Technology

AirPods Max 2

Thanks to their new H2 chip, the AirPods Max 2 offer punchier sound, stronger ANC, and a more compelling feature-set than their predecessor, and iOS users will get an especially top-level overall user experience. Yes, we would’ve liked to see some higher-res wireless codecs on board, and the underwhelming 20-hour battery life is still here, but their expansive and emotive sound and beautiful design ensures they’re still a hit.

Pros

• Incredibly expansive soundstage
• Eye-catching metallic design
• Vast swathe of iOS-friendly features

Cons

• Less versatile for Android users
• Way heavier than the XM6
• 20-hour battery life is weak

Sony WH-1000XM6

The Sony WH-1000XM6 are a fantastic pair of over-ear headphones that combine the best design elements of their predecessors, while leveling up the sonic and ANC capabilities of what came before. With super-clean touch controls, an ultra-comfy fit and a ton of features at your disposal, there’s a lot to love about these headphones.

Pros

• Punchy and tight yet well-balanced sound
• Foldability makes them ultra-compact
• Cheaper than the AirPods Max 2

Cons

• Lack the visual flair of the AirPods Max 2
• Earcups are on the bulky side
• AirPods Max 2 have a more spacious sound signature

Having tested countless pairs of ANC headphones, it takes something special to truly wow me. But today, we’re going to compare two sets of premium cans that did exactly that: Apple’s AirPods Max 2, and Sony’s WH-1000XM6.

If you’re considering which pair of headphones are for you, I’ve got you covered. I’ve spent hours testing both sets side by side, assessing each model on their feature-sets, performance, design, and most importantly, value for money.

The AirPods Max 2 and Sony WH-1000XM6 are both wonderful headphones, and each earned a 4.5 star review and hearty recommendation from us here at TechRadar. They’re different in more ways than you may expect, offering a pretty unique listening and user experience, but ultimately, there’s one set I’d pick over the other. Curious to hear my verdict? The scroll on down to see this clash for the ages to unfurl.

AirPods Max 2 vs Sony WH-1000XM6: price & specs

AirPods Max 2

Sony WH-1000XM6

Price

$549 / £499 / AU$999

$449 / £399 / AU$699

Drivers

40mm custom

30mm dynamic

Active noise cancellation

Yes

Yes

Battery life

20 hours

30 hours

Weight

13.6 oz / 386g

8.96 oz / 254g

Connectivity

Bluetooth 5.3, USB-C

Bluetooth 5.3, 3.5mm

AirPods Max 2 vs Sony WH-1000XM6: features

Both the AirPods Max 2 and Sony WH-1000XM6 are rammed with features, but there’s one major point of differentiation — Apple’s cans are heavily tailored towards iOS users.

That’s right, the AirPods Max 2 have a lot of features that Android users won’t get access to. Stuff like Spatial Audio, auto-device switching, Siri, and Apple Intelligence integrations. This is understandable, although it’s a shame that Android users have no way to directly alter the headphones’ EQ. Apple users get a fantastic range of options to choose from, though, with stuff like Live Translation and the head-tracked Spatial Audio really standing out.

Sony’s headphones are undeniably more versatile, with myriad features available to both iOS and Android users. They have no end of options, with a 10-band EQ, scene-based listening, a Cinema upmix mode, speak to chat, and mic-mute. This is all controlled by Sony’s Sound Connect app, which is easy to use, although some settings do feel a little hidden in sub-menus.

(Image credit: Future)

But how about the main event: ANC? This is a much closer fight than I expected, actually. See, the XM6 offer class-leading noise canceling capabilities, and even when I’ve used them on flights they’ve silenced the sound of the deep jet engines firing or conversations happening around me. But the AirPods Max 2 are genuinely very competitive, even against the XM6. In my office, the sounds of keyboards clacking, colleagues talking, and cars passing by outside were totally crushed. Both headphones are top-tier when it comes to noise cancelling, and I’d argue they even rival Bose.

Another crucial area to explore is battery life. The Sony WH-1000XM6 keep things pretty standard with 30 hours of battery life with ANC on. This is the typical figure you’ll see for headphones in this kind of price range — nothing special, but enough to get you through a fair few days of listening. The AirPods Max 2, however, only supply 20 hours with ANC on. That’s just not good enough, and falls well short of the competition. If you don’t want to charge your cans all too often, then the XM6 are a better pick.

There are a few other areas where the XM6 prevail over the AirPods Max 2 as well, such as their superior call quality and background noise supression, inclusion of intuitive and precise touch controls over Apple’s digital crown, and use of DSEE Extreme for upscaling lower-quality audio files.

So, if you’re an iOS user, the AirPods Max 2 definitely have some snazzy features up their sleeves — including some smart options that the XM6 leave out. Each are great when it comes to ANC, and are on relatively even footing there. But Sony’s cans offer superior compatibility, battery life, and call quality, making them the overall winner in this category.

(Image credit: Future)AirPods Max 2 vs Sony WH-1000XM6: sound quality

This is what you really came here for, right? But before I get into my sound comparison, let’s take a look at a few technical differences.

Like their predecessor, the Sony WH-1000XM5, the Sony WH-1000XM6 use 30mm dynamic drivers, except they’ve been redesigned with high-rigidity carbon fiber for better performance across the frequency range. They also feature Sony’s QN3 processor featuring a noise-shaper, which pre-empts sudden sound changes for a more controlled listening experience.

On the other hand, the AirPods Max 2 use custom 40mm drivers — just as the original AirPods Max did. However, the sequel added a new amplifier alongside Apple’s H2 processor, which is intended to supply more detailed, cleaner sound. Unlike the LDAC-equipped XM6, the AirPods Max 2 have no higher-res Bluetooth codec support, although you can access lossless playback via the headphones’ USB-C port.

Now that we’ve got that out of the way, let’s get into my listening comparison. In Journey by Ruze, the differences between the two pairs of headphones were clear. With the AirPods Max 2, I was treated to a spacious, immersive interpretation, with expansive vocals and dreamy synths showing off the headphones’ nuanced soundstage.

The Sony WH-1000XM6 went for a different approach, with a tighter and punchier take. Bass came through with the kind of impact that instantly demanded my attention. Vocals and synths were also really clear and well separated in the mix, but didn’t have quite as much of an expansive quality.

(Image credit: Future)

Moving over to something softer with Sakamichi by Yuta Orisaka and it was a similar story again. Vocals were emotive and tonally accurate, and were elegantly separated from strumming guitars. Percussion was also rhythmic and well-defined in the mix, and the broad soundstage exposed the track’s layers with finesse.

The XM6 excelled too, and vocals had excellent clarity in the mix, warped electric guitars sounded brilliantly separated — almost as if they were operating in a separate pocket. Meanwhile, the warmth of the track’s bass came through beautifully, and subtle percussive elements were weighted nicely too. Despite this, there was still a tightness to the sound — the direct and cohesive sound of the XM6 is simply very striking.

So, which headphones sound better? I think it’s a question that’s harder to answer than you may expect. On a strictly technical level, I’d argue that the AirPods Max 2 offer a bit more nuance, thanks to their wider soundstage, which opens up a more revealing and insightful listen. But I really do think there’s a case to be made for the XM6. Their punchier, tighter approach sounds spectacular, and adds a lot of vim and excitement — especially to more energetic tracks.

Ultimately, this one’s down to personal preference. If you want a more intimate sound with the joys of LDAC, then the Sony WH-1000XM6 are for you. But if you’re looking for an ultra-spacious, meticulous soundstage with clean all-round sound, then the AirPods Max 2 get the nod for me. Let’s call this one a tie.

(Image credit: Future)AirPods Max 2 vs Sony WH-1000XM6: design

The AirPods Max 2 and Sony WH-1000XM6 have shown themselves to be very different propositions so far. And that’s reflected in their design as well.

In my view, the AirPods Max 2 are some of the best-looking wireless headphones on the market today, with a super-striking metallic look, an elegant fabric headband, and a selection of eye-catching colors. Sure, they look just about identical to the original AirPods Max, but if it ain’t broke…

The Sony WH-1000XM6 look pretty good themselves, though. They have a sleek, cohesive, and textured appearance, which resembles the XM5 pretty closely. The XM6 have more of an understated selection of colors than the AirPods Max 2 — personally I prefer what Apple’s headphones have to offer, but it’s totally down to personal preference.

