Claude Sonnet 5 brings stronger agentic AI features, lower pricing, and updated safety protections. Here's what IT leaders need to know.
The post Claude Sonnet 5: Everything to Know About Anthropic’s New Model appeared first on TechRepublic.
The government of California will now be able to use Anthropic’s Claude AI with a half price discount.
A press release published by California Governor Gavin Newsom says the state's government will also have access to free workforce training, expert GenAI technical assistance and workflow input from Anthropic developers.
“This partnership is about using technology the California way: responsibly, transparently, and in service of people. AI should not replace the human work of government; it should help our workers move faster, solve problems more effectively, and deliver better results for Californians,” Gov. Newson said.
Claude comes to CaliforniaThe discount for Claude also extends to local governments at the city and county level, allowing state workers with lower budgets to gain access to cutting edge tech. Gov. Newson said the technology will primarily be used for drafting, summarization, and analysis, while also “supplementing day-to-day work and improving services for Californians.”
Californian state agencies will be able to access Claude through the Statewide Information Technology Shared Services (SITeS), a new portal that centralizes AI tools for government use. The Californian government has already worked alongside Anthropic to integrate Claude into numerous tools for state workers, such as the Engaged California tool that provides Californians with more of a voice in policymaking.
Claude Security and Claude Code are also being integrated into the workflows of the California Department of Technology and the California Governor's Office of Emergency Services in order to improve cybersecurity. The California DMV will use Claude to reduce wait times and improve services, and the Department of Healthcare Services will use Claude to assist in the state’s Medicaid program.
The state is home to 33 of the top 50 private AI companies in the world, including Anthropic. “As a California company, we feel a real responsibility to our home state. We’re honored to expand our partnership with California’s agencies and to put Claude to work for the people who keep this state running,” said Kate Jensen, Anthropic’s Head of Americas.
“Building AI responsibly and in service of people has been our approach from the start, and that’s exactly what this partnership puts into practice.”
If you like the idea of owning the very best action camera but have so far been put off by the price, then let me bring you some fantastic news. This excellent value GoPro Hero 13 Black bundle is on sale at Amazon for $379.99 (was $479.99).
That's a new record-low price for the highly rated 5.3K resolution camera from the industry's leading brand. Considering the camera ordinarily retails for $429 by itself, this bundle deal is even more impressive.
In addition to the excellent GoPro camera, the bundle features a handle, two Enduro batteries, two curved adhesive mounts, a 64GB SanDisk MicroSD card, and a handy carrying case. That's everything needed to get filming as soon as it arrives at your door.
Today's best action camera dealHere's a super-tempting record-low price for one of the best action camera bundles in the world right now. The camera offers an impressive 5.3K video resolution inside a rugged and completely waterproof body. A sweet deal just in time for your summer adventures.View Deal
Competition for the top spot in our best action camera guide is fierce, but the GoPro Hero 13 Black has held prime position for a long time now. Its commendation is in large part thanks to the excellent-quality 5.3K video, a superb range of accessories, including new auto-detected Lens Mods, and improved battery life and heat dissipation.
You can read more about why we love it in our GoPro Hero 13 Black review. Specifically, we praised its Bluetooth audio support, versatile mounting options, and ability to capture great-looking footage in well-lit areas.
I don't record much video for social media specifically, but if you do, then you'll love the 27MP sensor, which enables footage to be recorded in an 8:7 aspect ratio. Say goodbye to the awkward cropping of landscape footage for portrait outputs.
55 years ago, the legendary Gene Wilder invited us to join him in "a world of pure imagination." Now, a disembodied AI recreation of his sonorous vocals is inviting us to join him in his "my newest wonders beyond imagination."
But there's little-to-nothing imaginative about the use of an AI-generated version of Wilder's voice to help sell Netflix subscribers on a new Willy Wonka and the Chocolate Factory-themed reality show, and, quite honestly, I hate everything about it.
To catch you up, this new show, which is set to air in September on one of the best streaming services, Netflix, borrows sets (recreations), themes, and even one living actor who played an Oompa Loompa from the original 1971 film to create a reality show that it hopes will somehow, if not match, approach the charm and danger of the original film.
