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Hisense U75QG: Two-minute review

The Hisense U75QG is a solid performer that packs a lot of features in for the price. Typically, flagship TVs are the ones that get the most attention, but people usually aren’t buying the best of the best from any brand. Instead, buying considerations usually fall to midrange TVs like this one.

The Hisense U75QG is a mini-LED display that delivers brightness we generally don’t see from TVs in this price range – I measured over 3,000 nits in HDR Filmmaker Mode, a level that exceeds many of the best TVs from most manufacturers. That makes the U7 an excellent choice for bright spaces where ambient light is difficult to control, such as a living room with large picture windows.

Accuracy with SDR sources is impressive, so while watching broadcast TV or non-HDR streamed shows, the U75QG will deliver nice, accurate colors. HDR has a few issues in color temperature and accuracy, but they’re not drastic enough to distract and pull you out of the viewing experience. They can also be mostly corrected with a professional calibration, if you’re up for spending extra for that.

The U75QG’s Google TV OS is, as expected, quick to use and easy to navigate. Google has been the top built-in smart TV platform for a few years now, and Hisense uses it well. Picture adjustments are easy to find and change, especially with a Settings button on the backlit remote, and the Google Store offers hundreds of apps for download, including all the major streamers and smaller ones as well. And for those that want over-the-air broadcasts, the U75QG includes a built-in ATSC 3.0 tuner.

The Hisense has great gaming support, with the ability for high refresh rate up to 165Hz on all four HDMI 2.1 ports, with VRR and AMD FreeSync Premium, Dolby Vision gaming, and a game bar to easily access gaming settings. There are some issues with image smearing when using VRR that can detract a little, but casual gamers should be more than happy with the features and performance.

Hisense TVs always see an almost immediate dip in pricing after release, and the same has happened with the U75QG. Those discounts make it an even better value, and it stacks up well against the TCL QM7K – its primary competitor. When everything is taken into account, the Hisense U75QG stands as one of the best value midrange TVs I’ve seen in 2025.

Hisense U75QG review: Price and release date

The Hisense U75QG's picture is bright enough to even watch in well-lit rooms (Image credit: Future)

• Release date: May 2025
• 55-inch: $1,300
• 65-inch: $1,500
• 75-inch: $1,999
• 85-inch: $2,499
• 100-inch: $4,999
• 116-inch: $21,999

The U75QG is Hisense’s midrange mini-LED TV, falling between the Hisense U8QG and U65QF (a model that uses the Amazon Fire TV OS) in its lineup. The series ranges in size from a 55-inch to a massive 116-inch model – the largest Hisense mini-LED TV available. As is typical for Hisense TVs, prices for all models, apart from the 116-inch, have fallen significantly since the series was released in May. The 55-inch TV can now be found for as little as $698, with prices ranging to just under $3,000 for the 100-inch.

The U75QG pricing is similar to the TCL QM7K, the midrange competitor from that manufacturer. Although the Hisense is currently $100 to $700 more expensive than the TCL, depending on screen size.

Hisense U75QG review: Specs

Screen type:

QLED with mini-LED

Refresh rate:

Up to 144Hz

HDR support:

Dolby Vision, Dolby Vision IQ, HDR10+, HDR10+ Adaptive, HLG

Audio support:

Dolby Atmos, DTS Virtual:X

Smart TV:

Google TV

HDMI ports:

4 x HDMI 2.1

Built-in tuner:

ATSC 3.0

Hisense U75QG review: Benchmark resultsHisense U75QG review: FeaturesImage 1 of 2

The U75QG's ports are split between side-mounted and rear-mounted input sections (Image credit: Future)Image 2 of 2

(Image credit: Future)

• Dolby Vision and HDR10+ support
• Hi-View AI Engine Pro processor
• VA panel with good anti-reflection

The U75QG is a mini-LED TV with an anti-reflection VA panel, which does a great job handling ambient room light reflections. The VA panel does not provide it with wide viewing angles, however, with desaturated colors and raised black levels easily visible starting at around 30 degrees off-center.