(Image credit: Future)

I’d argue that the AirPods Max 2 have a more premium look and feel — as you’d hope considering the price difference — I just think they’re more striking. In addition, I prefer the flatter appearance of the earcups on Apple’s headphones to the semi-bulky look of the XM6’s.

But hang on. The XM6 aren’t down and out just yet. Because if we’re talking about pure practicality, they have the AirPods Max 2 beat. The XM6 are totally foldable, making them phenomenally compact if you want to toss them into a small bag, whereas Apple’s headphones are a bit more rigid. On top of that, the XM6 come with a fantastic magnet-lock case that's far better than the bizarre smart case of the AirPods Max 2, which doesn’t even protect the headband.

Overall, though, I’m gonna hand this one to Apple. I do like the case and foldability of the XM6 for sure, but the attention-grabbing, luxurious look of the AirPods Max 2 is undeniable. Yes, they’re also a fair bit heavier than the XM6 too, but I still found Apple’s cans very comfortable in use, meaning they just about edge it for me.

(Image credit: Future)AirPods Max 2 vs Sony WH-1000XM6: value

There’s no hiding the fact that the AirPods Max 2 are significantly pricier than the Sony WH-1000XM6. Apple’s latest headphones typically come in at $549 / £499 / AU$999, while Sony’s have a list price of $449 / £399 / AU$699. But which one actually offers better value for money?

As I noted above, these headphones are very different, so the answer will vary depending on a few factors. The AirPods Max 2 offer more expansive sound than the XM6, paired with an excellent set of features for Apple device users and a luxurious look to boot. They are definitely on the expensive side, though, and although we’ve seen them pop up on sale with a few retailers (even as low as $399 in the US over Amazon Prime Day), they do have some notable flaws for the price.

The battery life instantly comes to mind — 20 hours isn’t very competitive. They also lack higher-res Bluetooth codecs, and their compatibility with Android devices is limited. Still, they’re a great pair of headphones overall, with fantastic sound quality, looks, and iOS functionality.

(Image credit: Future)

At $449 / £399 / AU$699, the Sony WH-1000XM6 feel like an easier sell. They offer ANC that’s easily on par with the AirPods Max 2, a more practical design, they sound spectacular, with a punchy yet well-balanced signature, and their broad compatibility is a big win — especially if you own a Windows laptop or Android phone.

These are also on sale fairly regularly, and I’ve seen them drop as low as $380 / £300 in recent times in the US and UK respectively. Sure, if you only have Apple devices, these may not offer the same convenience as the AirPods Max 2, and Sony’s headphones also leave out USB-C audio passthrough and have a slightly less premium look.

It’s closer than I initially thought, but I do think the Sony WH-1000XM6 are better value when all’s said and done. For less money, you get super-engaging sound, top-tier ANC, better battery life, and a more versatile software setup.

(Image credit: Future)AirPods Max 2 vs Sony WH-1000XM6: verdict

So, if I could only choose one pair of these excellent headphones, which would I recommend? In this instance, I’m going to hand it to the Sony WH-1000XM6. Apple’s headphones are undoubtedly fantastic performers, and if you want the most spacious sound and features tailored for iOS, they’ll undoubtedly serve you very well. But for less money, the XM6 are just the slightly better value pick for me. Their combination of S-tier ANC, balanced, yet tight and punchy sound, and more versatile compatibility make them the ideal all-rounders.

OpenAI has begun discussions about giving the US government a 5% stake in the company, according to an FT report, with CEO Sam Altman supposedly raising the idea as a method for smoothing relations with the Trump administration.

Of course, right now there is no agreement or deal, and no guarantee the idea will ever move beyond conversations. Any arrangement would almost certainly require political support and significant legal work before it could become reality. Still, the fact that OpenAI is even entertaining the conversation tells us something about how seriously artificial intelligence is now being treated, both in Silicon Valley and in Washington.

The first reaction many people had was understandable. If the government owns part of OpenAI, does that mean ordinary Americans somehow get a share too? It's an appealing thought when AI companies are attracting eye-watering valuations while promising to reshape the economy. Unfortunately, that's not exactly a likely outcome, no matter what the intentions.

AI economy access

The reports suggest Sam Altman has discussed a model inspired by Alaska's Permanent Fund, which invests state oil revenues and distributes annual payments to residents. It's an odd framing of AI as a natural resource instead of a software business. Bullish AI fans insisting it will be economically transformative might see it that way, and if they're right, perhaps some of that value should eventually flow back to the public, many of whom have helped incrementally train the models through use.

But the government owning shares in OpenAI wouldn't automatically translate into everyone getting a check. Financial benefits would depend on lots of little details, including whether profits were distributed at all, and if they'd go to public services or even the national debt over your own bank account.

Despite being just a hint of a rumor of a conversation, the questions are worth taking seriously. AI companies are asking society to embrace changes that could alter workplaces, education, healthcare, and entire industries. It is not unreasonable for people to wonder whether they should share in the wealth created by those changes.

Power at stake

There is another reason these discussions matter, and it may prove even more significant than the financial side. OpenAI has become part of a broader conversation about national economics and technological leadership. Governments around the world increasingly see advanced AI as strategic infrastructure rather than another consumer technology.

That helps explain why OpenAI might want a closer relationship with Washington. AI companies already rely on government decisions. Those connections are likely to become even more important as AI models grow larger and more expensive to build.

But governments are expected to regulate powerful companies fairly and independently. Becoming a shareholder in one of those companies could make that relationship look unethical, even with the best will in the world. Public trust often depends as much on appearances as on legal structures. Especially since there's even less sense that OpenAI's competitors like Google, Anthropic, or Meta will follow suit.

A government stake does not automatically mean the public owns part of OpenAI in any meaningful way, and it certainly does not guarantee anyone will personally benefit. So even if the proposal starts to become more real, skepticism and a close eye on any actual agreements is a healthy approach.

• Supercritical CO₂ could eliminate some of rocketry's most expensive infrastructure requirements
• Cold launches avoid exposing launch pads to destructive exhaust temperatures exceeding 3,000°C
• Engine ignition occurs only after the rocket clears the launch platform safely

Chinese aerospace startup Z-Trak Space is exploring an unusual launch system using carbon dioxide (CO₂) commonly associated with fizzy drinks rather than rocket exhaust.

The proposal centres on supercritical CO₂, a state achieved when the gas remains above specific temperature and pressure thresholds simultaneously.

Developers believe the approach could lower infrastructure requirements while supporting faster launch schedules for China's expanding commercial space sector.

A cold launch system could reduce dependence on expensive ground facilities

The technology ejects rockets using rapidly expanding high-pressure gas before igniting engines only after reaching a predetermined altitude overhead.

That sequence differs sharply from conventional hot launches where engines ignite directly on launch pads before the vehicle begins climbing skyward.

Because combustion occurs later in flight, scorching exhaust gases never strike the launch platform or surrounding support infrastructure below.

Traditional launch facilities require extensive protection systems because exhaust streams exceeding 3,000°C can damage structures rapidly during operations.

Launch towers and deep flame trenches therefore require substantial repairs and maintenance after missions involving repeated exposure to extreme temperatures.

According to the company, those requirements increase costs and slow launch frequencies whenever operators pursue swift response commercial missions.

“In commercial space launch scenarios requiring high frequency and rapid response, this incurs high time and financial costs, directly affecting launch pacing and response speed,” the company said.

Z-Trak Space believes eliminating those burdens could increase launch pacing while reducing dependence upon permanent launch infrastructure considerably over time.

China's commercial sector sees cold launch technology as a possible advantage

The initiative combines efforts from Hunan based Zhiyu Aerospace Technology and Chiyang Space Power Technology Company through a recent collaboration agreement.

Z-Trak Space founder Zhang Zihan, who studied aerospace engineering at Hong Kong Polytechnic University, described the concept as potentially transformative.

Zhang said the method would "fundamentally change the model for small liquid-fuel launch vehicles" if implemented successfully at commercial scale.

The company also argued that supercritical CO₂ launches could reduce fuel use during lower altitude portions of flight operations.

Because supercritical CO₂ is non-toxic, developers also claim launches would avoid generating harmful emissions near ground facilities locally.

Z-Trak described the system as offering "high safety, low costs, clean environmental performance and low ablation" during launch procedures.

