Taking photos of documents with your phone is an incredibly convenient thing to do. But you know what would be better? Being able to convert those photos into PDFs, recognise the letters on the page, turn them into selectable and editable text, and more.
Now most phones come with a document scanning app that allows you to do some of that, but why not try an app that does it all, like Adobe Scan can?
Adobe Scan: Pricing & plans(Image credit: Adobe // Future)Adobe Scan is free. You can download and install it with ease. You will need an Adobe ID though, which is free too, and you’ll have to log in before you can use Adobe Scan. If you already have another Adobe app on your device, you’ll be automatically logged into your Adobe account when you first launch Adobe Scan.
One thing worth mentioning, is as you’ll be using your phone’s camera through this app, you’ll need to grant it permission to do so first. If you’ve had to do this for other apps, the process is exactly the same: you’ll get a message asking you to ‘Allow’ the app access. Once you’ve done it once, you won’t need to do it again.
Adobe Scan will also ask you for permission to send you notifications messages. This one is less crucial, and you could easily use the app without ever having granted it that capability. Your mileage may vary of course, but don’t we already have far too many notifications on our phones as it is?
Now free Adobe Scan might be, but its more advanced features only come with a subscription. These features include being able to combine files, export to other formats, password protect your files, edit text in scanned documents, and high-speed scanning, among others. Yes, the coolest features are locked behind a paywall. Now if you already have a subscription to Creative Cloud, those features will be unlocked automatically. On its own, Adobe Scan’s premium side will cost you $10 a month (with a free 7-day trial available).
Adobe Scan’s main interface looks for all the world as a camera app, aside from the various options at the bottom of the screen, which aim to facilitate the type of information you wish to scan. Each is pretty self explanatory. You have Whiteboard, Book, Document, ID Card and Business Card. Each uses the tools in different ways, which we’ll look at further down.
Top left is a ‘Home’ button which takes you to your library of previously scanned documents. This is also where you get to edit the text contained within those documents, and share and export them.
Simple and straightforward enough, although bear in mind this app only works in portrait. Change the phone’s orientation and nothing happens to the interface. Although you can of course take photos in landscape, there is a puzzling and frustrating restriction when in ‘Book’ mode. That option allows you to take the facing pages of a book at the same time, lining up an overlay so you can be sure to capture the left page and the right page as best as possible based on its guides…
Except the overlay restricts you to holding your phone with the camera button on the right. Turn your phone so that button’s on the left and the result is a mess with upside down pages saved in the wrong order which you’ll have to fix manually later. An irritating bug - or is it a feature to primarily annoy left-handers?
Despite the flaw mentioned above, Adobe Scan is a well organised app, and separating the various functions makes sense when scanning a document. ‘Book’ works well (when your phone is forced in the right orientation) and the app cuts your image into two based on the vertical overlay line in the middle - so make sure your book’s spine is placed in that general area as well. ‘ID Card’ expects the card you’re scanning to have text on both sides, and then combines both shots into a single file for convenience. And ‘Business Card’ will create a new contact for you and place it in your address book, should you want it to.
By default, Adobe Scan will take a shot automatically for you once you’ve positioned your camera over the document correctly, which can help you scan multiple pages in quick succession (although we also ended up having shots of us turning a page if we weren’t quick enough - something we had to fix later). However, you can also override that and take a shot manually yourself.
When it comes to editing, Adobe Scan has a wealth of tools. From the basics, such as deleting unwanted pages, or reordering them, to more intricate features such as cleaning up an image, adjusting its brightness and contrast, and erasing unwanted parts of a photo with a ‘magic eraser’ which will attempt to fill the removed area with the same surrounding background.
You also have a markup tool for quick hand drawn annotations, but perhaps the app’s most impressive tools are its OCR capabilities. When you’re in the ‘Edit Text’ mode, Adobe Scan automatically detects the text on the page, and not only does it allow you to copy it, you can also alter the original content, even changing the font, colour and alignment. Being able to password protect your scanned document is also possible, as is the ability to fill in a scanned form and sign it.
All in all, Adobe Scan makes use of many of Acrobat’s premium features, but allows you to take advantage of them on the go, directly from your phone. It’s not perfect and has some frustrating interface decisions, but overall it’s darn good at what it does.
Buy it if...
You take a lot of photos of documents, receipts, books, etc, love the idea of copying and editing text from a scanned image, and greatly appreciate how free most of the service is.
Don't buy it if...
You don’t like the tease of giving you some features for free but expect you to rent the best ones on a monthly basis, and you’re happy enough with the tools offered by default on your phone.
The GuliKit Elves 2 Pro is heavily inspired by the Sega Saturn gamepad, yet it’s embellished with enough modern-day features to make it playable with today’s games and platforms.
Its soft curves look good, as did the colorway I had, with its retro off-white base and multicolored accents. It’s also available in all-black, which lends it a more menacing appearance.
Its shape is more than just for show: it also helps with ergonomics. It fitted the contours of the hand very well, and I found the pronounced dips housing the face buttons and D-pad made it easy to use those inputs.
However, the small overall size of the Elves 2 Pro, coupled with the short length of handles, might deter those who prefer something more substantial. In this regard, the Elves 2 Pro falls short of the best PC controllers.
The build quality, on the other hand, is level with those gamepads. The chassis feels sturdy, and all the buttons are solid yet easy to press. The analog sticks are of a similarly high standard, although they’re shallower and have a smaller traveling circumference than many other modern controllers.
Despite the lack of customization software, there are a surprising number of tweaks you can make on the fly. There’s a settings button that’s used in conjunction with other buttons to adjust various parameters, such as stick sensitivity, D-pad modes, and the Motion Aim Assist.
In action, the Elves 2 Pro performs better than its looks might lead you to believe. The buttons are snappy and responsive, although they’re less damped than you might expect, but satisfying nonetheless. The D-pad is the real highlight, with its thick, circular design allowing for precise inputs and easy rolls without mis-presses – aspects that make it great for fighting games.
Despite their small size, the analog sticks are also a joy to use, with plenty of tactility and accuracy. When I tested the Elves 2 Pro on my Nintendo Switch, I also found the motion controls to be very accurate, although the tracking was worse when using the Motion Aim Assist mode in PC games.
Connectivity is good, and the Bluetooth seemed reliable. Switching between various devices on the fly can be a bother, though, requiring re-pairing at times. Battery life is admirable, lasting for several days in my experience.
The Elves 2 Pro sits somewhere in the middle of the third-party wireless controller market. However, it’s a little disappointing that it lacks certain common features, such as analog triggers, 2.4GHz connectivity, and companion software.
There are better value rivals that offer greater versatility, but if you want a good balance between retro design and modern performance, the Elves 2 Pro is a fine example in the space.
(Image credit: Future)GuliKit Elves 2 Pro review: Price and availabilityThe GuliKit Elves 2 Pro costs $49.99 / £59.99 (about AU$76) and is available now in two colorways: Retro and Black. It comes with a USB-C cable for charging.
This is a middling price for a wireless third-party controller. The multiplatform support is nice to have at this price point, but it’s a shame there are no analog triggers, no 2.4.GHz option, and no software.
You can find more controllers for the same price or less with more features. The GameSir Cyclone 2, for instance, has superior TMR sticks and Hall effect analog triggers, as well as both 2.4GHz and Bluetooth connectivity options. It also has a shape similar to the best Xbox controllers, which means it should accommodate more hand sizes.
If you want a gamepad with even more retro appeal, though, Retro-Bit’s Sega Saturn Wireless Pro Controller is probably the better pick. This costs about the same as the Elves 2 Pro, but has the advantage of 2.4GHz connectivity, and it even works with the original Sega Saturn console.
GuliKit Elves 2 Pro review: specsPrice
$49.99 / £59.99 (about AU$76)
Dimensions
5.8 x 3.4 x 1.8in / 147 x 87 x 45mm
Weight
6.7oz / 190g
Compatibility
PC, Nintendo Switch, Android and iOS
Connection type
Wireless (Bluetooth), wired (USB-C)
Battery life
About 20 hours
Software
None
(Image credit: Future)GuliKit Elves 2 Pro review: design and featuresThe Elves 2 Pro leans heavily into the retro aesthetic, aping the Sega Saturn controller from 30 years ago. I liked the finish of my review unit, with its off-white base offset nicely by the red shoulder buttons and multicolored face buttons. An all-black colorway is also available, though, if you’d prefer something a bit more menacing.
It’s also just as small as an old controller, which might be a problem for larger hands. I found the handles too short to get a sufficient grip on them, which contrasts drastically with many modern controllers. The diminutive size does at least help with portability, and so does the lightweight construction.
Thankfully, the Elves 2 Pro has plenty of modern touches to redress the balance: the layout is fit for contemporary games, complete as it is with two analog sticks and two shoulder buttons. However, the triggers lack analog capability, which keeps the Elves 2 Pro somewhat rooted in the past – although Nintendo fans won’t be phased by this omission.
Overall build quality is impressive. Despite its light frame, the Elves 2 Pro feels sturdy, while the buttons are solid yet light to press. I also liked the craters on either side housing the face buttons and D-pad, which make for more comfortable thumb placement.
(Image credit: Future)The analog sticks feel premium, and their soft coating helps with grip. They’re smaller and shallower than those on many other controllers, but I found them to be a good fit for my thumbs nonetheless.
There are a few buttons related to connectivity, which are clear and easy to use. There’s a pairing button on the front and a selector switch on the back to choose the appropriate platform for the Elves 2 Pro to work with.
There’s also a settings button on the front that works in combination with other buttons to give you access to an admirable number of tweaks. You can alter stick sensitivity and vibration modes, as well as swap the A and B buttons with X and Y, and toggle the D-pad between four- or eight-direction mode.
You can also adjust parameters for the Motion Aim Assist on PC and set up Continuous Fire mode. What’s more, there’s a dedicated button on the pad for the Auto Pilot Gaming (APG) mode, which is GuliKit’s name for its macro function. You can record 10 minutes-worth of inputs, which is quite astonishing, by holding this button for three seconds, and playback the sequence by pressing the same APG button. Double-tapping the button lets you play back the macro on a continuous loop.
GuliKit Elves 2 Pro review: performanceThe overall performance of the Elves 2 Pro is pretty good. The face buttons are responsive and satisfying to use, despite their lack of dampening relative to many other controllers.
The sticks also feel as smooth and as accurate as you would expect given their Hall effect technology, and I personally didn’t find their small size and confined travel an issue – but hardcore console FPS fans might feel differently.
However, it’s the D-pad that stands out most on the Elves 2 Pro. Personally, I usually prefer pronged hats rather than circular ones, as I tend to find them more accurate and less prone to unintended inputs.
But the Elves 2 Pro’s are an exception, as it allows for easy multi-directional rolls while maintaining high levels of accuracy, which I certainly welcomed when playing Tekken 8. It's also well-damped and has a light actuation, which makes it effortless to use.
I also found the motion controls to be excellent when playing The Legend of Zelda: Tears of the Kingdom on Switch, matching the performance of the best Nintendo Switch controllers in this department. You can also turn on motion controls when playing PC games by activating the Motion Aim Assist mode.
(Image credit: Future)This allows the gyroscope to replace right stick movements when either L or ZL is held (your typical aim-down-sights buttons). However, when I played Atomfall on PC, the motion controls failed to track with anything like the same levels of accuracy as when using motion controls on Switch.
The Elves 2 Pro’s lack of 2.4GHz connectivity might deter those after pro-level performance, since this standard generally provides better response times. However, I can’t say I experienced any notable lag over Bluetooth with this gamepad, on any platform.
Connecting to various systems is also easy. I had no issues pairing the Elves 2 Pro to my Nintendo Switch or PC. It also connected to my Android phone with the same ease as the best mobile controllers.
Hot-swapping between PC and Switch was also a cinch, requiring a mere flick of the underside selector switch. However, switching between my phone and Switch for some reason proved more onerous, as I had to re-pair the Elves 2 Pro with my Switch. Thankfully, due to the aforementioned pairing process, this isn’t too bothersome, but it’s an aspect worth pointing out all the same.
The battery life of the Elves 2 Pro is admirable, lasting several days according to my testing. GuliKit claims it can last up to 20 hours, and I’m inclined to believe this figure.
Should I buy the GuliKit Elves 2 Pro?Buy it if...You’re feeling nostalgic
The retro charm of the Elves 2 Pro is appealing, but it’s still modern enough to cut it with today’s games.
You want a great D-pad
The floating, circular D-pad is a joy to use and offers precise and rapid inputs – vital when playing fighters.
You have large hands
While the Elves 2 Pro is pleasingly ergonomic in some regards, the small size and short grips might be a problem for those who want more of a handful.
You want more features
With no 2.4GHz connectivity, no analog triggers, and no software, the Elves 2 Pro might not be enough for more serious gamers or those who play a diverse range of genres.
Here are some alternatives to the GuliKit Elves 2 Pro Controller if it doesn't sound right for you:
GuliKit Elves 2 Pro
GameSir Cyclone 2
Retro-Bit Sega Saturn Wireless Pro Controller
Price
$49.99 / £59.99 (about AU$76)
$49.99 / £49.99 / AU$79
$49.99 / £44.99 (around AU$78)
Dimensions
5.8 x 3.4 x 1.8in / 147 x 87 x 45mm
6.1 x 4.1 x 2.5in / 156 x 103 x 63mm
5.91 x 3.54 x 1.18in / 150 x 90 x 30mm
Weight
6.7oz / 190g
8.1oz / 229g
13.8oz / 390g
Compatibility
PC, Nintendo Switch, mobile
PC, Nintendo Switch, Android and iOS
PC, Nintendo Switch, Sega Saturn
Connection type
Wireless (Bluetooth), wired (USB-C)
Wireless (Bluetooth, 2.4GHz), wired (USB-C)
Wireless (2.4GHz, V2 for Sega Saturn), Wired (USB-C)
Battery life
20 hours
10 hours
15-20 hours
Software
None
GameSir Connect
None
GameSir Cyclone 2
For about the same price as the Elves 2 Pro (or even less in some territories), you could get the Cyclone 2 instead. This has TMR sticks, Hall effect analog triggers, a 2.4GHz option (in addition to Bluetooth), and software for customizing just about every parameter you can think of. Its D-pad might not be as sophisticated, but with all these features, it represents great value.
Read our full GameSir Cyclone 2 review
Retro-Bit Sega Saturn Wireless Pro Controller
If you want to go full-retro, then the Retro-Bit Sega Saturn Wireless Pro Controller is the pad for you. Not only does it have the looks of its namesake, it also has the same layout, which includes no less than six face buttons. You do get two analog sticks as a concession to modernity, though, as well as 2.4GHz connectivity.
Read our full Retro-Bit Sega Saturn Wireless Pro Controller review
How I tested the GuliKit Elves 2 ProI tested the Elves 2 Pro for several days, during which time I used it to play multiple games on various platforms.
I played Tekken 8 on PC, which provides a stern test for D-pads and the overall responsiveness of inputs. On Nintendo Switch, I played The Legend of Zelda: Tears of the Kingdom, which I used to test the motion controls, among other inputs. I played Atomfall on PC to test the Motion Aim Assist mode, and I played Alien: Isolation on my Google Pixel 7a to test the Elves 2 Pro’s mobile gaming credentials.
I’ve been gaming for decades across all manner of platforms, from retro consoles to the modern PC. I have experienced a number of controllers during this time, and have reviewed a diverse selection of them, too.
The LG S95AR is the successor to the already great LG S95TR soundbar system. There are a few good improvements, but at a couple of hundred dollars more, it can also seem redundant.
That said, if you don’t already own the LG S95TR, then I can enthusiastically recommend the LG S95AR, as it ranks among the best soundbars available, not to mention one of the best Dolby Atmos soundbars. This 9.1.5-channel system not only offers incredibly immersive surround sound and spatial audio, but it does so with plenty of power and clarity.
The LG S95AR’s feature set is about as impressive as on any soundbar I’ve tested, with AI Room Calibration that’s good enough to rival Sonos soundbars. On top of all of that, it’s very easy to set up.
I have some small nitpicks with the S95AR, such as its use of basic LED indicators to let you know when the volume or settings have changed instead of having a full LED display. And, of course, its price is going to be prohibitive for a lot of people. But if you can handle the high price, you’ll be impressed.
LG S95AR soundbar review: Price & release dateThe S95AR soundbar with its included wireless subwoofer (dog not included) (Image credit: Future)While I wouldn’t call it a soft launch, the LG S95AR Soundbar is currently only available in the US. If you’re located in one of the fifty states (or Puerto Rico and Guam), getting the LG S95AR will set you back a hefty $1,699.99 (about £1,260 / AUD$2,610).
The LG S95TR, this model’s predecessor, was also originally available only in the US, but has gone worldwide with a slightly better (but not by much) pricing of $1,499.99 / £1,699 / AU$1,699.
Both models come with a large soundbar, two rear speakers with multiple drivers, and a powerful subwoofer. They’re almost exactly the same, except that the S95AR has a redesigned subwoofer and better integration between the soundbar system and LG TVs. Oh, and there’s a new app, but more on that later.
LG S95AR soundbar review: SpecsDimensions (W x H x D)
Soundbar: 49.2 x 2.5 x 5.3 in (1250 x 63.5 x 134.6mm); subwoofer: 7.9 x 16 x 15.9 in (200 x 406 x 404mm); rear speakers: 6.3 x 8.8 x 5.6 in (160 x 223.5 x 142mm)
Speaker channels
9.1.5
Connections:
2x HDMI (1 with eARC), optical, digital, Bluetooth, USB type-A
Dolby Atmos/DTS:X
Yes/Yes
Sub included
Yes
Rear speakers included
Yes
Features
4K @ 120Hz passthrough, Wi-Fi Streaming, Voice assistant support, AI room calibration, LG WOW Orchestra, LG WOW Interface, WOW Cast
LG S95AR soundbar review: FeaturesPorts include two HDMI (one with eARC/ARC) and optical digital (Image credit: Future)There are several features of the S95AR that only owners of compatible LG TVs can access, which I wasn’t able to test with my non-LG TV. (You can tell which ones they are, because they start with the prefix “WOW.”) WOW Orchestra, for instance, combines an LG TV’s speakers with the LG S95AR for an even more immersive audio experience. And the WOW interface allows you to use one remote to control the soundbar’s functions as well as the TV’s via an onscreen interface. Lastly, WOW Cast lets you make a lossless wireless audio connection between the soundbar and specific LG TVs.
Luckily, there are plenty of features still accessible for non-LG TV owners. Wi-Fi streaming via Apple AirPlay 2 is available, as is Alexa and Google Assistant support. There are some gaming-related features as well, such as Auto Low Latency Mode (ALLM) and Variable Refresh Rate (VRR), as well as 4K, HDR10, and Dolby Vision support on the HDMI passthrough port.
Along with supporting Dolby Atmos and DTS:X, the LG S95AR can handle high-resolution audio, making this soundbar as capable of giving an immersive listening experience for music as it is for movies. There’s even what LG calls Smart Up-mixing that utilizes all the speakers for stereo audio playback.
What really puts the LG S95AR over the top in the feature department is its AI Room Calibration Pro, which I also appreciated when I reviewed the LG S95TR. Using LG’s app, you sit in the ideal listening spot (most likely your couch), and the soundbar will send out test tones. The app then measures the response and calibrates the soundbar’s audio output for your room. It’s pretty cool!
After calibration, the soundbar’s “AI Sound Pro Mode” will reflect the calibration. Speaking of sound modes, all the usual suspects are here, such as Cinema, Sports, etc., but the two I like to highlight are Night Mode and Clear Voice Mode. Both work very well, with Night mode compressing the audio to limit spikes without losing sound fidelity and Clear Voice mode pushing the dialogue level without distorting the frequency range, something that often happens with these types of modes.
Most of these features are only accessible through LG’s control app, which is fairly easy to navigate. You can even individually adjust the volume of the rear speakers, subwoofer, upward-firing speakers, and the center channel here. My only real gripe is that there’s only a three-band EQ for adjusting audio to taste.
The S95AR’s sound quality is very, very good – only the most nitpicky audiophiles will find some fault with it. I consider myself audiophile-adjacent, and the only issue I could hear is that its midrange was just a bit forward-sounding. Of course, there is a three-band EQ in the app to help with that.
That said, the midrange is generally well-balanced. This is particularly true with dialogue. You can enhance dialogue, either by turning up the center channel level or using the dialogue mode in the app, but I never really felt the need to. Whether it was when watching a scene from The Batman or Deadpool &Wolverine, or playing a game like Dead Rising 2 where the main character is often talking while a lot of various audio elements (well, zombies) are occupying sonic space, dialogue was consistently clear.