Hisense upgraded last year’s Hi-View Engine Pro found in the U7N to the Hi-View AI Engine Pro, which is the same processor the company is using in its step-up U8QG model. Hisense claims improved performance over the previous chip with a 1.6x faster CPU, 2.2x faster GPU, and 1.5x faster NPU, all to deliver a better optimized image.

The Hisense U75QG includes wide-ranging HDR support, including both Dolby Vision and HDR10+ dynamic formats. Dolby Vision IQ and HDR10+ Adaptive modes use the TV’s processing power to automatically adjust the picture based on the ambient light viewing conditions in your room. Dolby Vision Gaming is included, and, of course, the TV supports HDR10 and HLG.

Console and PC gamers will be happy with the included features on the U75QG. All four HDMI 2.1 ports support a refresh rate up to 165Hz with a Game Booster 288Hz (at 1080p), VRR, AMD FreeSync Premium Pro, Hisense Game Bar, and the aforementioned HDR gaming modes. Although, as we’ll get into below, there are some minor clarity issues with gaming on the U75QG.

The U75QG runs the Google TV OS, which allows access to thousands of streaming apps. It also has an ATSC 3.0 tuner for those in areas that are broadcasting NextGen TV signals.

• Features Score: 4/5

Hisense U75QG review: Picture quality

The U75QG's picture displays good color accuracy (Image credit: Future)

• Incredibly bright for a midrange TV
• Impressive SDR color accuracy
• HDR benefits from a pro calibration

Hisense has been a leader over the past few years in pushing display brightness to its limits, so there’s no surprise that the U75QG gets nice and bright, especially for a midrange TV. With local dimming and peak brightness set to High, and using Portrait Displays’ Calman color calibration software, in Filmmaker Mode from a 10% window, the Hisense blasts out 3,126 nits. That’s more than double what its predecessor, the Hisense U7N, was capable of, and more than the flagship Sony Bravia 9 mini-LED TV. A fullscreen white measurement tops out at 780 nits.

With local dimming on, the Hisense also delivers deep blacks even when there are some bright images on screen. During starfield shots — the opening of Star Wars: The Last Jedi or many scenes in Gravity — there’s excellent separation between the stars, especially for a mid-tier mini-LED TV, and there isn’t a significant amount of blooming along the edges of the Shuttle Explorer against the darkness of space. When bright objects are moving, the blooming is exacerbated a little bit, but overall performance is still great for the price of the TV.

Measurements in Filmmaker Mode out of the box show the U75QG tracks the target EOTF (gamma for HDR) beautifully, so the TV isn’t overbrightening the midtones at all. HDR color accuracy also leaves a little to be desired, with things like grass being a little yellow and skin tones slightly undersaturated. None of this takes away from the overall enjoyment of a movie or TV show, though.

The U75QG excels with SDR content. Grayscale tracks D65 across the range incredibly well, with an average dE of 0.8 and 2.4 gamma. Colors are also impressively accurate for a midrange TV, with skin tones in particular looking exactly as they should.

It’s possible to get similar performance with HDR content. The U75QG has an autocal feature in Calman, the software TechRadar uses to measure TVs, so the TV can be easily calibrated within just a few minutes by a TV calibration professional. And after calibration, the TV’s accuracy is significantly better. Some color temperature issues remain in brighter grays, but if you’re able to make it happen, a calibration is worth it to get the most out of the U75QG.

• Picture quality score: 4/5

Hisense U75QG review: Sound quality

A rear-mounted subwoofer adds some low-end heft to the U75QG's sound (Image credit: Future)

• 2.1.2-channel speaker system
• Clear dialogue
• Would benefit from a soundbar

The back of the U75QG features an oval subwoofer, part of the TV’s 2.1.2-channel speaker system. Along its edges are speakers to handle the left and right channels, as well as two up-firing speakers for height. In my room, I didn’t find that the up-firing speakers accomplished much, and there isn’t a room calibration system to make them work better.

Overall sound performance is above average for a TV. There’s a decent amount of bass and vocal clarity is good, but it’s still worth pairing the TV with one of the best soundbars for a more immersive experience.