China's commercial space industry recorded 50 launches during the previous year, representing more than half of national missions completed overall.

Whether CO₂ launches become commercially practical remains uncertain, although the proposal reflects experimentation occurring throughout China's rapidly changing space industry.

Via SCMP

Looking for a different day?

A new Quordle puzzle appears at midnight each day for your time zone – which means that some people are always playing 'today's game' while others are playing 'yesterday's'. If you're looking for Saturday's puzzle instead then click here: Quordle hints and answers for Saturday, July 4 (game #1622).

Quordle was one of the original Wordle alternatives and is still going strong now more than 1,500 games later. It offers a genuine challenge, though, so read on if you need some Quordle hints today — or scroll down further for the answers.

Enjoy playing word games? You can also check out my NYT Connections today and NYT Strands today pages for hints and answers for those puzzles, while Marc's Wordle today column covers the original viral word game.

SPOILER WARNING: Information about Quordle today is below, so don't read on if you don't want to know the answers.

Quordle today (game #1623) — hint #1 — VowelsHow many different vowels are in Quordle today?

• The number of different vowels in Quordle today is 3*.

* Note that by vowel we mean the five standard vowels (A, E, I, O, U), not Y (which is sometimes counted as a vowel too).

Quordle today (game #1623) — hint #2 — repeated lettersDo any of today's Quordle answers contain repeated letters?

• The number of Quordle answers containing a repeated letter today is 2.

Quordle today (game #1623) — hint #3 — uncommon lettersDo the letters Q, Z, X or J appear in Quordle today?

• No. None of Q, Z, X or J appear among today's Quordle answers.

Quordle today (game #1623) — hint #4 — starting letters (1)Do any of today's Quordle puzzles start with the same letter?

• The number of today's Quordle answers starting with the same letter is 2.

If you just want to know the answers at this stage, simply scroll down. If you're not ready yet then here's one more clue to make things a lot easier:

Quordle today (game #1623) — hint #5 — starting letters (2)What letters do today's Quordle answers start with?

• P

• S

• T

• P

Right, the answers are below, so DO NOT SCROLL ANY FURTHER IF YOU DON'T WANT TO SEE THEM.

Quordle today (game #1623) — the answers

(Image credit: Merriam-Webster)

The answers to today's Quordle, game #1623, are…

• PINEY
• SWOON
• TITLE
• PINTO

Today felt like a Greatest Hits of Quordle game, with two very familiar words in PINTO and PINEY making their third appearances of 2026.

Meanwhile, it was nice to see SWOON. It’s one of my favorite words — the sound is nice, the meaning is great, and for a bonus it’s also the title of an excellent album by Prefab Sprout.

Daily Sequence today (game #1623) — the answers

(Image credit: Merriam-Webster)

The answers to today's Quordle Daily Sequence, game #1623, are…

• REBEL
• LEANT
• DEBUT
• BRASS

Quordle answers: The past 20

• Quordle #1622, Saturday, 4 July: ARGUE, MOTEL, OPERA, TRUCE
• Quordle #1621, Friday, 3 July: AVERT, MOTOR, MANIC, WORDY
• Quordle #1620, Thursday, 2 July: BULKY, PARSE, BELOW, MOVIE
• Quordle #1619, Wednesday, 1 July: EASEL, OTTER, LYRIC, SHACK
• Quordle #1618, Tuesday, 30 June: HALVE, DRYER, THERE, MINTY
• Quordle #1617, Monday, 29 June: SLURP, CRACK, CRANK, PHONY
• Quordle #1616, Sunday, 28 June: RUPEE, TOPAZ, FULLY, BEING
• Quordle #1615, Saturday, 27 June: PRINT, MARRY, SADLY, BICEP
• Quordle #1614, Friday, 26 June: JUICE, ARRAY, BONEY, SKIFF
• Quordle #1613, Thursday, 25 June: SHELF, TAWNY, HYPER, SOLVE
• Quordle #1612, Wednesday, 24 June: SOBER, ECLAT, GOOSE, NINNY
• Quordle #1611, Tuesday, 23 June: ARDOR, DADDY, SERVE, SHEAR
• Quordle #1610, Monday, 22 June: WAXEN, APNEA, CHIME, WAVER
• Quordle #1609, Sunday, 21 June: ABBOT, NOTCH, DREAD, LURID
• Quordle #1608, Saturday, 20 June: SLAIN, TAMER, VIPER, FALSE
• Quordle #1607, Friday, 19 June: ALOUD, POINT, GLOBE, GROIN
• Quordle #1606, Thursday, 18 June: LATCH, BRAWL, STEEL, CRUSH
• Quordle #1605, Wednesday, 17 June: HOIST, PLUSH, GROUP, LEMUR
• Quordle #1604, Tuesday, 16 June: SLAIN, PLUCK, PINTO, SLICE
• Quordle #1603, Monday, 15 June: GAUNT, SNEAK, ROUTE, POKER

Looking for a different day?

A new NYT Connections puzzle appears at midnight each day for your time zone – which means that some people are always playing 'today's game' while others are playing 'yesterday's'. If you're looking for Saturday's puzzle instead then click here: NYT Connections hints and answers for Saturday, July 4 (game #1119).

Good morning! Let's play Connections, the NYT's clever word game that challenges you to group answers in various categories. It can be tough, so read on if you need Connections hints.

What should you do once you've finished? Why, play some more word games of course. I've also got daily Strands hints and answers and Quordle hints and answers articles if you need help for those too, while Marc's Wordle today page covers the original viral word game.

SPOILER WARNING: Information about NYT Connections today is below, so don't read on if you don't want to know the answers.

NYT Connections today (game #1120) - today's words

(Image credit: New York Times)

Today's NYT Connections words are…

• WIN
• OATS
• GREEN
• WIRE
• WEST
• CARD
• WITH
• HONEY
• GOLD
• TUNGSTEN
• CHECK
• SEEDS
• CASH
• PLATINUM
• NUTS
• CENTURION

NYT Connections today (game #1120) - hint #1 - group hints

What are some clues for today's NYT Connections groups?

• YELLOW: Healthy breakfast components
• GREEN: Ways to pay
• BLUE: A brand’s various levels
• PURPLE: A letter before X in common

Need more clues?

We're firmly in spoiler territory now, but read on if you want to know what the four theme answers are for today's NYT Connections puzzles…

NYT Connections today (game #1120) - hint #2 - group answers

What are the answers for today's NYT Connections groups?

• YELLOW: GRANOLA INGREDIENTS
• GREEN: PAYMENT METHODS
• BLUE: AMEX CARD TYPES
• PURPLE: WHAT "W" MIGHT STAND FOR

Right, the answers are below, so DO NOT SCROLL ANY FURTHER IF YOU DON'T WANT TO SEE THEM.

NYT Connections today (game #1120) - the answers

(Image credit: New York Times)

The answers to today's Connections, game #1120, are…

• YELLOW: GRANOLA INGREDIENTS HONEY, NUTS, OATS, SEEDS
• GREEN: PAYMENT METHODS CARD, CASH, CHECK, WIRE
• BLUE: AMEX CARD TYPES CENTURION, GOLD, GREEN, PLATINUM
• PURPLE: WHAT "W" MIGHT STAND FOR TUNGSTEN, WEST, WIN, WITH

• My rating: Easy
• My score: Perfect

I used to work for American Express at their UK headquarters back in the day doing what is no doubt a fully automated task of authorising payments. It was the easiest and most boring job I’ve ever done, but the downside was I was on the night shift — which led to all manner of downsides, not least a poor diet.

That said, this is not why I got AMEX CARD TYPES; that would be a guess. With eight tiles left, it wasn't too much of a stretch.

GRANOLA INGREDIENTS should have been my first foursome, seeing as that’s my regular breakfast, but instead the easy win of CARD, CASH, CHECK and WIRE was hard to resist.

Yesterday's NYT Connections answers (Saturday, July 4, 2026, game #1119)

• YELLOW: PERSIST CONTINUE, LAST, LINGER, STAY
• GREEN: KINDS OF POEMS BALLAD, EPIC, ODE, VILLANELLE
• BLUE: TROPICAL DRINKS HURRICANE, PAINKILLER, SCORPION, ZOMBIE
• PURPLE: SWEET __ DREAMS, NOTHINGS, PEA, SPOT

What is NYT Connections?