Not getting the pointWilly Wonka and the Chocolate Factory, based on the Roald Dahl bookCharlie and the Chocolate Factory, is a commentary on wealth, poverty, family, risk, and cruelty, all wrapped in a candy-covered fantasy.
The protagonist, Charlie Bucket, is so poor he lives in a ramshackle London cottage with multiple generations of family members, including a grandfather who has not left his bed in years. Meanwhile, Wonka is finally opening up his secretive factory to a select group of the public, chosen at random via golden tickets hidden in some of his candy.
I know, it sounds like a confection, but the first scene in which Wilder appears gives you a hint that this is not your typical children's story. When all the winners, including Charlie, arrive, Wonka (Wilder) unsteadily walks out while using a cane to greet them. As he approaches the gate, Wilder loses his grip on the cane and falls forward, but instead of face-planting, he does an effortless tumble and is suddenly upright and boisterous.
I tell you all this because there is so much complexity and nuance in that one scene and virtually all of it engineered by Wilder's performance. Throughout the film, his face and especially his voice drive the narrative and mood, yo-yoing it between playful host and sinister guide who keeps losing children to one self-imposed calamity after another.
Never before or since have I seen a character in a children's film swing so wildly from gentle and childlike to ominous. It's a wonder the Academy didn't recognize his performance.
Fast forward more than half a century to this streaming show, which uses Wilder's voice with the permission of his family; you can get your first sample of it in the new show trailer (above). Created by increasingly well-known ElevenLabs, the voice is, in my opinion, a poor recreation at best, but I guess I might also call it unmistakably Wilder-like.
It's also depressing. The thing about Wilder's real voice in films like Willy Wonka, The Producers, Stir Crazy, and Young Frankenstein is that it could be wildly emotional. Wilder as a hysteric was often the funniest thing you had ever seen. No one went off the rails like Gene Wilder, but also few other actors could express such warmth and compassion, and sometimes he did it all in a single scene.
At the end of Willy Wonka and the Chocolate Factory, Wonka discovers Charlie is stealing his everlasting gobstopper to deliver it to Wonka's chief competitor. His anger at Charlie is terrifying, but as soon as Charlie leaves the candy behind, Wonka (Wilder) transforms, and the compassion and joy in his voice is something to behold.
The AI Wilder voice in this trailer is devoid of passion, pathos, or really any recognizable human emotion. It's a soulless Gene Wilder.
Look, there's no doubt the power of AI is transforming life and culture. It lets us do things we never thought possible. It's a co-worker, a companion, a sleuth, a coder, and a creator, but we are now at the point where we must ask ourselves: Just because AI can, should it?
I guess we can ask a similar question about the AI-generated Val Kilmer in the unfortunately titled As Deep as the Grave. While I can understand if Kilmer had completed some filming and they wanted to bridge the gap in scenes filmed after his death, this full-scale recreation, even with the estate's permission, seems wrong. I love these actors, but none are irreplaceable, and using their likenesses and voices simply to generate nostalgia and sell a product feels very wrong, and certainly not the best use of AI (and all the resources behind it).
Surely, we can agree that it's often better to let the dead stay dead and not try to resurrect a simulacrum of their essence through the power of AI. The results are, to be honest, rather like the work of Baron Von Frankenstein: a monstrous creation that probably has no place on earth.
While many of us wouldn’t think twice about buying software from a global hyperscale software vendor, open source software (OSS) has flown under the radar as a majorly important part of the software landscape for decades.
Recent shifts in European attitudes, fuelled by geopolitical tensions and technological sovereignty concerns, has seen an increased focus on the desire to run open source software and back local vendors. A major advantage is the open nature of its development – anyone can inspect, modify and use it, and companies can distribute their own versions without the limitations and expenses of vendor lock-in.
It’s so important that around 70% of modern software stacks are estimated to rely on open source components in some form – EXANTE sees it as a plumbing system that keeps software stacks together.