• Sound quality score: 3.5/5

Hisense U75QG review: Design

The U75QG's "pedestal stand" is actually two support feet with a plastic plate mounted on top (Image credit: Future)

• Center pedestal is really two feet with a plastic plate
• High enough lift for soundbar
• Backlit remote control

The Hisense U75QG has a slightly redesigned stand over last year’s U7N. It still utilizes a center pedestal, but instead of a trapezoidal design, the U75QG consists of two feet that are covered by a rectangular plastic plate. The TV feels sturdy on its stand, although the plastic cover is a bit flimsy – which is honestly to be expected at this price point.

While the stand lifts the TV a little over three inches to accommodate a soundbar, the front sticks out a bit, so some extra space on your credenza or table will be needed to put the soundbar in front of it. The 100- and 116-inch models use two separated legs instead of the pedestal base.

The TV is a bit on the thick side, and more so than the comparable TCL QM7K by about half an inch. Connections are split between two panels. The majority are side-facing — including four 165Hz-capable HDMI 2.1 ports (one eARC), the ATSC 3.0 coax inputs, a USB 3.0 port, a 3.5 mm audio out, and an AV in (which requires an adapter). An additional USB 2.0 port, optical digital audio out, and Ethernet port are in a rear-facing cutout. If you plan to use wired Ethernet and wall-mount the TV, this could cause some mounting issues and require the TV to be slightly out from the wall to keep the Ethernet cable from bending and putting stress on the connection. The U75QG supports a Wi-Fi 6E wireless connection as well.

The remote is the same as the one that was introduced with 2024 Hisense TVs. It’s a long silver handset with backlit buttons, which include settings and input buttons (these are sadly absent from some competitors’ remotes). Because of its length, reaching all the buttons – at least for my average-sized hand – required some jostling of the remote, but overall the design is comfortable and easy to use.

• Design score: 4/5

Hisense U75QG review: Smart TV and menus

The U75QG's Google TV smart interface (Image credit: Future)

• Google TV OS
• Loads of streaming apps available
• Some ads on the home page

Google TV is the OS of choice for the U7 series, and it runs well on the TV. The OS is one of the best built-in options when it comes to the combination of usability and streaming app support. On the U75QG, home page navigation is quick, and menus are intuitive. There are thousands of apps available for download – including the major streaming ones such as Netflix, Prime Video, and Apple TV – as well as more niche options not included on all platforms, like F1 TV and Dropout.

The gear button on the remote pulls up the menus for adjusting any TV settings. There’s a selection of quick access menus for things like Picture and Sound, or you can call up the full settings menu. It’s pretty easy to navigate and find what you’re looking for — different settings are sensibly placed instead of hidden under a multitude of submenus.

• Smart TV & menus score: 4/5

Hisense U75QG review: Gaming

Hisense's Game Bar onscreen menu (Image credit: Future)

• Four HDMI 2.1 ports with 165Hz support
• 9.8ms input lag time
• FreeSync Premium Pro

The TV has lots of features meant to satisfy gamers, and for the most part, gamers will be happy with the U75QG. The four HDMI 2.1 inputs accept high refresh rate signals up to 165Hz from a computer in 4K, and Game Booster allows for 1080p/288Hz gaming. Consoles will be able to play games at 120Hz with VRR (including HDMI Forum VRR, AMD FreeSync Premium Pro, and G-Sync compatibility) and Dolby Vision gaming.

The U75QG has the Hisense Game Bar, where adjustments can quickly be made to settings like Dark Detail, Brightness, the Game Genre, and for adding a crosshair for aiming. It also displays your current frame rate, HDR, VRR, and ALLM status.

When in Game/PC picture mode, the input lag on the U75QG with a 4K 60Hz signal is a very low 9.8ms. It’s excellent for gamers who regularly play against others, or for reaction-based games. I played a good amount of Clair Obscur: Expedition 33, which requires some button timing for dodges and parries, and didn’t feel any lag.

While I found gaming on the U75QG to be an overall good experience, there’s some smearing when VRR is on, particularly with bright objects across a darker background, that can be a bit distracting. I saw this more when using my PC (from an RTX 4070 Ti Super) than on console, so if you’re a PC gamer, you might also see this more.