The S95AR’s bass is nice and present. At default settings, it has that “you can feel it before you can hear it” effect, so it blends in nicely with the rest of the frequency range. When watching a blockbuster like Deadpool & Wolverine, there’s a lot of low-end information since half of every set is exploding, but even without turning the subwoofer up and having the soundbar set at a modest volume, I could sense the impact of everything and anything that is supposed to go boom.
The high-end also resolves nicely so that I didn’t miss any details, whether watching a movie, listening to music, or playing a game.
As far as the S95AR’s soundstage goes, it was just as immersive as when I reviewed the S95TR. The surround sound works perfectly – I was a bit unnerved to hear zombies behind me when I booted up Dead Rising 2 – and the upward firing speakers give all the audio elements a sense of height along with the left to right and front to back directionality. It’s quite the experience.
The LG S95AR is not a small soundbar, and that’s without getting into the fact that this is a four-piece system. The main soundbar is almost fifty inches wide with ten drivers in it – three of them pointing up for Dolby Atmos height effects – and requires a fairly large entertainment console to properly hold it.
The rear speakers are sizable as well, but there’s a good reason for that. Unlike most rear speakers, these don’t have just one driver. They use three – one slightly angled to the right of the speaker, one to the left, and one out of the top for spatial audio or Dolby Atmos effects.
The subwoofer houses an 8-inch side-firing woofer that’s helped along with a forward-facing port, which helps with bass extension and output.
A nice design feature is that all units have recessed power ports with angled power cables so that everything looks flush when installed. Soundbar connections, meanwhile, include optical digital, two HDMI (one of which supports Dolby Vision HDR passthrough), and a USB port.
The soundbar does have a set of capacitive buttons so that everything looks clean, but you can still power on the soundbar, change the volume, change inputs, connect Bluetooth, or enable Wi-Fi (necessary for pairing to the app) without using the remote.
I also want to mention that, like the S95TR before it, there is no display other than three LED indicator lights on the right side of the soundbar that light up and change color depending on what you’re doing, whether it’s adjusting the volume or changing to Bluetooth connectivity.
Speaking of the remote, it has a good feel in the hand and comes with a decent set of controls, though it’s not as robust as the app. Since the soundbar itself just has the three indicator lights, cycling through certain settings via the remote, like different sound modes, is somewhat of a guessing game.
The S95AR comes in a big box. It takes a minute to get all the pieces out as they’re very well packed, with the rear speakers and subwoofer bound in recyclable packing material. But getting all the pieces out of the box (and putting the box away) is the most time-consuming part of the whole setup process. I would estimate it probably took me about 10 minutes at most.
Connecting the soundbar to the TV via the included HDMI cable and power, and then connecting the various other speakers to power (remember, they’re all wireless) took half that time. And, since the rear speakers and subwoofers are paired out of the box, there was no other physical setup besides placing the included batteries into the remote.
I did have to go through one more step, which is connecting the app to the soundbar system. It does take an additional 5 to 10 minutes, but it is mostly just following instructions on a screen. This is a necessary step, however, as the remote can't access all the features and fine-tuning capabilities found in the app.
If you want to wall-mount the soundbar and rear speakers, LG has helpfully included brackets and screws for both without an extra charge.
With a price tag of $1,699.99 (about £1,260 / AUD$2,610), the LG S95AR is expensive. However, that’s par for the course for a flagship soundbar system. The Samsung Q990D, for instance, retailed for $1,799 / £1,699 / AU$1,995 when first released and covers a lot of the same ground, being a feature-filled 11.1.4-channel system.
Of course, building out an actual home theater setup with individual speakers is probably going to cost even more if you get decent speakers. That said, there are cheaper options if you want surround sound and Dolby Atmos, such as the Hisense AX5125H. Being a 5.1.2-channel system, it is not as robust as the LG S95AR, but it goes for a much, much cheaper $299 / £349 (roughly AU$449). Of course, you’re giving up a lot in terms of features as well
Section
Notes
Score
Features
Even if you can’t use the features that only work with LG TVs, there’s a lot to take advantage of, including AI Room Calibration
5 / 5
Performance
The sound quality is immersive and clear, with plenty of low-end rumble
5 / 5
Design
Big, with lots of drivers, including upward-firing ones on the rear speakers. Unfortunately, the LED display is very limited
4.5 / 5
Setup & usability
Easy to set up and quick, too, though you’ll need to use an app to get at more sophisticated setup functions
.5 / 5
Value
Expensive, but priced in line with other flagship soundbar systems
4 / 5
Buy it if...You want immersive audio
With seventeen drivers pointing every which way, the sound on the LG S95AR is very immersive, even with stereo audio, thanks to stereo up-mixing.
You’re looking for lots of features
Just about every feature one could want is provided on this soundbar. The AI Room Calibration is great, but so are the various sound modes, Wi-Fi Streaming, and Alexa and Google Assistant support.
You need easy
As much as this soundbar is capable of, it’s also easy to set up and easy to use. You can probably get it fully set up in 20 minutes.
You’re looking for value
I don’t necessarily think the LG S95AR is overpriced, but it’s not cheap, and it’s not really a value proposition. If you’re trying to stretch your cash, there are other options that are cheaper.
You’re not in the US
At the time of writing (June 2025), the S95AR is only available in the US. Luckily, the S95TR is very close in most aspects and is available in other territories.
LG S95AR soundbar
Samsung HW-Q990D
Hisense AX5125H
Price
$1,699.99 (about £1,260 / AUD$2,610)
$1,799 / £1,699 / AU$1,995
$299 / £349 (roughly AU$449)
Dimensions (w x h x d)
Soundbar: 49.2 x 2.5 x 5.3 in (1250 x 63.5 x 134.6mm); subwoofer: 7.9 x 16 x 15.9 in (200 x 406 x 404mm); rear speakers: 6.3 x 8.8 x 5.6 in (160 x 223.5 x 142mm)
Soundbar: 1309.0 x 595.0 x 277.0 mm (51.3 x 23.4 x 10.9 in), Subwoofer: 220.0 x 413.0 x 410.0 mm (8.6 x 16.2 x 16.1 in), Rear speaker: 129.5 x 201.3 x140.4 mm (5 x 7.9 x 5.5 in)
Soundbar: 36.2 x 18.8 x 3.5 in (920 x 478 x 90mm); Subwoofer: 8.5 x 12.3 x 11.9 in (210.5 x 310 x 300mm); Satellites: 3.6 x 5.7 x 4.3 in (90.1 x 140.5 x 110mm)
Speaker channels
9.1.5
11.1.4
5.1.2
Connections
2x HDMI (1 with eARC), optical digital audio, USB type-A
11.1.4
1x HDMI Out (eARC), 1x HDMI in, optical, USB, 3.5mm AUX
Dolby Atmos/DTS:X
Yes/Yes
Yes/Yes
Yes/Yes
Samsung HW-Q990D
If you want a powerful, all-encompassing surround sound and Dolby Atmos-equipped soundbar, the Samsung HW-Q990D has about as much going for it as the LG S95AR. Like the LG soundbar, it’s also a bit pricey and has an obscured LED display.
Read our full Samsung Q990D review
Hisense AX5125H
The Hisense AX5125H is a fraction of the price of the LG S95AR, and that is probably the main reason to consider this 5.1.2 system over something more robust. It’s still immersive with clear dialogue and punchy bass, but it is much more limited when it comes to features.
Read our full Hisense AX5125H review
How I tested the LG S95AR soundbarThe S95AR's indicator lights offer basic control feedback, but a front-panel alphanumeric display would have been a better option (Image credit: Future)I used the LG S95AR Soundbar regularly for several weeks with TV, movies, and music. I listened to the different sound modes and I tested the various features.
As has been hopefully expressed in the review, this is a powerful, immersive soundbar that does a very good job of offering an immersive home theater experience and should work for anyone with the budget for it who wants the convenience of a soundbar.
I’ve tested a lot of tech gear over the years, from laptops to keyboards and speakers, and so have been able to use my expertise towards giving an honest and fair opinion, not to mention a critical eye, to any product I test.
The Wolfbox G900 Pro is a mirror-style dash cam that records 4K forwards and 2.5K video rearwards. The weatherproof rear camera can be screwed to your vehicle’s bumper, turning into a reversing camera. A live video feed from either camera, or both, can be seen on the touchscreen display, which is integrated in the mirror itself.
Both cameras produce excellent, high-quality video, and the user interface is a joy to use – it's sharp, responsive and intuitive. The Wolfbox app also works well, with videos transferred quickly via 5 GHz Wi-Fi from the dash cam to your phone, although transferring footage directly from the included microSD card isn’t an option for macOS users, due to how the card is formatted by the dash cam.
Installation is more involved than with other dash cams, and the separate GPS antenna creates extra clutter that you'll likely want to hide. The design of the G900 isn’t perfect, as I found that its camera was partially blocked by the mirror assembly of some vehicles. This is a dash cam to try (or at least measure carefully) before you buy.
(Image credit: Future / Alistair Charlton)Wolfbox G900 Pro: Price & availabilityThe Wolfbox G900 Pro is priced at $360 in the US and £260 in the UK, although discounts are often available. At the time of writing, the US price on Amazon had fallen to $250.
Unlike some other dash cams, like the Nextbase iQ and Nexar One, the Wolfbox does not have a 4G connection and there are no ongoing data subscription or cloud storage costs.
Wolfbox G900 Pro: SpecsWolfbox G900 Pro specsVideo
4K (3840 x 2160) at 30fps (front), 2.5K (2560 x 1440) rear
Field-of-view (FoV)
170 degrees (front), 150 degrees (rear)
Storage
microSD card slot (128GB card included)
GPS
Yes, plug-in antenna (included)
Parking mode
Yes, with hardwiring kit (sold separately)
App support
Yes, Wolfbox app
Dimensions
12.0 x 3.0 x 1.5 inches / 305 x 80 x 45mm
Weight
17.5 oz / 497 g
Battery
No
Wolfbox G900 Pro: DesignUnlike dash cams that stick to the windshield, the Wolfbox G900 Pro acts as a replacement to your car’s central rearview mirror. It straps onto your existing mirror, and gives you both a reflected view of what’s behind, plus a view ahead recorded by the forward-facing camera.
This is made possible because there’s a touchscreen embedded within the G900 Pro’s mirror. The result is a mirror that still shows a clear view of what’s behind, but can also, with a tap to wake up the user interface, show live video from the front- and rear-facing dash cams.
It’s also possible to swipe and tap your way through the G900 Pro’s settings menus, and view recorded footage on the mirror/touchscreen, before transferring it to your smartphone using the Wolfbox app and the G900 Pro’s Wi-Fi connection.
(Image credit: Future / Alistair Charlton)As well as the main unit, the kit reviewed here included a rear-facing camera that can either be stuck to your rear window with an included adhesive pad or, since it’s weatherproof, screwed to the rear bumper. Here, it doubles as a rear-facing dash cam and also a reversing camera, with its live video feed sent to the display of the main unit.
It’s also possible to wire the rear camera to your car’s reversing light. Then, when the light illuminates the dash cam automatically shows a feed from the rear camera. The main unit is powered from an included 12-volt adapter, but Wolfbox also sells an optional hardwiring kit for a permanent power supply.
(Image credit: Future / Alistair Charlton)Wolfbox G900 Pro: PerformanceDespite being very different to most other dash cams, the G900 Pro is still relatively easy to install and set up. The main unit attaches to your mirror using a pair of included rubber straps, and is powered from the 12-volt lighter socket in the usual way.
The dash cam has GPS but, unusually for a modern, high-end dash cam, the antenna is not integrated. Instead, the GPS unit is a small box that attaches with a cable and then sticks to the windshield or dashboard. It’s a disappointing bit of hardware design, given the otherwise top-notch specifications of this dash cam. The GPS unit takes up space, the cable needs to be hidden somewhere, and it’s generally a bit of a mess.
I also found the main unit didn’t fit my car’s mirror well. The camera is fitted to the left-hand side of the mirror, which in my car meant having to install the G900 Pro off-center, thus leaving a bit of my car’s original mirror poking out from behind the dash cam. Worse still was how the camera’s forward view was partially obscured by the car’s mirror mount. I could improve the camera’s view, but this meant moving the mirror to an angle where it was no longer giving the view I needed.
(Image credit: Future / Alistair Charlton)For my own car, a 2015 Mazda MX-5 ND (Miata in the US market), this made the G900 Pro a non-starter. It also shook while driving, and considerably so while stationary with the engine running. The car’s own mirror doesn’t do this, but the constant shaking of the Wolfbox’s mirror and digital interface became a considerable distraction.
Hoping the Wolfbox would perform better elsewhere, I switched it to my partner’s Peugeot e-208. Being an electric car, most of the shaking I‘d experienced in my car disappeared, and being a larger vehicle meant the G900 Pro could be installed without looking too messy. The separate GPS module is still an annoyance, though, and some of the camera’s view ahead was still blocked by the car’s own mirror assembly.
It’s a shame some of the camera’s view is blocked, because the G900 Pro produces excellent 4K footage. It’s honestly some of the best I’ve ever seen from a dash cam, and is arguably on par with a GoPro or other action camera. There’s loads of detail, colors are accurate, and everything is nice and smooth.
The rear camera is almost as good. It has a lower 2.5K resolution, but still does a great job of capturing plenty of accurate detail.
The G900 Pro’s user interface is also impressive. The display is bright, sharp, and responsive, with an intuitive menu system that makes it easy to adjust settings. Wolfbox’s smartphone app is also good.
(Image credit: Future / Alistair Charlton)The setup process is quick and 5 GHz Wi-Fi makes video transfers speedy too – a good thing, since this dash cam formats its microSD card using a file system unreadable by macOS. I reformatted the card, using my Mac, to exFAT, but the dash cam still insisted on reformatting it. Footage transfers via the app just fine, but it can’t be moved directly from the SD card to a Mac, so you’re forced to use the app.
Recordings viewed in the app also show the car’s location on a map, plus a G-force indicator. This doesn’t seem accurate though, as it often indicated 0.8g of acceleration at 0.0 mph. Some data, like the map, altitude and the G-meter, are lost when recordings are transferred to your phone’s camera roll, and I noticed how the speedometer was slightly delayed when compared to the footage.
I also encountered an issue where the map that accompanied each recording (provided by Apple Maps) was blank. This was rectified by granting the Wolfbox app constant access to my iPhone's locational data.
Back to the positives, and I’m sure some drivers will love how this dash cam doubles as a rearview mirror. If you drive a van, for example, or any vehicle with limited rear visibility, seeing the rear-facing camera’s feed on the mirror can be really useful.
I can’t really see the point of the G900 Pro constantly showing the front-facing camera’s view, since that’s the same as looking through the windshield, but thankfully it’s easy to either show the rearview only, or have no camera feed at all. In that state, the G900 Pro acts like a conventional mirror, but with a simple interface showing the time and date in one corner.
Wolfbox G900 Pro: Sample video Should you buy the Wolfbox G900 Pro?(Image credit: Future / Alistair Charlton)Buy it if...You definitely want a mirror-style dash cam
They’re quite different to conventional dash cams, taking up more space and likely posing a more challenging installation. Make sure this is the type of dash cam you want, and you’re happy with the idea of a new mirror with a user interface appearing on it, before making the purchase.View Deal
You don’t mind a bit of mess
The separate GPS module and rubber straps – plus usual cables for power and the rear camera – make this dash cam a messier installation than that of most dash cams. Make sure you have the space on your windshield, and don’t mind a more involved installation process. Or have a pro do it for you.View Deal
You want 4K video
The G900 Pro records excellent 4K footage that is sharp, smooth and full of detail. The file sizes are large, but Wolfbox includes a 128 GB microSD card in the box, and 5 GHz Wi-Fi means recordings transfer to your smartphone relatively quickly.View Deal
You drive a particularly small car
I had trouble fitting the G900 Pro comfortably into my car. Make sure it’ll attach to your vehicle without having its camera obscured by the existing mirror’s mount and assembly. View Deal
You want a clean, simple installation
Many other dash cams offer a less cluttered setup, with fewer cables and integrated GPS. A professional can surely help if you go down the Wolfbox route, but a smaller, more conventional dash cam might be a better option if a mess-free interior is important to you.View Deal
You only need a front-facing camera
The G900 Pro’s rear camera is included in the box, rather than being a paid optional extra. If you don’t need the rear camera, you should consider a different dash cam. This will also likely save you money and make for a simpler installation, since there’s no secondary camera and cable to fix into place.View Deal
To thoroughly test the Wolfbox G900 Pro I installed it in two different cars. The first showed how this mirror-style dash cam doesn't work perfectly in some vehicles, while the latter cast it in a better light. I completed numerous journeys with both cars, then transferred footage to my phone and computer for a closer look.
Platform reviewed: Nintendo Switch 2
Available on: Nintendo Switch 2
Release date: June 5, 2025
The conversation around interactive-visit-come-video-game Nintendo Switch 2 Welcome Tour, rather unfortunately, has not been about the game itself. Rather, many players have (rightly so) lamented the fact that this is a paid download rather than a pack-in experience - similar to the likes of Wii Sports or even Astro’s Playroom on PlayStation 5.
That being said, Nintendo Switch 2 Welcome Tour remains one of the top downloads on the Switch 2 eShop - at least here in the UK - so folks are certainly buying it. The question is, then, is it worth the $9.99 / £7.99 you’ll end up paying for it? Well, yes and no.
There are positives to take away from the Nintendo Switch 2 Welcome Tour experience. If you’re a hardware head like me, Welcome Tour presents information about the Switch 2 system in bite-sized chunks of trivia. There are even info booths and quizzes to undertake that highlight specific features, such as HD Rumble and mouse controls. I’m also a fan of the tech demos and minigame challenges that let you try out said features in a practical fashion.
Realistically, though, it’s an experience that only lasts a handful of hours, and rather annoyingly, it could be a more expensive game than its modest price tag lets on. That’s because some of the demos and minigames outright require things like a 4K TV or the Switch 2 Camera.
If you’re shooting for 100% completion, then Welcome Tour assumes you’ve gone all-in on the Switch 2 ecosystem as a whole. This is why I strongly feel the game should have come pre-installed onto your Switch 2 console; having to pay for a game that you might not even get to experience everything in - depending on the hardware you own - is extremely disappointing.
Ins and outs(Image credit: Nintendo)Nintendo Switch 2 Welcome Tour is presented as a giant exhibition for the new console. You’ll start by picking your avatar’s appearance simply by plucking them from a queue to the venue; you’re either an extremely tiny human, or the exhibition and its various sections are monolithic in size. I’ll let you decide which is more likely there.
If your objective in Nintendo Switch 2 Welcome Tour is simply to plough through all the areas, then that’s easy enough. You’ll begin on the left Joy-Con 2 controller, and you’re tasked with finding and checking all the components there. That includes things like the analog stick, directional buttons, and magnetic connector.
Once you’ve seen it all, you can unlock the gate to the next area, where you’ll repeat that process. It’s fun at first, but even though it’s a short experience overall, there will be instances where you’ll find yourself pixel hunting while uncovering all the gizmos needed to unlock the next area. That means a lot of running around this isometric exhibition, which can be quite a chore.
Up for a challenge(Image credit: Nintendo)To sidestep some of the tedium said exploration can bring, I do encourage you to take things at a measured pace in Nintendo Switch 2 Welcome Tour. Thankfully, there are some distractions to be had in the form of quizzes, minigames, and tech demos.
Quizzes are the most straightforward of the bunch. There are various booths dotted about the exhibits, and talking to the person there will load in some information displays you can read to learn more about various aspects of the Switch 2 ecosystem.
Minigames are a bit more bespoke. Each area will have at least one or two, and most are fun little diversions. You’ll be tasked with a great many things with these, again having something to do with the Switch 2’s capabilities. Examples include using the Joy-Con 2’s mouse to pilot a UFO avoiding spiked balls, and a task where you have to guess the framerate of a ball bouncing across a screen.
Best bit(Image credit: Nintendo)Nintendo Switch 2 Welcome Tour’s presentation is really quite charming. Running around on a giant Switch 2 screen or Joy-Con 2 controllers is a novel idea, and I had fun exploring each area to learn more about the console and its accessories.
Finally, there’s the tech demos. These don’t offer much of a challenge and instead showcase various aspects of the Switch 2’s tech. An early example has you shaking the Joy-Con 2 like maracas to demonstrate HD Rumble, while another showcases the handheld’s HDR capabilities, where you can let off fireworks and compare the differences between HDR and SDR color gamuts.
Completing quizzes, minigames, and tech demos will award you with medals, and collecting enough of these will unlock more content, including harder versions of minigame challenges. Some of these were surprisingly tough, too, so you may have your hands full if you’re a completionist.
