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Executive producer James Cameron and wildlife filmmaker Bertie Gregory tell CNET how they captured never-before-seen moments for the docuseries.

Gather 'round, because we've got some tech tales to tell: TechRadar stories from the last seven days, covering new movie trailers, new instant cameras, new open-ear earbuds, problems for Spotify and Samsung, and more advances in artificial intelligence.

We keep waiting for the pace of tech news across gadgets, AI, and software to slow down, but it certainly hasn't happened this week. In fact, it feels like there's more news to cover than ever, and we aim to cover as many of the most important announcements as we can.

This comprehensive In Case You Missed It round-up will bring you right up to speed with everything that's happened in tech news over the past week, giving you just enough time to take a moment before we go again for another seven days of news and rumors.

8. 28 Years Later terrified us in a new trailer

More zombie mayhem is on the way (Image credit: Sony Pictures)

With the original director-writer combo of Danny Boyle and Alex Garland from the first movie making a return for this third instalment, our hopes were already high for 28 Years Later – and anticipation levels just went up an extra notch after another trailer drop.

The 191-second clip manages to give us just enough of a look at the movie to whet our appetites without giving too much away. It certainly seems as though there will be enough jump scares and zombie gore to make the upcoming movie a treat for horror fans.

• Read more: 28 Years Later looks like it will be the horror movie of the year in new trailer that shows how the deadly rage virus has evolved

7. We got our first glimpse of the imminent OnePlus 13T

(Image credit: OnePlus)

The next OnePlus phone launch is almost upon us, with the OnePlus 13T officially arriving on April 24. We can take a good, long look at the handset before then, though, because OnePlus has released a short video showing the phone in three different colors.

We can see a flat back, curvy corners, and a new button that's replacing the standard OnePlus alert slider on this handset. We've also had confirmation that the phone will sport a 6.32-inch screen, and a capacious 6,000 mAh battery as well.

• Read more: The OnePlus 13T is coming on April 24, and the company has already shown it off

6. Samsung’s One UI 7 rollout hit some serious snags

The Samsung Galaxy S24 (Image credit: Future | Roland Moore-Colyer)

Getting One UI 7 out to the masses has proved to be quite the challenge for Samsung, and just when we thought owners of Galaxy S24, Galaxy Z Fold 6, and Galaxy Z Flip 7 phones would be getting the update, the rollout was put on pause amid reports of a serious bug.

It's likely to mean that owners of older phones, including the Samsung Galaxy S23, are going to have to wait even longer to get their One UI 7 upgrade. With Android 16 (and therefore One UI 8) just around the corner, it's not a good look if you're Samsung.

• Read more: Samsung's One UI 7 update reportedly delayed due to a serious bug, extending the wait for Android 15

5. The music died in Spotify’s biggest outage in years

It's not been the best of weeks for Spotify (Image credit: Shutterstock / Diego Thomazini)

We found ourselves scrambling for our CD decks and radio dials on Wednesday – or maybe just YouTube – as Spotify suffered one of the most serious outages in history. Reports of unresponsive apps came flooding in from across the world for most of the day.

We still don't know exactly what happened to trigger such a major problem on Spotify's servers. Perhaps the music streaming service is too embarrassed to tell us, but the company did specifically say that it wasn't a cyberattack causing the extensive issues.

• Read more: Spotify was down – here's everything we know about its huge outage

4. Sennheiser gave us some AirPods-like open earbuds

We like the look of the Sennheiser Accentum Open earbuds (Image credit: Sennheiser)

Say hello to the Sennheiser Accentum Open, an AirPods-esque pair of open-ear earbuds that don't cost much at all: in Europe they're listed at €89.90, which should work out as around £100 / £78 / AU$161 when these attractive-looking earbuds go on sale elsewhere.

As well as being affordable, they look lightweight and promise 28 hours of battery life between charges (if you include the case). We haven't had a chance to test them yet, but we're hoping they live up to the usual high fidelity standards of Sennheiser's audio gear.