• Gaming score: 4/5

Hisense U75QG review: Value

The U75QG's backlit remote control (Image credit: Future)

• Excellent picture quality for the price
• Really needs a soundbar for best experience
• Four HDMI 2.1 ports and backlit remote

Hisense has been delivering significant value from its televisions for years now, and that continues with the U75QG, which might deliver the best performance-to-price ratio of any Hisense TV. Hisense historically lowers its TV pricing after release by a good bit, and the TVs are always on sale during shopping events, so that increases its value proposition even further.

The midrange TV market is fierce, though. The U75QG’s primary competitor is the TCL QM7K, another solid performer with high value. It’s not nearly as bright as the Hisense, and it also has some HDR inaccuracies (overly blue grayscale and some color issues) out of the box. Only two of the TCL’s HDMI ports are version 2.1, as well, although I prefer its overall design.

It gets interesting when we compare against the next tier up. The TCL QM8K has had some deep discounts recently, putting it within a couple of hundred dollars of the Hisense. At that price, the TCL is an absolute steal. Not only is it a much better TV than both the U75QG and QM7K, I think it's one of the best TCL TVs ever made – although the TCL QM9K likely takes that title.

• Value score: 4.5/5

Should I buy the Hisense U75QG?

(Image credit: Future)Hisense U75QG

Attributes

Notes

Rating

Features

Good HDR support and gaming features

4/5

Picture quality

Excellent brightness and great overall picture quality for the price

4/5

Sound quality

2.1.2-channel speakers deliver clear dialogue but limited height effects with Atmos soundtracks

3.5/5

Design

Good overall design with backlit remote and plentiful connections

4/5

Smart TV and menus

Google TV is a solid smart interface with plenty of apps

4/5

Gaming

Four HDMI 2.1 ports with 4K 165Hz support but some picture smearing with VRR, particularly with PCs

4/5

Value

A great overall value given the TV's picture quality and features

4.5/5

Buy it if...

You want a good all-around TV
While the U75QG isn’t without flaws, its overall performance is impressive for the price.

Your TV room is bathed in ambient light
Brightness output from the Hisense is more than other comparable TVs and stands up well against uncontrollable ambient light.

You have multiple gaming consoles/PCs
The Hisense U75QG has four HDMI 2.1 165Hz-compatible inputs, while its main competitor, the TCL QM7K, only has two. If you have multiple consoles and a PC to connect, the U75QG is the pick.

Don't buy it if…

You’re looking for top-tier gaming performance
The U75QG has decent gaming performance and a nice game bar option, but its VRR performance doesn’t match competitors.

You want amazing sound from a TV
The sound performance is okay, but you’ll really want to add a soundbar for a better sonic experience.

You watch events with big groups
Picture quality degrades pretty quickly as you move from off from center screen, so any friends that are over and have to sit to the side will see a lower-quality image.

Also consider...

Hisense U75QG

TCL QM7K

Hisense U8QG

Samsung QN90F

Price (65-inch)

$1,500

$1,499

$2,199

$2,499

Screen type

mini-LED w/ QLED

mini-LED w/ QLED

mini-LED w/ QLED

mini-LED w/ QLED

Refresh rate

Up to 165Hz

Up to 144Hz

Up to 165Hz

165Hz

HDR support

Dolby Vision IQ//HDR10+ Adaptive/HLG

Dolby Vision IQ/HDR10+/HDR10/HLG

Dolby Vision IQ/HDR10+/HDR10/HLG

HDR10+/HDR10/HLG

Smart TV

Google TV

Google TV

Google TV

Tizen

HDMI ports

4 HDMI 2.1

4 (2x HDMI 2.1)

3x HDMI 2.1

4x HDMI 2.1

TCL QM7K
The TCL QM7K is another great mid-range mini-LED TV with an affordable price tag. It has a better design than the Hisense, but its picture isn't as powerfully bright and its gaming flexibility is limited by having only two HDMI 2.1 ports.

Read our full TCL QM7K review

Hisense U8QG
The Hisense U8QG has a similar feature set to the U75QG but a better overall design with a sturdy aluminum pedestal stand. Its picture brightness is about the same, although the U8QG's 4.1.2-channel speaker array provides more immersive sound. It's a bit more expensive than the U75QG but not by much.