Though the completionist route is kind of where Nintendo Switch 2 Welcome Tour can potentially fall apart. The game flat out assumes the player has access to a 4K display and accessories like the Switch 2 Camera, as, believe it or not, there are challenges and tech demos related to such items.
Again, this would be slightly less foul were Nintendo Switch 2 Welcome Tour a free inclusion with the console. But as it stands, I would avoid purchasing it even at its modest price if you don’t have a contemporary gaming setup, as you simply won’t be able to enjoy all the content on offer.
Should you play Nintendo Switch 2 Welcome Tour?Play it if...You want to learn more about your new console
Exploring all the different areas to learn about each and every aspect of the Switch 2 and its tech was a fulfilling experience. I definitely know more now than I did before going into the game.
You don’t have a more up-to-date gaming setup
Put simply, if you don’t have a 4K TV or you’re missing accessories like the Switch 2 Camera, you should avoid Nintendo Switch Welcome Tour as some of its content will be completely locked out.
Frustratingly, there is absolutely nothing in the way of options for Nintendo Switch 2 Welcome Tour, let alone for accessibility. At the information kiosk in the game’s first area, you can talk to a non-player-character (NPC) there to invert camera controls, and that’s literally it. Nothing for audio, visuals, or alternative control schemes.
How I reviewed Nintendo Switch 2 Welcome TourI played Nintendo Switch 2 Welcome Tour for five hours on the Switch 2 system. As the game has strict requirements for which control schemes to use at any given time, I was limited to using the Joy-Con 2 controllers for things like HD Rumble, mouse controls, and more. As for display, I swapped between my LG CX OLED TV and played on the Switch 2 handheld when the game required it.
There are only a few gaming laptop releases that’ll impress buyers this year as much as the Alienware 16 Area-51. Everything about this work of premium art and technology oozes perfection.
Though the configuration I reviewed came out to around $3,249.99 / £3,349 / AU$5,497.80, there’s plenty of scalability in terms of both price and component options, with systems starting at $1,999.99 / £2,149.01 / AU$4,198.70.
The design alone places this as one of the best gaming laptops going, thanks to a futuristically sleek design that mirrors its desktop sibling with “fluid contours and soft surfaces” that blends nice angles, lovely multi-zone customizable lighting, smart port placement, clever ventilation, a clear glass panel on the bottom to show of the internals, and much more.
The phenomenal design philosophy is matched with gaming performance that’ll impress enthusiasts and competitive gamers alike. All of that power is pumped out through a 16-inch 2560x1600 display that offers a 240Hz refresh rate as well.
However, holding the display back significantly is the image quality. Despite featuring 100% DCI-P3, 500 nits of brightness, and Nvidia G-Sync, images lack crispness and can come off as smudged a bit as well. Thankfully, the Dolby Atmos-certified speakers provide great, nuanced sound for gaming alongside general music listening.
That doesn’t even count the amount of extras that are featured on the Area-51 16, such as the option to have a full RGB mechanical keyboard, which makes it to where serious players don’t have to use a USB slot and lug an extra keyboard around.
Even outside of gaming, the mechanical keyboard makes general computing tasks a thrill thanks to how fantastic keystrokes feel. In a cool touch, the touchpad itself glows with customizable lighting too.
All of this greatness does come at the cost of borderline abysmal battery life, which comes with the territory of most high-end gaming laptops.
Those in need of more juice for long flights or times without a nearby electrical socket may be in some trouble. Regardless, the Alienware 16 Area-51 is out of this world when it comes to laptop gaming.
Alienware 16 Area-51: Price & availability(Image credit: Future / John Loeffler)How much does it cost? Starting at $1,999.99 / £2,149.01 / AU$4,198.70
When is it available? Available now
Where can you get it? Available in the US, UK, and Australia
The Alienware 16 Area-51 is now available through Dell’s online store and other digital retailers, starting at $1999.99 / £2,149.01 / AU$4,198.70. Buyers in the US, UK, and Australia can choose from a range of configurations and options tailored to their Windows gaming needs.
My review unit was configured with an Intel Core Ultra 9 275HX, Nvidia GeForce RTX 5080, 32GB RAM, and 1TB SSD Storage comes in at $2,849.99 / £3,298.99 / AU$5,497.80. Other features include the 4K web camera and mechanical keyboard options.
While not the most expensive laptop in its size class, it's not the cheapest either, but its starting price is very good for a laptop with this kind of premium feel.
Alienware Area-51 16 (Lowest Configuration)
Alienware Area-51 16 (Review)
Alienware Area-51 16 (Highest Configuration)
Price:
$1,999.99 at Dell.com | £2,149.01 at Dell.com | AU$4,198.70 at Dell.com
$2,849.99 at Dell.com | £3,298.99 at Dell.com | AU$5,497.80 at Dell.com
$5,499.99 at Dell.com | £5,779 at Dell.com | AU$$8,847.30 at Dell.com
CPU:
Intel Core Ultra 7 processor 255HX
Intel Core Ultra 9 processor 275HX
Intel Core Ultra 9 processor 275HX
Graphics:
NVIDIA GeForce RTX 5060
NVIDIA GeForce RTX 5080
NVIDIA GeForce RTX 5090
RAM:
16GB DDR5-6400MT/s
32GB DDR5-6400MT/s
64GB DDR5-6400MT/s
Screen:
16" WQXGA 2560x1600 240Hz 3ms 100% DCI-P3 500 nit, NVIDIA G-SYNC + Advanced Optimus
16" WQXGA 2560x1600 240Hz 3ms 100% DCI-P3 500 nit, NVIDIA G-SYNC + Advanced Optimus
16" WQXGA 2560x1600 240Hz 3ms 100% DCI-P3 500 nit, NVIDIA G-SYNC + Advanced Optimus
Storage:
1TB SSD
1TB SSD
12TB (3 x 4TB) PCIe SSD (4TB PCIe SSD in Australia)
Ports:
1X SD Card Slot, 1 x 3.5mm Headset Jack, 2 x USB Type-A 3.2 Gen 1, 1 x USB Type-A 3.2 Gen 1, 2 x USB-C Thunderbolt 4 ports, 1 x HDMI 2.1
1X SD Card Slot, 1 x 3.5mm Headset Jack, 2 x USB Type-A 3.2 Gen 1, 1 x USB Type-A 3.2 Gen 1, 2 x USB-C Thunderbolt 4 ports, 1 x HDMI 2.1
1X SD Card Slot, 1 x 3.5mm Headset Jack, 2 x USB Type-A 3.2 Gen 1, 1 x USB Type-A 3.2 Gen 1, 2 x USB-C Thunderbolt 4 ports, 1 x HDMI 2.1
Wireless:
Intel Killer Wi-Fi 7 BE1750 (2x2 320Hz) MIMO 802.11be Wireless LAN and Bluetooth 5.4
Intel Killer Wi-Fi 7 BE1750 (2x2 320Hz) MIMO 802.11be Wireless LAN and Bluetooth 5.4
Intel Killer Wi-Fi 7 BE1750 (2x2 320Hz) MIMO 802.11be Wireless LAN and Bluetooth 5.4
Camera:
1080P Webcam
4K Webcam
4K Webcam
Weight:
7.49 lbs | 3.40 kg
7.49 lbs | 3.40 kg
7.49 lbs | 3.40 kg
Dimensions:
14.37 x 11.41 x 1.12 ins | 365 x 290 x 28.5mm (W x D x H)
14.37 x 11.41 x 1.12 ins | 365 x 290 x 28.5mm (W x D x H)
14.37 x 11.41 x 1.12 ins | 365 x 290 x 28.5mm (W x D x H)
Alienware 16 Area-51: Design(Image credit: Future / John Loeffler)As noted before—and it bears repeating—the Alienware 16 Area-51’s design is truly breathtaking. From the moment you unbox it, the spaceship-inspired curves and sleek, dark liquid teal finish immediately signal a premium, high-end machine that stands out in any setting. While closed, there are some noticeable design choices that truly set this gaming laptop apart from others.
Every angle of the Area-51 16 is picturesque from top to bottom. This includes the top panel featuring the standard Alienware logo that is backlit by customizable RGB.
At the bottom, you get to see the laptop’s Cryo-Chamber structure, allowing direct airflow to the laptop’s core components. This also raises the device for both comfort and larger air intake. For added measure, there’s a clear Gorilla Glass panel showing the AlienFX fans that also has customizable lighting.
Image 1 of 3(Image credit: Future / John Loeffler)Image 2 of 3(Image credit: Future / John Loeffler)Image 3 of 3(Image credit: Future / John Loeffler)A nice selection of ports is located on the rear, which offsets the display hinge by about a few inches. That portion also features a customizable RGB light ring that circles it from top to bottom, too.
This allows access to three USB-A, two USB-C with Thunderbolt, a single HDMI port, and a power port. Those are joined on the left side by an SD Card slot and a 3.5mm headset jack. Smartly designed V-Rail edges make opening and closing the gaming laptop a smooth
(Image credit: Future / John Loeffler)When opened, the display offers either an FHD or a 4K webcam at the top. Below, the mechanical keyboard provides a satisfying feel for both gaming and typing, complete with customizable RGB lighting, and is flanked by a speaker system with two 2W woofers, two 2W tweeters, and Dolby Atmos certification.
The smooth, precision glass touchpad at the bottom also features customizable RGB lighting, adding to the laptop’s premium, tailored experience. Usage is made extra comfortable through a pillowed palm rest, which helps when gaming or when doing general web browsing tasks for long periods.
The Alienware Area-51 16 is just so thoughtful in the engineering and design. There’s a visual appeal and functional enhancements that elevate the ownership experience here in ways that feel luxurious yet cool.
Benchmark
Score
Geekbench 6.4 Single-core
3,126
Geekbench 6.4 Multi-core
20,498
Crossmark Overall
2,338
Crossmark Productivity
2,173
Crossmark Creativity
2,587
Crossmark Responsiveness
2,145
Gaming and high-end creative task performance match the design perfectly on the Alienware 16 Area-51. The Intel Core Ultra 9, Nvidia RTX 5080, 32GB RAM, and 1TB SSD in my configuration was probably the ideal way to make the most of the 16-inch 2560x1600 resolution display when it comes to configuration options.
I was able to play all the latest, visually arresting AAA games at 60+ frames per second without problems using Cyberpunk 2077, Black Myth: Wukong, Forza Motorsport (2023), Doom: The Dark Ages, and Assassin’s Creed: Shadows.
Alienware 16 Area-51 GPU benchmarksBenchmarks
Score
3DMark Fire Strike
37,813
3DMark Time Spy
21,070
3DMark Fire Strike Ultra
14,073
3DMark Time Spy Extreme
10,558
3DMark Speed Way
5,613
3DMark Steel Nomad
5,142
3DMark Port Royal
13,966
There are ways to push frame rates even higher thanks to Nvidia’s DLSS upscaling technology. The base configuration option is great for 1080p and 1440p gaming, while the max configuration is good enough for 4K gaming if users plan on connecting to a compatible monitor.
The Area-51 16-inch is powerful enough to edit high-resolution photo and video content without any problems in apps like Adobe Premiere and Photoshop.
Despite pushing the Area-51 16-inch to max capabilities, I didn’t hear much fan noise and it didn’t get too hot, mostly thanks to the Area-51 16-inch's Cryotech cooling and smart vent placement.
Game
Average FPS
Assassin's Creed Shadows (Ultra, 1080p)
52
Black Myth: Wukong (Cinematic, 1080p)
58
Cyberpunk 2077 (Ultra, 1080p)
63
Monster Hunter Wilds (Max, 1080p)
83
Shadow of the Tomb Raider (Very high, 1080p)
183
Total War: Warhammer III (Ultra, 1080p)
201
Like other Alienware devices, the Command Center app is a great way to augment power delivery to focus on a quieter fan speed, focus on battery (though it doesn’t help much), and full-on performance power. Other features of the Command Center include the ability to manage various game settings alongside customizing the various RGB lighting zones around the gaming laptop.
Gaming and the display performance are good enough to make me forget how average-looking the display is when it comes to image quality, suffering from washed-out colors that aren’t very crisp.
Gaming laptops at this level rarely excel in battery life, and the Alienware 16 Area-51 is no exception. In our PCMark 10 gaming battery test, it lasted around two hours, typical for machines in this category.
More disappointing is its performance in everyday tasks: during our Battery Informant Web Surfing test, it managed just over four hours with power-saving settings like reduced RGB lighting and lower brightness.
With lighting and medium volume levels on, the battery dipped to roughly three hours before needing a recharge. It would be nice to see the power-focused sect of gaming laptops reach the level of the ASUS ROG Zephyrus G14.
On the positive side, the Alienware Battery Defender technology promises to balance power consumption with temperature monitoring to give the battery a longer life.
Charging takes a little over a few hours to reach full battery life, and there isn’t any quick charging. The power adapter brick is also pretty large as well so be mindful when traveling.
Attributes
Notes
Rating
Value
Gaming laptops are expensive by nature but the lower configuration versions of the Alienware 16 Area-51 do come at an attractive price.
4 / 5
Design
Between the smooth sleek chassis with lovely RGB lighting everywhere, port placements, fan placement and see-through bottom, this is the coolest looking gaming laptop ever made. This is the perfect match of form and function.
5 / 5
Performance
No matter which configuration you choose, you’re getting top-tier components that offer impressive scalability in performance options.
5 / 5
Battery
Battery life is pretty average so users are going to have to make sure they are near some power outlet.
3 / 5
Average rating
Image quality and battery life issues aside, this gaming laptop is worth every penny.
4.25 / 5
Buy the Alienware 16 Area-51 if...You require one of the best-designed gaming laptops available
The Alienware 16 Area-51 is beautifully designed with a lovely chassis, properly placed ports, and awesome RGB lighting.
You need premium performance
Various configurations for top-of-the-line Intel Core CPUs and Nvidia RTX 50 series GPUs mean a variety of performance options.
You want some good extras
Great sounding speakers and a mechanical keyboard mean that serious gamers don’t have to use a USB port for an external one.
You need better image quality
Though the performance of the 16-inch display is great, colors aren’t crisp and can feel a bit washed out. This means that gamers who are on the creative content side may have some issues.
You want better battery life
Gaming laptops aren’t usually known for their battery life, so expect similar results with the Area-51 16-inch.
If our Alienware Area-51 16 has you considering other options, here are two laptops to consider...
Razer Blade 14 (2024) review
Though it may not have the colorful lighting of the Area-51 16 and loses about two inches of display real estate, the Razer Blade 14 is a powerhouse that’s also portable.
MSI Katana 15
Anyone looking for an ultra-affordable gaming laptop that’s good for 1080p gaming performance should definitely check out the MSI Katana 15.
How I tested the Alienware 16 Area-51During my week with the Alienware 16 Area-51, I spent my time split between work during the day and gaming at night.
During the day, I used Google Chrome for web browsing, Gmail, Docs, and Sheets. Other software used includes Tidal to test speakers and Adobe Suite software like Photoshop, alongside Premiere Pro for creative tasks.
Outside of standard benchmark tests for games like Cyberpunk 2077 and Black Myth: Wukong, I tested out plenty of modern games, including Forza Motorsport (2023), Warhammer 40,000: Space Marine II, and Doom: The Dark Ages. I also managed to handle a few video conferences, which allowed me to test out the webcam as well.
Ever fancy having a collection of software to help you tackle photo editing, page design, and vector illustrations all under one roof? Well that’s what CorelDRAW Graphics Suite 2025 is all about.
It's part graphic design software, part photo editor, and one of the most comprehensive alternatives to Adobe Photoshop around. We tried out the latest version to see how it compares to rivals.
CorelDRAW Graphics Suite 2025: Pricing & plans(Image credit: Corel // Future)We know it’s been six years since the momentous occasion, but it’s worth mentioning often: after a 20-year absence from the field, Corel finally made its professional apps compatible once more with the Mac in 2019, and version 2025 is no exception: whether you own a Windows or Mac computer, you can download this suite and test it out free for 15 days by clicking here.
After the trial is up, you’ll need to open your wallet, although unlike companies like Adobe, Corel offers you a choice: a one-time purchase for $549 / £659, or an annual plan, where you pay $22.42 / £26.58 each month (which means a one-time purchase is roughly equivalent to two years of rental, but without any possibility of upgrades, and the loss of some additional features which we’ll explore below).
This price includes PHOTO-PAINT (a Photoshop equivalent) and DRAW (an Illustrator equivalent). Quickly checking the competition, you’ll find subscribing to those two Adobe apps would cost you around twice as much ($45.98 / £45.96), so right there Corel’s offering is a pretty good deal. But what can you do with the suite?
This Graphic Suite comes with a host of creative apps. The main one, the one the suite borrows its name from, is CorelDRAW. This is a vector illustration and page layout program. If you’re familiar with Adobe Illustrator, it’s similar. CorelDRAW comes with PowerTRACE, which is an AI-powered bitmap-to-vector tracing tool, and is a massive time saver (as all good time-saving AI tools should be).
Next is Corel PHOTO-PAINT, which is Corel’s Photoshop equivalent. With it, you can edit images and create pixel-based projects. Corel Font Manager is an alternative to your computer’s default font management tool which we found fun and easy to use, and also gives you direct access to over 1,000 Google fonts.
CorelDRAW Web, is a browser-based service that lets you create projects online, wherever you may be. There is one drawback to it, mind: it’s only available to customers who subscribe to the suite. Those who opted to purchase their licence are sadly out of that loop.
And finally, there’s Capture, a screen capture tool which is sadly Windows only. Even though Mac users pay the same price for the suite, they end up with 5/6th of what Windows users get. Be that as it way, we’ll take a brief look at the two main apps, PHOTO-PAINT and DRAW.
The integration between all apps in the suite allows for the sharing of numerous features, including Pantone Dualities, which bring powerful colour management between all apps in the suite, designers and printers, through industry recognised palettes.
One of the two main apps of this suite is PHOTO-PAINT, which is designed to be as welcoming as it can be. OK, you must sign in (or create an account) before you can use it, but once you’re in, you’ll be greeted with a welcome page offering you numerous online tutorials to help you understand which features are available and how you can make use of them.
Even when you open a file, you’ll find a ‘Learn’ sidebar on the right to guide you through any creative process, but if you don’t need this, just close it to get on with your work.
If you’re familiar with other image compositing tools, it won’t take you long to acquaint yourself with PHOTO-PAINT as the concept is pretty much the same: you have tools in a sidebar on one side, with an inspector sidebar on the other, and contextual parameters above.
You’re offered a range of tools to retouch or enhance an image, and of course create one from scratch. If you’re used to Photoshop or other tools that borrow easily from that program’s interface, you will quickly feel comfortable in PHOTO-PAINT, although there are enough differences to impose a learning curve on you. Still, for most of the basics, you’ll find yourself up and running in no time. All the tools you’d expect are there, from drawing and painting, to selecting, colour correction, filters and effects.
We did find it taxed our computer’s CPU the longer we experimented with it though, forcing us to quickly relaunch the program to resolve the issue - something we haven’t encountered with other image compositing software. Still, it could be because we were using an oldish Mac (a 2019 Intel Core i9 MacBook Pro with 64GB of RAM), but we thought it worth mentioning nonetheless.
When you launch CorelDRAW, you’ll be graced with a very similar welcome page to PHOTO-PAINT, along with tutorials and a ‘Learn’ section when you’re in the app proper. This family resemblance extends to file formats, as CorelDRAW can open PHOTO-PAINT documents. The reverse is not as seamless, as the DRAW files need to be converted; DRAW can handle bitmap content just as well as vector ones in its files.
CorelDRAW is a program designed to work with vectors, essentially resolution independent art, represented by mathematical equations. You have at your disposal powerful tools and brushes to design complex artwork which will look sharp and crisp at any resolution. Perhaps the most impressive tool we explored is PowerTRACE, which is fully embedded within CorelDRAW itself.
Its purpose is to convert a bitmap image (i.e. any photo, or any drawing created in PHOTO-PAINT, Photoshop or similar), into a vector equivalent. Depending on your image’s complexity and your computer’s power, it may take a few seconds for the action to complete, but we were highly impressed by the results. We chose particularly complex images, and the output was truly excellent.
Other impressive tools are the Painterly brushes, which allow you to replicate realistic brush strokes inside CorelDRAW: it’s a pixel-based brush tool that’s controlled by vector curves, combining the best of both worlds when it comes to design and illustration. This means you get great detail and effects, which are easily scalable with zero resolution issues. CorelDRAW comes with hundreds of preset brushes but if you feel the urge to own more, there's an online store which you can access via the Welcome screen, where you can purchase additional packs. Also, as yet another incentive to get you to subscribe rather than buy, you’re given a further 100.
