Technology

On our podcast I’m known as the Apple hater, but over the past year I’ve let up a little — even defended the company.

I’ve said Apple could be the only company capable of releasing camera glasses without major backlash thanks to privacy-first approach, celebrated its approach to AI as possibly genius if the bubble does pop, and most recently said the iPhone Duo looks great and that the visible crease in some shots should be ignored — as if it’s like the Z Fold 8 Ultra you’ll never see it while you’re using it.

But in our most recent episode, I saw something that I couldn’t believe in the new AirPods 5 specs. I had to actually message our Audio Editor because I thought I must be wrong.

How are on-bud volume controls only now coming to AirPods? And how are they reserved for the pricier model?

Take back (volume) control

I brought this up in the podcast, but my Apple-wielding colleagues — Axel Metz and Matt Evans — argued the feature isn’t that useful anyway. Those with Pro-level AirPods that boast volume controls noted that they rarely use them

Folks, that’s beside the point.

Volume controls are one of the most basic earbuds functions. Take a minute to scroll through Amazon, and you can find dozens of wireless earbuds under $20 that offer volume controls. This shouldn’t be something reserved for the fifth generation of a premium earbuds brand like AirPods. It’s absurd!

Oh, and I think volume controls on the buds are useful, for what it’s worth. If I’ve set my phone up to watch a YouTube video and the volume spikes, I want to be able to quickly swipe down without reaching over; or I might want to change the volume of my workout tunes mid-session without pulling my phone out and risking getting distracted.

Sure, it’s not a game changer, but as I said already, it’s a basic feature we should expect. It would be like if your iPhone didn’t have an email app — there are ways around it, but why cut off the root of the problem?

Perhaps I shouldn't give Apple ideas (Image credit: Jacob Krol/Future)

What really grinds my gears, however, is that volume controls still aren’t truly standard. If you get the base $129 / £119 / AU$219 AirPods, you’ll be out of luck — you need to pay extra for the $149 / £139 / AU$249 model with a wireless charging case.

This isn’t anywhere near as egregious as those ridiculously expensive Mac Pro wheels from early 2020 — back when we could worry about such trivialities in the ‘before times’ — but it feels like a remnant of Apple’s arrogance, and the quality that has put me off the company’s tech for all these years.

People can get the earbuds they want, and I’m sure the AirPods 5 will be just as solid as the previous generation. But when there are so many excellent audio options out there, my philosophy is to get a pair that respects you, offers genuine value for money, and won’t nickel-and-dime you for features that should have been added back in the first-generation model — not as an upcharge on the fifth-generation iteration.

• Elastic Security Labs uncovered REF9334, a Brazilian banking malware campaign active since May 2025
• Malware “Kremlin” deploys fake docs and malicious Chrome/Edge extensions to steal banking data
• 1,515 infections found, 98% in Brazil

Security researchers from Elastic Security Labs have discovered a new Brazilian banking malware campaign that uses browser extensions to compromise users and steal sensitive information.

In an in-depth report published earlier this week, the researchers said the campaign has been active since at least May 2025. Dubbed REF9334, the campaign uses fake banking, invoice, and business documents, to trick victims into installing malware which, in turn, deploys a malicious extension in Chrome and Edge browsers.

The researchers named the malware “Kremlin”, and say it can steal browser credentials, cookies, session information, monitor browser activity, grab screenshots, and steal information from websites that the victims visit. But the goal of the campaign is primarily to target Brazilian bank users.

A thousand victims

The malware really makes an effort to hide and persist in the target environment. For example, it first checks to see if it’s in a sandbox and if so - it simply won’t run. If instead it determines that it’s running on a real user’s computer, it will deploy an extension with the name “AVSync System Inc.” in an attempt to trick the victim into thinking they have an antivirus addon running in the browser.

It also doesn’t use a fixed C2 server, but rather stores the information on the Ethereum blockchain, since it’s a lot harder to disrupt the communication between the operators and the infected machines that way.

During their investigation, Elastic researchers were able to take control of a domain that the malware used and discovered that it had infected 1,515 systems. Almost all of them (98%) were located in Brazil. They were also able to register the network canary domain and point it to their webhost, which resulted in the loader assuming it was in a sandbox. This also meant “the infections have not moved past the initial access”, Elastic explained.

The full list of indicators of compromise can be found on this link.

Via The Hacker News

• StarCraft general manager and creative director Dan Hay says the series' stories and characters are "remarkably topical" today
• Hay says StarCraft and the real world are both like a "frontier"
• He adds that while StarCraft is science fiction, its "themes and characters" are very similar to "the headlines in our world"

StarCraft general manager and creative director Dan Hay has compared real-world events to the series' stories and characters, calling them "remarkably topical."

In a sit-down interview with TechRadar Gaming following the reveal of StarCraft, a first-person, open-world shooter slated to arrive in 2030, Hay discussed the CGI trailer that debuted at BlizzCon and explained that the team wanted to portray the "tension" that will come with this new story-driven adventure.

The developer also said that building the "stakes" was just as important; he couldn't dive too much into the narrative details, but Hay touched on the series as a whole and its storylines that explore "imperfect" characters, suggesting the new StarCraft will examine similar topics.

"The way in which you are a hero is that you are going to learn how to become one," Hay said. "The way in which you are a hero is that you are going to learn how to become one. So it's not perfect, right? And that's the thing about StarCraft: a lot of the characters are not perfect; they're imperfect, and even the villains are.

"They have an idea of what you think they are at the beginning of the game, and then by the end of the game, you realize, oh, they were something completely different. And I think what's powerful about StarCraft."

Hay continued, saying that when you look at StarCraft's stories and the characters you meet, they're "remarkably topical" to the events unfolding in the real world.

"When you think about our world today, and you think about what is StarCraft? It's a bit of a frontier," he said. "It's obviously a frontier. There's asymmetry in terms of factions that don't agree with each other. There's brinkmanship going on where one faction is being used against another. [In] a lot of cases, it's just over resources.

"A lot of the cases there's politics, and there's intrigue, and there are people being left behind and betrayed, and when you look at that, and then you look at the headlines in our world, it's not super far [apart] in terms of how it feels sometimes. So you feel that tension, and you felt that tension in the teaser [trailer]."

Hay concluded: "I think what's remarkable about StarCraft is that it feels real, and it feels like it translates quite easily into today. And even though it's science fiction, and even though it has this sense of being in this other universe, it feels very close in terms of themes and characters and moments that you could experience today."

• The People v Gorilla Grodd is the only DCU TV show in active development
• HBO's boss recently confirmed as much at the 2026 Emmys
• His comments have got me fearing for Lanterns' future

The boss of HBO has revealed that only one DC Universe (DCU) TV show is officially in the works — and now I'm afraid for the future of Lanterns.

Speaking to Deadline, Casey Bloys confirmed that The People v Gorilla Grodd (TPvGG), aka the recently announced Superman TV spin-off, is the only TV series in active development at DC Studios.

Asked for a status update on DC's myriad television productions, Bloys replied: "People read about development, and they assume that those are greenlit shows and they're [already in] development. And everybody knows that development is just that — you're trying things, you take big swings, [and] not everything comes through.

"I would say our track record in DC, from Watchmen to Peacemaker to Penguin and now Lanterns, is pretty good. We're very selective. We're careful about what we do, nothing has changed. You'll read about development, but focus on what we're greenlighting."