NYT Connections is one of several increasingly popular word games made by the New York Times. It challenges you to find groups of four items that share something in common, and each group has a different difficulty level: green is easy, yellow a little harder, blue often quite tough and purple usually very difficult.

On the plus side, you don't technically need to solve the final one, as you'll be able to answer that one by a process of elimination. What's more, you can make up to four mistakes, which gives you a little bit of breathing room.

It's a little more involved than something like Wordle, however, and there are plenty of opportunities for the game to trip you up with tricks. For instance, watch out for homophones and other word games that could disguise the answers.

It's playable for free via the NYT Games site on desktop or mobile.

Looking for a different day?

A new NYT Strands puzzle appears at midnight each day for your time zone – which means that some people are always playing 'today's game' while others are playing 'yesterday's'. If you're looking for Saturday's puzzle instead then click here: NYT Strands hints and answers for Saturday, July 4 (game #853).

Strands is the NYT's latest word game after the likes of Wordle, Spelling Bee and Connections – and it's great fun. It can be difficult, though, so read on for my Strands hints.

Want more word-based fun? Then check out my NYT Connections today and Quordle today pages for hints and answers for those games, and Marc's Wordle today page for the original viral word game.

SPOILER WARNING: Information about NYT Strands today is below, so don't read on if you don't want to know the answers.

NYT Strands today (game #854) - hint #1 - today's themeWhat is the theme of today's NYT Strands?

• Today's NYT Strands theme is… Barking up the right tree

NYT Strands today (game #854) - hint #2 - clue words

Play any of these words to unlock the in-game hints system.

• POLITE
• SPRITE
• LIVER
• HUNGER
• TINGE
• SPEEDING

NYT Strands today (game #854) - hint #3 - spangram lettersHow many letters are in today's spangram?

• Spangram has 13 letters

NYT Strands today (game #854) - hint #4 - spangram positionWhat are two sides of the board that today's spangram touches?

• First side: bottom, 1st column

• Last side: top, 6th column

Right, the answers are below, so DO NOT SCROLL ANY FURTHER IF YOU DON'T WANT TO SEE THEM.

NYT Strands today (game #854) - the answers

(Image credit: New York Times)

The answers to today's Strands, game #854, are…

• POINTER
• SPANIEL
• TERRIER
• HOUND
• RETREIVER
• SPANGRAM: HUNTINGBREEDS

• My rating: Easy
• My score: Perfect

My immediate thought was that the theme had to have something to do with dogs, but I was wary, of course, of falling into a trap and barking up the wrong tree.

After spotting POINTER it seemed clear that we were looking for dog breeds, but my canine knowledge was not good enough to know that we were searching out HUNTINGBREEDS until after I had connected SPANIEL and TERRIER and then the spangram.

Beyond the game itself there was also an interesting crop of lengthy non-game words. It’s rare that I’ll find many over five-letters long but today the board was loaded with them.

Yesterday's NYT Strands answers (Saturday, July 4, game #853)

• BRIGHT
• COLORFUL
• DAZZLING
• EXCITING
• SPARKLING
• SPANGRAM: FIREWORKS

What is NYT Strands?

Strands is the NYT's not-so-new-any-more word game, following Wordle and Connections. It's now a fully fledged member of the NYT's games stable that has been running for a year and which can be played on the NYT Games site on desktop or mobile.

I've got a full guide to how to play NYT Strands, complete with tips for solving it, so check that out if you're struggling to beat it each day.

Here are some hints and the answers for the NYT Connections puzzle for July 5 No. 1,120.

Here are hints and answers for the NYT Strands puzzle for July 5 No. 854.

Here are hints and the answer for today's Wordle for July 5, No. 1,842.

• Quantum readiness is moving from research projects into deployment schedules
• The 2029 deadline signals growing urgency across enterprise security planning
• Crypto agility could become as important as encryption strength itself

Quantum computing timelines, once treated as distant concerns, are increasingly influencing security planning across major technology companies worldwide.

Microsoft has revealed it is now accelerating its Quantum Safe Program, arguing that preparations for post-quantum cryptography can no longer wait indefinitely.

The company says organizations should begin preparations immediately because the migration process could require several years across large infrastructures.

Microsoft moves quantum preparations into its wider security strategy

The company plans to complete the transition of critical offerings to post-quantum cryptography technologies before the end of 2029.

Microsoft also confirmed that quantum readiness metrics will become part of its broader Secure Future Initiative security programme moving forward.

Rather than concentrating exclusively on replacing cryptographic algorithms, the company believes infrastructure modernization should receive greater attention from organizations globally.

Microsoft argued that improving flexibility within existing systems could reduce the complexity associated with future cryptographic transitions considerably over time.

One priority involves upgrading network cryptography through newer standards such as TLS 1.3 and hybrid key exchange technology adoption.

Another objective involves developing crypto agility capabilities allowing cryptographic mechanisms to change without requiring extensive application redesign work later.

The company also intends to modernize trust chains supporting certificate issuance, software updates, code signing, and hardware-backed protections.

Microsoft has not identified a single scientific breakthrough responsible for changing its timeline regarding quantum-resistant security implementation activities worldwide.

Instead, executives described the decision as a precautionary exercise intended to reduce exposure to future developments within quantum computing research.

Microsoft warns preparation could take longer than expected

"Shifting to quantum-resistant security takes years. This is a proactive, risk-informed decision to help customers stay ahead of potential future threats," Microsoft Azure CTO Mark Russinovich said.

He added that the initiative covers the entire Microsoft portfolio rather than a narrow collection of selected enterprise services only.

The company also referenced growing concerns surrounding harvest now, decrypt later scenarios involving sensitive information collected and retained today.

Under that model, encrypted information stolen presently could remain inaccessible until future quantum systems become capable of decoding archives successfully.

Several technology companies, including Apple, Google, and Signal, have already incorporated elements of post-quantum cryptography into products recently.

Microsoft believes the amount of work required before deployment at scale remains substantial regardless of when capable machines eventually emerge.

The company stated that advances in research and development have already altered previous assumptions surrounding the acceptable preparation timetable significantly.

For years, planning for post-quantum cryptography was widely treated as important and inevitable while remaining comfortably distant for organizations.

Microsoft now argues that perspective is changing as technology advances and preparations begin reflecting the scale of the transition ahead.

The company believes cryptographically relevant quantum computers could arrive sooner than many previous forecasts had anticipated across the technology sector.

Whether these expectations ultimately prove accurate, organizations appear increasingly unwilling to rely on the assumption that they remain decades away.

Via BleepingComputer

Last month in June 2026 proved to be yet another packed month for 4K Blu-ray releases and July is looking just as busy. Despite the long list of discs on my radar, I’ve narrowed it down to my top four I’m most looking forward to, hopefully, testing.

I’ll be looking to test these discs as part of the Blu-ray Bounty, our monthly column where we test the latest 4K releases on their picture and sound quality, to see whether they’re worth adding to the bursting shelves of a 4K blu-ray collection.

4K Blu-ray is my bread-and-butter source for testing the best TVs and best soundbars, as it offers the best bitrate for picture and uncompressed audio for sound. I’m also a collector myself, so I’m always looking for new discs I can add to my collection!

In my June 2026 most anticipated article, my picks were Speed Racer, Bullet In The Head, EPiC: Elvis Presley In Concert and Hoppers. Three out of the four featured in the June 2026 Blu-ray Bounty (Hoppers sadly didn’t arrive, but I’ll hopefully feature that another time) and while they were all great, the real highlight was Speed Racer, which was an audio showcase and an outstanding looking disc (check out the Blu-ray Bounty for my full thoughts).

Hard Boiled (Arrow Video)

Hard Boiled stars Chow Yun-fat as Inspector “Tequila” Yeun, a detective in pursuit of a Triad syndicate who gets involved in an operation involving an undercover officer. This is arguably director John Woo’s (Bullet In The Head, The Killer, Mission Impossible 2) most iconic movie.

Having recently reviewed Arrow’s recent restoration of Bullet In The Head, I’m excited to see what it can do with Hard Boiled. Where I’m hoping this disc’s strengths will lie is in its Dolby Atmos mix. Hard Boiled is a gritty, action-thriller with plenty of gunfights and a good Atmos mix should deliver plenty of impact, bass and a real sense of immersion, with ricocheting bullets covering the latter.