Read our full Hisense U8QG review

Samsung QN90F
The Samsung QN90F is the best mini-LED TV on the market when you take into account picture quality, design, and gaming features and performance. It's notably more expensive than the Hisense U75QG but has much better off-axis picture uniformity and is also available in a wide range of sizes, including 43- and 98-inch models.

Read our full Samsung QN90F review

(Image credit: Future)How I tested the Hisense U75QG

• The U75QG was my main TV for a couple weeks
• Tested with Calman color calibration software
• Used a variety of test material from streaming and discs

I watched a wide range of content on the Hisense U75QG, including movies and TV shows streaming from the built-in Google TV OS on Disney+, HBO Max, and Hulu. I also used a Kaleidescape Strato V for high-quality movies, along with 4K UHD Blu-ray discs played on an Oppo UDP-203 disc player. Games were played on an Xbox Series X.

For grayscale and color accuracy testing, I used a Portrait Displays C6 HDR5000 colorimeter profiled to an X-rite i1 Pro 3 spectrophotometer, Murideo Seven-G 8K pattern generator, Konica Minolta LS-100 luminance meter, and Calman calibration software by Portrait Displays. I used a Leo Bodnar 4K lag tester to check input lag.

I’ve been testing TVs, monitors, and projectors for a few decades, and am an ISF Level III certified calibrator.

You can read an in-depth overview of how we test TVs at TechRadar at that link.

• First reviewed: November 2025
• Read TechRadar's reviews guarantee

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Topping DX5 II: Two-minute review

The DX5 II is the product that Chinese specialist Topping hopes is going to force its name into the ‘affordable desktop audio’ conversation – and so it’s specified it accordingly and then priced it in the most aggressive manner imaginable.

A selection of digital inputs and a wider selection of balanced and unbalanced outputs mean the DX5 II can function as a DAC and headphone amp, like many of the best portable DACs we recommend can, but it can also become a preamp for use with a traditional stereo system or a pair of powered speakers – which your average portable DAC definitely can't do. So, this is new ground for many a headphone amp-owner.

ESS Sabre digital-to-analogue conversion with a native resolution of 32bit/768kHz and DSD512 means the DX5 II is as high-resolution a device as these things ever get. A variety of finishes, each one tidily realised and each one complementing an impeccable standard of build and finish, means the DX5 II won’t lower the visual tone of your system or your desktop. A selection of desktop Topping technologies designed to maximise sonic performance act as the cherry on top.

And no matter if you use it as a DAC, a preamp or a headphone amp, the DX5 II has an awful lot to recommend it where sound quality is concerned. It creates a big, open soundstage and organises it carefully. It’s detailed and dynamic in equal measure, and it controls low-frequency information to the point that rhythms are delivered with real positivity. It’s eloquent through the midrange, and its top-to-bottom frequency response is smooth too. In fact, there’s only a suggestion of overly bright treble response that represents a tiny fly in a great big vat of sonic ointment.

Topping DX5 II review: Price and release date

(Image credit: Future)

• Launched on June 10, 2025
• Priced $299 / £299 / AU$499

The Topping DX5 II is on sale now, and in the UK it goes for £299. Those numbers apply in the United States too, where it sells for $299 (subject to tariff fluctuations) while in Australia it will set you back AU$499.

A quick comparison then: it's a fair amount of product for the money. FiiO's pocketable BTR17 portable Bluetooth DAC/headphone amplifier sells for just a little less, at around $219 / £179 / AU$329 – but it's a portable little beast rather than a 'desktop' option.

The USB DAC iFi GO Bar Kensei is more, at $499 / £449 / AU$769, while the five-star iFi hip-dac 3 is less, at $199 / £199 / AU$349. All of which is a roundabout way of saying, there's certainly a market for the Topping DX5 II at this price, if it can take care of business.

(Image credit: Future)Topping DX5 II review: Features

• ESS Sabre 32bit/768kHz and DSD512 DACs
• Bluetooth 5.1 with aptX Adaptive and LDAC compatibility
• Balanced and unbalanced outputs

If Topping has attempted to build the DX5 II down to a price, it’s in no way obvious from the way the device is specified. There are similar products costing a fair bit more than Topping is asking that don’t tick as many spec boxes.