A further bonus for subscribers is CorelDRAW Web, which allows you to perform quick edits to projects directly from a compatible web browser, from any machine. You can upload existing work and carry on with this online, or bring projects you started in the browser to further refine in CorelDRAW itself. It’s a very nice touch, and it’s pretty amazing what you can achieve from within a web browser these days - for those who don’t mind renting their software, that is.
Buy it if...
You’re looking for an affordable design suite that allows you to work with bitmap pixel-based images, and vectors, work online when you need to, gain access to Google fonts, and even record your screen (PCs only)
Don't buy it if...
All you want is to draw a little and don’t wish to feel overwhelmed with a powerful set of tools with far too many features, and you don’t like that those who buy get fewer features compared to those who subscribe.
The Sonus Faber Concertino G4 are a very posh set of passive bookshelf speakers. That poshness isn’t just imbued by the colour palette and material choices that define their physical form, even though they do help a bit. Nor is that poshness fully explained by the not-inconsiderable $5,000 / £4,625 / AU$9,495 price point, though, again, that cost does its own fair share of heavy lifting on that front.
The poshness of these posh speakers comes, in my opinion, from Sonus Faber’s dedication to detail. So much attention has been paid to the design, construction, and resulting sound of these speakers, creating an experience arguably greater than the sum of its parts.
On the sound front, these speakers sound unsurprisingly excellent. The two-way design provides for both rich, detailed bass and generous, airy high-end – balanced to the point of tasteful sweetness. There’s a real tactility to the sound produced by the Sonus Faber Concertino G4, as if you could reach behind each instrument or sound source and cup it in your hands. This incredible, three-dimensional resolution is caveated by some serious directionality, but having to sit before your speakers for optimal results is neither a problem, nor anything new.
Visually, it’s hard to beat those walnut sides – but the vegan Ohoskin leather cladding gives it a good old college try. The brass accents consummate the executive nature of these speakers’ design, and the high attention to detail paid in their execution. If you’ve the figurative brass to spare, and are willing to buy more than a great pair of speakers, here’s where to start looking. Among the best stereo speakers money can buy? Absolutely.
(Image credit: Future / James Grimshaw)Sonus Faber Concertino G4 review: Price & release dateThe Sonus Faber Concertino G4 are something of a celebration for the Italian brand – specifically, an anniversary. It’s been 30 years since the first Concertinos made it to listening rooms around the world, and Sonus Faber has deigned to mark the occasion with this special revisit to its classic design.
The first 300 pairs of the Concertino G4 are numbered via a unique brass plate on the left cheek, and sold as the Concertino G4 Maestro Edition; the pair reviewed here is number 29. The occasion, the numbering of the first out of the gate, and the brand from which they hail are all overt clues as to the lofty space these audiophile bookshelfs aim to occupy on the market. The other is the price – $5,000 / £4,625 / AU$9,495 per pair, with purpose-designed iron stands coming in at an extra $1,500 / £1,375/ AU$2,875 (approx.).
These are by no means the most expensive speakers you’ll see from Sonus Faber – indeed, they actually sit quite comfortably at the cheaper end of the brand’s (dauntingly broad) price bracket – but they are nonetheless considerably pricy objects d’art. How do you think they hold up?
(Image credit: Future / James Grimshaw)Sonus Faber Concertino G4 review: SpecsType
Bookshelf
Active or passive?
Passive
Bi-wirable?
Yes
Woofer
5-inch paper pulp
Tweeter
1-inch silk dome
Impedance
4 ohms
Dimensions
314mm x 214mm x 297 mm
Sonus Faber Concertino G4 review: FeaturesThe Sonus Faber Concertino G4 are a pair of passive two-way bookshelf speakers, but also probably the most beautiful pair of passive two-way bookshelf speakers I did ever see. I’ll be breaking down the impeccable aesthetic design of these bookshelfs a little later, but for now – quelle finesse!
Being a passive set of hi-fi speakers, the Concertino G4 are fundamentally uncomplicated and untroubled by the shoehorning-in of needless techy fripperies. However, there are some very nifty goings-on within, that make for a sound as phenomenal as the look. More specifically, the Concertino G4 utilize some precision-modeled cork damping material inside, which does a remarkable job of reducing internal resonances (and, I like to think, contributes a certain ‘springiness’ to the resulting sound of these excellent speakers).
This cork damping is paired, for the first time in Sonus Faber’s history, with a mid-woofer – a 5-inch paper-pulp, long-throw mid-woofer that goes some way to defining the brand’s sonic signature. Couple this with a 1-inch silk-dome tweeter, and you have a stunningly broad, stunningly rich set of living room listeners.
The speakers are, of course, bi-wirable; what else would you expect from a two-way speaker at this price? This writer doesn’t subscribe to the idea that running a bi-wired speaker system results in any tangible sonic improvements whatsoever, but bi-amping is a very different thing entirely – and something the Concertino G4 promise to benefit from all the more.
In the box, you’ll find the speakers, some optional magnetically attachable grille cloth covers, and, if you’re lucky enough to get a double-digit Maestro Edition, one of 100 hand-printed artworks – a copy of an etching, illustrating the Concertino G4’s unique internal damping, delivered in an embossed manila envelope. As far as ‘box candy’ is concerned, this is an excellent little gift, especially for the monumental shame that such downright cool designs are permanently, necessarily hidden from view.
(Image credit: Future / James Grimshaw)Holy hell.
Being a writer of variable income (that is, varying somewhere between 'ramen noodles every night' and 'slightly posher ramen noodles every night'), I tend to champion the cheaper stuff over anything. Particularly so when returns diminish starkly after a certain price cut-off, and especially where it’s obvious that a premium brand is cashing in on its perceived pedigree as opposed to offering anything of serious value.
As such, it’s rare for me to recognize anything asking upwards of $2000 as 'worth it'. But the Concertino G4 are exceedingly hard to turn down, simply for the rapturous quality of sound they dare to bring into my humble living room.
I use ‘three-dimensional’ a lot as a term when describing the structure and texture of a given device’s auditory performance, and am forced to again here – but in full acknowledgement that this is about as three-dimensional as any bookshelfs can be. The platonic ideal. The dragon I’ll be chasing for decades to come.
Rich(ard) Dawson’s End of the Middle is a record rich (geddit?) in raw percussive instrumentation, blooming low-tuned guitars and alternately plain-spoken/high-falsetto’d art-folk tales of the unexpected. Through the Concertino G4s, Dawson’s heartbreaking windows into the banal (played from a 12-inch on my Victrola Stream Sapphire) are rendered with stunning richness and clarity.
Aptly for the Sonus Faber name, these are sonorous speakers. The low-end is unbelievably rich and structured; it’s rare to feel like you can reach behind the bass strings and grasp the thick air in their wake. Dawson’s voice is rich [that's enough now – Ed.], complex, and fully present – his fricatives feel as if formed in the room.
High-end information is rendered generously. There’s a sense that all higher elements sit plushly within a cushion of air, presenting themselves forth for scrutiny without force or strain – the same force and strain that, in my self-invented mythos of sound, causes tinniness, cloy or otherwise intolerable screech from lesser sources.
(Image credit: Future / James Grimshaw)The balance of sound is hugely directional. If you, like me, place these facing across a room as opposed to down it, you’re likely to find patches of especial untamed bass-i-ness. Unsurprisingly enough, if you situate yourself where Sonus Faber’s manual actually instructs you to – that is, dead in front, with the speakers facing you, as one point of an audiophile equilateral triangle – the fruits of the Concertinos’ labor make the sense they’re supposed to make.
Dirty Projectors’ Swing Lo Magellan, also listened to on vinyl, is every bit as immediate as your mind’s ear interprets it. It might be a bit dross to fall on the word ‘musical’ to describe the Concertino G4 here, but here we go nonetheless – the subby kicks of opener Offspring Are Blank are discrete, weighted and musical, a far cry from the placeless wub lesser speakers would offer up as alternative.
As Offspring…’s pre-chorus opens out with twanging guitars, there’s a spring in the step – a delightful bounce emphasized by the rubbery drums and densely sponged short-scale bass of ensuing track About To Die. Percussion throughout the album is supple and giving despite its forefront presence, and David Longstreth’s dry, dead-center vocals are a floaty, reedy delight. My album favourite, The Socialites, has a weight and focus I’ve not heard elsewhere. It's a unique joy.
Speaking of which, the Concertino G4 has no issue bringing that same weight and focus to famously less-focused records, like My Bloody Valentine’s Loveless. Kevin Shields’ stacked soundscapes throb and thrum with excitable energy throughout, while the dead, motorik drums at the center of When You Sleep punch out from behind as if pummeled by a hammer. Side B loud-lullaby Sometimes is a glorious bath of multi-tracked guitars and rabbit-heartbeat kicks, distinct in its indistinctness and clear in its complete lack of conventional clarity. A beautiful paradox delivered through these speakers.
The word I keep returning to with these speakers is ‘generous’. There’s space in and around everything tackled, from distant roomy drums to attention-begging upfront vocals – space enough you genuinely feel as if you could cup each element in your hands, or awkwardly reach around them to grab something. Aside from their clear preference for head-on listening (which is, assuredly, of necessity and by design), these speakers are functionally faultless.
Design-wise, it’s hard to know where to start with the Concertino G4s because of Sonus Faber’s trademark meticulousness. Each speaker is a work of art, exuding craftsmanship from every angle. They benefit from beautifully shaped walnut cheeks, with an outward crease that runs from bottom to top, front to rear, and bisect the trapezoidal shape of the whole thing in a very pleasing manner.
New here is the involvement of Ohoskin, an Italian manufacturer of high-quality leather alternatives. This bio-based leather material (made from orange and cactus byproducts) is eco-conscious, sure, but also a stunning ‘pleather’ that clads the top and front of the chassis. It certainly could’ve fooled me.
Between this sleek black not-actually-leather and the solid walnut cheeks, these are a distinctly executive set of audiophile speakers, enhanced further by the mirror-polished brass that forms its front logo panels, rear terminal plates and side-mounted issue number placards. Even the studs holding those walnut cheeks in place are highly reflective, monogrammed indications of attention to detail.
That same attention to detail gifts us sleekness elsewhere. Sonus Faber supplies you with a pair of lightweight cloth grille covers, which you may optionally attach to the front of the Concertino G4 by way of some concealed magnets beneath the pleather.
Now, I think these speakers look far better in their uncovered glory, both for generally preferring uncovered hi-fi speakers and for having my own aesthetic misgivings around the covers' design. Still, the option is a nice one to have, and well-executed besides – from the completely invisible magnets to the soft felt material covering the ‘feet’ on the covers themselves.
When buying the Sonus Faber Concertino G4, you’re actually buying at least two things, not one. Yes, one of them is an excellent-sounding pair of bookshelf speakers, but you’re also buying an immaculately designed, reverently constructed pair of artworks for your living space. On top of that, if you buy the Maestro Edition, you’re also buying a secret third thing – a limited-edition set, made all the more valuable for its combination of rarity and pedigree. It is with this in mind that I suggest, humbly, that value is difficult to ascribe to this set of speakers.
I’ve heard dozens upon dozens of bookshelf speakers below £1,000 – and even owned a fair few second-hand speakers bought for below £100 – that display similarly remarkable attention to detail in the audio realm, even if their chassis leave a little to be desired. Yet all fall short, however marginally, of the dimensionality on display here. Buying the Concertino G4 for performance alone could be justifiable, yes, but only if you’re willing to throw an extra £3,500 at the extra 5-10% that elevates these speakers above their upper mid-range contemporaries.
Don’t get me wrong, I love the Concertino G4s. It’s a rare pair of speakers that can so convincingly render voices and instruments in discrete three-dimensional space, and nothing short of magic to hear the care with which such sound sources are treated. But you can find this for less. What you can’t is the Italian-made, executive-saloon suavity of the Concertino’s form, or the combination of this hand-built reverence with such deferent approaches to audiophilia.
So, while I might not be currently tempted to sell my belongings in favor of owning the Sonus Faber Concertino G4, I do know that, with the right capital and in the right atmospheric conditions, I’d snap them up in a heartbeat. Not just for their impeccable sound, but for the space they command, and for what that command represents.
(Image credit: Future / James Grimshaw)Comment
Rating
Features
Passive, bi-wirable bookshelf speakers; smart internal cork damping.
4.5/5
Sound quality
Massive depth, clarity and three-dimensionality; careful handling of high-end, weighty low-end.
5/5
Design
A masterclass in executive chic. Cloth grille covers aren’t to everyone's taste.
5/5
Value
Pricy, but it buys you a work of practical art, made with reverence.
4.5/5
Should you buy the Sonus Faber Concertino G4?Buy them if...You have the cash
The price point is a lot to ask from most people, even if it’s far closer to the floor than the ceiling when it comes to the cost of audiophile-grade hi-fi equipment. That said, these walk the walk – and provide more than sound for the money.
You have a dedicated listening spot
The Sonus Faber Concertino G4 are designed to be listened head-on, like studio monitor speakers. These should be enjoyed as such, then – in a room where they straddle your hi-fi and point directly at your head.
You want a daily driver set of bookshelfs
Sure, the Concertino G4 will serve you marvellously well whatever you deign to throw at them, but buying them for watching Countdown and listening to BBC Radio 4 would be a bit like ordering a Michelin Guide dish on Uber Eats. And scarfing it down while watching Countdown or listening to BBC Radio 4.
You don’t have a dedicated hi-fi spot
You don’t need telling that these speakers want to see the output from an integrated amplifier or broader hi-fi system. You might, though, need telling that these speakers demand their own dedicated space and placement to sound their best.
Sonus Faber Concertino G4
Monitor Audio Studio 89
Sonus Faber Lumina II
Type
Bookshelf
Bookshelf
Bookshelf
Active or passive?
Passive
Passive
Passive
Bi-wirable?
Yes
No
Yes
Woofer
5-inch paper pulp
x2 4.5-inch RDT III
150mm paper pulp
Tweeter
1-inch silk dome
x1 MPD III
29mm silk diaphragm
Impedance
4 ohms
6 ohms
4ohms
Dimensions
314 x 214 x 297 mm
340 x 157 x 361 mm
304 x 180 x 263mm
Monitor Audio Studio 89
Another set of passive bookshelf speakers, they incorporate two RDT III mid/bass drivers and a sandwiched MPD III tweeter, arranged vertically for wider sound dispersion.
See our full Monitor Audio Studio 89 review
Sonus Faber Lumina II
If you want that same Sonus Faber experience without having to worry about a potential remortgage, you can achieve just that with these excellent, ‘budget’ offerings from the Italian artisans. There are shortcomings (including a leather finish that may offend), but does a great job of bringing audiophile quality down a price peg.
See our full Sonus Faber Lumina II review
As someone with considerable personal and professional investment both in the enjoyment of music and in its production, I have unique experience on both sides of the equation. I engage with speakers of various types as a matter of course each day, from flat-response studio monitor speakers to gorgeous, flattering hi-fi numbers like these.
For four glorious weeks, the Sonus Faber Concertino G4 speakers were my primary listening speakers in my living room. I wired them into my Cambridge Audio Azur 540r receiver, which received the sound of my vinyl record collection via a Victrola Stream Sapphire turntable (outfitted with an Ortofon 2M Blue cartridge).
First reviewed: July 2025
Read more about how we test at TechRadar
There are no reasons to consider picking up a copy of Tamagotchi Plaza, especially if you just got your hands on a Nintendo Switch 2.
Review infoPlatform reviewed: Nintendo Switch 2
Available on: Nintendo Switch 2, Nintendo Switch
Release date: June 27, 2025
It’s a basic collection of boring, uninspired minigames that all ultimately just boil down to hitting the same few buttons for minutes at a time. This is paired with a laughably tiny hub world, that’s conspicuously devoid of activities and an absolute nightmare to customize or upgrade.
It all feels like something that you would find in a free mobile phone game, not a $49.99 / £44.99 release for a brand new console.
Sure, the serviceable graphics and abundance of Tamagotchi characters might prove enough to entertain a very small child for an hour or two, but with games like Mario Kart World and recent Donkey Kong Bananza on the scene there’s no real reason not to spend your time and money more wisely and go for one of them instead.
Again and again(Image credit: Bandai Namco)A spiritual successor to the Tamagotchi Connection: Corner Shop series on Nintendo DS, Tamagotchi Plaza is ostensibly about helping out in the various shops of a cute Tamagotchi town. This is accomplished through the completion of short minigames, of which there are 12 - one for each shop.
The first thing that you’ll notice is that none of them feature tutorials. You’re just expected to work out what you’re meant to do from the get-go, though this omission isn’t much of an impediment given just how simple the minigames are.
The first I tried involves cooking galettes (the flat, French pastry) by looking at an image of a customer’s desired order and mindlessly hitting buttons to bake the crust and fill it with the desired ingredients.
Accompanied by annoying sound effects which I later found can, mercifully, be turned off in the settings menu and protracted, overly slow animations, it becomes stale almost instantly.
The others are all a similar story: helping out in the personal gym, for example, involves spamming the shoulder buttons at a set pace, while the afternoon tea shop is simply dragging and dropping a few items on a table.
(Image credit: Bandai Namco)The only one that I find remotely entertaining was the dentist minigame, which has you drilling Tamagotchi teeth to weed out creepy little critters causing decay and even this just involved selecting options from a menu and hitting a button.
On the other end of the spectrum is the manga shop minigame, which is just nonsensical. You’re meant to design manga panels by dragging and dropping a few pre-made assets into position, but the scoring, measured on a scale of zero to three stars, doesn’t seem to correlate to anything other than how many characters you manage to cram on the screen.
If you keep grinding a particular minigame enough, you’re eventually offered the chance to upgrade it. This introduces some new options, which does break up the monotony somewhat, but takes quite a long time to appear and isn’t substantial enough to justify the effort.
Switch it up(Image credit: Bandai Namco)There are three additional minigames exclusive to the Nintendo Switch 2 version of the game too. They’re unlocked after you’ve spent some time in the initial 12 and utilize the Joy-Con 2 mouse control features. These are the strongest of the bunch, with the likes of the shuriken shop which has you using the Joy-Con 2 to aim ninja stars providing a few minutes of fun.
Unfortunately, it’s not enough to redeem the overall package and is nowhere near as interesting as some of the neat hardware tricks found in software like Nintendo Switch 2 Welcome Tour.
Best bit(Image credit: Bandai Namco)There are more than 100 Tamagotchi characters here, with unique models and even the odd bit of dialogue.
Outside of minigames, there’s a small hub area to explore. Aside from the occasional conversation with another Tamagotchi, it’s empty and bland. You can upgrade it using currency earned from minigames, but progress is painfully slow and adding a few trees or the odd square here and there just isn’t worth the effort.
There’s also some light story content, centred around the protagonist being recruited to help improve the town so that it’s selected as the site of the Tamagotchi festival, but it’s basic and spread incredibly thin.
At the very least, I can say that Tamagotchi Plaza has no shortage of characters. There are more than a hundred Tamagotchis to discover, all with unique models that look quite nice. I just wish that this same amount of effort was put into literally every other facet of the game too.
Should I play Tamagotchi Plaza?Play it if…You find it super cheap
Tamagotchi Plaza might be worth buying if you find it at a heavy discount. The time spent trying each of the minigames a few times could justify a few bucks if you’re shopping for a child.
You’re more than four years old
There’s no way that anything in Tamagotchi Plaza could entertain anyone over the age of about four. If you’re able to read this, I would recommend giving it a miss.
There are no accessibility features in Tamagotchi Plaza. In fact, there’s barely a settings menu at all. You can adjust the game’s volume (with separate settings for music, sound, and voices) and change the direction of the camera controls, but that’s it.
How I reviewed Tamagotchi PlazaI subjected myself to more than four hours of Tamagotchi Plaza on Nintendo Switch 2, which is roughly four hours more than any reasonable person would play it for.
I tried every minigame in the package, and spent some time exploring the tiny world. I carefully evaluated the amount of fun that I was having at every juncture and compared my experience to my testing of other Nintendo Switch 2 games like Donkey Kong Bananza and Mario Kart World.
First reviewed July 2025
The Humanscale Float Micro is the smallest Humanscale desk, offering a beautiful and straightforward workspace for a laptop or notebook, but not much more. It's a minimalist side table that can easily slide over a couch, making it an excellent solution for short working sessions, but not a fantastic option for a dedicated workspace. While this is a premium piece in every way, the functionality is nice.
The mechanics are smooth, the materials are incredibly high quality, and the design is quite aesthetically pleasing. Suppose you're looking for a multi-functional end table that can transform your living space, reading nook, family room, or other area into a compact workspace in a pinch, or for some light work on vacation. In that case, this desk is a spectacular way to do it -- just know there's a price that comes with such a design and company.
Humanscale is a company I have been familiar with for a while, and it has always been associated with luxury in my mind. I am hoping to see more of their gear in person in the future, but for now, the Humanscale Float Micro is an excellent introduction to who they are and what they do.