Pressed on whether any other show was in active development, Bloys added: "No, not right now, obviously you've got [The People v] Gorilla Grodd, which I'm very happy about, [they're] doing something different, and I think it's a really fun idea. They just started shooting."

Why I'm fearing the worst for the fate of HBO's Green Lantern TV show

Fans have fallen in love with the abrasive Hal Jordan since Lanterns premiered in mid-August (Image credit: DC Studios/HBO Max)

For fans who've immersed themselves in the DCU since day one, Bloys' comments will be of concern.

Indeed, when DC Studios co-head James Gunn revealed the official lineup for DCU Chapter One in January 2023, six small-screen projects were unveiled as part of the rebooted cinematic franchise's initial slate.

Since then, four more series have been added to the list of potential TV candidates, but only one — The People v Gorilla Grodd — has been greenlit. Meanwhile, some shows that were named as part of Gunn's initial announcement, including Waller and Paradise Lost, have reportedly been shelved. Others, such as Booster Gold, have been trapped in development hell.

John Stewart has also won a whole new army of fans in HBO's Green Lanterns TV show (Image credit: HBO)

With Bloys outright confirming TPvGG is all that DC Studios' TV division is actively working on, it's not surprising that fans — myself included — are fearing for Lanterns' future.

The Aaron Pierre and Kyle Chandler-led sci-fi crime drama, which has seen its audience share seemingly grow week-on-week amid positive word of mouth, is one of the most popular shows on television right now. With three more episodes of its debut season yet to air (at the time of publication, anyway), I'm convinced that its viewership will increase in the weeks to come, too.

Considering that HBO's Green Lantern TV show has been such a hit, it's inevitable that a second season will be made, right? Not if we believe Bloys. After all, there are numerous examples of hugely successful shows — on HBO, HBO Max, and otherwise — that haven't returned for another round. There's no guarantee, then, that Lanterns season 2 will be a thing.

That said, DC Studios has assembled a writers room for Lanterns season 2 to kick around potential story ideas. That doesn't mean DC and HBO have pledged to make another season of the DCU Chapter One program, but it does offer hope that, if the right story angle can be found, another eight-part installment might be *ahem* constructed.

As I said at the start of this article, though, I am worried for Lanterns' fate. Bloys is likely playing it coy, but I'm of the opinion that he would've had something positive to say about Lanterns' future if a sophomore season was more likely to happen than not. Right now, then, I'm reluctantly confident that it'll be a one and done scenario.

Mind you, that doesn't mean we won't see Pierre's John Stewart — and, potentially, Chandler's Hal Jordan — again in the DCU. Pierre's Stewart is already set to play a role in Man of Tomorrow, aka next July's follow-up to Gunn's Superman sequel. Meanwhile, there are unsubstantiated rumors floating around that a DCU Green Lantern movie might be fast-tracked because of how popular Lanterns has proven to be.

If, and it's a big if, we get a big-screen Lanterns follow-up to the hit comic book-inspired show, you certainly won't hear me complaining about the decision not to make a second season.

For now, find out everything we know so far about Man of Tomorrow, get the full lowdown on The People v Gorilla Grodd, and learn all there is to know about Clayface.

Here’s my take after testing.

• The Boox Palma 3 has been announced
• This is a phone-sized ereader with a 6.13-inch screen
• Key upgrades include Android 16, stylus support, and a more premium build

If you’re in the market for a phone-sized ereader, you now have another option to consider, as the Boox Palma 3 has just been unveiled — and this successor to the Onyx Boox Palma 2 has some of the key features found on the rival ViWoods AiPaper Reader.

For one thing, just like the ViWoods device, the Boox Palma 3 now has a premium build, with an anodized aluminum frame and a textured fiberglass backplate in place of its plasticky predecessor.

And it’s also had an Android upgrade, launching with a ViWoods AiPaper Reader-matching Android 16, which is up from Android 13 on the Boox Palma 2 and Android 15 on the Onyx Boox Palma 2 Pro.

For me, that’s particularly important, as Android versions don’t tend to get updated on these sorts of devices, so you’re typically stuck with whatever software they launch with; old versions of software can mean security issues, and app incompatibility problems can crop up sooner.

Beyond that, the Boox Palma 3 also benefits from active stylus support, so you can use it with the Boox InkSense Plus stylus. The AiPaper Reader doesn’t have stylus support, nor does it come with a camera, whereas here you get a 16MP one, so those are two potential advantages of the Boox Palma 3.

Personally, I’m not sure I’d want to use a stylus on a device this small, nor do I have much use for a camera on an ereader — but it could be handy for scanning documents, if you’re so inclined.

(Image credit: Onyx)Similar specs and a heavier build

That camera and the rest of the specs, though, are largely in line with those of the Boox Palma 2, including a 6.13-inch 824 x 1648 e-paper touchscreen with 300 pixels per inch, 6GB of RAM, 128GB of storage, a microSD card slot, a front light (supporting both warm and cold color tones), a 3,950mAh battery, a USB-C port, a fingerprint sensor, a speaker, and microphones.

But despite being marginally smaller than the Boox Palma 2 at 159 x 78 x 7.8mm, the Palma 3 is actually 25g heavier at 195g.

That also makes it heavier than the 138g ViWoods AiPaper Reader and the 170g Boox Palma 2 Pro — the latter of which additionally gives you a color screen and an extra 2GB of RAM.

So, this may not be a complete home run — or a total upgrade for anyone who owns the Palma 2 Pro.

Indeed, the Palma 3 is actually priced lower than the Palma 2 Pro, coming in at $339.99 (around £250 / AU$475), though a launch discount softens that price to an even lower $319.99 (roughly £235 / AU$450).

There’s no confirmed pricing for other regions yet, but for reference, while the Palma 2 has been discontinued, the Palma 2 Pro sells for $399.99 / $379.99 / AU$679, and its rival, the ViWoods AiPaper Reader, retails for $279 / £254.99 / AU$399.12.

You also can’t actually buy the Boox Palma 3 yet, but the company lists it as coming soon.

The new iOS 27 feature lets you bounce between two iPhones easily, but the carrier is charging for it. And AT&T is staying hands-free for now.

In the span of just over two weeks this summer, three of the world's most closely watched AI developers admitted the same uncomfortable thing. Their own models broke out of the sandbox and touched systems they were never supposed to interact with.

OpenAI disclosed on July 21 that models it was evaluating exploited a vulnerability and compromised production infrastructure at Hugging Face, an incident the company said was driven end-to-end by an autonomous agent with no human directing it.

Days later, Anthropic said three of its Claude models, including Opus 4.7 and its newest Mythos 5, had accessed and compromised the systems of three outside organizations during cybersecurity testing exercises, after a misconfiguration left the models connected to the open internet when they had been told they weren't.

And on August 5, Meta confirmed its Muse Spark 1.1 model breached an unnamed company's systems under strikingly similar circumstances.

A pattern, not an anomaly

At the current pace, this isn't a rare event security teams can plan around once a year. It's becoming a recurring line item. Notably, Anthropic and Meta's incidents traced back to the same third-party evaluation partner, and in Meta's case, the model's cyber risk had already been assessed as no higher than moderate before the very testing process meant to confirm that assessment ended up breaching a real company.

That detail matters as it shows the failure point isn't just the model. It's the surrounding scaffolding of evaluations, permissions, and network paths that organizations assume is contained until it isn't.

This should be viewed as an early warning for organizations about autonomous systems moving from content generation into action execution. The practical lesson, now repeated three times over, is that advanced AI systems can behave in harmful or unexpected ways even when the original goal is not malicious, especially when they are given tools, network paths, credentials, and incentives to complete a task at any cost.