• Read more: OpenAI just upgraded memory for ChatGPT – here's everything you need to know

3. The Polaroid Flip took us back to the 90s

Old-school photography, courtesy of the Polaroid Flip (Image credit: Future / Lance Ulanoff)

The Polaroid Flip is the newest analog instant camera on the market, and it might just be the best, too – take a look at some of the snaps we've managed to capture with the device, and make your own mind up about this $199.99 / £199.99 camera (Australia pricing is TBC).

It's fast and fun to use, and it's a throwback to when photos weren't stuck inside your smartphone forever: these photos actually make you feel something. Our full Polaroid Flip review will give you the complete rundown on this camera and what it has to offer.

• Read more: These 8 photos made me believe the Polaroid Flip is the best analog instant camera on the market

2. Two of the world’s best fitness apps teamed up

Strava and Runna are teaming up (Image credit: Strava)

Strava, meet Runna. These are both fantastic apps for tracking runs and other activities, and now they've joined forces: Strava has announced it's purchased Runna, although nothing is going to change in terms of how the two apps operate for the time being.

The aim is to "create even greater value for our users," according to Strava CEO Michael Martin, and we can expect to see some of the AI-powered personalized training plans that Runna specializes in making their way over to users on Strava as well, in due course.

• Read more: Strava acquires powerhouse AI-training platform Runna, and Garmin should be panicking

1. ChatGPT got some serious upgrades (again)

OpenAI has some more treats for ChatGPT users (Image credit: Shutterstock/JarTee)

OpenAI has been consistent in regularly pushing out upgrades for ChatGPT users, and the latest update brings new o3 and o4-mini models across all user plans. These models are smarter, faster, and better at working with different modes (including text and images).

In fact, these models are a nod towards the eventual arrival of the big GPT-5 upgrade, which is somewhere in the pipeline, and will be able to do much more on its own. In the meantime, images in ChatGPT have also been given their own dedicated Library section.

• Read more: ChatGPT just got a massive upgrade that takes it to the next level – here are the 3 biggest changes

Here's the lowdown from allergy doctors on how to get relief, from which medicines to use — and how to best use them — to tips for keeping pollen out of your home.

As politicians worldwide scramble to appeal to working people, this city in northern England has a claim to be the birthplace of the very concept of the working class.

(Image credit: Rischgitz)

Sony WF-C710N: Two-minute review

Sony's WF-C710N earbuds find themselves in a similar spot to The White Album in 1968: you want to better the absolute barn-stormer that was Sgt. Pepper's Lonely Hearts Club Band a mere year later? Good luck. But of course, the Beatles managed it (was it transcendental meditation, or was it simply a clean mind?). So, has Sony done the same with its update on the WF-C700N? Yes and no, Dear Prudence. And given that Sony actually had two years to work on its follow-up, that may not feel enough initially.

The model the C710N are based on topped our pick of the best noise-cancelling earbuds in the budget space for over a year following their release, until Nothing's (a)-suffixed set of buds came in and did almost everything the Sony buds did just that little bit better – and looked slightly classier doing it. And although there are improvements here, a few in-app foibles and initial pairing issues left me struggling to find a reason to pick the Sony WF-C710N over the rivals… until I tested the ANC.

Here, Sony has truly upped its game. On a packed commuter train, I drifted off into my own happy bubble of music. I genuinely didn't expect the blissfully quiet backdrop they served up. The uptick in ANC efficacy is almost certainly aided by the extra mic in each earpiece, but however Sony achieved it, it's commendable.

Also, (because I'm still talking about those mics), call quality is very good for the money here, thanks to Sony's new AI-enhanced voice pickup technology. So, if you regularly take calls on your earbuds, there's an extra value add.

The overall sound profile and fit? It's still good despite the size increase – but it's not better than the outgoing model (Sony has essentially said that little about the driver and acoustic setup changed), so if you've picked up the older set for a discount, you may be tempted to stick with them unless you need that improved ANC.

In fact, other than the much-improved noise cancellation, it's a case of incremental upgrades rather than anything headline-grabbing or ground-breaking.

Yes, there's now a 'Find Your Equalizer' tab, but it works by asking you to pick from a selection of pre-made sound profiles rather than dishing out any otoacoustic tests or splodges to denote where your hearing might be lacking, unlike JBL's Personi-Fi or Nothing Ear's hearing tests (although it's true that you have to pay a little more to get those). The two basic 'Which do you prefer?' tests offered by the WF-C710N don't feel quite as comprehensive, detailed, or involved as those rivals.