Consider the array of inputs and outputs, for instance. The DX5 II can accept digital audio information via coaxial or optical (which both top out at 24bit/192kHz), USB-B (a giddy 32bit/768kHz and DSD512), or Bluetooth 5.1 with SBC, AAC, several aptX standards (up to and including Adaptive) and LDAC. It’s worth mentioning that Windows PC users will need to install a driver to make use of that USB-B socket. Once the digital audio information been converted to the analog equivalent (which I’ll get to in a moment) it can come out again via single-ended stereo RCAs or balanced stereo XLRs (for connection to powered speakers or the amplifier of a traditional stereo system), or via a trio of headphone outputs – balanced XLR, balanced 4.4mm and single-ended 6.3mm.

Conversion to analog from digital is handled by a couple of ESS Sabre ES9038Q2M two-channel DAC chips – one attends to the left channel, the other to the right. They include ESS Sabre’s latest ‘Hyperstream IV’ architecture that’s intended to suppress noise and deliver optimal dynamic range – and their native 32bit/768kHz and DSD512 resolution is about as hi-res as hi-res ever gets out in the real world. To further suppress noise and distortion, Topping has developed a bespoke current-to-voltage conversion module that should also make the DX5 II compatible with a very wide selection of headphones and powered speakers.

And on top of this, Topping has included its own ‘X-Hybrid’ headphone amplification technology. It’s a fully balanced four-channel design with three stages (discrete input, op-amp -based gain stage, discrete output). This optimised circuit topology is designed to offer extended dynamic range, optimum efficiency and low distortion – and it should mean the DX5 II has no problem driving even the most uncooperative and power-hungry headphones.

Now, the free ‘Topping Tune’ software: it was only available for Windows PC at the time of testing, but it’s now also available for Mac OS users and provides access to Topping’s new ‘PEQ’ (parametric equaliser) algorithm that allows control of bandwidth, frequency and gain across ten definable bands. It means multiple audio profiles can be created, saved and uploaded to the DX5 II, target curves can be defined and imported – and different profiles can be applied to specific inputs, so the ultimate sound of headphones or speakers can be individually tuned by the Topping.

Features score: 5 / 5

(Image credit: Future)Topping DX5 II review: Sound quality

• Great sense of space and detail
• Dynamic and punchy when required
• A hint of top-end brightness

In virtually every respect, the Topping DX5 II does straightforwardly impressive work. So much so, in fact, that I might as well deal with the one aspect where it doesn’t outright excel – which should leave plenty of space for me to explain just what’s so likeable about it.

The top of the frequency range is just a little flimsy and bright when compared to everything else that’s going on underneath it. There’s an overly bright quality to the treble reproduction here, a sort of latent edginess that means the DX5 II is just slightly pickier about partnering equipment than it otherwise would be.

And with that out of the way, let’s get to all the good stuff.

The DX5 II is an open, detailed and considered listen, with the sort of soundstaging ability that makes even a complex recording like The Birth and Death of the Day by Explosions in the Sky easy to follow on a granular level. This recording also allows the DX5 II to demonstrate its considerable dynamic headroom – the distance between the moments of greatest intensity and attack, compared to the quietest and most contemplative moments, is significant.

The Topping is also alert to the dynamics of harmonic variation, too – and, in fact, shows a great facility for detail retrieval in every circumstance. It can identify, reveal and quite carefully contextualise even transient or minor details in a mix. And this goes a long way towards creating the sensation that you’re in full receipt of everything a recording has to offer.

The tonality of the low frequencies and the midrange is tidy and naturalistic, and the frequency response from the very bottom to the very top is smooth and even. Low frequencies are deep and textured, and carry a huge amount of information along with very pleasing tonal variation – and they’re controlled at the point of attack, too, so rhythmic expression is assured. The DX5 II punches into bass sounds, rather than slurring, and it observes the decay of those same sounds very carefully too.

The midrange is equally well-realised. The voice during a 24bit/96kHz FLAC file of Ghostpoet’s Off Peak Dreams is characterful and attitudinal, and there’s a tremendous amount of fine detail regarding technique and tone revealed at the same time as information about intention and emotion. The Topping communicates through the midrange in the most articulate manner, and as a result voices always sound direct and positive.