This is the smallest desk I have ever seen as an independent product. I have seen smaller workspaces, such as the seat-back table on an airplane, but I have never seen one this small as a standalone item. Nevertheless, this is still more expensive than most desks on the list of best standing desks. This communicates that Humanscale is a high-end, luxury brand. Some companies can afford to have a hefty price tag, and from what I can see so far, Humanscale is one of those companies. Their materials are phenomenal, the build quality is spectacular, the functionality is superb, and the design is beautiful.
(Image credit: Collin Probst // Future )Humanscale Float Micro: Pricing and AvailabilityThe Humanscale Float Micro has models available for around $765, but some models and specifications are currently being sold for $ 1,300. These desks ship directly from Humanscale and offer a variety of accessories, including locking casters, as options. There are several colorways and a couple of material options to choose from, all of which affect the pricing of the Float Micro.
(Image credit: Collin Probst // Future )Humanscale Float Micro: Unboxing & first impressionsThe Humanscale Float Micro had the most straightforward assembly process of any product I have ever received. And I am being genuinely honest about that. It arrived fully assembled, and all I had to do was cut the box open, pull out the desk, and start adjusting the size to what I wanted.
From the first moment I touched the desk, I realized the materials were premium and of high quality. I even noticed, without seeing the price tag, that this desk was going to be a more premium offering due to its materials and design language.
I understand that some homes, offices, and areas may not be able to accommodate a dedicated workspace, and while I genuinely enjoy building out workspaces, some people are not in a position to have one. That's where something like this comes along. It transforms any space into a spot to get some work done on your laptop in no time at all, and with minimal effort.
Humanscale Float Micro: Design & Build Quality(Image credit: Collin Probst // Future )SpecsHeight range: 23″–41″
Footprint: 80″ × 80″, 27.5″ deep wings
Weight capacity: 12 lbs
Motors: Pneumatic Cylinder
As I mentioned earlier, the build quality of this desk is exquisite. The height adjustment, while not electric, is spring-assisted and incredibly smooth. I understand that they would not want to add an electric function to this desk, as it would require stepping back in terms of simplicity and ease of use by introducing the need for power input. However, at the same time, it would be nice.
Instead, the desk utilizes a pneumatic lifting system, which is still nearly instantaneous and is much easier to maintain, as well as more manageable to work with.
The desk's offset design is also an interesting feature. After very brief use, I can tell that it's offset to fit under furniture more easily, making this a great idea yet again for a living space or a multi-purpose area.
(Image credit: Collin Probst // Future )Humanscale Float Micro: In useI've used this simple desk in a few areas. I have used it in my living room for exactly what I expect this has been made for, to add a steady workspace for my laptop while I am on the couch. I have also used this in my office as a workspace from a comfy chair in the corner.
I have used this in a more traditional workspace to help with making a desk for a meeting area that did not have enough desks, and I have used it in other odd places as a height-adjustable end table, or desk all without having any issues with the desk itself. The hight range seems to be great, the design fits in anywhere and when adding my laptop I have a great amount of space, making it so I can put my iPad mini, iPhone or something simple on the desktop with me, allowing for functional work.
I even wanted to test this desk a bit, so I took the desk and used it at one of the companies I work with and tried to build out a desk system on it. I mounted power to the underside of the desktop, I added a vertical monitor on a monitor arm, and then an iMac to the main function of the desk, plugging into a docking station that I also mounted under the desktop. Even with this full setup on the desk, I could still fit a mouse, keyboard and had enough wiggle room to still use the mouse appropriately.
Attributes
Notes
Rating
Design
Sleek and minimal
⭐⭐⭐⭐⭐
Ease of use
Very easy to use
⭐⭐⭐⭐⭐
Practicality
Practical for some
⭐⭐⭐⭐
Price
Highly priced
⭐⭐⭐⭐
Humanscale Float Micro: Final verdictThe Humanscale Float Micro is a unique desk. It's premium, yet tiny. It's functional yet minimalist. All the while, it's expensive, but clearly premium and it will clearly last. So, if you are looking for a simple desk to add to your living room, co-working space, comfy chair, or in other areas, you should check out the Humanscale Float Micro on Humanscale's website, today.
For more pro essentials, we've reviewed the best office chairs for comfort and ergonomics.
The Fujifilm X-E5 is a significant leap forward for Fujifilm’s X-E series, elevating it from its budget-friendly beginnings to the loftier heights of the mid-range.
At $1,699 / £1,299 / AU$2,699 body-only it’s significantly pricier than its predecessor. But that hike brings with it some serious upgrades – and not only in the shape of the 40.2MP X-Trans CMOS 5 sensor (which is the same as the one you’ll find in the X100VI).
Design-wise the X-E5 nails the retro look, and with its aluminum top plate and minimalist controls it really feels like a premium product. Compact, handsome and lightweight, it’s ideal for travel and street shooters, and the new Film Simulation dial and customizable front lever give it added control finesse. That said, the camera isn’t weather-sealed and offers limited grip, making it less suited to challenging environments or big lenses.
The viewfinder and touchscreen feel slightly outdated, too. The OLED EVF is small and lacks the crispness I’ve seen on some rivals, while the flip-up screen can be obstructed by accessories in the hot shoe, which could be an annoyance for vloggers and video shooters. That said, I found both to be functional for stills photography.
The X-E5 can be purchased in a bundle with this nifty, space-saving 23mm pancake lens. (Image credit: Future | Sam Kieldsen)The star addition to the feature list is in-body image stabilization (IBIS), appearing for the first time in the X-E line. It’s a game changer for low-light shooting and handheld video, at least compared with the X-E4. The autofocus system has been upgraded too, and now offers subject tracking not only for humans but animals, vehicles and more.
Shooting performance is solid: 20fps burst with electronic shutter (with crop), 13fps uncropped or 8fps with the mechanical shutter. And thanks to the inclusion of 20 of Fuji’s signature Film Simulation modes, it's easy to get incredible-looking shots straight out of the camera. The color science, as with all X-series cameras, is a real strong point.
Video quality is excellent, with 6.2K 30p and 4K 60p 10-bit capture, including access to F-Log profiles for added dynamic range. But there are caveats: the camera tends to overheat with extended video shooting, it lacks a proper headphone jack, and that tilting screen remains an ergonomic obstacle for self-shooters. For me the X-E5 is best thought of as a photography-first tool, with video as a very capable bonus feature.
In short, the Fujifilm X-E5 is a compact and beautifully built mirrorless camera that delivers superb images, reliable autofocus and welcome stabilization. It's not cheap, and it's not perfect (video-first shooters and all-weather adventurers should look elsewhere), but for travel, street and everyday stills photography, it's a delight.
Fujifilm X-E5: price and availabilityThe Fujifilm X-E5 was launched on June 12 2025, alongside a new pancake lens, the XF23mmF.28 R WR.
Pricing starts at $1,699 / £1,299 / AU$2,699 body-only, or $1,899 / £1,549 / AU$3,049 for a bundle with the lens. Perhaps the most notable thing about the price is how much higher it is than the Fujifilm X-E4’s was at launch: it cost $949 / £799 / AU$1,399 body-only, or $1,049 / £949 / AU$1,799 in a kit with a pancake lens. Yes, that was back in 2021, but this is still a significant increase that far outstrips inflation.
There are various factors that affect pricing, from general inflation to recently introduced tariffs. However, I think the main reason for the bump here is simply that Fujifilm deems the X-E5 is a more premium product than its predecessor – and given the improvements made to features and spec, it’s hard to argue with that.
It’s clear that the X-E5 isn’t the entry-level option the X-E4 was; this is now very much a mid-range option. I think the price reflects that, and I think the lens bundle in particular represents a pretty good deal.
Sensor:
40.2MP X-Trans CMOS 5 HR APS-C
Video:
6.2K 30p, 4K 60p, FHD 240p, 10-bit
Cont. shooting:
Up to 20fps electronic shutter, up to 8fps mechanical shutter
Viewfinder:
2.36m-dot OLED
LCD:
3-inch 1.62m-dot tilting touchscreen
Battery (CIPA rating):
Up to 400 shots or 45 minutes of video capture
Weight:
445g / 15.7oz
Dimensions:
124.9 x 72.9 x 39.1mm / 4.92 x 2.87 x 1.54 inches
Fujifilm X-E5: design and handlingThe Fujifilm X-E5 sports similar rangefinder styling to previous models in the series, but with some big advances in design and build quality. As soon as I picked up the camera I realized it felt nothing like a plasticky 'budget' option; it’s solid and hefty, thanks to the new aluminum top plate, while the included braided rope strap looks and feels very modish indeed.
I still found the camera body to be compact and lightweight for a mirrorless model however, and with the new pancake lens attached it makes for a strikingly portable setup that I think would be perfect for street or travel photography. I should say, though, that despite its build-quality improvements this still isn’t a fully weather-sealed camera, so should be used cautiously in rainy conditions. I think that’s a shame, as it somewhat detracts from its travel-friendly nature.
Image 1 of 3(Image credit: Future | Sam Kieldsen)Image 2 of 3(Image credit: Future | Sam Kieldsen)Image 3 of 3(Image credit: Future | Sam Kieldsen)The compact size and flat body shape have an impact on ergonomics, of course; there’s not a great deal to grip onto here bar a small moulded bump at the front and back on the right side. With a small lens attached things feel comfortable enough, but I suspect fitting larger lenses will result in balance and handling challenges. This camera certainly seems designed for use with small primes and short zooms rather than longer, heavier lenses.
Controls-wise, things remain fairly minimalist, particularly on the rear of the camera – that’s always been typical of the X-E series and I think it suits the aesthetic well, and I had few problems accessing settings I wished to change.
There are a couple of notable additions I really enjoyed using: firstly, the Film Simulation dial on the top plate, which displays the current selection through a little circular window and supports up to three custom recipes plus the standard range of Fuji’s film-aping filters.
Image 1 of 3(Image credit: Future / Tim Coleman)Image 2 of 3(Image credit: Future / Tim Coleman)Image 3 of 3(Image credit: Future / Tim Coleman)Second is the lever on the front – a feature borrowed from X100- and X-Pro series cameras. It can be customized to suit the user’s preferences, adding a great deal of additional control to what appears to be a very controls-light camera.
The X-E5’s rear touchscreen and viewfinder feel outdated alongside other recent cameras. The screen, for instance, has a flip-up design rather than full tilt-and-swivel vari-angle, which means it can be blocked by anything mounted on the hot shoe when flipped up to face forward. Got a flash or shotgun mic fitted? You won’t be able to see much of the screen. Other than that, I found it bright, sharp and easy to use.
The OLED viewfinder is small and fairly low-resolution compared with say, the Fujifilm X100VI’s, and its eyepiece does little to block out exterior distractions. That’s not to say it’s not perfectly serviceable – it just seems a little behind the times.
Storage is courtesy of a single SD card slot alongside the battery slot on the bottom of the camera, while physical connections comprise a 3.5mm mic/remote input, a USB-C port for charging, storage and headphone hook-up, and micro HDMI.
Perhaps the biggest feature upgrade the X-E5 boasts over its predecessor is five-axis in-body stabilization (IBIS). The X-E4 had no internal mechanism to counter camera shake, so IBIS is a significant boost to its capabilities.
The sensor-shifting mechanism adds up to seven stops of compensation according to Fujifilm, and I found it very useful for slower shutter speed photos (i.e., in low-light conditions) and handheld video capture. It would have been nice to have some longer lenses to test with it, but I have no complaints about its effectiveness with the 24mm pancake.
As well as the sensor-shift tech, users also have the option to use two further digital stabilization modes for video capture, which apply a successive crop to the image.
Continuous shooting has been slowed down slightly from the X-E4, albeit only in electronic shutter mode, and perhaps as a result of the X-E5’s higher sensor resolution, it can’t match the X-E4’s 30fps maximum speed. It can now shoot at up to 20fps in this mode (which applies a 1.29x crop to the image), at up to 13fps electronically with no crop, or at up to 8fps with the mechanical shutter (also uncropped). That’s perfectly respectable in my book, particularly as those speeds are now paired with a much improved autofocus setup.
The X-E4 had human face and eye detection and tracking, but the X-E5 adds subject detection for animals, birds, cars, motorcycles, bikes, airplanes and trains. In testing I found that it reliably tracked moving subjects across the frame, and as they moved towards or away from the camera or in and out of view. It might not quite match the speed and laser-like accuracy of the systems on the latest high-end Canon, Sony or Nikon cameras, but it’s a good, dependable setup.
Battery life doesn’t look particularly impressive on paper, with the X-E5 having a CIPA rating of 400 shots or just 45 minutes of video recording on a full charge. But in practice (shooting mainly photos) I found it felt fairly generous, and rarely had to recharge the camera during my time with it.
Perhaps yet more evidence that this is a photography-first camera is that it has a tendency to overheat and shut down when used to shoot longer video clips. I set the video quality to 4K 60fps and found that the X-E5 only managed to record 14.5 minutes before turning itself off to cool down.
The X-E5 is built around a 40.2MP APS-C sensor that represents a fairly large resolution jump over the X-E4’s 26MP sensor. It’s the same sensor as you’ll find in the highly coveted Fujifilm X100VI compact, but instead of that camera's fixed lens you can use any piece of X-mount glass you like.
As well as its 40.2MP stills (which can be captured in JPEG or 14-bit raw), the X-E5 can capture video at up to 6.2K 30fps or 4K 60fps 4:2:2 10-bit quality, plus Full HD at up to 240fps for slow-motion playback.
Image 1 of 8(Image credit: Future / Tim Coleman)Image 2 of 8(Image credit: Future / Tim Coleman)Image 3 of 8(Image credit: Future / Tim Coleman)Image 4 of 8(Image credit: Future / Tim Coleman)Image 5 of 8(Image credit: Future / Tim Coleman)Image 6 of 8(Image credit: Future / Tim Coleman)Image 7 of 8(Image credit: Future / Tim Coleman)Image 8 of 8(Image credit: Future / Tim Coleman)I’m hugely impressed with the X-E5’s photography performance. As mentioned above, it comes with a selection of film simulation modes (20 in all), allowing users to instantly give their images a style and aesthetic reminiscent of analog film types.
My personal favorite, going back to my time using the Fujifilm X-Pro 2 almost a decade ago, has always been Classic Chrome, and I found myself defaulting to it as my go-to setting for standard shots. But there are plenty of other interesting Film Simulations that I enjoyed testing too, like the desaturated Eterna Bleach Bypass and the ultra-punchy monochrome Acros, which can be set with yellow, red, or green filters to further enhance its look.
Image 1 of 9(Image credit: Future | Sam Kieldsen)Image 2 of 9(Image credit: Future | Sam Kieldsen)Image 3 of 9(Image credit: Future | Sam Kieldsen)Image 4 of 9(Image credit: Future | Sam Kieldsen)Image 5 of 9(Image credit: Future | Sam Kieldsen)Image 6 of 9(Image credit: Future | Sam Kieldsen)Image 7 of 9(Image credit: Future | Sam Kieldsen)Image 8 of 9(Image credit: Future | Sam Kieldsen)Image 9 of 9(Image credit: Future | Sam Kieldsen)There are plenty of options in the menus for adjusting these Simulation recipes in order to find results you like, or you can of course just shoot in raw and process the images yourself in Lightroom or similar. I also tried this, and found the huge raw files provided superb platforms for heavy image adjustments and corrections. Whether you want a camera that produces excellent point-and-shoot results or gives you the basis for heavy editing, the X-E5 fits the bill.
Video quality is also excellent, and offers videographers the same selection of Film Simulation modes as well as F-Log and F-Log2, two flat profiles that work as a solid base for color grading and correction in post-production. It also supports bit rates of up to 200Mbps. There are several reasons why the X-E5 isn’t ideal for video (the lack of a 3.5mm headphone socket, the tilting screen being blocked by anything on the hotshoe, the tendency to overheat), but actual image quality isn’t one.
Attributes
Notes
Rating
Price
A big price bump over the X-E4, but given the improvements it feels warranted.
4 / 5
Design
Stylish and compact, with more metal than previous X-E models – but not weatherproof.
4 / 5
Feature and performance
Image stabilization and autofocus are excellent, even if other aspects are a little more average.
4 / 5
Image quality
A superb sensor and winning color science deliver superb images straight out of the camera.
4.5 / 5
Should I buy the Fujifilm X-E5?(Image credit: Future | Sam Kieldsen)Buy it if...You want a chic, ultra-compact mirrorless camera
The X-E5 is small, lightweight and handsome – and its X-mount means it can be used with lots of excellent lenses, so it’s more versatile than most premium compact cameras.
You primarily shoot with small or lightweight lenses
Balance-wise, the X-E5’s body is more suited to small primes and zooms than larger, heavier lenses. If you’re a sports or wildlife photographer, you may find the handling unwieldy with those longer lenses.
You adore Fujifilm’s color science
Fujifilm’s Film Simulation modes are color magic, and the X-E5’s nifty selection dial makes them easier to choose (and use) than on any other Fujifilm camera to date.
You’re primarily a video shooter
While video quality is excellent, the X-E5’s design imposes some limitations on videographers that may cause frustration. It’s fine for the odd clip, but making a film on it would be a struggle.
You need to shoot in all conditions
The lack of weather sealing is a concern here, particularly for those buying the X-E5 as a travel camera. It’s a pity it can’t be used in rain showers or in dusty desert conditions.
You're seeking a cheap entry-level camera
The X-E4 was relatively inexpensive, but the X-E5 feels like a mid-range model and comes with a price tag to match. Cheap it most certainly isn’t.
If our Fujifilm X-E5 review has inspired you to think about other options, here are two other cameras to consider…
Fujifilm X100VI
The X100VI is one of the most desirable compact cameras around, and it’s based on the same processor as the X-E5, but has a fixed lens. The X100VI may be a little less versatile as a result, but its 23mm f/2 lens, LED flash and better screen and viewfinder definitely make it worth a look.
Read our in-depth Fujifilm X100VI review
Nikon Zf
Oozing retro charm, the Zf is available at a similar price to the X-E5 but comes with flagship-level stabilization, burst speeds, autofocus and more, with a raft of new features recently being added via firmware update. It’s also got a full-frame sensor, with all the advantages that brings.
Read our in-depth Nikon Zf review
How I tested the Fujifilm X-E5Fujifilm loaned me the X-E5 and new Fujinon XF23mm f/2.8 pancake lens for a period of two weeks, which gave me plenty of time to field-test the camera in a variety of situations, although the wide-angle lens meant I didn’t attempt any sports or wildlife photography (unless you count snapping some insects in my garden). I took the camera with me on various walks and trips, allowing me to test it in a range of lighting conditions and situations.
While the X-E5 supports both photo and video capture, I felt that I should concentrate mainly on the former, as the camera (particularly with this lens) feels geared more towards stills photography than amateur moviemaking. That being said, I did test the various video modes during my time with the X-E5.
First reviewed July 2025
When it comes to professional video editing, the first software that likely comes to mind would be Adobe Premiere Pro; some might come up with Avid Media Composer; Mac users would probably point to Final Cut Pro.
But did you know there’s another option that offers professional grade tools at an unbeatable price? That option is Blackmagic Design’s DaVinci Resolve.
It's not just one of the best free video editing software tools out there - it's some of the best video editing software we've ever tested, period. There are no compromises here. Packed with pro-grade features for creative professionals, for what you get here (absolutely loads), it's impressive that it doesn't cost a cent.
DaVinci Resolve: Pricing & plansWhy does it have an unbeatable price? Put simply, because it's free. That’s right: you don’t pay anything to get your hands on a powerful video editor, which also comes with media management, impressive colour grading, compositing and sound editing tools, and not an ad or watermark in sight.
How can such a tool be free? Likely because it's heavily subsided by Blackmagic Design’s extensive hardware portfolio. But surely it must have some limitations, right? Well yes, there are, but frankly they may not be seen as a hindrance to most editors: the biggest limitation is restricting exports to 4K and 60fps.
If that clashes with your workflow, then you should consider DaVinci Resolve Studio, which raises the ceiling to 32K and 120fps, and includes a host of other advances features, including HDR10+ formats, digital cinema packages for theatrical distribution, including a host of advanced AI tools which have been released with version 20. Studio will cost you just under $300 - all future updates, large or small, are included in that one-off fee.
This review’s focus is on the free version, which you can download for your PC, Mac and Linux machine, which you can get by clicking here.
DaVinci Resolve is a big app. As we’ve mentioned above, not only can you edit a video project with it, but you have access to other features that would often be offered as a separate dedicated program. In order to facilitate working with so many tools, Resolve is broken down into seven different categories, which are referred to as ‘Pages’.
