws and all, I still think Metroid Prime 4: Beyond is a brilliant entry in the series. If the desert was a touch smaller, and there were a few extra rooms to explore in each biome, it'd be on its way to sitting alongside the first two Prime games in quality. But, this is nonetheless a really welcome three-dimensional return for Samus, and I really hope it won't be her last.

Should you play Metroid Prime 4: Beyond?

(Image credit: Nintendo)Play it if...

You want to see what the Switch 2 hardware can do
Beyond is an utterly gorgeous game, to the point where I can't quite believe it's running on Nintendo hardware even with the Switch 2's improvements. Dense, atmosphere-rich environments are backed up by a wonderful soundtrack and audio design, too.

You love the Metroid Prime series
Each game in the Prime series has its own unique set of issues, and Beyond is no different. However, this is still very much a satisfying adventure that holds up well compared to those that came before it.

Don't play it if...

You really don't like massive deserts
Desert-like environments aren't the most inspiring biomes at the best of times, and Beyond's is a real slog to visit time and time again.

You're hoping for a long adventure
At around 15 hours (or less if you're not going for 100%), Beyond is a pretty lean game that may be a bit too short for those looking at the full-fat price tag.

Accessibility

Metroid Prime 4: Beyond has some accessibility features worth highlighting, though unfortunately not much. You can enable a background for subtitles for increased legibility, and fully remap button profiles in all control settings. You can also adjust cursor, camera, and stick sensitivity to fine-tune a setup that's right for you.

How I reviewed Metroid Prime 4: Beyond

My playthrough of Metroid Prime 4: Beyond lasted just over 15 hours on Normal difficulty. This was a 100% completion run, with all items and scans collected. That may sound short, but is still very much in line with the length of most Metroid titles, including those within the Prime subseries.

I primarily played in the default control scheme on a Nintendo Switch 2 Pro Controller, mixing it up with the support for mouse controls later in the game during some boss fights and item hunts. I also switched occasionally between docked play on an LG CX OLED TV, and handheld play with the RIG R5 Spear Pro HS gaming headset for enhanced audio.

First reviewed November/December 2025

Sony A7 V: two-minute review

Some photographers, possibly even those working at Sony, see the A7 range of mirrorless cameras as the firm’s entry-level full-frame models. On paper alone, this may seem a reasonable suggestion when comparing the specifications to the most premium models. However, the Sony A7 IV, launched in October 2021, carries a 33-megapixel 36x24mm sensor, ISO50-204,800 sensitivity range, 5.5EV in-body image stabilization system, and a top continuous shooting rate of 10 frames per second. It’s by no means a slouch and this is all available for under $2500, so while it might be one of Sony’s more affordable E-mount bodies, it has been able to give pro-spec cameras a run for their money for several years.

On the face of it, the A7 V seems more of an iterative upgrade to its predecessor, rather than a revolution. However, once you dig deeper, there is a lot of exciting new technology to explore. Debuting the new partially-stacked sensor and new Bionz XR 2 processing engine, this camera represents a significant step forward for photography enthusiasts and semi-professionals. It’s more responsive than the A7 IV, both in focusing reaction time and accuracy, and delivers superior performance from the ground up.

Images are sharply detailed, and noise is well-controlled, especially for a model equipped with a 33MP resolution. It certainly matches or outperforms the current generation of competing cameras, such as the Canon EOS R6 Mark II or Panasonic Lumix S5 II, although I’ll be interested to see how low-light capabilities compare to the likes of the Canon EOS R6 Mark III when it inevitably comes to market, which is likely not too far in the future.

(Image credit: Future/ Peter Fenech)

If you’ve used other Sony Alpha cameras, you’ll fall right into step with the A7 V. Some might call Sony’s conservative approach to design unimaginative, but it means that you can allow muscle memory to play its part on shoots where speed matters most. A few useful practical refinements notwithstanding, the A7 V is very similar to models that came before it, and on picking it up, you get a feeling of coming home, a comforting sensation when other stressful elements of a photoshoot come into play.