For companies, the takeaway is not to halt AI adoption. It's to treat agentic AI as a new class of privileged workload that requires containment, observability, and enforceable runtime controls.

Govern agents like high-risk digital workers

That starts with AI agent identity management. Companies should double down on this discipline and be very deliberate about what agents are allowed to access and do. Each agent should have a unique identity, scoped permissions, short-lived credentials, and clear ownership, so organizations can trace actions back to a specific system, use case, and accountable business owner.

Access should be limited by default, with explicit approval gates for higher-risk activities such as internet access, code execution, credential retrieval, data movement, or changes to production systems.

In practical terms, organizations should govern AI agents like high-risk digital workers: least privilege by default, separation between test and production environments, detailed logging of tool use and system interactions, and a kill switch that security teams can trigger the moment behavior deviates from policy.

Prevention, monitoring, and the road ahead

Prevention also requires moving beyond traditional application security testing. Organizations should red-team agents against realistic misuse paths, including prompt injection, tool abuse, lateral movement, credential harvesting, data exfiltration, and attempts to bypass sandbox restrictions. They should also continuously monitor agents for harmful impacts, not just technical failures.

That means watching for unauthorized access attempts, unusual tool-chaining behavior, unexpected data movement, policy violations, and actions that could create operational, security, privacy, or reputational harm. Periodic audits should review agent permissions, identities, logs, business justification, and actual behavior to confirm that each agent is still operating within its intended purpose and risk tolerance.

Will this become a trend? With three disclosures in seventeen days, that question is close to settled. Autonomous agents will increasingly be able to discover, combine, and exploit weaknesses faster than traditional security processes can respond.

The risk is not simply “AI hacking AI.” It's autonomous decision-making operating inside complex digital ecosystems where one model, plugin, dataset, API, or identity path can become the bridge into another environment, exactly what played out at Hugging Face, inside Anthropic's testing environment, and now at Meta's.

The companies that will be best positioned are those that pair AI innovation with disciplined identity management, access limitation, continuous monitoring, and routine audit practices, rather than treating each new disclosure as an isolated incident to react to after the fact.

The pragmatic message for executives, especially as this list of companies keeps growing, is that agentic AI can create significant business value, but only if autonomy is matched with accountability, containment, and operational guardrails.

We've featured the best endpoint protection software.

This article was produced as part of TechRadar Pro Perspectives, our channel to feature the best and brightest minds in the technology industry today.

The views expressed here are those of the author and are not necessarily those of TechRadarPro or Future plc. If you are interested in contributing find out more here: https://www.techradar.com/pro/perspectives-how-to-submit

We're living in a drought of bold and brave storytelling. By that, I mean that almost everything we consume on our favorite streaming services plays it safe, looks the same, or lacks so much substance that you can't really say anything about it other than "it's fine".

MobLand, however, has been bucking that trend, and season 2 continues to build on an authenticity that's light years ahead of anything else. Why? At large, it's because MobLand trusts its audience to be able to think critically.

You've probably read reports of streamers modifying their scripts and plots to accommodate 'second screen' viewers — subscribers who've put something on in the background while doing something else. Without naming any names, this is starting to result in bland, unambitious storytelling that spoon-feeds you information unnecessarily.

But MobLand season 2 shows us just how fulfilling the results can be when creators and distributors alike are prepared to disrupt popular industry trends. The rich, complex layers to the central storyline feel never-ending, forcing you to play close attention to every second of dialogue and action.

The Harrigan family, as always, are unhinged. Conrad's (Pierce Brosnan) feud with Kevin (Paddy Considine) ramps up a notch, embroiling new 'fixer' Frankie (Johnny Flynn) in their mess as family arch-rival Kat (Janet McTeer) tries to take control of London from a distance.

This leaves Harry (Tom Hardy) having to clean up even more mess than before, particularly considering his and Jan's (Joanne Froggatt) impending divorce. On top of that, daughter Gina (Teddie Allen) has gone missing.

If you think you understand, you don't — between the Harrigans and us, it's the blind leading the blind. But that makes tuning into Paramount+ this week all the more enriching... because everyone is prepared to take a risk.

MobLand season 2 is a masterclass in how 2020s TV should be constructed

There's something so wonderfully hypnotic about watching a Dame and a former James Bond shower us with See You Next Tuesdays like it's no big deal (I counted, and Conrad says this four times within the first six minutes of episode 1). But such gimmicks aren't what makes MobLand season 2 so entertaining.

As I've touched on above, it all comes down to the construction. Having a whip-smart script, edgy editing and a soundtrack so defiant that Spotify would ask a listener with the same taste if they were okay, doesn't automatically give you a good show — all elements of production need to be working in complete synergy.

There will be no spoilers in this review, so I need you to trust me when I say that some scenes had all of their creative elements working in such beautiful harmony that I spiritually ascended. Never before have I wanted to be involved in organized crime, but throw me into an action sequence with dynamically rhythmic edits and Firestarter by The Prodigy as the soundtrack and I'd seriously consider it.

If I had to described MobLand season 2 in one word, it would be relentless. From the onslaught of family issues to the duplicity and deceit within them, nothing ever lets up. It's a mental scramble to keep up with everything that happens in a single episode (let alone the entire season); Guy Ritchie has created the most violent workout for the mind possible.

Throw yourself into it at full-throttle and you'll never want the grip of MobLand to let you go. It's not worth having any favorites — they'll either die or deceive you — but that in itself is a fitting lesson in trust. You stick out the ride and try to survive, and become pleasantly addicted to the process.

I've never loved a 'prick on a scooter' more

(Image credit: Paramount+)

It goes without saying that our ensemble cast is, as always, on top form. If there was any truth to the alleged behind-the-scenes drama involving Tom Hardy, all it's done is fuel the fire of some exceptional television. Harry's constant need to live on his wit's end is often amusing, while Conrad's slowly declining grip on reality never loses its gravitas.

Maeve (Helen Mirren) needed no improvement, really, but I've particularly enjoyed her power-dressing wardrobe this time around. In direct contrast is Bella (Lara Pulvey), who is the most fretful and unguarded we've ever seen her. Seraphina (Mandeep Dhillon) is on the way up the food chain, but her own worst enemy.

It's a social study in how complicated humans are while intent on making their own problems infinitely worse, then. But a particular shoutout must go to our most important newcomer, "prick on a scooter" Frankie Cooper.

Without giving too much away, he's brought into's Harry's orbit to act on behalf of the terrifyingly aloof Kat, all while dressed like the third Gallagher brother if he used the Lime app. With a chillingly monotone voice, and eyes that seem like they're constant dissociated from the world around him, he's the first genuinely troubling threat to Harry since the show began.

Frankie's relationship to everyone around him is just another fascinating dimension to behold, revealing a collective fear and vulnerability among the rest of the characters that we've not yet seen. From beginning to end, Ritchie's thought process is truly masterful.

Thank God MobLand season 3 is already a done deal. Thank God we get to experience more of this addictive high. If you thought The Gentlemen season 2 was good, you ain't seen nothing yet.

Garmin’s Forerunner 170 is a solid running watch that brings great performance and smart features, all in a light and small package, and I particularly loved the Music version for phoneless short runs and activities. The watch was even found to be very accurate, according to my colleague Matt Evans’ testing.