These are organized in the order in which your project progresses: you import and sort out your clips in the ‘Media’ page, then use ‘Cut’ or ‘Edit’ to build your project; after that, ‘Fusion’ is where you assemble complex special effects, followed by ‘Color’ for colour correction, ‘Fairlight’ to work on your audio, and finally, ‘Deliver’ to export your work and share it with others.
It’s all very well designed and straightforward, with perhaps the exception of ‘Cut’ and ‘Edit’. Why would anyone need two separate pages to cut a movie? The answer is simple: one is to do quick work, while the other offers more tools and additional precision. ‘Cut’ can also be seen as an introduction to Resolve, for those with little to no previous experience with video editing.
You can easily switch from one to the other, using tools in ‘Edit’ that aren’t available in ‘Cut’, then moving back to ‘Cut’ to carry on in a simplified environment (you can still see the effects of the tools you used in ‘Edit’ even if you can’t access and alter these effects while in ‘Cut’).
If you’re an experienced editor, you’ll acclimatise to Resolve’s way of working in little time, but newcomers to this art might well feel overwhelmed by the sheer power at their disposal - this is not your basic run of the mill limited free app.
But don't panic and run for the hills, as this software can and does grow with your skills and confidence - being able to switch between the basic ‘Cut’ to the more advanced ‘Edit’ is testament to that. And to help you on your journey, Blackmagic Design offer a detailed series of tutorials, complete with project files, on their website, again, completely for free (click here).
DaVinci Resolve was recently updated to version 20, and the number of new and improved features is huge - the list is far too long for us to discuss each in turn. Instead, you can check what’s new here. We’ll discuss here the ones that struck a chord with us the most.
Version 19 was released only a year ago, and the improvements are stark… although, as you’d expect, Blackmagic Design have unsurprisingly kept the best for their paid-for Studio version. Need another incentive to upgrade? How about getting Studio to automatically edit a Multicam project for you? Or get it to retime a score so it fits the exact length you’re after? Or how about feeding it a script and let AI edit a scene for you based on the clips you’ve imported, complete with multiple takes spread across multiple layers so you can choose between them?
But fret not: the free version of Resolve also comes with a host of new and very useful features, which will greatly improve your workflow. For instance, you can now (finally!) easily extract a multi-layered PSD file and work with its layers individually in the Edit page’s timeline (prior to 20, this was only possible in the Fusion page).
(Image credit: Blackmagic Design // Future)You can record a voice over directly from the Cut and Edit pages, with controls located just above the timeline. You’ve even got numerous options, such as a countdown timer, being able to choose from all connected microphones (even your iPhone), where to save the recording and on which layer to display it, for instance.
The text tools have received some love too. Your text can (finally!) wrap inside a text box, and there’s a new ‘multi text’ clip within which multiple text boxes can be created, enabling you to create complex titles without cluttering your timeline.
If you’re working with multiple timelines within a single project, you’ll likely appreciate being able to open a second one in the source viewer. This is nothing new, but 20 allows you to also edit that timeline from there, enabling you to see two timelines at once, switch between them and edit either (to help you differentiate them, the playhead changes colour from red to blue depending on which timeline you’re in).
(Image credit: Blackmagic Design // Future)And we’ve got just enough time to gush over the revamped keyframe tools. They’ve been greatly improved and are now available in multiple locations, depending on your preferred way of working.
You can see them top left, either as a list, or as curves (which makes it so much easier to tweak them - you can even hold down the shift key to restrict their movement, allowing for much greater precision). These keyframes are also available in the timeline itself, giving you a greater visual feel for how they affect the clips in question.
Let’s be honest: this is just scratching the surface. Blackmagic Design have worked hard to deliver a significant update to Resolve (and especially Resolve Studio), and despite the fact the best tools are reserved for paying customers, those on an extremely tight budget haven’t been abandoned.
Resolve is an incredibly powerful application, with complex tools, from video editing, to image compositing, colour correction and audio manipulation. If you’re serious about filmmaking but have to watch your budget, downloading DaVinci Resolve should be a no brainer.
Try it if...
You need a professional grade video editing solution with advanced compositing tools, audio manipulation, extensive colour correction, and you’re on a seriously tight budget
Don't try it if...
You don’t like free software with no ads and no watermark. Seriously, the only reason you shouldn’t try it is if you’re not interested in video editing.
For more creative software, we've tested and reviewed the best video editing software for beginners and the best video editing apps for mobile devices.
There are many ‘royalty free’ websites out there that offer images, videos, and more which you can add to your projects. Some are free, and although you can get lucky and find what you’re after there, it’s little surprise that the best results all too often come from paid services.
Adobe Stock is the one we’ll be exploring in this review, to see how it compares in a pretty crowded field.
Adobe Stock: Pricing & plansPricing is a subjective thing: just how valuable is the asset you’re after? If you look at various competing services to Adobe Stock (like Getty Images or Shutterstock, for instance), you’ll see that prices vary wildly. Though not cheap, Adobe’s can be viewed as middle of the road.
As usual with Adobe products, you can pay a monthly subscription or sign up for a yearly contract paid monthly (like a phone contract). Depending on the plan, you’ll get a set amount of credits to use.
You can see the full plans here.
Browsing through Adobe Stock’s catalog doesn’t require you to be logged in or have set up any kind of subscription, or anything like that. It’s a great way to explore and check what’s available before committing yourself.
The interface is pretty simple: all assets are organised by categories, which can be accessed from the top of every page, through a convenient menu: you can look through ‘Videos’, ‘Photos’, ‘Illustrations’, ‘Vectors’, ‘Audio’, ‘Templates’, ‘Fonts’, ‘3D’, and there’s even a ‘Free’ section.
That’s right: a large number of assets can be downloaded for free, including over a million photos and even over 55,000 4K video clips.
Looking through a category is worse than searching for a needle in a haystack: how can you hope to find the shot you’re looking for through literally hundreds of millions of choices? That’s where filters and a search field come into their own. Type in any keywords to narrow down your search, and if that’s not enough, reveal the filters sidebar on the left to trim down the results. You can choose, for instance, to only look for Photos, ignoring Illustrations and Vectors, or remove any Generative AI images.
One filter we particularly enjoyed was the ‘Undiscovered Content’ tick box. With it enabled, you’ll only see assets that have never been downloaded by anyone, which can be a little disheartening if you’re a content provider, but will ensure that the asset you used has a greater chance of never having been seen before.
Another benefit of this filter is realising that although Stock has over 140 million AI generated images, over 130 million of those have never been bought by anyone, which still gives some hope for humanity and the genuine creative process.
Getting assets couldn’t be easier, although you will need to log in with your Adobe ID in order to do so. If you don’t already have one, getting an ID won’t cost you anything. This applies whether you’re on a subscription, using credits, or downloading free assets.
Once you’ve found one you like, mouse over it to reveal a few buttons, including a big blue ‘Download’ one. Click on it, and it’s downloaded to your computer.
One of the other buttons lets you save assets to your library. This doesn’t commit you to buying anything, but is a good way to gather up those you like, and later refine your collection to only download (and purchase) the ones you need.
There’s also an ellipsis in the top right corner of every thumbnail. Within it, is a ‘Find Similar’ option, which uses that chosen image as the basis to locate other similar assets for you. Incidentally, you can also use the ‘Find Similar’ filter with one of your own images.
Another option is ‘Generate Variations’. Based on the selected asset and an optional prompt by yourself, Adobe will generate new options for you to choose from. They claim that should you choose one of those variations, the original artist will be compensated, which is fair and just.
Speaking of contributing, such a service only survives through regular intake of new assets, and is why you’ll find a ‘Sell’ option to the right of the menu at the top of every page.
Once you’ve filled in your details, including tax information, it’s just a question of selecting your images, and uploading them to the service, with the relevant description and tags (you can also do this directly from Adobe Lightroom).
There are some restrictions, such as specific file formats and minimum sizes, but aside from that, you should be good to go, and should someone purchase your work, the royalty rate is 33% for images and 35% for videos.
Buy it if...
You’re in the market for new assets, you enjoy browsing through a huge portfolio, and like the fact you can either subscribe or buy credits to get what you want.
Don't buy it if...
You’re not keen on adding yet more expense to your already struggling finances, or you’re not a fan of the Adobe ecosystem.
As its name suggests, Adobe Premiere Pro is for professionals, or at the very least, people who are super serious about video editing, and want control over every aspect of their project, right down to the individual pixel…
But what about the rest of us, those who want to create with something simple, but also have fun with the process? That’s where Premiere Elements comes in.
It's a consumer-grade alternative to Adobe Premiere Pro for anyone who wants video editing software for beginners.
However, while the 2025 version comes with a great new interface, there's also a big catch we can't ignore: your purchase is limited to three years' use.
Adobe Premiere Elements: Pricing & plans(Image credit: Adobe // Future)Unlike Adobe’s professional portfolio, you don’t need to subscribe to the software in order to use it: you can grab Premiere Elements for just under $100 (or £87), or get it bundled with Photoshop Elements for $150 (£131).
You can download the software for Mac or Windows directly from Adobe by clicking here.
You’re even granted a 7-day trial to check out the software, although you’ll have a great big “created with trial version” plastered all across your clips during that period.
If you’re happy with what you see, you’ll need to redeem your purchase. Unfortunately there’s an annoying hoop you have to jump through, as you don’t get to put your code in the software itself, but online through a special page here.
And, frustratingly enough for us, even though we were logged in with our AdobeID and the code was recognised online, our software kept insisting it was still in trial mode. Hopefully this may just be an isolated incident, or linked to the fact ours was a review copy, but we would be remiss if we didn’t mention it here (we used our free 7 days to put the software through its paces, hence the unsightly watermark in the screenshots).
Sadly, there’s an even bigger issue we have to highlight: despite the fact you’re paying a one-off fee, and Adobe clearly refers to it as a ‘purchase’ that you are ‘buying’, you don’t get to own that software for as long as you want. Back in the day, that is what a “one-off fee” was.
As long as your computer’s hardware and OS remained compatible with the software, that fee would’ve been all you had to pay. You didn’t even need to buy any future upgrades if you didn’t want them. One fee, one app, job done.
But Adobe is changing that. That $100 (or $150 for the bundle) only gives you a license for 3 years from the date of purchase. After that, the software becomes inoperable.
So, this is no longer a purchase, but a long-term rental, paid in advance. That’s a very underhand way of introducing subscriptions to their non-professional apps.
If you’re looking for a cheap video editor, there are alternatives. For instance, DaVinci Resolve may look intimidating from a newcomer’s perspective, but it’s free, has no registration issues, and is way more powerful than Premiere Elements - although you will be venturing away from the Adobe ecosystem. Even Adobe's quick-and-easy Premiere Rush is free (see our Adobe Premiere Rush review here).
OK, enough ranting. Let’s take a look at the software. As before, the interface is split into three, depending on your skill level, from ‘Quick’, to ‘Guided’, to ‘Advanced’. ‘Quick’ is designed for both beginners and those wishing to edit fast. As such, it offers a reduced set of tools and options. ‘Guided’ provides a series of tutorials to help you learn more about the software and editing in general, while ‘Advanced’ offers the full range of what Premiere Elements has to offer, which is reflected by a more intricate interface.
You can also switch from light to dark mode, which granted is not new, but the fact you can do so without having to restart the program is a definite plus. So far so good. The main issue here though, is that compared to the last time we checked out the software, everything looks radically different. In fact, Premiere Elements now looks more like Premiere Pro, complete with a totally customisable interface including tearaway windows, which is not necessarily a bad thing, but it may necessitate existing users having to reacquaint themselves with their software. It also does away with the simplified, less intimidating look, it had before.
Despite that, you should find Premiere Elements to be easy to use. For instance although ‘Quick’ offers fewer tools, they can be found in the same location in the ‘Advanced’ interface. This makes it easy to switch between the two. Editing in any interface is pretty much all about dragging and dropping, the sidebar on the right offers you many changeable parameters, which you can animate through the use of keyframes, even in ‘Quick’ mode.
All in all, Premiere Elements is an elegant and well designed video editor with more than enough tools to satisfy even the most demanding amateur.
Aside from the new coat of paint, Premiere Elements 2025 brings a few new tools to the table, while improving existing ones. One of these is the voice-over narration tool which is no longer in the sidebar, but can be triggered directly from the Timeline: you’ll find a microphone icon at the start of any audio layer. Click on it and the recording will start (after 3 seconds) wherever the playhead is located.
Premiere Elements 2025 hosts a load of new title templates in the left sidebar, including direct access to a hundred from Adobe Stock. All those we randomly checked were free to use.
The colour correction tool has been revamped, with a host of new changeable parameters, even allowing you to set the white balance by using an eye dropper to click anywhere on your footage. Simple and effective and actually used by many if not most of Premiere Elements’ competition, so it’s about time we’ve finally got it here. You’ll also find a bunch of new filters (referred to as Video Effects) which apply a colour style to your footage.
One new feature we particularly liked is the ‘Time Stretch’ tool. Retiming a clip is nothing new, but here Premiere Elements does it as effortlessly as possible. It comes as a new icon to the left of the Timeline, along with other editing tools. With it selected, when you drag the edge of a clip in the timeline, you no longer alter its in and out points, but you retime the clip.
You can tell (in ‘Advanced’, but puzzlingly not in ‘Quick’) what you’ve done thanks to a percentage value next to the clip’s name in the timeline. This is so incredibly easy to do. If you need to be more precise, right-click on the clip, and choose ‘Time Stretch’ from the menu to reveal a floating window from which you can type in a percentage, or specific duration.
And a very useful addition for those upgrading from an older version, is the fact projects created with a previous version can now be opened in this one. They will have to be updated, and some effects or filters won’t be preserved, but having to make a few fixes is a lot better than being denied access to the work you did previously.
Buy it if...
You need a versatile video editor that isn’t too complex while allowing you to have simple to advanced tools, depending on my needs and skill.
Don't buy it if...
You don’t like the idea that your software will expire in 3 years despite having paid for it, and the interface looks too much like the Pro version for your liking.
For more creative essentials, we've tested and reviewed the best video editing software, the best free video editing software, and the best video editing apps for mobile devices.
Premiere Pro is Adobe’s high end video editor, so it’s not for everyone. Heck, even regular old Premiere Elements can feel too powerful to some.
Isn’t there something incredibly simple that can work on both computers and mobile devices? Enter Adobe Premiere Rush.
As the name implies, it's all about cutting content quickly. It's ranked among our best video editing apps, with its emphasis on ease-of-use and simplicity for creating social media or marketing content. I took a look at the latest version to see how it fares.
Adobe Premiere Rush: Pricing & plansGetting your hands on a simple video editor is one thing, but everyone will ask, “how much will this cost me?”
And there’s good news here too: Adobe Premiere Rush is actually free. You do need to set up an Adobe ID in order to use it (if you don’t already have one), but this is free too. It also comes bundled free with other Adobe apps if you're already a subscriber.
You can download Rush for your computer via the Creative Cloud app, and for your mobile device via its app store or by clicking here.
Clean, simple and effective.
We were pleasantly surprised to see that the interface is remarkably similar whether you’re working on a computer, phone or tablet. It’s not identical, mind, as the aim is to play to each platform’s strengths, but at least the tools are grouped together.
For instance, those to control and manipulate Graphics. Effects, Colour correction, Speed adjustments, Audio and Cropping can be found top right on a computer, but at the bottom of the screen on a phone. Icons to control expanding the audio layers, revealing control tracks, cutting, deleting and duplicating a selected clip, are all on a sidebar lower left of the interface on a computer. Those tools will also be at the bottom of a phone’s screen, separated from the others by a divider line.
This may feel like the interface is different, but such changes are actually minor, and as the icons are identical, it will take you seconds to recognise what you’re after and learn where they are positioned when moving from one device to another.
Perhaps the biggest difference between devices is how the playhead behaves. On a computer, it acts as you would expect a video editor’s playhead to: click and drag it to another location to skim through your footage, or click on another location on your timeline for it to jump to that point. On a mobile device, that playhead remains fixed at the centre: the project itself moves left or right as you place your finger on the screen and drag left or right.
This plays to each device’s strengths, as a limited screen real estate demands compromises. One thing to bear in mind: you can only edit in the portrait orientation for a phone.
The aim of Premiere Rush is to help you create a project very quickly and with that in mind, it uses what Final Cut Pro and CapCut users would recognise as a ‘magnetic timeline’, which means when you alter the length of a clip in your project, you don’t end up with a gap between it and any clip that you’d added further along the timeline. Instead, they all move to fill that gap. Extend a clip and they’re all pushed forward. You can easily swap the order of the clips and no gap is ever left in your timeline. This actually helps you build an edit incredibly quickly.
By default, it looks like you can only work with a single layer of audio and video, which also helps give a user the impression that this is a simple app. Although you can certainly work with it like that, Premiere Rush actually supports up to 4 layers of video and 3 of audio, allowing you to place clips over others, thereby creating much more complex projects.
Incidentally, this magnetic timeline we described above, only works on the first layer. When you add a clip above another, that upper clip will actually attach itself to a lower one. Delete the lower clip and that upper clip will be gone too. Move that lower clip to another location, and this will also move the upper clip(s) connected to it. This is something worth bearing in mind as it could easily confuse a novice editor or one not used to this way of working.
Premiere Rush comes with a handful of effects, such as animated overlays, be they text layers, lower thirds, or animated transitions, and they are all applied on a second layer (meaning if you didn’t already know you could work with multiple layers in Rush, that would’ve been a big clue!) Each graphic is fully customisable with changeable parameters appearing when you select it (to the right on a computer, at the bottom on a phone).
Aside from those animated transitions, you’ll also find a handful of ‘standard’ ones in the Effects section, along with Pan and Zoom, and Reframe tools. We were somewhat disappointed the Pan and Zoom tool only worked on photos.
We quite liked that you can make colour adjustments, either based on filters or through manual alterations, and save those changes as new presets you can use and apply on other clips.
Sadly, we found the speed alteration tool to be very basic. We couldn’t detect any frame blending. Instead, the slower the clip became the more the video stuttered, as frames were simply copied to accommodate for the increased length.
When it comes to sharing, you can export your project to your local drive, or upload it to YouTube, Facebook, Instagram or Behance. You even have access to some advanced format settings if you need them, which is great for pro users.
There is however a feature that is no longer present and feels like a great loss: you used to be able to sync your project between various devices, as long as they were all logged in to the same Adobe ID. This allowed you to work on your phone, and continue editing on your computer, and vice versa, giving you great flexibility. Sadly, Adobe nuked that functionality in 2024.
We could understand that this would’ve been seen as an advanced feature for a free app, but why not preserve it for those who pay for one of Adobe’s various subscription packages? Killing it for all was very disappointing.
Try it if...
You’re looking for a video editor that’s easy to use, which is compatible across multiple devices, and is free
Don't try it if...
You need more powerful effects tools, don’t like the concept of a ‘magnetic timeline’, and don’t like the loss of functionality.
The Hinomi H1 Pro has more adjustability than I know what to do with. There are adjustments for nearly every portion of the chair. It's the kind of chair that if you need a chair, period, this one can solve what you need it for. The arms can fold up and away, or be dialled in to exactly what you may want, the backrest can be fine-tuned to fit your needs, the piston itself can be swapped for a taller one to suit all heights, and even if you don't have storage for a chair at your desk you can fold this chair in half, something I have never seen before, and you can then tuck it away under your desk space to save on that room.
Of all of the features that this chair packs into a reasonably priced chair, the folding is by far the best for me - it's a feature not even found on most of the best office chairs around.
While most people adjust the chair to fit the arms under the desk, others may adapt the desk to raise it slightly to accommodate the arms (if they have a standing desk). But, a third option arises with the H1 Pro: you can keep your desk exactly as is, and you can fold the chair completely away underneath the desk, making room for whatever else you may have planned in that space.
This is a fantastic solution if you're crammed for space, if your office is multi-purpose, or if you're particular about your workspace and want to ensure that others don't try to sit at your desk out of sheer confusion about what's happening to your chair.
(Image credit: Collin Probst // Future )Hinomi H1 Pro: Pricing and AvailabilityThe Hinomi H1 Pro retails for around $580, with the ability to ship globally directly from Hinomi's website. You can also find this chair widely available on third-party sites, such as Amazon.
(Image credit: Collin Probst // Future )Hinomi H1 Pro: Unboxing & first impressionsThe chair arrived nearly fully assembled, requiring only about 5 minutes of effort on my part to set it up. The build overall feels solid, though I was a bit weary of the abundance of plastic parts.
It may be because the grey color is a bit dull, since I opted for the flagship Ice Green colorway, or maybe it's just my mind playing tricks on me, but at first glance, the grey looks a bit cheap, though it feels fine.