These days, I’m more likely to be blown away by enthusiast-level products than flagships, which rarely offer many surprises, as pro technology trickles down the rankings to more affordable offerings. The niche this camera inhabits has the potential to provide unbeatable value to the greatest range of photographers, and happily, the A7 V fulfills this promise. It’s an impressive upgrade to an already outstanding camera, serving up great responsiveness, useful features and exceptional image quality. I still wouldn’t call it revolutionary, and there are some quirks that I’d like to see refined, but if you’re an aspiring wildlife, event, or travel photographer, I’m confident you’ll fall in love with it, and that it will trouble TechRadar's best cameras and best mirrorless camera guides.

Sony A7 V specsSony A7 V Specs:

Type:

Mirrorless camera

Sensor:

Full-frame (36x24mm) semi-stacked CMOS

LCD:

3.2-inch, multi-articulated, 2.095m dots

Memory:

2x SDXC, 1x CFexpress Type A

Resolution:

33-megapixels

Video:

Up to 4K60p (4K120p in 1.5x crop mode)

ISO range:

ISO 50-204,800

Mechanical Shutter speeds:

30-1/8000sec

Electronic Shutter speeds:

30-1/16000sec

Viewfinder:

3.686m dot, OLED EVF, 0.78x

Processor:

Bionz XR 2

Connectivity:

AX WiFi (WiFi 6), Bluetooth, 2x USB-C, audio

Weight:

659g

(Image credit: Future/ Peter Fenech)Sony A7 V: Price and availability

• Released December 2, 2025
• Body only price of $2,899 / £2,799 (Australia TBC)
• Kit options will be available, including with a new FE 28-70mm F3.5-5.6 OSS II

The Sony A7 V launched worldwide on December 2, 2025 priced $2,899 / £2,799 (body only, Australia TBC), alongside a new FE 28-70mm F3.5-5.6 OSS II kit lens. The lens costs $449.99 / £429 separately (Australia TBC) and will be available separately from February 2026.

Ahead of then, the FE 28-70mm F3.5-5.6 OSS II kit lens can be purchased as a kit with the A7 V for $3,099 (UK / Australia TBC). There will be other kits available, TBC.

This pricing is right on par with the Canon EOS R6 Mark III (and just $100 / £100 more than the Nikon Z6 III was at launch, but which is now available for much less).

• Price score: 4.5/5

Sony A7 V: Design

• Larger 3.2-inch rear LCD
• Versatile multi-pivot articulated monitor
• Hybrid memory card slot

Externally, I’d be very impressed if anyone could distinguish the A7 V from the A7 IV on looks alone. Apart from the name, discreetly emblazoned on the top plate, just to the left of the viewfinder, there isn’t much else to identify the latest iteration. However, a closer inspection reveals a redesigned handgrip. It’s very slight, with a tiny shift to the angle of the shutter button to account for the modest increase in weight from the Mark IV, but it makes a natural refinement to the ergonomics of the camera.

In terms of handling, the A7 V is supremely comfortable to hold, perhaps more so than most other Alpha bodies in the range. Logically, I know there is significant continuity between models, but something about the A7 V felt more balanced to me. I’ve always found Sony cameras to be too boxy for my tastes, especially when shooting for longer periods and when using larger lenses. The A7 V is unmistakably a Sony product, but it just fit my hands a lot better than I remember the A7 IV doing.

Shooting all day around London with the FE 24-50mm f/2.8 G lens, the setup was perfectly balanced, the center of gravity seemingly right where the optics meet the lens mount. This made shooting one-handed a breeze, even when holding the camera at arm's length over my head to shoot a street performer over the heads of a large crowd.

I appreciated that the playback and delete buttons are located on the same side of the camera body and immediately adjacent to each other on the back plate. This is a personal preference, of course, but I find this makes quickly making in-the-field quality control decisions quicker, rather than having to work two-handed and hunting for a control on the opposite side of the body to preview and delete obviously blurry shots.

(Image credit: Future/ Peter Fenech)

Another excellent feature that seems unique to Sony cameras is dual-function card slots that fit both SD and CFexpress. As someone with more high-performance SD cards than I’d like to think about, I love this. Although I am gradually filling out my stock of CFexpress, I still like to have the choice, and a camera that supports both, while still allowing dual card functionality with either format is hugely thoughtful.

With a Canon EOS R5 Mark II, for example, you need to take a supply of both card types if you want the benefits of in-the-field backups, while the Canon EOS R6 Mark II requires two SD cards only, delaying investment in CFexpress until a future upgrade (which will no doubt be an expensive ordeal). On Sony cameras, there are no such compromises.