At AU$479 (or AU$549 for the Music version), however, it isn’t the most affordable as far as fitness smartwatches go — so when I found the older (but higher-tier) Forerunner 265 discounted by 38% on Amazon, I knew this was a deal too tempting to pass up.

Featuring a more accurate dual-band GPS technology, 13 days of battery life, more size options and on-watch music storage, the Forerunner 265 is hard to beat for just AU$498.

This discount takes what our reviewer called the best running watch for most people in 2023 to its all-time low price on Amazon, which is about AU$50 cheaper than during recent sale events like EOFY and Prime Day. The smaller 42mm Forerunner 265S is also available for the same price and in more colours.View Deal

The Garmin Forerunner 265 was the first small Forerunner model with a touchscreen AMOLED display, replacing its predecessor’s monochrome memory-in-pixel display, to make it look and feel similar to something like an Apple Watch or a Samsung Galaxy Watch.

It also features dual-band or multi-frequency GPS for high-precision tracking in dense cities or heavy tree cover, which is technically superior to the Forerunner 170’s single-frequency multi-GNSS tracking.

The 170 is only available in the single 43mm size, while the 265 comes in 46mm and the smaller 265S is 42mm, providing more options for different wrist sizes.

The biggest criticism from our reviewer is the Forerunner 265’s price hike over its predecessor, and slightly worse battery life, which can be credited to the switch to an AMOLED display, but this discount takes care of the former in spades.

Interested in other Garmin products? Check out the latest Garmin Australia coupons here.

As TechRadar’s coffee expert and custodian of our guide to the best coffee machines in Australia, you can rest assured I make it my mission to trial as many espresso machines as possible. One brand that has, so far, eluded me, however, is Jura.

Judging by our Jura J10 and Jura Z10 reviews, that’s clearly a shame, as the Swiss brand is an expert in all things automatic coffee machines. And that’s exactly why a massive 57% discount on the Jura S8 at The Good Guys piqued my curiosity and made me do a double take.

Plummeting from AU$3,690 to AU$1,589, this is a prime opportunity to snap up an uber-premium bean-to-cup machine to take pride of place in your kitchen for years to come.

S8 (1561): was $3690 now $1589
This premium fully automatic coffee machine grinds, brews and froths milk at the touch of a button. With 27 preset drinks available, including the ability to incorporate flavoured syrups, it’s essentially your own at-home barista. Make sure to hit the Price Beat button the full saving.View Deal

While I do enjoy getting hands on with a coffee machine — I’m a huge fan of the KitchenAid Semi-Automatic, for example — in my mind an automatic model is ideal. I can press a couple of buttons, pull up a saved recipe and have my coffee brewing whilst attending to other tasks.

The Jura S8 therefore looks like it could be my new best friend for a number of reasons. Firstly, Jura has been making automatic coffee machines for around 40 years, so it arguably has the expertise to understand what makes a decent cuppa.

That experience extends to proprietary technologies, including its P.A.G.2 grinder with its seven selectable grind levels, an eighth-generation 3D brewing unit that passes water through coffee on multiple levels for a more even extraction and the use of the Pulse Extraction Process (P.E.P.) that pushes water through the puck in pulses rather than one uninterrupted flow, to optimise extraction time.

The 27 drinks can be customised to a great extent too, with 10 strength settings, programmable water and milk quantities and three brewing-temperature settings. And, as mentioned earlier, the S8 can produce Sweet Foam — milk foamed with flavoured syrup during preparation. My colleague Cat Ellis has said the results are “delicious” in her Jura J10 review. Plus, the large 4.3-inch touchscreen looks glorious in pictures.

On paper then, the Jura S8 looks to be the perfect coffee machine for me. Not only does it promise top-tier performance, but I also think it’s a bit of a looker compared to many other machines that are more akin to black boxes.

This huge AU$2,101 saving at The Good Guys lists an end date of September 30, so while you do have a little bit of time to take advantage, it could transpire that stock could run out before then!

Want more suggestions?

If spending over AU$1,500 on an automatic coffee machine is too much for your budget, fret not, as there plenty of excellent models available for less. And, in some cases, you can actually find a machine that offers even more features than the Jura, for less money. Here are some other top-rated alternatives.

KF3: was $1349 now $1149
The best automatic coffee machine you can buy right now in my opinion, this KitchenAid model brews a delicious espresso time after time, offers a good level of personalisation, has a good (but not great) milk-foaming system, and intuitive navigation.View Deal

Eletta Explore Perfetto: was $1999 now $1199
The Eletta Explore is one of De’Longhi’s flagship series. This particular model can foam hot and cold milk, is controlled via a touch panel and can brew a large selection of drinks. View Deal

4400 Series Fully Automatic Espresso Machine: was $1199 now $797.36
This Philips machine is one of my favourites, and while it has gone lower in price before, I still consider this to be a great value for what is a great bean-to-cup espresso machine. View Deal

Luxe Café Premier: was $849.99 now $727
As we said in our 4.5-star Ninja Luxe Café review, this bean-to-cup coffee machine is worth the hype. Our tester said it was "an espresso machine anyone can master" that offers pro-level drinks without the effort. It’s all thanks to various technologies that determine the ideal grind size and automatically froth milk, meaning anyone can be an at-home barista. View Deal

J10: was $3990 now $2965
Ok, so this one costs more, but since I've referenced it a couple of times already, I had to include it here given the saving on offer. It does an excellent job of the fundamentals and adds the ability to make cold brew, along with a 42-drink menu.View Deal

Featuring Orna Guralnik of Couples Therapy, Samsung’s latest ads uncover the emotions behind switching phone brands.

• StarCraft's first-person perspective will offer a new sort of "tension"
• General manager and creative director Dan Hay says the tension is "subtly different" from the original RTS game
• Since the game is in first-person, "You have to protect yourself"

StarCraft general manager and creative director Dan Hay has explained the process of designing a new game in first-person, revealing that "tension" was crucial.

Blizzard's next StarCraft game won't be a real-time strategy (RTS) title, but a story-driven, open-world first-person shooter, which will be a fresh direction for the beloved series.

Hay, who discussed the game's inspirations with TechRadar Gaming at BlizzCon, explained that because of the new perspective, this meant the team had to think carefully about how to manage a combat system, the world, and enemies of StarCraft in a new way, while still being faithful and familiar to the original RTS game.

"The combat has to feel very, very clean and dangerous and mean and dark," Hay said. "I think StarCraft does that well. The mood is dark, but also, in a strange way, hopeful."

Without giving away too many details, the developer said that the team has to make the enemies the player is fighting "feel real" while also balancing the challenge of what it's like being inside 10-foot armour that weighs 1000 pounds.

"It's because the thing that's out there is going to try and shuck me like an oyster," he continued. "The thing that's out there is going to try and just flay me open, and eat my insides. And so we have to build it in such a way that it all makes sense, which means when you move, when you attack, when you shoot, it has to feel real, and then whatever it is that's attacking you — which we all know what's probably going to be attacking you — it has to feel like it's an onslaught where you have to stem the tide, you have to figure out a way to stop that biomass from attacking you, and it has to feel real."

Hay said the "key" to designing this experience was "tension," which players got a glimpse of in the CGI trailer, adding that it's the same tension from the RTS "but it's subtly different."

In the RTS game, players would be confronted with a wall of Zerg enemies, and that would be the tension, but in StarCraft, a first-person experience, the top-down perspective is gone.