The Ice Green mesh feels comfortable, neither too rough on the skin nor too soft, yet firm enough to provide support as needed.
Hinomi H1 Pro: Design & Build Quality(Image credit: Collin Probst // Future )SpecsWeight Capacity: 300 lb
Adjustments: 3D lumbar (height + tension), 5D armrests, recline to 136°, seat depth, headrest
Tilt Angles: recline to 136°
The Hinomi H1 Pro also features a unique design. I don't know what it is. It does everything at once, but in doing so, it looks a tad gimmicky. However, the features it offers are helpful. That's where I can land; this chair may look different, but its functionality makes up for it. This is the chair that won't be in an executive's corner office, but it could be in their home office, providing the comfort they want.
The plastic design helps keep the weight down on the chair; however, under load and stress, I have occasionally heard a squeak, which I don't love. But, again, the flip to that statement is that this chair is rated for up to 300 lbs, and even when I put the chair to the test and had a friend of mine who is 305lbs sit down in this chair, there were no issues, no damage, no failures in functionality, nor discomfort. My friend asked if he could keep the chair, as most are not as comfortable, especially for people of his size.
I mentioned it briefly above, but another element that makes this chair interesting is its highly adjustable, nearly modular nature. The armrests can fold away entirely, the chair has a leg rest, and it has the option to fold flat. This is quite impressive for a single chair to accomplish all of this at once.
(Image credit: Collin Probst // Future )Hinomi H1 Pro: In useI've had this chair in my ever-so-robust rotation of chairs for 123 days now. In that time, I've put in plenty of hours working in this chair, even for hours on end. So far, the chair has performed wonderfully. I haven't noticed any issues with the features, the adjustments, or the previously mentioned folding mechanism.
Although I was concerned that the plastic pieces would break easily, I have yet to experience any damage to the chair. With that being said, I've had some team members sit on this chair and mention that the lumbar support is not comfortable for them, no matter how many times I try to adjust everything for them.
Speaking of adjustments, the footrest has been great, the recline has been smooth and easy, the armrests have been pretty good as well, sometimes coming in clutch with needing to push an arm back and out of the way entirely for specific occasions.
I've used the folding feature more often than I expected. I thought I'd use it from time to time, to move things around or try it out. However, even in my home office/studio space, where I have plenty of room, I have found it highly convenient to fold this chair down and push it out of the way under a desk I'm testing, so I can bring in more gear to test. This ability would be invaluable for smaller home offices, guest rooms, condos, apartments, and other similar spaces.
Attributes
Notes
Rating
Design
Sleek and minimal
⭐⭐⭐⭐⭐
Ease of use
Very easy to use
⭐⭐⭐⭐⭐
Practicality
Practical for some
⭐⭐⭐⭐
Price
Highly priced
⭐⭐⭐⭐
(Image credit: Collin Probst // Future )Hinomi H1 Pro: Final verdictThe Hinomi H1 Pro is a highly adjustable ergonomic chair featuring comfortable mesh, a convenient folding ability, a legrest, and an excellent warranty. However, it may not look like the fanciest chair, but once you sit in it, you'll see just how comfortable and adjustable it is. If you're in the market for a chair that saves space while offering high levels of adjustability, check out the H1 Pro.
The budget headphones market is becoming increasingly competitive. As more manufacturers cut the cost of their cans, it’s now relatively easy to snag yourself a decent pair of over-ears for well under $100. And the Happy Plugs Play Pro definitely fit into this savings-conscious category.
These cans may not quite compete with the very best cheap headphones out there, but they still provide relatively strong audio and okay(ish) ANC (active noise cancellation). The Play Pro also rock an unfussy yet attractive design that looks classier than you’d expect at such a reasonable price. As for comfort, these are some of the most comfy headphones I’ve ever worn. Really.
Despite housing five internal mics to assist with the ANC, the Play Pro aren’t great at shielding your ears from external sounds. Getting any noise-cancelling features in a cheap pair of cans is obviously welcome, no question. Still, there’s no disguising that there are far better options out there – like the superb Earfun Wave Pro, which are actually a little cheaper than Happy Plugs’ headphones.
Battery life with the Play Pro is borderline stellar. Switch off ANC and you can squeeze 50 hours of juice out of these cans, which is more than respectable. It’s just a pity there’s no idle mode on show here, meaning you have to remember to switch them off manually or they’ll stay paired to your smartphone/tablet.
Whatever device you’re planning to pair the Play Pro with over Bluetooth, you should know Happy Plugs hasn’t provided any software to let you tweak or set custom audio profiles. With no app available, you’re stuck with the default audio experience the company has created. To the Swedish firm’s credit, the Play Pro actually sound pretty good, with these over-ears’ potent bass being a particular highlight.
I spent the better part of a month with these cheap – but, crucially, not “cheap-feeling” – cans and I’ve been pleasantly surprised by how much I’ve enjoyed listening to them. If nothing else, I’ll always remember them for being the headphones I was wearing during the last walk I took my beloved husky on before I had to reluctantly rehome him.
The Play Pro’s reasonably well-balanced audio brought tears to my eyes as I was listening to my all-time favorite song – Sonnet by The Verve – thanks to their loud, fairly punchy soundscape. Here come the waterworks again.
Moving past my doggo sadness, I’ll also give props to the Play Pro for being excellent for hands-free calls. Happy Plugs claims its headphones have a radius of around 50ft, and I experienced no distortion or break up when talking on calls even when I was several rooms away from my phone.
If you don’t want to break the bank on your next set of headphones, the Happy Plugs Play Pro are a solid option that are well worth a look. There’s no denying the likes of the fantastic 1More Sonoflow Pro HQ51 are superior, though, while the Panasonic RB-M600 are also worth considering, along with the best over-ear headphones on the market.
Happy Plugs Play Pro review: SpecificationsDrivers
40mm
Active noise cancellation
Yes
Battery life (quoted)
50 hours (ANC off) 35 hours (ANC on)
Bluetooth type
Bluetooth 5.4
Weight
253g
Waterproofing
IPX4
Happy Plugs Play Pro review: Price and availability(Image credit: Future / Dave Meikleham)The Happy Plugs Play Pro currently retail for $59 / $59 / AU$120 (approx.) – though at the time of writing, availability is limited on the Happy Plugs store. They first launched after CES 2025, and are available in either no-nonsense White or Black colorways.
Be warned: they’re not all that easy to find. Currently, they’re unavailable on Amazon US or UK, though I did find them in stock from retailers like B&Q and Very here in my native Blighty. Seeing as the Play Pro haven’t been out for long, it’s hardly surprising they haven’t dropped below that initial price tag just yet.
Happy Plugs Play Pro review: Features(Image credit: Future / Dave Meikleham)Look up “no frills” in the dictionary, and you’ll see a picture of the Happy Plugs Play Pro. Not literally, of course, but when it comes to features, it's safe to say these headphones are lacking.
Considering there’s no software or app support, these budget cans' biggest selling point has to be their excellent battery life. Once you juice these pups up, you won’t have to give your charger as much as a glance for days at a time.
With ANC turned off, I found the Happy Plugs’ claim that the Play Pro will last for 50 hours pretty much bang on the money. That’s some impressive sonic stamina for a pair of over-ears that cost less than $60. A word of caution, though – the review sample I’ve been testing wouldn’t enter idle mode when I accidentally left them connected to my iPhone 14 Pro.
Instead, you have to manually hold down the power button to send these cans to sleep. This is a flaw I discovered when I forgot my phone while going to see Mission Impossible: The Final Reckoning recently, only to be greeted by a blue power light on the Play Pro once I got back to my apartment after 2 hours and 49 minutes of death-defying Tiny Tom stunts. The lack of a sleep mode is a missing feature that could prove annoying if you mistakenly leave them paired with a device overnight.
As for ANC, Happy Plugs’ cans are obviously no match for the best noise-cancelling headphones at such a change purse-friendly price point. They cost just $59, so I’m simply happy ANC makes the cut at all… even if the execution leaves a lot to be desired.
Do these cheap-and-cheerful over-ears keep out distracting indoor sounds? More or less. Once I clicked the noise-cancelling button – which allows you to switch between ANC and Transparency mode – and ramped the volume up to around 50%, my lobes were mercifully spared the din of my upstairs neighbor’s daily attempts to butcher ever last note of Gerry Rafferty’s Baker Street on his saxophone.
The Play Pro’s ANC isn’t anywhere near as effective in outdoor surroundings. During many walks with these over-ears, I was constantly distracted by the rumbling of passing cars and screeches of vexed children, even when my favorite tunes were playing at 100% volume. I appreciate that Happy Plugs has managed to squeeze ANC into these aggressively priced cans, but the end results aren’t impressive.
While I’m giving the firm a pat on the back (albeit not a hearty one), kudos to Happy Plugs for making the Play Pro IPX4 waterproof rated. Granted, it’s been uncommonly warm and dry in my homeland of Scotland recently. Yet the one time I was caught in a brief downpour while wearing these headphones, the passing shower happily didn’t cause any audio distortion.
Wearing the Happy Plugs Play Pro is akin to giving your cranium a cuddle. These over-ears are light, breathable and come with foam cushions that are oh-so-kind on the lobes.
I’ve worn these affordable ANC cans for dozens of hours and I’m struggling to recall a more comfortable set of headphones I’ve either owned or tested. As much as I love my Apple AirPods Max, I usually find the cups start to irritate my ears after 90 minutes or so. By contrast, I can cheerily wear the Play Pro for hours on end and forget I still have these budget offerings clamped around my ears.
With a minimalist-yet-sturdy design constructed from matte plastics, these cans definitely feel like they should cost more than $59. The foam used on the cups and the middle of the Play Pro’s adjustable headband may attract a little sweat, but I can handle my ears getting a tad moist when the materials feel this comforting wrapped around my dome. I also dig the silver brushed metal that appears on the band should you extend it.
While it might be a slight stretch to describe the Play Pro as “premium”, they certainly don’t feel cheap. Tipping the scales at a svelte 253g, these cans are easy to carry around, and they’re made even more portable thanks to their fold-up design.
Unlike Goldilocks, that porridge-stealing scoundrel who had her pick of breakfast options, you’re stuck with the Play Pro’s out-of-the-box audio serving. As there’s no available app, fiddling with EQ settings is off the table. OK, I’ll drop the stupid Three Bears analogy.
At this price, I won’t overly slam Happy Plugs for not providing software options for its sub-$100 over-ears. That’s not just due to the price of the Play Pro; it’s also because these headphones actually sound pretty good even though you can’t tweak their audio profile.
Naturally, the soundscape these cans offer can’t rival the best headphones out there. Yet if funds are tight, you could do way worse than the Play Pro. Bass feels relatively weighty, mostly avoiding that dreaded tinniness often associated with budget headphones, while also stopping short of dominating tracks that rock deeper melodies.
My musical tastes normally run the gamut of old to, well… older. While testing the Play Pro, I forced myself to listen to tracks that were at least semi-contemporary to complement the ageing bangers that prop up my iPhone’s various playlists.
Enter Alex Warren’s Ordinary. The chamber pop mega hit feels like it has dominated the charts for a veritable ice age, even if it was only released this past February.
The stirring percussion of this love song’s chorus is the audio equivalent of the T-Rex’s approaching footsteps in Jurassic Park. And that’s before you get to the singer himself, who has a baritone so deep, it makes the late, great James Earl Jones sound like Alvin or one of his chipmunk bros. I love a lower register and the Play Pro’s bass performance instantly impresses.
Alas, vocals can occasionally get a little drowned out during songs with a lot of instruments. A recent playthrough of Cyberpunk 2077 on my gaming PC inspired me to fire up snappy synthpop melody I Really Want to Stay at Your House by Rosa Walton & Hallie Coggins. Like Ordinary, the Play Pro handle the bass-heavy chorus sections with aplomb, however the song's flatter mid-sections come across as rather flat and muddled.
Not that vocal clarity is something these headphones are incapable of delivering. As someone who obsessively listens to podcasts on a daily basis, I found the Play Pro produced precise audio that was rarely difficult to pick out as long as the voices in question weren’t having to speak over background music.
And no, you spent three hours listening to a movie podcast about surprise ‘80s baby blockbuster, Look Who’s Talking. Don’t ask.
Generally speaking, the Play Pro sound loud and decently punchy. Mid-range audio doesn’t always come across as hugely accurate or detailed, but at this price I’m fairly content with the soundscape Happy Plugs has landed upon with these cans.
Like to make a saving without massively compromizing on quality? The Happy Plugs Play Pro hit a pretty good sweet spot between price and performance. Sure, there are better sub-$100 cans out there – the aforementioned Earfun Wave Pro say hello – yet these perfectly decent headphones remain attractive at an alluring $59.
Well-built and with a carry pouch thrown in for good measure, the Play Pro are exactly the sort of affordable, commute-friendly cans you can throw in a bag and not worry about thanks to their price tag.
Sound is solid, their design assured without being garish, and battery performance above and beyond for a cheap pair of headphones. Yes, ANC could perform better, but it can just about get the ambient sound-slaying job done in the right circumstances.
Though I wish Happy Plugs had designed a companion app to allow me to create custom audio profiles, if a lack of such support was necessary to get the Play Pro in at $59 / £59 / AU$120 (approx.), then so be it. On the value front, the Swedish company has done a commendable job with these cheap yet reasonably classy over-ears.
Category
Comment
Score
Features
Impressive battery life, but zero software support and subpar ANC drag the score down.
2.5/5
Design
Fairly stylish, extremely comfortable and easy to reach media controls.
4/5
Sound quality
Punchy without hitting premium territory, big bass makes up for muddled mid-range performance.
3.5/5
Value
Sound is decent, materials don’t feel cheap, ANC makes the cut, and battery life excels.
4/5
Happy Plugs Play Pro: Should I buy?(Image credit: Future / Dave Meikleham)Buy them if...You want quality and comfort
Well-built, with foam ear cups that practically feel like cushions once you slip them around your head, these cheap headphones feel like they’ve been made with love. If you frequently go on long trips, you’ll love how comfortable these cans are.
You dig big bass
The Play Pro bring the bass… and then some. If you listen to a lot of R&B or like musicians with a Darth Vader-esque register, you’ll appreciate the audio output of these over-ears, which do a top notch job of emphasizing lower end tones.
Quality ANC is crucial to you
There are so many headphones out there that do noise cancelling more effectively than the Play Pro. While ANC is reasonably effective in quieter indoor situations, go for a walk in a crowded area with these cans and you’ll hear every last bellow, laugh and tire screech.
You like to tweak EQ settings
As someone who constantly fiddles with the settings of his Sony Inzone H9, the lack of an app for the Play Pro really bugs me. If the default audio isn’t to your liking when you first unbox these over-ears, there’s nothing you can do about it.
Happy Plugs Play Pro
1More Sonoflow Pro HQ51
Earfun Wave Life
Drivers
40mm
400m dynamic
40mm
Active noise cancellation
Yes
Yes
Yes
Battery life
50 hours (ANC off); 35 hours (ANC on)
100 hours (ANC off); 65 hours (ANC on)
60 hours (ANC off); 37 house (ANC on)
Weight
253g
246g
264g
Connectivity
Bluetooth 5.4
Bluetooth 5.2; 3.5mm
Bluetooth 5.4; USB-C
Waterproofing
IPX4
N/A
N/A
1More Sonoflow Pro HQ51
The overlord of cheap over-ears sport super-strong sound quality, top-tier ANC for the price and exceptional battery life. For less than $100, you’ll be hard pressed to find a more durable, better-sounding pair of budget headphones. Bravo, 1More.
See our full 1More Sonoflow Pro HQ51 review
Earfun Wave Life
At around $10 / £10 cheaper than the Play Pro, the Earfun Wave Life offer better ANC and longer-lasting battery life than Happy Plugs’ cans. Audio quality between the two is generally on par, though the winning Earfun app gives these over-ears the edge.
See our full Earfun Wave Life review
I tested the Happy Plugs Play Pro over a three-week period. During that time I used these over-ears in different environments, spanning my ground-floor apartment, on walks through the center of my city and on public buses. I primarily connected the headphones to my iPhone 14 Pro – and to a lesser extent my iPad Pro 13-inch (2024) – to listen to my favorite tunes and various podcasts.
While listening to music, I ensured I covered a variety of genres, as outlined in the TechRadar testing playlist. I also tried to connect Happy Plugs’ cans to my Windows 11 laptop via a USB-C cable, but this only charges the headphones – you can’t listen to them over a wired connection.
Portable monitors have become increasingly popular as people are working more flexibly than ever before. Many jobs are allowing hybrid schedules, or the ability to work out of the office, remote work is booming, and some are even learning to make the most of their ability to work from anywhere, knocking out their work from a cafe, a lakehouse, a holiday/vacation location, or visiting family.
However, depending on what you do, some people prefer a screen larger than 14-16 inches for work. That's where portable monitors gained significant traction. Then, people came to realize that having a monitor as thin as a tablet, with a single cable to power it and run the display, can be extremely helpful in many scenarios, including more complex desk setups, niche setups, and semi-portable setups.
While most of the best portable monitors I've tested are more like an additional 13-18-inch screen, the UPerfect UMax 24 is a 24.5-inch panel, as thin as my iPad mini for most of its display, and more comparable to my MacBook Pro at its thickest. It's lightweight, features a built-in stand, and has minimal ports, yet offers enough functionality to get started. It boasts a QHD resolution with a 165 Hz refresh rate. In short, this thing is a beast. It's a desktop-sized monitor that's lightweight enough to bring with you just about anywhere.
(Image credit: Collin Probst // Future )UPerfect UMax 24: Pricing and AvailabilityThe UPerfect UMax 24 can be found on UPerfect's website for $439.99, currently on sale from $540. The UMax 24 can also be purchased from Amazon and a few other retailers.
The screen comes with a two-year warranty and global delivery, making it accessible to almost anyone who wishes to obtain one.
(Image credit: Collin Probst // Future )UPerfect UMax 24: Unboxing & first impressionsI'll be honest, I didn't realize what I was getting into when I grabbed this monitor, nor did I understand how beneficial it could be. It was going to be a big display that wasn't powerful enough to be my main and not portable enough to take with me. Instead, I found that it was a fantastic in-between, giving me a near desktop-level monitor experience but in something that I can toss in the carrying case, easily carry with me around the house, or to a special location or on a road trip, or if needed I could even throw this in a larger bag like a suitcase and fly with it.
Right off the bat, I appreciate the dual USB-C inputs and the HDMI port, although I wish it were a full-size HDMI port instead of Micro-HDMI. However, I can look past that, and I love the kickstand. There is a VESA mounting point, but I'll discuss that further later. What would be super annoying is if this screen didn't have a way to hold itself up, but thankfully, this one does.
At first glance, this thing is impressive. And that feeling only continued once I plugged it in. Even the people around me when I plugged it in had to make comments. The matte display, rich 2K on a massive portable screen —everything. It's beautiful. Of course, I wish it were higher resolution, but I also understand why it isn't. At this size, not everyone wants a 4K display, and creating a 4K portable panel at this size would be more expensive and power-hungry. I'm sure that's just the start of it.
UPerfect UMax 24: Design & Build Quality(Image credit: Collin Probst // Future )SpecsDisplay: 24.5″ IPS
Resolution: 2560×1440
Refresh Rate: 165 Hz
Response: 10 ms
Brightness: ~320 nits
Color: 100% sRGB
Ports: 2× USB-C (Alt‑DP + PD), HDMI 2.0
Weight: 2.64 kg
The UMax 24 is well-built. The screen feels sturdy, the matte coating feels and looks of high quality, the bezel is relatively thin, and the kickstand is made of nice metal that stays in place nicely.
The ports come with some adapters to curve the ports around, pointing them towards the middle of the display rather than the outside, which helps enhance the elegant design of this display even more. Lastly, the kickstand tucks away neatly when not in use, making it disappear when not in use.
(Image credit: Collin Probst // Future )UPerfect UMax 24: In useI talked about my not-so-temporary setup on the second story of my home in previous reviews. This is the setup on the Tribesigns Mobile Standing Desk, which once featured the fantastic Dell Pro 32 monitor. After I finished my review on that display, I expected to change up this area and get rid of this desk. It felt either too built out or not built out enough for what I wanted to do with it. Overall, I didn't need another workspace, but then I remembered the UPERFECT UMax 24 monitor that I was testing as well, and I figured it would make a perfect addition to the setup.
I've tried a ton of setups with this now, I've used the monitor on the desk itself, with the kickstand holding it up. All around, this might be my favorite setup for this simple workstation. I have also tried with a few different monitor arms from MSI, such as their new MAG MT201D. I have also tried BenQ's monitor arm, the BSH01, and a few others, I can't remember the name of. All of these worked well, providing a few different styles and feels for this space. However, since I am going for a super minimalist setup here, driven by the minimalist monitor, I chose to stick with the display's built-in kickstand to hold it up.