The Bullet In The Head restoration had rich colors, crisp textures and strong contrast, so I’m hoping for more of the same here. While I’m expecting it to have the haze that I’ve now clocked in a few early-90s Hong Kong cinema movies, I still think Hard Boiled has the potential to look great, especially as it supports Dolby Vision, which should work wonders for textures, detail and contrast.

• US release date - N/A: (Hong Kong Cinema Classics version released November 4, 2025)
• UK release date - 27th July

Alice in Wonderland (1951) (Disney)

Alice in Wonderland, based on Lewis Carroll’s novels Alice’s Adventures in Wonderland and the sequel Alice Through the Looking Glass, tells the story of a young girl called Alice who ends up in a strange, fantastical world where meets odd characters such as the Mad Hatter, Cheshire Cat and the evil Queen of Hearts. (This is a cheeky addition as this disc was actually released on 29th June, but I’m going to hopefully test it as part of the July Blu-ray Bounty!)

4K can do wonders for animation, especially when it comes to detail and colors. Alice in Wonderland has plenty of seriously bright colors and I expect Wonderland to look truly brilliant in 4K. The disc comes with Dolby Vision HDR support, which is only going to make colors pop even more. The 4K restoration will hopefully add more depth and texture to the picture as well.

As for audio, there’s no support for Dolby Atmos which is a bit of a shame as it would’ve been nice to get the full immersive experience as Alice falls down the rabbit hole. Thankfully, there is a DTS-HD 5.1 MA soundtrack included and in recent discs I’ve tested this has proved to be just as good. There’s plenty of moments throughout the weird and wonderful Wonderland that should sound fantastic on 4K.

• US release date - May 6, 2025
• UK release date - 29th June, 2026

The Super Mario Galaxy Movie

The sequel to 2023’s The Super Mario Bros Movie, The Super Mario Galaxy Movie follows Mario and his crew — Luigi, Yoshi, Peach and Toad — head to space to save Princess Rosalina from the clutches of Bowser and his son, Bowser Jr.

I’m expecting crisp, slick animation and of course boat-loads of fantastical colors from this disc on 4K. With Dolby Vision support included, I’m anticipating some seriously impressive color reproduction, whether it’s the red of Mario’s iconic suit or the green skin of Bowser and Yoshi, this disc could be a new reference disc for TV testing. As the movie takes the gang to space, there’s also a chance for some strong contrast between the deep blackness of space and any bright stars along the way.

Equipped with a Dolby Atmos track, I’m expecting an immersive soundtrack that will provide some excellent detail during the movie’s more action-packed sequences. Plus, with several flight sequences, as the character’s fly through space, I’m hoping for some real utilization of the height channels to give a wide, full sound. I can imagine this disc is going to deliver an impressive audio experience that I’m looking forward to trying out through our Samsung Dolby Atmos soundbar.

• US release date - June 16, 2026
• UK release date - 20th July, 2026

Hairspray (1988) (Criterion Collection)

Directed by John Waters, Hairspray (the original, 1988 movie) tells the story of teenager Tracy Turnbald, as she aims for fame as a dancer on a local TV show. Set in the 1960s, Tracy also rallies against racial segregation, which gets in her trouble with adults and authority figures.

As this is a release from Criterion, I’m expecting an excellent restoration job. I’ve tested a ton of Criterion’s 4K releases and all of them have looked fantastic. As Hairspray is set in the 1960s, there’s a potential here for some truly bold visuals, especially with color. Decor and outfits should really pop on screen, capturing the sometimes-garish, saturated aesthetic of the time period.

There are two soundtrack options on the 4K disc of Hairspray: DTS-HD 2.0 and 5.1 MA. This isn’t the remake from 2007, which is based on the 2002 stage musical, so I’m not anticipating many showcase audio moments. However, as the movie does involve music and dancing, there could be some nice, clean sound mixes, especially with DTS-HD 5.1 MA supported.

• US release date - June 23, 2026
• UK release date - July 20, 2026

July 2026 highlighted releases

Below, I’ve picked some highlight releases for July 2026. Both US and UK releases are featured here, with release dates noted. These release dates may vary by region, with some titles already available or yet to be released until later this year depending on where you are. 4K Blu-ray is region-free, so you should be able to order from wherever.

July 6/7

• To Live and Die in LA
• The Protector
• Double Impact
• The Magic Faraway Tree (2026)
• The Drama (US - UK July 13)

July 13/14

• Obsession
• Hud
• The Usual Suspects
• Alice Doesn’t Live Here Anymore (US - UK July 27)
• Michael
• The Mummy (2026)
• Red Sun
• The Crying Game
• Full Contact

July 20/21

• Falling Down
• The 7th Voyage of Sinbad
• Pleasantville
• Anyone But You
• Hairspray (UK)
• The Super Mario Galaxy Movie (UK)
• Excalibur (UK)
• Mortal Kombat II (UK - US July 28)

July 27/28

• Hard Boiled (UK)
• Strictly Ballroom (UK)
• Soylent Green
• Stranger Things: Complete Series
• X: The Unknown (UK)
• Kill Bill: The Whole Bloody Affair

• Claude Science is a new “workbench” to consolidate fragmented research workflows
• Everything from literature review to publication is handled on private infrastructure
• Anthropic continues to roll out industry-specific AI tools for real-world use cases

Anthropic has introduced Claude Science – a new, beta AI workbench it says will let scientists consolidate fragmented research workflows into one unified environment.

With model capabilities no longer holding back AI adoption, the Claude-maker’s solution is to respond to today’s challenges, including limited use cases, struggles deploying AI in real-world environments and difficulties integrating multiple tools.

Claude Science represents this response, packaging existing capabilities into a purpose-built application for life sciences and scientific computing, following earlier work on MCPs, skills and other partnerships. An FAQ on Claude Science’s web page reiterates this: “Claude Science is a public beta app, not a model.”

Scientific ‘workbench’

Anthropic’s clearest message in the announcement is that scientific research is largely held back by workflow fragmentation, not model intelligence, with scientists already juggling tools like PubMed, Jupyter, R, a cluster terminal and more.

“Claude Science brings these fragmented tools into a single research environment where scientists can conduct all stages of their work,” the company summarized.

The platform should help scientists handle everything, from literature review and hypothesis exploration to analysis, figure generation, manuscript drafting and publication.

“Scientific research is inherently visual,” Anthropic wrote, acknowledging that many researchers are being held back in quickly and accurately producing visuals, which could need multiple revisions and finetunes before reaching production.

For full auditability, Claude Science also includes underlying source code, message history and plain-language explanations within AI-generated outputs for scientists to review and audit progress.

“It runs on your lab’s own infrastructure,” Anthropic added, referencing enterprise-grade laptops, Linux boxes or HPC login nodes, “so large or sensitive datasets never have to leave the systems they’re already on, and only the context needed for each step of the analysis is sent to Claude

Science is a growing focus for AI developers

Anthropic says early testers have already used Claude Science for single-cell RNA sequencing analysis, CRISPR screen design, protein structure prediction and cheminformatics, by the likes of Manifold Bio, Allen Institute neuroscientist Jérôme Lecoq, and ​​UCSF Brain Tumor Center associate professor and epidemiologist Stephen Francis.

The new tool represents a growing area of interest for AI developers, who are now targeting sectors with industry-specific tools rather than continually upgrading model capabilities without offering clear use cases. Until now, finance and legal have been a major focus for the likes of Anthropic and OpenAI, and this new science-focused initiative could mark the next stage.

It follows rival company OpenAI’s introduction of Prism earlier this year, described as an “AI-native workspace for scientists to write and collaborate on research” that launched with GPT-5.2 – the then-current model.

Claude Science is a separate app that’s available in beta for macOS and Linux installations to Pro, Max, Team and Enterprise subscribers.

The company has also committed up to $30,000 in credits for 50 lucky projects.

Walk deep into Walt Disney Imagineering’s sprawling, surprisingly unassuming Glendale campus, and you’ll eventually find Studio C.

It’s where Imagineering mixes the audio for its attractions, but when I recently stepped inside, I quickly realized it was much more than a recording studio. The room is lined with dozens upon dozens of speakers designed to recreate the sound field of Disney attractions, letting Imagineers hear a ride long before guests ever do.