Image 1 of 2

(Image credit: Future/ Peter Fenech)Image 2 of 2

(Image credit: Future/ Peter Fenech)

It’s a shame the A7 V only has one of the two slots capable of accepting CFexpress Type A, but perhaps this is what you pay the extra money for when buying a camera like the Sony A7R V.

Another excellent design flourish is the extra control wheel above the Auto Exposure Lock button, which by default is set up to adjust exposure compensation in P, A or S modes. I enjoy not having to hold down another button to change this, and the additional dial allows you to amend the aperture and image brightness with single controls each. Naturally, each dial can be reassigned a custom function from within the A7 V’s Operation Customize menu, found under Setup.

(Image credit: Future/ Peter Fenech)

The build quality is of an exceptionally high standard. I didn’t have the opportunity to test the camera’s weather resistance – unusual for a British reviewer in November – but nevertheless, there are no obvious compromises in the integrity of the construction. Apart from the hollow battery and memory card bays, no other part of the body reverberates excessively when tapped, giving the sensation of it being milled from a single piece of metal.

All of the dials are beautifully knurled and easy to twist, but with enough resistance that it isn’t too easy to nudge them by accident.

We also can’t talk about the design of the camera without mentioning the versatile dual-hinged main LCD. Sony has gone back and forth with its approach to screen articulation over the years, and as far back as the A99 II DSLR camera, the multi-point design has allowed the user to both tilt and swivel the LCD. Some photographers prefer the vertical tilt format, while others like myself appreciate a full swivel function.

Users of the A7 V don’t have to choose – unlike with the A7 IV which is single-axis vari-angle only – which I found useful when shooting ground-level street photos of graffiti artists under Waterloo Station. It’s a clever strategy also found in recent Lumix cameras, and which I’d like to see more brands adopting.

• Design score:4.5/5

Sony A7 V: Performance

• New Bionz XR 2 processor
• No dedicated AI autofocus processing engine
• Long 750-shot battery life

Speaking of LCD screens, the model featured on the A7 V is both larger and more detailed than its predecessor. It measures 3.2 inches, up from 3 inches on the A7 IV, while resolution has doubled the 1,036,800 dots previously available. I found it to be very crisp, and colors look natural. This is a attribute of camera screens that isn’t talked about enough. Monitors might be super contrasty and saturated as standard, but this won’t always give the most useful preview of the images about to be captured.

The touch sensitivity is just right, and I found it to be more responsive than both the Mark IV and the A7R V, demonstrating the difference that three years can make. It’s not that those cameras were particularly unresponsive, but this latest monitor gave me no sense that it was standing between me and the settings I wanted to access.

I especially liked the reaction time for touch focus; with a single tap the camera activates the AF and immediately snaps to the object selected. I don’t always use touch focus features, but combined with the versatile LCD pivot points, I found myself using them frequently during my testing of the A7 V.

Autofocus itself is smooth and super-fast. Built around a new system of 759 Phase Detection AF points that cover 90% of the frame, the A7 V can focus in lighting as low as -4EV. Although the camera did slow down as ambient lighting dropped, with the rate of focus hunting increasing, it still did a sterling job of finding and tracking the subject. It’s also incredibly precise.

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Changing the AF subject recognition mode to Animals, the A7 V could easily keep track of this squirrel's eye (Image credit: Future/ Peter Fenech)Image 2 of 3

(Image credit: Future/ Peter Fenech)Image 3 of 3

(Image credit: Future/ Peter Fenech)

Interestingly, the A7 V doesn’t feature a dedicated AI processor, as found on the Sony A1 II. This might surprise many industry observers, in an age where AI is king and excluding such features might seem a retrograde step. However, the new Bionz XR 2 moves all AF computations on-chip, instead of dividing the workload between two units.

Sony says the up-specced processor brings the same benefits of a separate AI engine, namely better AF target recognition, but with the added advantage of reduced heat emissions, superior speed, and improved battery life. After all, powering one chip is better than supplying two.

I didn’t have an A1 II body available to test the cameras side-by-side, but rarely did the A7 V struggle to locate my subject. There are plenty of options to customize subject recognition, and the camera coped well with human figures, cars, and airplanes, in the chaos of Central London and at Heathrow Airport.