"Now your boots on the ground," Hay said. "We have to give you the tension of deployment, and you saw us actually do that in the teaser, and then we have to give you the tension of there not being a whole bunch of marines around that you can just go through. It's you. You have to protect yourself. You have to figure out how to fix your armor. You have to figure out how to push back against it.

"Every shot matters. Everything you do matters. So the tension feels even greater."

StarCraft is currently in development and is set to arrive in 2030.

Missed out on the deals from Amazon Prime Day in July? Good news: the online retail giant has revealed the dates for its Prime Big Deal Days sales event in Australia, and it’s earlier than we expected.

Like Prime Day, this event will run for 7 days from 12:01am on September 29 to 11:59pm on October 5, 2026, just in time for the Labour Day (or King’s Birthday) long weekend if you’re in New South Wales, South Australia and the Australian Capital Territory. It’s also much longer than the Prime Big Deal Days event in the US, which is only for 48 hours from October 6 to 7.

Amazon Australia is also holding the event a week earlier than it did last year, when it ran from October 7 to 13, 2025. We think this move is meant to provide a bit more breathing room before the Black Friday 2026 sales in late November, and also to adjust for the earlier Prime Day in July.

As the Prime Big Deal Days sale is meant to be a teaser for Black Friday, the event doesn’t usually have discounts as deep as what we typically see during Prime Day in July or Black Friday itself but, with the dates shifting a week earlier, there’s still a chance that we could see record-low prices on popular and premium tech.

We’ll be keeping an eye on prices of the best headphones, best tablets, best cameras and more, and we’ll cover the sale live when it starts in just over a week’s time. So expect to see discounts on brands like Apple, Samsung, Dyson, Breville and more, as well as with Amazon’s own range of products like Kindle ereaders, Echo smart speakers and Ring video doorbells.

Like Prime Day, we expect the best prices to be exclusive to Amazon Prime members, though a few offers will be widely available, too. If you’re interested but not yet a Prime member, you can sign up for a 30-day free trial. Starting a subscription now will make you eligible to shop the upcoming deals, and you can cancel it immediately after if you aren’t keen to keep paying.

Otherwise, staying on as a Prime member after your free trial will cost AU$9.99 per month, or AU$79 for an annual membership. Other benefits you can get with a Prime membership are the Prime Video streaming service, Amazon Music and Amazon Luna gaming, plus a two-year free subscription to DoorDash — find out more in our in-depth guide to what is Amazon Prime in Australia.

It’s also never been a better time to be a Prime member as Amazon Australia has expanded its same-day delivery service in Sydney and Melbourne with more items eligible for overnight delivery. Adelaide, the Central Coast, Newcastle, Geelong, Canberra and more cities now also have same-day delivery.

Get ready for Prime Big Deal Days

While Prime Big Deal Days may not be as big as July Prime Day or Black Friday, we still expect the number of deals to go into the thousands, and browsing through the Amazon Australia site could still get overwhelming. But fret not, as TechRadar will help you find the best tech deals in real-time and have them all listed in our dedicated live Prime Big Day Deal Days hub. Check in as often as you can to ensure you won’t miss out on some of the best discounts, as we expect some will go live in a flash and sell out very quickly.

In the meantime, here are 5 of our top early deals to shop right now.

Our reviewer called the Forerunner 265 the best running watch for most people when it first came out in 2023, and its then-new AMOLED touchscreen display means it still holds up better compared to newer releases. If you have smaller wrists, the 42mm Forerunner 265S is also discounted for the same price.View Deal

Pure Hot+Cool Link: was $599 now $499
Spring has officially sprung here in Australia, and what better time to invest in a fan to keep yourself cool as the temperature starts to go up over the next few months. We rated this Dyson fan 4 out of 5 stars for its smarts, included purifier and better filters. Paying almost AU$600 for a fan is a big ask for many households, but this discount makes the Dyson Hot+Cold Link more palatable if you're already in the market for one.View Deal

WH-1000XM5: was $548 now $395
Sony's flagship noise-cancelling cans from 2024 received a perfect 5 stars in our review, thanks to their noise-cancellation technology, 'wonderful' sound performance, smart features and an intuitive companion app. While we've seen this cheaper before, this price is still hard to pass up.View Deal

Finetrack Slim (Android only): was $65.99 now $39.25
These Android-only Bluetooth trackers from Ugreen are more affordable alternatives to the Samsung SmartTag 2 or the new Google Pixel Tag for less than AU$10 per piece with this deal. It works with Google's Find Hub, recharges via USB-C, and has a loud 80dB alarm to help you find your lost item. The iOS-only version is also discounted, and you can also get this model that works for both operating systems.View Deal

45W 10,000mAh power bank: was $39.99 now $29.98
This 10,000mAh power bank is small at 10.92 x 6.86 x 1.78 cm, but it also has 45W fast charging to get your devices recharged quickly. This model even has a detachable braided cable so you won't need to scramble through your bag to look for the cable when you need to charge. Best of all, the 10,000mAh capacity means it's safe to bring to flights.View Deal

It’s that time of year again when we’re not always sure whether to leave the house dressed for summer or winter. And while this transitional phase can be a nightmare for wardrobe choices, it means that summer is right around the corner, so it’s time to start thinking about how you’ll stay cool at home and beat the heat.

And let’s not forget that this is an El Niño year, so spring and summer will be drier than usual and potentially hotter, with a higher probability of bushfires. So, along with the heat, we’ll also need to contend with the smoke and ash in the air, which could cause respiratory disorders.

Long story short, it’s time to invest in a good purifying fan to see us through the coming months here in Australia.

Fortunately, Amazon understands this and has slashed up to AU$300 on some of Dyson’s powerful, bladeless fans to help keep you and the family cool when the temperature rises. I’ve highlighted three of my favourites below, all of which will not just purify the air you breathe at home and keep you cool, but will keep you toasty in the colder months. That’s good value for a gadget you can use year-round. If Dyson doesn’t tickle your fancy, I’ve also listed some highly recommended alternatives from the likes of Vornado and Shark.

Pure Hot+Cool HP00 Purifier: was $499 now $399.20
The HP00 is a three-in-one model, covering cooling, purifying and heating, making it a truly versatile unit and a good price — well, for a Dyson. Its 360º HEPA filtration system captures 99.95% of particles as small as 0.1 microns, while 70º oscillation helps circulate purified air around your room.View Deal

The Pure Hot+Cool Link offers the same three-in-one functionality as the HP00, but has the added benefit of smartphone connectivity, letting you monitor air quality and control the machine remotely from your phone. View Deal

Purifier Hot+Cool HP2 De-NOx: was $1199 now $899
You also get three-in-one functionality with this Dyson fan, but it combines HEPA H13 filtration with advanced gas removal, including the continuous destruction of formaldehyde that can be released by nearly everything we own in our homes today, including new furniture. It can be controlled via the MyDyson app and offers 350º oscillation. View Deal

Want more suggestions?

It’s not just Dyson that makes powerful and effective fans for cooling your home. I’ve picked out some other models below that many of the TechRadar team and I use ourselves.

• Vornado 560 Medium Air Circulator: AU$199 AU$169
• Vornado 660 Large Air Circulator: AU$279 AU$195
• Shark FlexBreeze Pro Mist Cordless Indoor and Outdoor Fan: AU$499 AU$349
• Dreo TurboPoly Fan 512: AU$139.99
• Gaiatop Portable Handheld Mini Fan: AU$26.99 AU$23.99

• Salesforce CEO Marc Benioff calls the SaaSpocalypse "crazy nonsense"
• Instead, he predicts a new kind of software interface will make all the difference
• Nvidia CEO Jensen Huang agrees, saying the end of software isn't nigh

Salesforce CEO Marc Benioff has hit out at reports AI technology will lead to a "SaaSpocalypse", saying traditional software still has life in it yet.