During my visit, I watched a live mix session for Zootopia: Hot Pursuit, Shanghai Disneyland’s trackless dark ride, and the experience was almost uncanny. Sound moved seamlessly around the room, tracking the ride vehicle as though I were actually inside the attraction.

That same room became the proving ground for one of Imagineering’s most unusual engineering challenges yet: figuring out how to mix the audio for Soarin’ Across America.

(Image credit: Walt Disney Imagineering)

The reimagined version of Disney’s iconic flight simulator debuted this summer at both EPCOT at Walt Disney World in Orlando, Florida, and Disney California Adventure in Anaheim, California, timed for America’s Semiquincentennial celebration. Disney’s Unscripted behind-the-scenes video confirmed that Imagineers used the Apple Vision Pro during production of Soarin’ Across America, but it left one obvious question unanswered: why? That’s what I wanted to find out.

So I spoke with Greg Lhotka, Sr. Manager, Audio Media Design at Walt Disney Imagineering, who walked me through the surprisingly complicated process behind mixing one of Disney’s most technically demanding attractions.

“For Soarin’ Across America, we utilized Studio C not only as a production facility, but as a proving ground for an entirely new field-mixing approach developed specifically for this film. On the sound design side, we partnered with Skywalker Sound, and together we used Studio C to prototype and validate a custom speaker configuration that closely mirrors the unique audio architecture of the Soarin’ theaters.”

Disney ExperiencesDisney ExperiencesDisney ExperiencesDisney Experiences

If you’ve ridden Soarin’, you already know why that matters. Riders are lifted into the air in three stacked rows facing a massive curved projection screen, while sound moves not only around the theater but above and below you as well. As Lhotka explained, the attraction uses a four-tiered speaker system — upper, mid-level, lower, and a dedicated floor array — creating an audio environment that’s far more complex than a traditional movie theater.

Having now ridden Soarin’ Across America several times, it’s easy to appreciate the result. The updated film sweeps from New York Harbor and the Grand Canyon to California’s rolling hills and countless landscapes in between through soaring aerial cinematography, practical effects, and a soundtrack that glides almost effortlessly alongside you. The audio shifts just as fluidly as the visuals, making each transition feel natural as the ride carries you across some of America’s most recognizable landmarks and scenic vistas.

Studio C could simulate much of that during production, but not all of it.

“For Soarin’ films, mixing historically required the construction of scaffolding inside the theater to reach the appropriate listening height for final mix decisions,” Lhotka explained. “Even then, the process was far from ideal, as the ride canopy significantly influences the acoustics. For this project, one of the key requirements was that the theater remain fully operational and open to guests throughout production — eliminating the possibility of scaffolding altogether.”

How do you mix a show with over 1,000 audio tracks and an extremely complex panning matrix while seated in a ride vehicle?

That constraint forced Imagineering to rethink its entire workflow.

“The challenge was clear: how do you mix a show with over 1,000 audio tracks and an extremely complex panning matrix while seated in a ride vehicle? The solution came through an innovative use of new AR technologies. By leveraging advanced screen-sharing capabilities, we were able to remotely control our production system — directly connected to the theater — while seated in the ride vehicle itself. This allowed us to place virtual screens in our field of view, effectively bringing the mixing console into the theater environment.”

Before anyone tested it inside the attraction, Studio C became the test lab.

“Studio C once again played a critical role as our testbed. Over the course of a week, we evaluated multiple configurations to confirm that things could be controlled precisely in this way, and that the AR headset’s external cameras would allow us to view the film clearly in the theater’s low-light conditions while simultaneously monitoring the virtual screens. The final configuration exceeded expectations.”

Once validated, the workflow moved from experiment to production.

“This workflow was ultimately used as the solution — and it became the method by which Soarin’ Across America was mixed. The result is a soundtrack that was shaped directly from the guest’s perspective, using tools and techniques that reflect our continued commitment to innovation, immersion, and storytelling.”

(Image credit: Walt Disney Imagineering)

Having experienced Studio C for myself, that revelation immediately clicked. The room is already designed to recreate the feeling of sitting inside a Disney attraction with remarkable accuracy. But even a purpose-built facility couldn’t perfectly replicate Soarin’s unique acoustics. The only place left to finish the mix was inside the attraction itself.

It’s an elegant solution that solved two problems at once. Guests never lost access to Soarin’ during production, and Imagineering’s audio team was able to shape the soundtrack from the exact seat every future rider would occupy. Rather than approximating the experience from scaffolding or even Studio C, the final mix was crafted where it mattered most: inside the attraction itself.

• A Chinese robotics firm has said that some workers ‘want to be replaced’ by its humanoid robots
• Agibot has launched its range of humanoid and quadruped robots in the UK B2B sector
• The company's Europe and US lead also said that robots could become nurses and teachers

An executive for Chinese robotics firm Agibot has said the company believes its humanoid robots could replace certain human workers — and that “in some jobs, they want to be replaced.”

Agibot, founded in 2023 by two ex-Huawei engineers, makes humanoid, quadruped, and cleaning robots for the business-to-business (B2B) sector, advertising use cases like manufacturing, cleaning, entertainment, and construction.

The company recently rolled its 15,000th unit off the production line and announced its expansion into the UK market at an event in London on June 30.

The Agibot A3 and several X2 units opened the company's UK launch event with a dance routine (Image credit: Jamie Richards / Future)

In a press conference at the event, attended by TechRadar, the president of AgiBot Europe and America, William Shi, told reporters that “we’ve got to factor people doing dangerous, boring, and repeatable jobs — these kinds of jobs can be very easily replaced.”

Shi added: “For some job descriptions, they want to be replaced, because it’s very boring, very dangerous, and very high-risk — nobody wants to do this [kind of job]”.

‘Replaced by robotics’

The Agibot G2 has already seen deployment in factories in China (Image credit: Jamie Richards / Future)

Agibot's product range includes the full-sized A3 humanoid robot, the half-sized X2 humanoid robot, and the D1 range of quadruped robots (with form factors resembling dogs, though the company never describes them as such).

Though the company has just landed in the UK, its robots have been successfully deployed in manufacturing facilities in China. A recent YouTube livestream shows the G2 industrial robot ‘at work’ at the Longcheer electronics factory, where the humanoid robots are deployed alongside human employees.

Speaking about Agibot's deployment with Longcheer, Shi said: “They have a lot of workers standing for eight hours per day. They take a smartphone, turn it around, and put it in a box. And then they take the box and move to the next production phase.”

“These kinds of steps can be easily — and are expected to be — replaced by robotics,” he continued, “because that doesn’t create value or create happiness for people. They don’t learn when they do this job. They don’t invent things.”

At present, Agibot's products are not autonomous, but each is equipped with a three-part AI model, with each part controlling interaction (with people), locomotion (moving around), and manipulation (of the local environment — i.e., picking stuff up), respectively.

The company is actively aiming for autonomy, powered by the collection of usage data and further AI development, but Shi emphasizes that Agibot humanoids will remain “under the control and expectation of the human.”

Robot child-rearing

The Agibot X2 is clearly designed to be friendlier and more approachable than its full-size counterpart (Image credit: Jamie Richards / Future)

As well as manufacturing, Shi highlighted baristas, live entertainment workers, and even teachers and nurses as professions that could be occupied by robots: “There’s a big lack of nurses in every country, from China, to America, to Europe, and also a big lack of teachers.”

“Most of children’s questions can be responded to [by robots] — phonics, science, and mathematics questions, or even some common conversations. You ask for the weather, the humidity; you can ask these questions to all the robots, because they’re based on large language models.”

Still, there’s some distance between using ChatGPT to conduct research and allowing a humanoid robot to teach children — and according to 2025 research by KPMG and the University of Melbourne, while almost three quarters of UK adults use AI at work, less than half say they trust it.

With the B2C market a distant target for Agibot and an array of business partners — including Nvidia, which provides chipsets for the robots — backing the company's UK launch, it's clearly expecting to make big progress in B2B industries first and foremost. But Agibot isn't ruling out a future in which robots are part of our everyday lives.

“What we want in the future is that the robot can take some responsibility in daily life,” said Shi, “but they will never make the decisions instead of a human.”

We’re approaching the first anniversary of the Samsung Galaxy Z Fold 7, which means it won’t be long before we see the phone (or phones, as the case may be) that will replace it in Samsung’s lineup.