Also new to the A7 V are the options to change AF responsiveness and to select an extra small or large AF point. While I didn’t find much need to alter these settings during my test, I could see where this might be of huge benefit. Turning down AF responsiveness if it’s likely that other objects will pass between the camera and the subject, like when shooting across a busy road or players on a football field, will help keep the focus sticky on your subject.

I can also vouch for the stated 750-shot battery capacity. After 300 frames, in the relative chill of a winter afternoon, I still had 75% charge, and by 650 shots, this sat around the 40% mark. This excellent, rival-beating performance included shooting both long still exposures and video.

In terms of shooting speed, the A7 V is one quick camera in operation. Startup is near instantaneous, and exposure assessment is now done at twice the number of calculations per second compared to the A7 IV.

Using the electronic shutter, it’s now possible to capture images at up to 30fps, up from 10fps on the previous camera. Pre-capture is also possible up to a user-selectable 30fps, meaning the camera is always ready and able to cover the action in the briefest of moments. Without wanting to sound like an advert for Sony (remember, this review is completely independent), there were times when I felt I was having to keep up with the camera. This isn’t something I encounter often, and it kept me on my toes.

It’s a very minor point, but I found the shutter release to be just a little too sensitive for my liking. There were a few occasions when I was simply trying out a composition and accidentally fired off a burst of shots – a bit of a laborious situation when the camera makes 30 frames every second! I’d definitely recommend re-assigning focussing to the AF-ON button to work around this.

• Performance score: 5/5

Sony A7 V: Image quality

• Excellent Dynamic Range
• Superior high-ISO performance
• Ultra-effective IBIS system

One of the headline features of the A7 V that is certain to get people talking is the new semi-stacked sensor. This CMOS design has developed somewhat of a bad rep because of its deployment in other cameras with limited success, such as the Nikon Z6 III. There is a risk of significant trade-offs in dynamic range for the additional readout speed a semi-stacked (or partially-stacked) sensor provides. Sony is confident enough, however, to claim a DR of up to 16-stops with the A7 V – that's an additional stop versus the A7 IV – so I couldn’t wait to see how the camera performed in the real world.

I’m not entirely convinced by the 16EV claim, as there were times when there was less highlight texture than I had anticipated, and clipped shadows where I hadn’t expected. However, the results were still impressive. In the majority of shots, there was recoverable detail across the range. From memory alone (and not having yet taken the A7 V into the lab for testing, that’s all I have to work on), I would place the dynamic range on an even footing with models like the 24MP Canon EOS R6 Mark II and Nikon Z6 III. Clearly, Sony deserves some applause for this, as it’s a clear indicator that the A7 V is a next-gen competitor.

Now let’s talk about color. Traditionally, this hasn’t been my favorite aspect of Sony cameras. I’ve always felt that, compared to Canon and Fujifilm models, Sony color science was a bit sterile. Accurate, maybe, but lacking warmth and ‘flavor’. These traits are present in the A7 V, as is to be expected, but I noticed colors seemed more organic than I’ve seen from its stablemates.

The auto White Balance system hardly ever missed a trick, even when shooting wall art comprising overlapping primary colors in mixed natural and artificial lighting: quite possibly a condition that cameras have nightmares about. The A7 V handled the situation beautifully. I could wax lyrical here for three more paragraphs, but I’ll summarize with this: if the camera could cope this well under these conditions, it could cope anywhere.

Dynamic range might not quite manage 16-stops in every image, but matches lower resolution cameras from competing brands (Image credit: Future/ Peter Fenech)

I don’t always believe rumors, but in this case the suggestion that Composite RAW capability was to be included on the A7 V has turned out to be true. Previously seen on the Sony A9 III, this mode captures a sequence of RAW files that are then combined to produce a higher-resolution file with reduced noise. It works nicely and does what it says on the tin – if you shoot landscapes or in the studio, this is a great feature for squeezing every oodle of quality out of the sensor.

Of course, it works less well with moving subjects, even when shooting at a high frame rate, so I chose not to use it for street photography. If you can support the camera, it would also be beneficial for capturing poorly-lit interiors at higher sensitivities.

Even without Composite RAW active, the signal-to-noise ratio will put a smile on your face. I spent most of my shoot at ISO 6400 and above, and the camera delivered a commendable balance of sharpness and grain. I wasn’t blown away by the in-camera treatment of JPGs though, and as low as ISO 800, there was smudging of detail through quite aggressive noise reduction. Weirdly, this didn’t seem to get much worse up to ISO 3200.