Speaking at the opening keynote of Dreamforce 2026, Benioff said the talk of a SaaSpocalypse over the last six months was "crazy nonsense".

Instead, Benioff said the market trends would actually bring in a new age of software - one where AI would be playing a key role.

A new kind of interface

"Hasn't it been wild?" Benioff asked the Dreamforce crowd.

"But I think we realized that SaaSpocalypse - it's not about the end of software, but it may be about the end of software that makes humans do all the work."

Namely, this refers to AIforce, the company's new realization of the software interface, to reflect the needs of the AI age.

Benioff noted that over the past few decades, users have gone from Command Line interfaces to GUI, from web to mobile - and now, with AI assuming a much greater role in the world of work, there's a need for a new kind of interface.

AIforce looks to address this by enabling agents anywhere to reason and take action across all the data, workflows, and logic inside Salesforce, hopefully unlocking whole new ways of working for customers everywhere.

(Image credit: Future / Mike Moore)

Benioff wasn't alone in his belief that this isn't the end of software - later in his keynote, he welcomed Nvidia CEO Jensen Huang on stage.

This was primarily to discuss Salesforce's new Koa CRM, developed alongside Nvidia, but the talk took a bit of a manic turn, as the two billionaires instead decided to pace about the theatre and have a discussion about the wider technology industry.

"Don't give up on the technology," Huang said, "You've heard me say it - I was the first CEO to come out not in the software industry to say the end of software is nonsense."

"(Instead) This is going to be a layer on top of sotware, this new layer is gojng to be agentic, and it's going to make the software so much better."

Fall is moving in, a new school term is underway, and whether you're heading out and about on campus or just facing down your regular commute under altogether colder, darker conditions, now feels like a really good time to invest in a quality insulated drinks container.

Luckily, Amazon has obliged with some excellent discounts on on-the-go mugs and bottles from usually-pricey, top-quality brands like Hydro Flask and Yeti. The deals vary and they're not on every color or every size, but I've combed through the different options to find the best bargains, and rounded them all up for you below. I've also grouped them by color, so you can pick the one that suits your fall vibe.

I have a Yeti coffee cup and tumbler at home, as well as an insulated Hydro Flask bottle and cup. Before you ask, I don't have a problem — I used to review outdoors kit for my job, and I picked up all of these during that time. The mugs are all in near-constant use as soon as the weather is cool enough for hot drinks, and I can vouch for their quality and reliability.

A rainbow of deals

Hydro Flask Water Bottle 32oz, Indigo Blue

Hydro Flask Coffee Mug 12oz, Indigo Blue

Hydro Flask Water Bottle 40oz, Beachplum Purple

Hydro Flask Hot Flask & Cup 36oz, Beachplum Purple

Hydro Flask Water Bottle 32oz, Beachplum Purple

YETI Rambler 24oz, Tropical Pink

Yeti Rambler 30oz w/ Stronghold lid

YETI Rambler 14oz Stackable Mug, Tropical Pink

Hydro Flask Water Bottle w/ Wide Mouth Flex Lid 32oz, Reef Pink

Yeti Rambler 30oz with MagSlider Lid, Cherry Blossom

STANLEY Iceflow 2.0 Flip Straw Tumbler, 30oz, Rose Quartz

Hydro Flask Water Bottle w/Wide Mouth Flex Lid 40oz, Nectar Orange

Hydro Flask Water Bottle w/Wide Mouth Flex Lid 32oz, Nectar Orange

CamelBak Thrive Chug Water Bottle 32oz, Moss

STANLEY Iceflow 2.0 Flip Straw Tumbler, 30oz, Peat Moss Plaid

STANLEY Iceflow 2.0 Flip Straw Tumbler, 30oz, Black

YETI Rambler Stackable Mug w/ Magslider Lid 10oz, Black

Hydro Flask Coffee Mug 12oz, Agave Green

Hydro Flask All Around Tumbler Straw Lid 28oz, Tonal Birch

CamelBak Thrive Chug Stainless Steel Water Bottle 32oz, Stone

Hydro Flask Water Bottle w/ Wide Straw Lid 24oz, Ivory

Canon EOS R8 Mark II: Two-minute review

It might look like a Sony or Nikon, but I can assure you that the EOS R8 Mark II is a Canon camera. It's the realization of a long-rumored model that was expected to be a digital remake of the AE-1 analog SLR camera to mark that camera's its 50th anniversary, only those rumors proved unfounded, with Canon working in a "modern twist".

I can see the faint resemblance between the two cameras, and I like the EOS R8 Mark II's angular look, but I also think Canon has missed a trick by not going all-out retro here, in the way Nikon did with its Zf.

Design should have been the major selling point here, but instead we have a camera that blends in, and that's not a compliment. This makes it harder to forgive the dated elements of the camera that have been carried over from the original EOS R8.

That's not to say the EOS R8 Mark II isn't a decent upgrade from the EOS R8 — it adds in-body image stabilization that's rated up to 7.5EV to the 24MP full-frame sensor, plus an AF joystick (Canon calls it a multi-controller) which makes autofocus selection simpler.

The Canon EOS R8 Mark II isn't the retro design we'd been led to expect (Image credit: Tim Coleman)

Video specs are also improved, autofocus performance enhanced, and pre-capture appears for the first time in a Canon camera at this price point.

The EOS R8 Mark II is a better camera than the EOS R8, but it also carries the same LCD and EVF displays, and the same tiny battery and entry-level build quality. These dated elements only highlight how much better a camera the Nikon Z5 II is — and that camera from 2025 costs less.

Still, if you're a Canon fan and committed to its system, the EOS R8 Mark II is a solid upgrade of the EOS R8, and a sensible alternative to the pricier EOS R6 Mark III for users who don't need the premium design, superior battery life and various high-end features.

Canon EOS R8 Mark II: Price and release date

• Announced on September 16, 2026, priced from $1,899 / £1,729 / AU$2,529
• Available in 24-105mm F4-7.1 IS STM kit for £2,119 / AU$2,859 (or with the 24-50mm f/4.5-6.3 IS STM lens for $2,099) in the US
• Dedicated Extension Grip (EC-G2) costs $99 / £89 / AU$169
• Goes on sale from October 20

Here's the EOS R8 Mark II with its dedicated EC-G2 grip attached. The grip purely bulks out the camera — it doesn't feature a battery (Image credit: Tim Coleman)

Canon is expected to sell the EOS R8 Mark II from October 20, with a body-only price of $1,899 / £1,729 / AU$2,529, which rises to £2,119 / AU$2,859 for the 24-105mm F4-7.1 IS STM kit (not to be confused with the pricier 24-105mm F4 L IS USM), while in the US there's a 24-50mm f/4.5-6.3 IS STM kit for $2,099. Other bundles will be available, including one with an additional battery.

Canon also launched a grip for the EOS R8 Mark II, which costs $99 / £89 / AU$169. It's a grip only, and doesn't feature a battery, but it does feature a hinge allowing direct access to the camera's battery door.