All of the above is true no matter what you’re asking the DX5 II to do. As long as you take a moment’s care with your choice of headphones, as long as the system you’re introducing it into doesn’t share the same latent treble tendencies, it’s a deft and remarkably accomplished performer.

Sound quality: 4.5 / 5

(Image credit: Future)Topping DX5 II review: Design

• 44 x 190 x 155mm (HxWxD)
• Black, silver or white finishes
• Properly built and finished

It’s become apparent lately that ‘desktop’ is a relative term – but Topping really means it when it describes the DX5 II as a desktop device. At a neat 44 x 190 x 155mm (HxWxD) it isn’t going to get in the way, even if your desktop is as untidy as mine.

The standard of build and finish is exemplary, and the DX5 II even feels good in a matte-finish, square-edged kind of way. The little indent around the rear of the fascia adds a tiny hint of visual interest, and the Topping looks very presentable in any of the black, silver or white finishes that are available.

Design score: 5 / 5

(Image credit: Future)Topping DX5 II review: Usability and setup

• 2-in full-colour display
• Remote control handset
• Legible and sensible on-screen menus

There are some physical controls on the fascia of the DX5 II – they’re grouped to the right of the crisp, full-colour screen that occupies the centre. Three rectangular buttons take care of input selection, accessing set-up menus, and cycling through the various display options for that screen, while a larger turn/press dial takes care of volume and menu navigation.

Options for the screen consist of a ‘spectrum analyser’ (which is sure to remind readers of a certain age of a graphic equaliser from back in the day), a readout of volume level, file format and file resolution, or a virtual VU meter (which is one for readers of an even more certain age). There’s a choice of colour and adjustable brightness, but in every circumstance the display is legible and crisply rendered, so navigating menus is always straightforward.

The Topping is also supplied with a little remote control handset that is, predictably, a lot less visually interesting and a lot less tactile than the control interface on the device itself. And unlike the DX5 II itself, there’s no choice of finish available – it comes in traditional black.

Usability and setup score: 4.5 / 5

Topping DX5 II review: Value

Judge it on the physical size of the product and the DX5 II can seem quite expensive. Consider it in terms of its specification and it suddenly seems much more realistically priced. And then think about its functionality, its flexibility and the highlights of its performance and the Topping starts to look like a bit of a bargain.

Value score: 4.5 / 5

Should I buy the Topping DX5 II?

Attributes

Notes

Rating

Features

Comprehensively specified – it'll even work as a preamp

5/5

Design

Small, svelte and useful enough to slip onto even the untidiest of desks

5/5

Sound quality

Dynamic, punchy and detailed, if just a tad bright on occasion

4.5/5

Value

It would be wrong to argue with the sound-per-pound value here

4.5/5

(Image credit: Future)Buy it if...

You want to up your desktop audio game
The difference the DX5 II can make to the sound of your laptop really needs to be heard

You have a traditional audio system that could do with some digital smarts
High-quality Bluetooth streaming can be yours, no matter how old-school your stereo system

You have some nice headphones that need the best bringing from them
The Topping is ready and able to drive the most demand and/or most high-achieving headphones around

Don't buy it if...

You have headphones that are lively at the top of the frequency range
The resulting sound could easily be interpreted as ‘too much of a good thing’

Topping DX5 II review: Also consider

It’s pretty plain that the iFi Zen DAC 3 is the product the DX5 II needs to topple – or, at the very least, compete hard with if it’s going to be a viable option.

The iFi is a nice-looking, properly built and handily specified device, and it’s capable of extremely clean, confident and full-bodied sound. Which, of course, are all things that equally apply to the Topping machine…

How I tested the Topping DX5 II

I tried a bit of everything, basically – I used the DX5 II on my desktop, connected it to my laptop via USB, and plugged in a pair of high-end IEMs via the balanced 4.4mm headphone output.

I connected it to my reference stereo system using its single-ended RCAs and its balanced XLR outputs – this way I was able to use it as a DAC for my CD player and, with it wirelessly connected to my smartphone, as a Bluetooth receiver. And I tried out these various roles and functions for a working week or more.

• First reviewed: November 2025
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