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(Image credit: Future/ Peter Fenech)Image 2 of 2

(Image credit: Future/ Peter Fenech)

Further proof that the dynamic range is noteworthy is highlight retention at the extended low ISO settings. At ISO 50, which is essentially an overexposed image with the exposure digitally reduced, there was still data present at the right side of the histogram.

One of my favorite features of the A7 V is the IBIS system. Compensating for up to 7.5EV of shake in the center of the frame and 6.5EV at the edges, up from 5.5-stops on the A7 IV, the stabilisation enables hand-held shots at ridiculously slow shutter speeds. I was able to capture usable images at exposures of around one second – unthinkable just a few years ago. This enabled me to capture the movement of objects within the frame while rendering static areas sharp. It’s one of my go-to street and urban photography techniques.

It doesn’t quite match the 8-stop hybrid IBIS-lens-based system seen in the Canon EOS R5 Mark II, Canon EOS R3, and Canon EOS R7 on paper, but it performs exceptionally well.

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(Image credit: Future/ Peter Fenech)Image 5 of 7

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(Image credit: Future/ Peter Fenech)

• Image quality score: 4.5/5

Sony A7 V: testing scorecard Sony A7 V

Attributes

Notes

Rating

Price

The A7 V is another example of how pro features are becoming increasingly more affordable. It's not cheap, but you get a hell of a lot of camera for the money

4.5/5

Design

There are no surprises from Sony. You might call the similarities with other Alpha cameras unimaginative but why fix what isn't broken?

4.5/5

Performance

The IBIS is superb, allowing hand-held long exposures, while AF is responsive, customizable, and accurate.

5/5

Image quality

Low-light quality is superb, as is auto White Balance. Jpeg processing is heavy-handed, but overall, the camera sets a new standard for enthusiast products.

4.5/5

Should I buy the Sony A7 V?Buy it if...

You want an affordable full-frame camera

It might not be the cheapest camera with a full-frame sensor on the market, but you get a lot of camera for your buck. The A7 V has everything an enthusiast photographer could hope for or need.View Deal

You shoot both stills and video

Like the A7 IV before it, the new camera delivers exceptional video features too, with 4K resolution, 60fps without a crop, and S-Log available for high-end grading.View Deal

Don't buy it if...

You are a beginner

There is a lot of camera here. Novices are unlikely to get the most from all of the features available, and the mammoth toolset might even be off-putting. View Deal

You just bought an A7 IV

Let's be clear, the A7 V is a significant upgrade to its predecessor, but with a similar resolution, equal sensor size, and advanced features, the A7 IV is a great camera on its own merits. I wouldn't suggest there's enough difference between the two for an upgrade just yet.View Deal

Also consider Canon EOS R6 Mark II

The EOS R6 Mark III builds on the 24MP Canon EOS R6 Mark II with improved resolution that matches the A7 V, now 33MP. Sony and Canon take different priorities; the A7 V has the partially stacked sensor and video recording up to 4K 60p, while the EOS R6 Mark III's sensor isn't stacked at all, but there's open gate 7K video recording. Both feature incredibly powerful IBIS and autofocus performance. This is a close call. Note, at the time of writing we're still working on our EOS R6 Mark III review.

Nikon Z6 III

Nikon's all-rounder, the Z6 III also features a partially stacked sensor, but with a resolution of just 24MP. That said, video recording is up to 6K 60p, and the Z6 III is blazing fast, also being supported by powerful in-body image stabilization. Launched in July 2024, it has come down in price and can be had for much less than the A7 V.

Read our in-depth Nikon Z6 III review

How I tested the Sony A7 V

• I tested a full production model
• The A7 V body was accompanied by the FE 20-50mm f/2.8 G and FE 70-200mm f/4 Macro G OSS II
• Images were taken in a range of lighting conditions, using each ISO setting so noise levels could be compared throughout the range

I always like to push a camera to the edges of its capabilities and, to that end, I shot using the extremes of the ISO range. In bright light, I set the camera to the extended low ISO of 50, and then explored several low-light locations to test the camera all the way up to the expanded high setting of 204,800. I left the White Balance set to auto throughout the review to see how the camera responded to different lighting conditions. I also shot in RAW+JPG mode, so I had unprocessed files and compressed images for the sake of comparison.