Canon EOS R8 Mark II specsCanon EOS R8 Mark II specs:

Type:

Mirrorless camera

Mount:

Canon RF

Sensor:

24.2MP (effective) full-frame CMOS

Autofocus:

Dual Pixel CMOS AF II with 1,053 zones, subject detection of people, animals and vehicles + Register People priority

Continuous shooting:

Up to 40fps (electronic shutter)

Video:

4K up to 60fps, up to 10-bit, Canon C Log 3 profile

Viewfinder:

0.39-inch, 2.36M-dot OLED EVF, 0.70x magnification

Screen:

3.0-inch vari-angle touchscreen, 1.62m-dots

Storage:

Single SD/SDHC/SDXC slot

Connectivity:

2.4 and 5GHz Wi-Fi, camera connect, clean (micro) HDMI, wired connectivity USB-C

Dimensions:

131.4 x 90.0 x 79.7mm

Weight:

19.3oz / 546g (with card and battery included, 499g without)

Canon EOS R8 Mark II: Design

• Major new look for an interchangeable-lens Canon camera
• Multi-controller and tally lamp added
• Single SD card slot relocated to a dedicated side access door
• Same LCD and EVF displays as the EOS R8
• Body not weather resistant

I've already covered the new look of the EOS R8 Mark II. Whether that fresh design is going to be worked into other Canon cameras or remain exclusive to the R8 series, or if an unadulterated retro mirrorless body is on the way, we'll have to wait and see. I asked a Canon spokesperson about the prospect of an all-out retro body, and they didn't rule it out.

I've included a side-by-side photo of the EOS R8 and and EOS R8 Mark II, below, and you can see the sharper lines, and the deeper and textured grip of the new model, which for me evoke the look of Sony bodies more than Canon heritage.

One welcome addition is Canon's multi-controller button, which can be used to select the autofocus point among other things, and is a much loved feature by users who like to control to how their camera autofocuses, included point selection.

I really appreciated the placement of the multi-controller alongside the AF-ON (autofocus) button, which are both within a slight move of your thumb where it naturally rests in the grip. As such, it was entirely possible to hold the camera and make autofocus point selection one-handed.

The EOS R8 (left) and the EOS R8 Mark II (right)Tim ColemanTim ColemanWith the new EC-G2 Extension GripTim ColemanTim ColemanTim ColemanTim ColemanTim ColemanTim Coleman

A tally lamp has been added to indicate when video recording is active, while the single SD card slot has been relocated to a dedicated door on the grip-side of the camera, whereas in the EOS R8 it was found behind the same door as the battery on the underside.

Sadly, Canon hasn't used the space saved in the battery compartment (and deeper handgrip) to fit in a larger-capacity battery. The EOS R8 Mark II uses the same battery as its predecessor — shot life was already a major weak point — and has an even lower battery life when the power-hungry image stabilization feature is active, being rated at 220 shots when using the viewfinder (or 340 shots with the LCD).

Nor has the quality of the body been improved — Canon notes that the EOS R8 Mark II's body materials are part aluminum alloy, part polycarbonate, and it's not weather resistant. The controls, and the build quality, really do feel entry-level.

The 3.0-inch 1.62m-dot vari-angle LCD and 0.39-inch 2.36m-dot EVF displays are unchanged from the EOS R8, and look fairly dated when you compare them to the Nikon Z5 II's displays.

Canon EOS R8 Mark II: Performance

• 24.2MP full-frame sensor now equipped with 7.5EV image stabilization
• Digic X processor unique to the camera, 40fps burst shooting
• 4K video up to 60fps, oversampled from 6K, plus 1080p up to 180fps

The addition of in-body image stabilization (IBIS) is the major upgrade offered by the EOS R8 Mark II, and its effectiveness is rated up to 7.5EV. This feature makes life simpler shooting handheld in many scenarios — whether that's for sharp images in low light or with telephoto lenses, creative long-exposure shots, or run-and-gun video.

The sensor that incorporates the IBIS is otherwise the same as the one in the EOS R8 — a full-frame 24.2MP CMOS unit which is a decent all-purpose sensor. Nothing too exciting in 2026, but dependable.

Maximum burst-shooting speeds are once again up to 40fps, using the electronic shutter. Not that there's a choice — if you didn't already know it, the EOS R8 Mark II, like its predecessor, doesn't have a mechanical shutter.

Canon has added Pre-Continuous Shooting (more widely known as pre-capture) to the EOS R8 Mark II. In short, the camera is able to continually buffer up to 0.5 seconds while the shutter is half pressed, before the user fully presses the button to take photos. In this case, you get up to 20 photos spanning the half-second before you start photos — it's a really useful feature for wildlife and action photography, for when your reactions aren't otherwise up to speed. The feature was introduced in the EOS R5 Mark II, and the EOS R8 Mark II is the first Canon at this price point to get it.

(Image credit: Tim Coleman)

Video recording has been improved in several ways. First of all, 4K footage is oversampled from 6K, so it should look sharper. Secondly, 4K frame rates have been upped to 60fps, while 1080p goes up to 180fps — that's 6x slow motion. Thirdly, there's the aforementioned IBIS, which makes smooth handheld shooting all the more possible. And then there are additional color profiles to choose from, including 'filmtone' looks and other picture styles which can be added using the Canon EOS Utility app.

Canon has also added a new 'defocus' feature, which can add a creative blur effect (not aperture dependent), and alter the speed of focus transitions. I haven't had the time yet to test any of the EOS R8 Mark II's video features, but I will do for my upcoming in-depth review.

Dual Pixel CMOS AF II powers the camera's autofocus, which like before includes subject detection of people, animals and vehicles, but which Canon says offers an improved performance. For example, the camera's focus sensitivity in low light has been improved, being rated to -7.5EV.

‘Register People Priority’ is a neat addition — users can select specific people’s faces, storing up to 10 people for the camera to prioritize. It's a handy feature for scenarios like a wedding, where you might want to keep the bride and groom in sharp focus among a sea of faces.

Tim ColemanTim ColemanTim ColemanTim ColemanTim ColemanTim ColemanTim ColemanCanon EOS R8 Mark II: also consider

Nikon Z5 II

Nikon redefined what entry-level full-frame mirrorless cameras can do with its Z5 II. And despite costing less than the EOS R8 Mark II, it looks like the better camera overall. It also has a stabilized 24MP full-frame sensor, but its weather-resistant body has a magnesium alloy chassis, while its displays are superior, despite the camera coming more than a year earlier. If you're not tied to Canon, Nikon's Z5 II looks like the pick of the two cameras.

Read our in-depth Nikon Z5 II review

Canon EOS R8

Canon says the origial EOS R8 will remain on sale after the EOS R8 Mark II hits stores. The two cameras share the same 24MP full-frame sensor, burst-shooting speeds and displays, while the Mark II adds IBIS, a multi-controller, new design and more. The price of the EOS R8 has fallen since launch, so it's the more cost-effective option if you can live without the upgrades.

Read our in-depth Canon EOS R8 review

How I tested the Canon EOS R8 Mark II

(Image credit: Tim Coleman)

• I had a two hour hands-on session with the camera and kit lens
• I spent the time getting a feel for the camera, and took some sample photos
• Canon provided the EOS R8 and EOS R6 Mark III for comparisons

I've only used the EOS R8 Mark II for a couple of hours at Canon Europe's offices in London. During this time, I got a proper feel for the camera, and paired it with the 24-105mm F4-7.1 IS STM lens that the camera is available with in a kit.

Canon supplied me with the original EOS R8 and EOS R6 Mark III, so I was able to make direct comparisons between the three cameras, though only how they handle — I didn't have time to take like-for-like pictures.