Using this display as a workstation, a single monitor for my MacBook Pro has been great. It's crisp and smooth, and thanks to the USB-C connectivity, I can also use this with my iPad Mini, another iPad, a laptop, or even a Nintendo Switch if I want to.
I can run from my laptop of choice with a single USB-C cable to the monitor, and I can see everything. I can also run the monitor off my laptop's battery, and we can get to work very simply. I also wanted to charge while doing this, so I connected a cable to the second USB-C port and ran that line to the wallet outlet.
So far, this monitor has been great for writing content, emails, web browsing, project management, research, and more. While yes, there is a part of me that, of course, wishes this was a higher resolution, what I have noticed is that I don't mind the 2K resolution as much as I thought I would for this specific monitor. It feels right. it feels like if this were 4K it would feel wrong.
Using this monitor in a setup location is an experience. Setting one up in a semi-permanent location has been wonderful. It is, in fact, one of the largest portable monitors around, so it feels like it was meant for this kind of simple setup.
As I mentioned, I have also been able to take this monitor to one of the businesses I work with a handful of times. Carrying it in the second bag feels a bit clunky, but pulling it out and having all that screen real-estate has been fantastic.
(Image credit: Collin Probst // Future )Attributes
Notes
Rating
Design
Minimalistically massive
⭐⭐⭐⭐⭐
Ease of use
Incredibly easy to use
⭐⭐⭐⭐⭐
Practicality
Highly practical for those who want more screen
⭐⭐⭐⭐
Price
Priced well for the product
⭐⭐⭐⭐⭐
UPerfect UMax 24: Final verdictThe UPerfect UMax 24 has set out to do the unthinkable, create a portable display that is far larger than most portables, and yet also make it work well enough to be a semi-permanent to permanent setup.
If you're looking for a solid monitor for your desk, and you move a lot, work from anywhere, you have space or budget constraints, or you just like having fun tech, this portable monitor is great for you.
The Lenovo Legion Pro 7i is an ideal desktop replacement with more than enough power to take on just about everything in PC gaming spaces and at max settings for the most part.
While there are some situations you might need to bring some settings down a smidge (cough*Cyberpunk 2077*cough), that’s only really due to the higher resolution OLED panel that only requires a bit of power.
Starting at $2,909.99 / £2,700 / AU$4,999, the Legion Pro 7i comes with an Intel Core Ultra 9 CPU, Nvidia RTX 50-series GPUs, a 16-inch 2560 x 1600p OLED display, and up to 64GB DDR5 RAM and 2TB PCIe SSD storage.
Along with the performance and OLED screen are a nice assortment of ports, a full keyboard, and a responsive touchpad that is, unfortunately, not ideally aligned.
For some, especially those who don’t take their gaming laptops on the road all that much, this might be among the best gaming laptops out there. But poor battery life might make one take pause if you plan on getting a laptop that you want to use regularly untethered.
Still, if you have the cash and don’t plan on transporting your gaming laptop often (or have a big backpack), the Lenovo Legion Pro 7i is worth a look, especially if you want a larger 16-inch screen for your gaming experience.
Lenovo Legion Pro 7i: Price and availability(Image credit: Future / James Holland)The Lenovo Legion Pro 7i might not be Lenovo’s most expensive gaming laptop – that honor goes to the Legion Pro 9i – but it’s still very expensive. Its most affordable price is a sizable $2,909.99 / £2,700 / AU$4,999.
Starting out with an Intel Core Ultra 9 275HX CPU, Nvidia GeForce RTX 5070 Ti GPU, 32GB DDR5 RAM, and 1TB SSD, pricing goes up from there. The review unit I have, upgraded with an Nvidia GeForce RTX 5080 and 2TB SSD, costs $3,559.99 / £2,990.00 / AU$6,839.00, while the maxed-out configuration of Intel Core Ultra 9 275HX CPU, Nvidia GeForce RTX 5090, 64GB DDR5 RAM, and 2TB SSD is a jaw-dropping $4,424.49 / £3,900.00 / AU$7,079.00.
As expensive as the Lenovo Legion Pro 7i is, larger gaming laptops tend to come with an even heftier price tag. The Origin EON17-X v2 I reviewed last year started at $3,400.00 (about £2,610.00 / AU$5,120.00) for a configuration of Intel Core i9-14900HX, Nvidia GeForce RTX 4080, 16GB of RAM, and a 17-inch 1440p@240Hz screen.
Of course, you can customize the lid on the EON17-X v2 with whatever design you want, but this does make the Lenovo Legion Pro 7i look affordable in comparison.
No matter which configuration you choose, the CPU you get is the Intel Core Ultra 9 275HX, a 24-core/24-thread processor with a peak frequency of 5.4GHz.
However, there is some wiggle room with the GPU where you can choose from an Nvidia GeForce RTX 5070 Ti, RTX 5080, or RTX 5090, 32GB or 64GB RAM, and between 1TB or 2TB SSD storage.
Lenovo Legion Pro 7i base configuration
Lenovo Legion Pro 7i review configuration
Lenovo Legion Pro 7i max configuration
Price:
$2,909.99 / £2,799.99 / AU$4,999.00
$3,559.99 / £2,990.00 / AU$6,839.00
$4,424.49 / £3,900.00 / AU$7,079.00
CPU:
Intel Core Ultra 9 275HX
Intel Core Ultra 9 275HX
Intel Core Ultra 9 275HX
Graphics:
NVIDIA GeForce RTX 5070 Ti Laptop GPU
NVIDIA GeForce RTX 5080 Laptop GPU
NVIDIA GeForce RTX 5090 Laptop GPU
RAM:
32GB DDR5
32GB DDR5
64GB DDR5
Screen:
16" WQXGA (2560 x 1600), OLED, HDR 1000 True Black, 500 nits, 240Hz
16" WQXGA (2560 x 1600), OLED, HDR 1000 True Black, 500 nits, 240Hz
16" WQXGA (2560 x 1600), OLED, HDR 1000 True Black, 500 nits, 240Hz
Storage:
1TB SSD
2TB SSD
2TB SSD
Ports:
HDMI 2.1, Thunderbolt 4, USB-C (power delivery 140W), 3x USB-A, Headphone / mic Combo, RJ45
HDMI 2.1, Thunderbolt 4, USB-C (power delivery 140W), 3x USB-A, Headphone / mic Combo, RJ45
HDMI 2.1, Thunderbolt 4, USB-C (power delivery 140W), 3x USB-A, Headphone / mic Combo, RJ45
Wireless:
Wi-Fi 7 / BlueTooth 5.4
Wi-Fi 7 / BlueTooth 5.4
Wi-Fi 7 / BlueTooth 5.4
Camera:
720p with e-privacy shutter
720p with e-privacy shutter
720p with e-privacy shutter
Weight:
Starting at < 2.72kg / 6lbs
Starting at < 2.72kg / 6lbs
Starting at < 2.72kg / 6lbs
Dimensions:
21.9mm-26.6mm x 364mm x 275.9mm / 0.86″- 1.04″ x 14.33″ x 10.86″
21.9mm-26.6mm x 364mm x 275.9mm / 0.86″- 1.04″ x 14.33″ x 10.86″
21.9mm-26.6mm x 364mm x 275.9mm / 0.86″- 1.04″ x 14.33″ x 10.86″
Considering that the base configuration is still fairly expensive, it’s no wonder that all the configurations keep the more premium appointments. Specifically, no matter what you do, you’ll get that OLED 1600p @ 240Hz panel with HDR 1000.
Lenovo Legion Pro 7i: Design(Image credit: Future / James Holland)The Lenovo Legion Pro 7i is big. It is a 16-inch laptop, after all. It’s fairly imposing in its matte “Eclipse Black” finish with only Legion emblazoned on the back of the lid and Lenovo in silver on the top back as flourishes. It’s also a little over an inch at its thickest.
This is not the most portable of gaming laptops. So, while it makes for a great desktop replacement, leave plenty of space in your backpack if you plan on getting this.
(Image credit: Future / James Holland)Almost all the venting is underneath and back, so you don’t have to worry about hot air being blown onto you when gaming, assuming you’re using a mouse situated next to the laptop.
Besides the large 16-inch OLED screen, the Lenovo Legion Pro 7i comes with a full-size keyboard complete with a ten-key numpad. There aren’t any standalone hotkeys, but plenty of keys have secondary functions, so I didn’t really miss them.
(Image credit: Future / James Holland)The keycaps have a quality feel to them with a concave shape and textured feel that makes typing a relative pleasure. I do find the keyboard to feel a little big for some reason and find myself sometimes pressing the wrong button when reaching (mainly when gaming).
The touchpad is not oversized, but it’s set off to the left, which makes sense as the keyboard with the Numpad pushes the natural hand placement to the left as well. However, I’m not a fan of the touchpad’s placement – I would prefer it to be a bit more centered. At least, it’s accurate and responsive.
If you do want to use the Lenovo Legion Pro 7i as a desktop replacement, you’ll be happy to know that the port selection is fairly plentiful. It comes with an HDMI 2.1 port, a Thunderbolt 4 port, and a USB-C port, both of which support DisplayPort 2.1. There are also three USB-A ports and an Ethernet one, along with an eShutter button for privacy’s sake.
Considering the powerful Intel Core Ultra 9 CPU and higher-end Nvidia 5000-series GPUs – I tested the model with an RTX 5080 – not to mention a minimum of 32GB of RAM, the gaming performance here is going to be quite robust.
Now, all that hardware has to power the 16-inch OLED panel which has a 2560 x 1600p resolution with a refresh rate of 240Hz. That panel also manages 500 nits of brightness and has HDR 1000 True Black support.
So, that can knock off up to 20 or 30 fps from the Lenovo Legion 7i’s performance if you want to take full advantage of this laptop’s display. It’s worth noting that it also achieves a DCI-P3 of 100%, making this a sharp looking, vibrant display. I definitely preferred running games like South of Midnight, Starfield, RoboCop: Rogue City, and Cyberpunk 2077 at that higher resolution.
Lenovo Legion Pro 7i Synthetic BenchmarksBenchmark
Score
Geekbench 6.4 Single Core
3,103
Geekbench 6.4 Multi Core
19,829
Crossmark Overall
2,163
Crossmark Productivity
1,998
Crossmark Creativity
2,525
Crossmark Responsiveness
1,727
25GB File Copy Transfer Rate (MB/s)
2,030.38
3DMark Fire Strike
34,434
3DMark Time Spy
16,928
3DMark Fire Strike Ultra
11,388
3DMark Time Spy Extreme
8,337
3DMark Speed Way
4,301
3DMark Steel Nomad
3,999
3DMark Port Royal
10,958
Speaking of, I was able to run all those games at basically max settings, including Ray Tracing where applicable, with smooth results and crisp, clear images. I didn’t experience any skipping, stuttering, or screen tearing. Any way you cut it, this is a powerful gaming laptop that will hold up.
If you look at our benchmarks, you can get a solid idea of what to expect. Cyberpunk 2077 with everything maxed will look good and will be smooth enough, but won’t really take advantage of that high refresh rate as it gets just an okay 30 fps on average on 1600p, so if you plan on playing at the display's native resolution, make sure to use DLSS for the best experience.
However, there are plenty of games where I can achieve up to and above 100 fps even before compromising on settings.
Lenovo Legion Pro 7i Gaming BenchmarksGame & settings
Frames per second
Assassin's Creed Shadows (Ultra High, 1080p)
45 fps
Black Myth: Wukong (Cinematic, 1080p)
45 fps
Cyberpunk 2077 (Ultra, 1080p)
50 fps
Metro: Exodus (Extreme, 1080p)
63 fps
Monster Hunter Wilds (Very High, 1080p)
73 fps
Shadow of the Tomb Raider (Very High, 1080p)
163 fps
Total War: Warhammer III (Ultra, 1080p)
144 fps
Web Surfing Battery Informant
4:37
PCMark 10 Gaming Battery Test
1:36
As mentioned before, the Lenovo Legion Pro 7i has a four-speaker system. I didn’t mention that it supports Nahimic Audio, so you get some spatial audio support. Laptops often have mediocre audio at best, but this one sounds pretty good.
Besides the usual caveat that laptop speakers will never surpass dedicated headphones or speakers, the sound is full with plenty of clarity. There’s not a lot of rumble (to be expected, of course), but there’s not anything else missing from the frequency range.
Lastly, the webcam with its 5MP resolution looks good and is pretty smooth to boot. If you get this laptop to stream, you might not need to get a dedicated webcam. It’s also nice that it has a privacy eShutter button.
Web Surfing Battery Informant
4:37 hours
PCMark 10 Gaming Battery Test
1:36 hours
The battery life on gaming laptops is typically not all that great. There are some exceptions, but a powerhouse sporting a 16-inch OLED screen with a 1600p resolution is not going to be one of them.
For proof, just look at our benchmarks. In our web surfing test, it lasted a whopping four and a half hours. That’s not great, but this isn’t a new MacBook Air that lasts almost 15 hours, nor is it supposed to be.
It’s not surprising that in the PCMark 10 gaming benchmark, it lasts just over an hour and a half. If you want extended cordless gaming, you should probably get a Steam Deck (or one of its competitors).
A little more concerning and a little more unexpected is the fact that the battery runs down even when in sleep mode. Now, this is not atypical, but there are plenty of laptops that don’t drop down to 35% battery life after being unplugged for a day, even though they haven’t been used.
Category
Notes
Rating
Value
It may start at a hefty two grand asking price, but that’s not unusual for large screen gaming laptops.
4 / 5
Design
This laptop is massive, making it more of a desktop replacement than a portable gaming machine. At least, it has plenty of ports.
4 / 5
Performance
The gaming performance here is pretty great, only really limited by the fact that it also has to power an OLED screen.
4.5 / 5
Battery Life
The battery life is not great, though about what one would expect with a gaming powerhouse. However, it could do better holding a charge when asleep.
3.5 / 5
Final score
Despite a high cost and low battery life, the Lenovo Legion Pro 7i is a very powerful machine, ideal for those wanting a gaming desktop replacement.
4 / 5
Buy the Lenovo Legion Pro 7i if...You want a powerful desktop replacement
The Lenovo Legion Pro 7i is quite big, and it’s quite powerful. If you’re looking for something that can replace a gaming desktop, this model is more than capable.
You want an OLED screen
The OLED screen here comes with a higher resolution and frame rate, not to mention strong HDR support and DCI-P3 color coverage. If you want a good OLED screen with your gaming laptop, you’re certainly getting it here.
You can afford it
This laptop has the latest and greatest powerful components (at least for a laptop), so it comes with a hefty price tag. Consider this one if money is no object.
You have a limited budget
If you have limited cash for a gaming laptop, then the Lenovo Legion Pro 7i is going to be out of your price range, considering its starting price is around 2K.
You want good battery life
Gaming laptops typically don’t have good battery life, and this laptop is no different. If you want one that can last a while without being plugged in, there’s a short list of options out there that don’t include this one.
I used the Lenovo Legion Pro 7i for a couple of weeks, playing all sorts of games including Battlefield 2042, RoboCop: Rogue City, and Cyberpunk 2077, to get a feel for what this laptop is capable of.
I tried them at max settings, including Ray Tracing where applicable, mainly Cyberpunk, to see where their limitations are. I wrote most of this article on it and used it for some day-to-day browsing and streaming.
The Lenovo Legion Pro 7i is ideal for gamers who want a desktop replacement that can handle just about everything gaming-wise and have the budget to afford that kind of gaming rig.
I’ve spent the last few years reviewing tech gear for gaming and otherwise, where I’ve gotten a feel for what to look for and how to put a piece of kit through its paces to see whether it’s worth the recommendation.
The Haworth Upside Sit-to-Stand desk is a simple yet refined standing desk that can easily blend into most workspaces without looking overly extravagant or flashy.
Granted, it still costs a pretty penny, but it doesn't look overdone or gaudy. The Haworth Upside is understated, minimalist, and professional. But how does it stack up against the best standing desks I've reviewed? I tested it to find out.
(Image credit: Collin Probst // Future )Haworth Upside Sit-to-Stand Desk: Pricing and AvailabilityThe Haworth Upside Standing Desk currently starts at $611, 15% off its original price of $719, as I write this paragraph. This price can range from around $1,000, depending on features, sizing, colorways, and whether you opt for the upgraded base type and paddle.
You can also add some accessories directly from Haworth, such as a power module, wire management clips, and a wire tray to catch all your cables and keep them tidy.
(Image credit: Collin Probst // Future )Haworth Upside Sit-to-Stand Desk: Unboxing & first impressionsThe Haworth Upside Standing desk arrived super well-packaged in its box, ensuring that nothing would be damaged in transit to me. Once I started building, I was able to assemble my desk in just 18 minutes.
True, it's heavy, but I was able to do it by myself. One of the first things I noticed was the paddle. While intuitive, and many desks have had similar paddles, I wish there were a button of some kind so I could easily save multiple heights, just a press away. The paddle does work well, though, especially considering its purpose.
The desk itself is sharp. By sharp, I of course mean in design, as the corners are rounded, ensuring that they are not a sharp point, even though they are sharper than some of the softer-edged designs I have seen. I love the look of a sharper edge, but I also appreciate having them not be sharp to the touch.
Haworth Upside Sit-to-Stand Desk: Design & Build Quality(Image credit: Collin Probst // Future )SpecsDimensions: 23x58 inches
Height Range: 22.6–48.7 inches (dual-stage electric)
Load Capacity: 150lbs
Top Material: Landmark high-pressure laminate
Base Color: Smooth Plaster powder coat
Warranty: 10 years standard; GREENGUARD/BIFMA certified  
This desk is simple, minimalist, and clean. I said it earlier, but that's the best way to describe this desk. There's no frills, nothing flashy, nothing distracting. It's a fantastic desk if you prefer a clean setup.
While you could, I probably wouldn't build out a super complex and fancy setup on this desk, but what I would love to do is have a clean laptop or iPad setup with a notebook, some physical books perhaps, maybe a single monitor setup, with a computer in a stand off to the side, and so on—a clean, simple setup, dedicated to focus and simplicity.
Adding to this simplicity, I love how clean the legs look, and I appreciate that they are more C-shaped than T-shaped. I prefer the C-Shape as it feels like there is more room for my legs. It also helps the legs appear closer to a wall if you are pushed up against it, making the legs look less bulky and stand out less.
The desktop appears to be resistant to scratches, yet it doesn't feel like I'd want to drop anything on it anytime soon. The wood feels a bit soft, but with how I use desks, I'm not too worried.
(Image credit: Collin Probst // Future )Haworth Upside Sit-to-Stand Desk: In useI've had this desk in my rotation of desks for the last 124 days at the time of writing this review. So far, it's been functioning great. There haven't been any issues. I've used this desk for precisely what I mentioned above. It's been a fantastic laptop desk, I've gotten some dedicated writing done here, some project planning, some idea sketching with my iPad, some reading with physical books, and more. It's been an excellent desk for all of that.
The paddle controller was easy to get used to right away. Up is up, down is down. Easy enough. Since this desk appeared simple to me at first glance on the website, I chose the standard, simple paddle, which works just as expected. Up is up, down is down. Suppose you want to upgrade to the programmable paddle. In that case, it adds the ability to display the height and even set vibration alerts to remind you to move throughout the day, according to Haworth's website.
Moving up and down, even while holding the paddle, is smooth and effortless. The desk moves pretty quickly, but it's stable and relatively quiet. What more could you ask for in a standing desk?
Along with the Haworth desk, I also grabbed the Fern ergonomic chair (a review is coming soon) and the Elements 4-function table. This, paired with the Haworth Upside desk, makes for a powerful setup. The Elements 4-function table can serve as a footrest, a side table, an extension of the desk, or a riser for the desk. Expanding the functionality of your Haworth setup even further.
(Image credit: Collin Probst // Future )Attributes
Notes
Rating
Design
Minimalistically massive
⭐⭐⭐⭐⭐
Ease of use
Incredibly easy to use
⭐⭐⭐⭐⭐
Practicality
Highly practical for those who want more screen
⭐⭐⭐⭐
Price
Priced well for the product
⭐⭐⭐⭐⭐
Haworth Upside Sit-to-Stand Desk: Final verdictThe Haworth Upside Desk is a beautifully simple electric sit-to-stand desk that makes me want to simplify even my most beautiful setup down to the essentials, streamlining everything. This desk is a great fit for home offices or if you have a private office where you can set up your own little space. If you prefer being able to click to a specific height, you'll want to opt for the more expensive paddle, but remember that it's still a paddle, just an upgraded one.
For more professional essentials, we've reviewed the best office chairs for ergonomics and comfort.