But that very benefit could also be a disadvantage for corporate customers, because small groups of volunteers don’t have the same requirements as large corporations. While companies invest heavily in cybersecurity and resilience, visibility into open source software can be alarmingly low.
AI is making underfunding even more pronouncedVibe coding has further complicated matters, with developers now able to write code more quickly and malicious actors leaning on those same AI coding tools to discover vulnerabilities and develop exploits.
Without the commercial funding that hyperscale software receives, it puts OSS in a more vulnerable position. But given the importance of OSS for companies looking to build their own software stacks, many are now starting to see backing projects as an integral part of managing their risks.
To discuss why the responsibility, or burden, of open source software sustainability is increasingly being picked up by enterprise customers instead of individual developers and contributors, I spoke with EXANTE CTO Richard Forss, who explained how AI is changing software development and cybersecurity strategies globally, and why businesses should treat it as critical infrastructure.
EXANTE is also the company behind the Gecko Fund – a new €1 million grant programme to support critical open source software projects used across trading and financial data systems with grants of between €10,000 and €150,000 available – and the company believes that financial and technical support for open-source projects is now more important than ever.
“We believe the industry that benefits from these tools should play a role in sustaining them,” Gecko Fund founder Anatoly Knyazev asserted.
Open source is the foundation of modern fintech and brokerage businesses, but almost nobody talks about it. If you looked under the hood of any brokerage platform, ours included, you would find that about 70% of the critical stack is open-source.
It powers the databases, operating systems, messaging layers, cloud infrastructure – the bits that quietly move millions of transactions a day. Clients never see any of it, which is rather the point.
The reason we all use it is simple economics. Software is built in layers, and there is no sense in any one firm rebuilding the foundations from scratch. We use shared, battle-tested components for things like market data processing and risk infrastructure, and we spend our own engineering effort on the parts that are actually ours.
It lets teams move quickly and solve complex architectural and engineering puzzles that would otherwise be out of reach.
Because it works too well to notice. Open source behaves like a utility, the plumbing in the walls, and nobody thinks about the plumbing until it bursts. Millions of organisations rely on these tools every day, and for years, almost none of them paid a penny towards keeping them alive.
More accurately, open source drives an estimated $8.8 trillion in global economic value. Yet, nearly two-thirds of the developers responsible for maintaining these widely adopted systems receive very limited financial support.
Hundreds of thousands of organisations – from startups to huge enterprises – benefit from these tools every single day, but the actual responsibility for maintaining them stays with a handful of volunteers.
Everyone relies on the infrastructure, but historically, almost no organisation has taken responsibility for paying for its upkeep.
Because it is a single point of failure hiding in plain sight. We spend enormous amounts of money assessing vendor risk and operational resilience, scrutinising suppliers, war-gaming outages, and then the whole edifice can rest on a library maintained by one or two exhausted people you have never heard of.
Our first Gecko Fund grant went to Kryo, an open-source data serialisation tool used all over the world in high-performance and trading environments. For years, it has been kept going by two people on two different continents, with no outside funding at all. They do excellent work – and that is, of course, not the problem. The problem is that it is two people. If one of them burns out, or simply does not have a free evening to patch a serious flaw the moment it appears, the consequences do not stay neatly within their project. They ripple out into regulated markets that have no idea they were depending on them.
AI has put its foot on the accelerator, and it is pressing down on both cars at once. On our side, it genuinely helps. It spots bugs, speeds up code review, catches things early. The problem is that the people trying to break in have exactly the same tools.
Bad actors use AI to scan open-source codebases, identify vulnerabilities, and launch targeted exploits much faster than before. The time between a flaw being discovered and an active attack being launched is continuously shrinking.
This puts intense pressure on underfunded maintainers to deploy fixes instantly. Since AI scales these threats so effectively, the security of the underlying open-source ecosystem has become a systemic priority.
It’s not the famous projects. Mostly the dull ones. The risk lives in the deep, unglamorous code: I’m talking about the low-level libraries, the developer tooling, the APIs – developer tools that operate entirely out of sight. The components that never trend on anything and never will.