As someone who has relied on the Fold 7 as my daily driver since it landed, I couldn’t be more excited to see what the next generation holds, and I have a few wishes I hope Samsung will make come true — with leaks teasing some of them just might…

Before we get into that, vote in our poll to tell me which upgrade you most want to see in the Z Fold 8 when it’s finally announced.

1. An Ultra camera boost

(Image credit: Amanda Westberg)

The Z Fold 7 has been my go-to every day since I first received it, but for the past six months I’ve also consistently carried a second phone in my pocket — becoming the kind of kind of tech journo I hoped I never would, one obsessed with tech perfection no matter how inefficient and niche my collection of gadgets is (just you wait, I’ll be wearing two smartwatches next).

The reason I mention this is that the second phone is the Samsung Galaxy S26 Ultra, and its primary purpose is as a camera, because it frankly puts my Z Fold 7's shots to shame.

If you want a clearer sign that 200MP sensors aren’t made equally, see this pair’s photos side by side. Couple that with the Ultra’s superior zoom cameras — further amplified by its boasting dual 5x and 3x telephotos compared to the Fold 7’s lonely 3x — and for photo enthusiasts, it’s clear the S26 Ultra has an edge.

My hope is that if the Z Fold 8 is getting an Ultra moniker, as some leaks suggest, it’ll boast identical cameras, or risk feeling like a subpar alternative, despite having a price point that demands excellence in every category.

2. Affordability dreams

(Image credit: Lance Ulanoff / Future)

Speaking of price, the reality I’m preparing for is that the Z Fold 8 will cost more than the Fold 7, thanks to RAM and storage cost increases. There’s a chance Samsung could avoid this by having its memory-producing arm give its mobile division a discount, although there are conflicting reports about a cost-saving collaboration based on leaks and Samsung’s own comments.

Regardless, I think the Z Fold 8 design could hint at a slight discount. I’m not talking about the wider display — though it does seem to have a smaller area, which should reduce costs somewhat — I’m referring to the lack of a third camera.

With it being rumored to boast 12GB of RAM and a top-end Snapdragon 8 Elite Gen 5 chipset — essential components for Samsung’s top-tier AI — it’s yet to be seen if the display and camera downgrades will bring the cost down in real terms or merely counteract the cost increases we would have faced thanks to the RAM crisis. I have my fingers crossed we might see the cheapest Samsung Fold yet with the 8 (defeating the reigning champ: the $1,799 / £1,599 / AU$2,499 Galaxy Z Fold 3).

3. Begging for battery

Could we get a battery as big as Oppo's? (Image credit: Future)

The Z Fold 7 boasts a 4,400mAh battery just like the Z Fold 6 before it, but thanks to software and chipset optimizations, Samsung promised the battery life of the 7 would be a little longer. My anecdotal evidence, however, as someone who used the Z Fold 6 as my main handset before the 7 launched, is that the battery seems to disappear faster on the newer model.

Now, this isn’t based on any tests, but speaking to a few other regular Z Fold 7 users who had upgraded from the 6, my perception of worse battery life was echoed. Thankfully, leaks tease a bigger battery for the 8, taking us up to a whole 4,800mAh. The Ultra will apparently stretch to 5,000mAh.

Considering some reasonably priced Chinese brands are delivering phones powered by silicon-carbon batteries with capacities over 7,000mAh, the leaked specs leave me underwhelmed. However, considering my usage currently forces me to charge my phone in the middle of the day — or risk it running dry before I get home — I’ll be happy with any upgrade in the battery department.

4. Privacy display please!

The S26 Ultra's Privacy display in Off and On (Image credit: Blue Pixl Media)

The star of the show on the S26 Ultra is the privacy display, but after spending more time with it, the tech does need a little tweaking. An easy software update would be to add app controls that let me choose which software uses maximum privacy mode. I don’t want to use it all the time, but I would love for it to come on automatically for password entry and mobile banking. However, it is still impressive.

Seeing it on the Z Fold 8 would be fantastic, especially on the Z Fold 8 Ultra, as, like the cameras, it would bring the Fold Ultra on par with the unbending Ultra, though I’m willing to accept the tech only showing up on the outer screen.

Unfortunately for me, leaks don’t tease this addition making its way to Samsung’s latest foldables, but maybe I’ll get lucky!

5. Keep the S pen away

Does the Z Fold 8 need a stylus? (Image credit: Future)

I’ve come around a little on the S Pen after experiencing it in the S26 Ultra, though I’m still not keen to see it return to the foldable line.

Why?

There’s no space to add it without making the phone thicker again. Frankly, the supreme thinness of the Z Fold 7 is what makes it infinitely more manageable than Samsung’s previous foldable phones.

With the Wide design being more tablet-like, I 100% see the appeal of a stylus to make the design perfect for casual digital artists, but I don’t think the S Pen’s positives outweigh the negatives. I hope it stays gone when the Z Fold 8 debuts.

It's July, I'm fresh off writing my 2026 cameras half-year review, and in the process something became clear to me — neither Nikon nor Fujifilm has released a new camera this year (the Instax mini Evo Cinema instant camera doesn't count).

So while I've personally tested standout models from other manufacturers in recent months, such as the Sony A7R VI and Canon EOS R6 Mark III mirrorless cameras, plus the Ricoh GR IV and Panasonic Lumix L10 premium compacts, we're yet to see new Z-mount or X-mount bodies.

I'm sure the question on many a camera fan's lips is this: can we expect new Nikon and Fujifilm cameras later this year?

I've reviewed every major camera release over the last few years, attended countless events, and have studied the timeline and cadence of previous releases to form a picture of what could happen next.

I've considered which bodies could be due for an upgrade, and what direction each brand has been headed recently. So let's see what could happen next for 2026's quiet camera manufacturers, Nikon and Fujifilm.

Nik-none?

The last Nikon camera body was the Nikon Zr from September 2025, which was its first cinema camera co-branded with RED. It packed super-impressive video specs, many of which were borrowed from the superb Z6 III, into a particularly small body with an epic 4-inch touchscreen and stellar audio features.

For a true mirrorless hybrid with viewfinder, we need to go even further back, over a year in fact, to the Nikon Z5 II in May 2025. This was a decent upgrade of Nikon's affordable Z5, which delivered a raft of performance improvements to redefine what entry-level full-frame models can do, and went on to bag our Camera of the Year 2025 award.

Currently, the range of Nikon cameras includes the Nikon Z30, Z fc and Z50 II APS-C bodies, and the Z5 II, Z6 III, Z f, Z7 II, Z8 and Z9 full-frame bodies, plus the ZR cinema body.

The Nikon ZR was the first Nikon / RED co-branded camera, and I expect other models to follow next (Image credit: Tim Coleman)

The most heavily rumored Nikon cameras are the Nikon Z9 II — what with the Z9 being over four years old — and new cinema camera bodies; potentially a premium and larger option with pro-grade connectivity that could sit above the ZR, plus an even more affordable version with an APS-C sensor.

We could get a new Z f-series model — both of the retro-styled bodies have been around for a while now. Personally, I'd like to see a Nikon camera in the Z f style, but as a compact camera version with a fixed fast aperture prime lens.

Tipsters believe we're unlikely to see another Z7 camera; the Z6 III (and obviously the Z5 II) is too recent for a replacement, while the Z8 has aged well and still holds its own today. CoolPix compact cameras have seemingly been sunsetted — besides refreshing its old 125x zoom bridge camera with the CoolPix P1100, we haven't seen a true new CoolPix in several years.

For me, having been hosted by Nikon at IBC 2025 in Amsterdam last September around the launch of the ZR, it was clear that Nikon has its head in cinema camera gear, so a high-end cinema body to follow the ZR is highly plausible, though I don't know what it would be called.

A new Nikon cinema camera with an APS-C sensor is also highly likely. In theory, it would effectively render a direct Z30 successor redundant, although it would cost a fair whack more than a potential Z30 II would. That would be a shame — the Z30 is Nikon's cheapest mirrorless camera, and Nikon has otherwise largely ignored truly affordable cameras for beginner photographers.

Fujifilm's next generation processor inbound?

As for Fujifilm cameras, the X-T30 III was its most recent X-mount release, back in October 2025, which followed the classy X-E5 from June 2025.

Those launches meant that practically every current X-mount model is fitted with Fujifilm's latest X-Processor 5 chip, besides the X-Pro series, with a range of 26MP and 40MP options.