• First reviewed December 2025

I can only think of one time in my life where I've felt so sick watching something I've had to turn off my TV (Raw, the body horror movie by Julia Ducournau). Now, there's a second entry in that list – the new Starz show Spartacus: House of Ashur.

Think Gladiator if Ridley Scott didn't have to adhere to cinema age rating criteria. Blood is well and truly spilled in this version of Ancient Rome, and it's enough to make even the most hardened of horror fans turn green.

Having said that, the legacy sequel (Spartacus originally ran on the network from 2010-2013) is only a horror in how it's delivered. Starz has gone heavy on the spectacle here, and all the gory action distracts us from the fact there's not much that's noteworthy under the show's surface.

There are a few new breakout stars as our returning cast members (Nick E. Tarabay as Ashur, mainly) slip back into their roles like no time has passed. But is this enough to save a show that's reliant on tricks and showmanship?

In a word, no... or at least, not for me. I often found myself wanting to fast-forward through any scenes that didn't have a sword being plunged into somebody's stomach, and I cringed at the gratuitous sex and assault scenes that I knew a historical drama just couldn't resist including.

Shock-factor isn't always an indicator of something good, no matter how entertaining the moment itself is. In fact, I'd probably enjoy episodes more as bitesize bites on TikTok.

Lift the lid on Spartacus: House of Ashur and you'll start to see the problems

Even the above trailer has had to be heavily redacted so it can actually be posted on YouTube. The gore and guts are easily Spartacus: House of Ashur's big selling point, and this means returning fans will definitely not be disappointed.

There are certainly some astonishing and creative maiming, even if the VFX don't always make them look believable. Without giving anything away, my favorite (if that's the right thing to call it) is at the end of episode 2, where Achillia (Tenika Davis) finally gets her own back on the male gladiators who have been expectedly sexist.

Here's the first big dichotomy. The sequel introduces a female gladiator to its ranks as the big 'we have can diverse casting just as effective as Bridgerton's' moment. It's actually a historically accurate decision, but more importantly, it's effective.

Davis is easily the best part of Spartacus: House of Ashur, running literal rings around her co-stars. She's clearly put in a lot of hours of training, and Achillia's attitude to Ancient Rome isn't just refreshing, but a necessary palate cleanser. Claudia Black's Cossutia isn't too far behind, effortlessly swinging from wife to warrior.

As for the rest of the show's female characters, there's a lot left to be desired. It's almost a given that a historical drama will falter to showing degradation unnecessarily because, a) it actually happened and, b) it's an easy way to create on-screen tension.

But wouldn't it be a novel idea to be as forward-thinking narratively as shows are in their casting? Rewrite history for the right reasons, people!

As for the rest, it's all convoluted

Tenika Davis' Achillia is one to watch. (Image credit: Starz)

But let's move onto the meat of the show, as it very much were. Aside from Ashur and right-hand man Korris (Graham McTavish), our men are not as interesting once they've put down their spears and shields. A good 90% of their time is taken up with combat training, so anything else we see (e.g. emotional narrative) is incredibly heavy-handed.

Outside of the impactful fighting, nothing else really lands. There's no point in time that I'm concerned with finding out what happens next, or wondering whether the overall storyline is going to take me somewhere else. Instead, I'm wondering who will have blood gushing out of their legs next.

Still, there are small wins. Episode 1 kicks us off with a surprise Lucy Lawless cameo and Ashur keeps a firm hand on the tiller as the new Dominius. But as I've hammered home by now, we're essentially sitting ringside for a 10-episode long fight we can just about stomach.

Nuance, meaning and complexity? Not present here. Full-throttle entertainment, gore and fighting to the death? Amped up to the max. Whether that's a good or bad thing remains to be seen.

Not signed up to Starz yet and live in the US? Use the below deal to get you started:

Starz subscription: was $10.99 a month now $2.99 at Starz
Want access to one of the best US network's originals and film library? Starz is offering a great discount that gets you 73% off the usual monthly price of $10.99 for your first three months to stream hit series like Outlander, American Gods, Now Apocalypse and more. This is a limited-time offer, but Starz hasn't said when it expires so make sure to be quick if you're interested. You can also get a more than half priced annual plan for just $11.99 right now, which works out to be just $1 a month. View Deal

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