That is precisely why they go unfunded. They do not make headlines, so they do not attract sponsors or donations, and yet they are wired into thousands of commercial products.
It is the paradox of the whole industry. The more essential a piece of software is, the more invisible it tends to be. When one of those hidden libraries fails, it does not fail for one company. It fails for everyone at once.
Stop calling it a hobby and start treating it as infrastructure, because that is what it is. The first thing any firm should do is the unglamorous work of auditing its own supply chain and understanding exactly which open-source components it actually depends on. Most have never properly looked. Once you know what you are standing on, you have to hold it up.
But money is not the only currency – firms can contribute engineering time, security audits, testing environments, or documentation. The goal is to make the relationship mutual: if your business profits from these tools, your business should help keep them safe.
The corporate world needs to stop expecting critical infrastructure to be maintained by someone giving up their weekends. That is the change. Everything else follows from it.
It is starting to shift. There are sovereign technology funds now, government-backed efforts, industry groups forming around open-source standards. That is encouraging.
But finance, of all sectors, ought to be leading rather than waiting, because finance has more to lose than most if this plumbing fails. If we formalise how companies contribute and build proper structures for funding this work, then the people holding up the machinery behind global commerce might finally get the stable backing they need to keep the markets running. They have earned it several times over.
Olivia Rodrigo’s been keeping busy. Just a few weeks after dropping her third album, You Seem Pretty Sad for a Girl So in Love, the pop sensation is making her next move. And it’s a pretty big one that’s good 4 all of us: she’s collaborating with Lego on not one, not three, but five brick-built sets.
In fact, she’s the first musician to get multiple dedicated Lego sets, and they’re all distinctly Olivia Rodrigo, complete with her iconic shade of purple. And maybe most importantly, Olivia is getting her own Minifigures.
Fans who saw Olivia Rodrigo on the Guts World Tour — or streamed the concert on Netflix — will recognize the iconic moon she flew over the audience in the Olivia Rodrigo's Concert Moon set, which is available to preorder for $49.99 / £44.99.
Not only does it include an Olivia Minifigure that can be placed on the purple moon, but the base is also a record player.
(Image credit: Lego)You can even use the knobs on the right side of the record player to make the disc spin, causing the moon to rotate. As with most Lego sets, this one is highly interactive, with plenty of hidden details packed into the full build.
If you’re just after a Lego brick-built record, Olivia Rodrigo’s Vinyl is worth a look at $34.99 / £24.99. Made from 360 pieces, it lets you build a vinyl record that can be displayed using a stand on the back. The front features several elements, including a red megaphone — as used on the Guts Tour — a butterfly, stars, and a spot for an Olivia Rodrigo Minifigure.
(Image credit: Lego)The flagship set in the Olivia Rodrigo Lego Editions line is the Dual Guitar, which is made up of 1,228 pieces and costs $119.99 / £109.99. You’ll build an iconic purple guitar that stands more than 20 inches tall, includes two Minifigures of Olivia Rodrigo, and features hidden details.
(Image credit: Lego)Best of all, it’s half acoustic and half electric, offering the best of both worlds. Beneath the electric side, you’ll find spots for both Minifigures, along with easter eggs that Olivia Rodrigo fans will appreciate. If you've ever wanted to get "obsessed" with the details, this is probably the set you'll spend the most time exploring.
Rounding out the Olivia Rodrigo Lego Editions line are the $79.99 / £69.99 Olivia Rodrigo's Secret Storage set and the $49.99 / £39.99 Flower Bouquet set. All five are available to preorder now from Lego’s online store and will begin shipping on August 1, 2026.
Lego's Olivia Rodrigo's Vinyl is also available for preorder in the UK at £24.99.View Deal
Lego's Olivia Rodrigo's Flower Bouquet is also available for preorder in the UK at £39.99.
Lego's Olivia Rodrigo's Concert Moon is also available for preorder in the UK at £44.99.
Lego's Olivia Rodrigo's Secret Storage is also available for preorder in the UK at £69.99.
Lego's Olivia Rodrigo's Dual Guitar is also available for preorder in the UK at £109.99.