I took a stroll in the outside space, and took various photos of birdlife, foliage and buildings. Look out for our in-depth review of the EOS R8 Mark II, coming soon.

• First reviewed: September 2026
• Read more about how we test

• Canon EOS R8 Mark II upgrades the original R8 with image stabilization
• It also features a new design 'inspired by Canon's heritage'
• Prices start at $1,899 / £1,729 / AU$2,529, on-sale date mid-October

The Canon EOS R8 Mark II is here, and it isn’t the digital remake of the 50-year-old AE-1 analog SLR camera that rumors had been suggesting — but it is a new design direction for the world’s leading camera manufacturer nonetheless.

Canon has historically stuck with a consistent design approach for its DSLR and mirrorless cameras, with sweeping curves and familiar controls. The EOS R8 Mark II, however, is "inspired by Canon’s heritage" with a "modern twist", so a Canon spokesperson told me, and it's unlike any other model before it — check out my first impressions.

I like the new angular look, but I think the company has unintentionally made a camera that looks just like those from its chief rivals Sony and Nikon, and I don't think we can call it retro.

This is what 'inspired by Canon's heritage' looks like — the Canon F-1, T80 and AE-1 supposedly shape the new look of the EOS R8 Mark II. Can you see it? (Image credit: Canon)

Canon fans hoping for an old school EOS R mount model to rival the Nikon Zf will surely be disappointed. Could Canon's design department have pushed the boat out more? Perhaps, but there’s nothing to say it won’t go full retro-style in the future with another model.

Design is the major talking point, but there are plenty of other features worth highlighting in what is a solid upgrade of the original EOS R8.

Beyond the looksTim ColemanTim ColemanTim ColemanTim ColemanTim Coleman

Like the EOS R8 — which Canon told me will remain on the market — we also get a 24.2MP full-frame sensor, but this time it features in-body image stabilization that’s rated up to 7.5EV.

Continuous shooting is again up to 40fps using the electronic shutter — in fact, like the EOS R8 there’s no mechanical shutter at all — but pre-capture has been added for up to half a second before you fully press the shutter, which is handy for when your reactions aren’t up to speed, and a first for a Canon camera at this price point.

And — praise be — an AF joystick has been added (Canon calls it a multi-controller), and it's positioned next to an autofocus button, both of which are conveniently placed right next to where your thumb rests. I was easily able to use the camera and its autofocus one-handed with a 24-105mm F4-7.1 IS STM kit lens attached.

Canon’s Dual Pixel CMOS AF II features, as does subject detection of people, animals and vehicles, plus Canon’s ‘Register People’ mode with the option to store up to 10 people for the camera to prioritize — handy for weddings, sporting events, and so on.

Video is still 4K, but now up to 60fps and oversampled from 6K, plus there's 180fps slow-motion recording in 1080p. There's a tally light to indicate when the camera is recording, while the SD memory card slot is now accessed through a side door, rather than underneath in the battery compartment.

The original EOS R8 (left), and the new EOS R8 Mark II (right)Tim ColemanCanon also announced a dedicated EC-G2 grip for the new camera. The grip bullks the camera up, but doesn't include a batteryTim ColemanTim ColemanTim ColemanTim ColemanTim ColemanTim ColemanTim Coleman

Those are some of the major upgrades, but there's also plenty that's familiar. For example, the 3-inch 1.62m-dot vari-angle touchscreen and 2.36m-dot EVF are unchanged, and there’s the same battery too. In fact, with the power-hungry image stabilization feature in play, shot life is actually slightly lower than before — battery life is a major weak point of the EOS R8 Mark II.

The camera weighs 19.3oz / 546g with card and battery included, and the quality of the plastic body is decidedly entry-level once more — this isn’t a weather-sealed camera you’d thrash around like the tougher EOS R6 Mark III is, which is the near-perfect Canon camera that the EOS R8 Mark II sits below.

Overall, I think Canon has addressed the key areas for improvement from the EOS R8, adding in-body image stabilization into a body that feels better in the hand, even if the build quality and battery life position it well below the EOS R6 Mark III.

I must also mention the Nikon Z5 II from 2025, which is the obvious entry-level full-frame rival to the EOS R8 Mark II, and which is available for a slightly lower price. Nikon's camera has many similarities, but with a magnesium alloy chassis and weather-resistance it's clearly the tougher camera of the two, plus it has a superior LCD and EVF. If you're not already committed to Canon, the Z5 II looks to be the better of the two cameras.

The EOS R8 Mark II costs from $1,899 / £1,729 / AU$2,529 for the body only, or £2,119.99 / AU$2,859 with the 24-105mm F4-7.1 IS STM (don't confuse this lens with the pricier 24-105mm F4 L), or $2099 with the 24-50mm f/4.5-6.3 IS STM lens in the US, and it feels like the sweet spot for users who want powerful features but are less concerned about build quality and shot life.

What do you make of the new EOS R8 Mark II, especially its new design? You can vote in the poll above, and leave your comments below.

Wo Long 2: Wings of Ember feels like a massive step up from its predecessor, purely from a combat standpoint. With a large variety of weapons to use, several character and weapon abilities to unlock, and armor to find while exploring, there's so much to look forward to at launch.

I played a demo of Koei Tecmo's upcoming title via the Xbox booth at Gamescom 2026, and was left thrilled by just how approachable Wo Long 2: Wings of Ember feels. As a soulslike, it can certainly be punishing, especially when fighting foes above your character's level.

However, Koei Tecmo has given players more than enough ways to battle, with different deflect combinations, standard blocking, and smooth movement for evading in and out of danger zones during combat.

Using the new nunchucks weapon felt like I was stepping into Bruce Lee's shoes, easily flying through standard enemies and deflecting their unblockable attacks. The finishers and overall speed of combat are very much PlayStation 2-esque, almost reminiscent of the stylish combos and animations in Capcom's God Hand.

Enemies often spam unblockable attacks, but the great thing is the attack patterns are very well designed, as they're easy to react to without unfair or nearly indecipherable movements — which is an issue I've had with most soulslike games over the years.

(Image credit: Koei Tecmo)

Similar to many soulslike games, though, Wo Long 2: Wings of Ember encourages players to build a build that caters to a specific play style, specifically based on which weapon one decides to use.

Levelling up different elements like wood, fire, water, earth, or metal virtues increased specific base character stats, element abilities, and ultimately improved proficiency with particular weapons.

Since I used wooden nunchucks throughout my playtime, I chose to upgrade the wood virtue, which aided me with more damage against enemies.

If you're fast enough at deflecting, Wo Long 2: Wings of Ember features some of the most satisfying back-and-forth combat against regular enemies and mini-bosses, and that's right up my alley. (Video Credit: Koei Tecmo)

Wo Long 2: Wings of Ember carries the levelling system from its predecessor and builds upon it, but the additional aspects to combat elevate it to a far more exciting level.

I never finished the first entry, Wo Long: Fallen Dynasty, but I was already very impressed by its fast-flowing gameplay and accessibility, which Koei Tecmo looks to be doubling down on in this sequel.

Story sequences were kept short in my preview, but honestly, gameplay is where the focus is with Koei Tecmo's upcoming entry. If my short demo is anything to go by, I can only expect Wo Long 2: Wings of Ember to deliver for stylish combat fanatics like me when it launches early in 2027 on PS5, Xbox Series X, Xbox Series S, Nintendo Switch 2, and PC.