I wouldn't bank on an X-Pro 4 until the next generation of processor is out in the wild, if at all, and usually each new processor comes with the latest high-end X-T model, the most recent of which was the X-T5.

The wacky Fujifilm X-Pro 3 with its film simulation window and hidden rear LCD is among the X-series cameras most due a successor (Image credit: Future)

It comes as no surprise then that the X-T6 is the most-rumored Fujifilm camera, which is being tipped for a September release when Fujifilm typically hosts its once- or twice-yearly X-Summit.

I've written about what upgrades I'd hope for in an X-T6, especially improved autofocus performance and an all-new processor, but otherwise it's hard to see where Fujifilm can better the X-T5 without treading on the toes of the high-speed XH-series.

Elsewhere in the range, the X100VI premium compact continues to sell well, and so I'd be really surprised if a seventh generation model comes this year — a new processor needs to come first, too.

Stepping outside of new gear and into photography, it's worth noting that Fujifilm recently shared its new 'Look Up' campaign (see below), encouraging people to look up from their screens and connect with the world around them, saying:

'Our cameras bring you back into the moment, giving you agency over how you see, how you feel and how you remember. They allow you to turn emotions into images — a grounding force that doesn’t tell you what to think, but helps you stay focused and present.'

Are you a Nikon or Fujifilm photographer? Which camera would you like to see next, and what are the upgrades that would benefit your photography the most? Have your say in the comments.

Google's Learn About is impossibly easy to use.

Dutton Ranch season 2: key information

- Was renewed ahead of season 1's finale
- Lead stars and executive producers Kelly Reilly and Cole Hauser seem set to return
- A new showrunner has yet to be announced
- No confirmed release date, plot or supporting cast

In the least surprising news known to man, Dutton Ranch was renewed for a second season before season 1 had even had time to air its penultimate episode (let alone that explosive finale).

According to Paramount+, season 1 amassed 12.9 million viewers globally in its first seven days following the Yellowstone spinoff's premiere, making it the biggest original series launch in the streamer's history.

But having nailed so many aspects of Beth (Kelly Reilly) and Rip's (Cole Hauser) new life in Rio Paloma, the numbers make complete sense.

But with Dutton Ranch season 2 now official, what do we know about its development so far?

Dutton Ranch season 2 release window predictions

(Image credit: Paramount)

Currently, there's no confirmed word on when Dutton Ranch season 2 will air. However, it wouldn't be surprising for it to adopt the production of other Taylor Sheridan-produced shows like Landman, which gives us a rough guess.

The best-case scenario is that season 2 will film in late 2026, bringing episodes to the small screen in the first half of 2027. However, we could easily be left waiting until the latter half of the year, too.

Dutton Ranch season 2 trailer: is there one?

Don't be silly. It took us until early May 2026 to get one for season 1, so expect the first full trailer to arrive around two weeks before the second season does.

Dutton Ranch season 2 cast

Michelle Pfeiffer leads our new cast. (Image credit: Paramount+)

We're expecting the following main cast members to return for Dutton Ranch season 2:

• Kelly Reilly as Beth Dutton
• Cole Hauser as Rip Wheeler
• Finn Little as Carter Green
• Juan Pablo Raba as Joaquin Jackson Reyes
• Jai Courtney as Rob-Will Jackson
• J. R. Villarreal as Azul Ramos
• Marc Menchaca as Zachariah Moss
• Natalie Alyn Lind as Oreana Lynn Jackson
• Ed Harris as Everett McKinney, the local veterinarian in Rio Paloma and a Vietnam War Navy veteran
• Morgan Wade as Carol
• Berto Colón as Miguel
• David DeLao as Claudio
• Josh Stewart as Sheriff Handy Wade
• Sterlin English as Austin Lewis

We can also expect new faces to join the cast, so watch this space.

Dutton Ranch season 2 plot predictions

This is exactly where I want to be. (Image credit: Paramount)

Spoilers for season 1 ahead.

While no specific plot points have been confirmed (and likely won't be for a while), it makes sense for Dutton Ranch season 2 to pick up exactly where the season 1 finale left off.

Obviously, there are quite a few questions that need answering here. The most pressing is whether Carter will survive his kidnapping, and whether Beth and Rip can get to him before anything bad happens.

Then we'll have the fallout of Rob-Will's death, which will definitely have messed with Joaquin's mind. This is also going to affect Mariano's standing in the 10 Petal business, arguably likely to see even more power than he had before.

Beulah, meanwhile, has absolutely nothing to her name. She needs to grieve Rob-Will, but Everett wants nothing to do with her, so her next moves cannot be immediately guessed.

Then, there's Oreana. Will she keep the baby? Will Beth be there to support her? And will Rio Paloma ever be the same again?

However, because there's set to be a change in showrunner (more on that below), a major shift in narrative tone and/or direction can't be ruled out. We'll know more on this once a replacement has been announced.

Who will take over as Dutton Ranch showrunner?

(Image credit: Paramount+)

As you might have heard, season 1 showrunner Chad Feehan exited the series a few weeks before its launch, after alleged on-set tension with Reilly, Hauser, and executive producer Taylor Sheridan.

Industry rumors have suggested that another writer would take over as lead showrunner, but this has so far been unconfirmed.

Sheridan has not directly led a Yellowstone spinoff since 1883 and 1923, but you can read more about why he'd be my ideal choice (because I won't stop going on about it).

• Discore nine-in-one DVD drive hub currently on Kickstarter for $39 (50% discount on retail price)
• It also supports iPadOS and Android devices via OTG functionality
• SD/microSD and further USB/USB-C ports add to its appeal

Discore is currently offering a nine-in-one DVD Drive Hub on a Kickstarter campaign with backer pricing now available for $39 (a 50% discount on the anticipated $79 RRP), making it a steal before you even consider its unique upgrades.

The campaign, which launched on June 28 2026, had set itself a goal of reaching $500 in backing before going into production, but within less than a week the project now has more than $45,000 in funding from over 750 backers.

The key difference and the reason why backers are so intrigued with this cut-price optical drive? Unlike most external drives, it’s designed to work with iOS and Android devices as well as PCs, allowing users to access and even burn discs from their smartphones and tablets (with suitable software).

This portable DVD drive is a nine-in-one hub

Highlighted specifications include CD read/write speeds at up to 24X and DVD read/write speeds at up to 8X, but being a nine-in-one device, it also houses an SD card reader, a microSD card reader plus USB and USB-C ports, making it an all-inclusive hub for on-the-go connectivity.

Annotated images show four USB-A ports and one USB-C port, with the company claiming speeds of up to 10Gbps and 160MB/s for SD cards using UHS-I.

Discore is clearly targeting creators with this new optical drive hub, including photographers and videographers who still need optical media alongside removal storage like portable hard drives. Acting as a single hub, it eliminates the need to carry multiple expensive adapters, and even at the $79 anticipated retail price, it still represents strong value.

The hub itself connects to smartphones, tablets and PCs via an integrated cable with both USB-A and USB-C connections, rated at USB 3.2 Gen 2.

Its enclosure is finished in a silver-white aluminium-alloy to keep it light, but also to support optimal heat dissipation.

Priced from $35-39 per unit, it connects to iPadOS, Android, Windows and macOS

In the campaign’s documentation, Discore highlights the hub’s support of “iPadOS and Android devices with OTG functionality, allowing connection with iPad Pro, Android tablets, and smartphones for accessing disc content, transferring photos, and managing files.” Most PCs are supported, including Windows, macOS, Chrome OS and Linux.

Discore is also keen to position the hub as a bridge between old and new, with optical drives phasing out but many distant memories already being stored on CDs and DVDs. Its portability and compatibility with certain smartphones and tablets, as well as PCs, is notable here.

Pricing for early backers dropped as low as $35, but Super Early Bird prices of $39 per unit remain available at the time of writing. Multibuy discounts are also available at $69 per two and $89 per three. Additional worldwide shipping fees of between $7-15 per package also apply.

Pre-shipping availability follows more than half a year of research, planning, design, prototyping and testing, per a timeline posted to the campaign. Mass production is on track to start this month, with shipping beginning in August.

The campaign closes on July 13.

When you’re looking for a new pressure washer, it’s easy to focus on the wrong specs. These are the ones that matter.