See the wires in the case? (Image credit: Future)

Also back for 2025 is Sony's entry-level DSEE upscaler, so Spotify streams will sound better, plus there's that Sony-special 360 Reality Audio support. However, since Tidal parted ways with the format, your only source options for listening to this particular spatial-audio-adjacent offering now are Amazon Music Unlimited and Nugs.net.

Do I still like the new transparent blue colorway now that I've tested it? Not as much as I'd wanted to. The shiny plastic avidly collects fingerprint smudges, and at the risk of stating the bleedin' obvious (as these cases have almost always been plastic, dear reader), this one feels overly plastic. It's also a little bigger than the older model. That said, Sony's more traditional matte black, off-white and pink colorways are available too.

For sound, there's no addition of LDAC, but they're still a solid listen with good volume and energy levels, albeit sacrificing a modicum of dynamic nuance, detail and sonic placement to get there. They're still good for the level, but that's my point, good is simply no longer great in budget 2025 noise-cancelling earbuds.

To really hammer it home: in 2023, when the WF-C710N's predecessor made its grand entrance, earbuds bearing these kinds of features had never been seen at that level. But the competition really upped its game in the following 24 months, didn't it? One can even buy inexpensive open earbuds with excellent ANC now (see the Honor Earbuds Open), something unheard of, even considered impossible, until very recently. So, the fact that these Sony earbuds fit well, boast slightly better stamina and offer auto-off isn't quite enough to trounce the competition these days. But the ANC? If you prioritise noise-nixing, that'll make up the difference…

Sony WF-C710N review: Price & release date

• Released on March 25, 2025
• Priced $119 / £100 / AU$189

Yes, Sony has won this territory before (see the April 2023-issue Sony WF-C700N I keep going on about), but that was before the excellent Nothing Ear (a) arrived, a year later in 2024.

The fact that Sony released these follow-up earbuds at the same MSRP as their older counterparts is welcome but unsurprising news: we've seen it with everything from AirPods to Bluetooth speakers. Why? Because competition is rife, and once-flagship tech (comprehensive ANC, wearer detection, EQ tweaks, spatial audio tech, customisable on-ear functions, and so on) keeps trickling down to entry-level products.

If you've done even a little research into this end of the market, you'll know the current class leader is the Nothing Ear (a) mentioned above, with the insanely cheap $30 / £30 / AU$70 JLab Go Pop ANC or even the $69 / £59 / AU$110 (approx.) Earfun Air 2 NC not far behind.

So have the few extra perks offered by the new WF-C710N – slightly better battery, an auto-off feature, improved call quality, a rudimentary equalizer test and much better noise cancellation – trounced the Nothings? Depending on your priorities, yes, but it's all about that last point…

See the mesh over the mic? (Image credit: Future) Sony WF-C710N review: Specs

(Image credit: Future) Sony WF-C710N review: Features

• Dual noise sensor tech (feedback and feedforward mics) for ANC
• Auto-off is a welcome addition
• AI-enhanced voice pickup for clearer calls

Let's start with the above bullet points: call-handling? It was good before, but it's even better now. That's thanks to the implementation of AI-enhanced voice pickup technology, which works a treat even on crowded, windy and rainy London Soho streets during rush hour (trust me on this one).

Wearer detection for auto-off is perhaps the biggest usability perk added this time around, which means music pauses when you remove one bud (or both) and resumes once you put it back in. It doesn't sound like a big deal, but once you're used to it, you'll always be reaching for buds that can do it.

OK, so Sony's 360 Reality Audio – 24 object-based channels arranged in a 360-degree soundstage (launched back in 2019) – isn't the big ticket feature it used to be, since few streaming platforms support it and Tidal waved goodbye to its support in July 2024.

As noted, Sony's Headphones Connect app is gone, but it's been replaced by the Sony Sound Connect app. Adaptive Sound Control still takes the wheel as far as noise profiles go, optimized according to what you're doing – yes, they know when you're 'Staying'. And although you can't manually up the noise cancellation levels on the fly (although you can tailor the ambient awareness on a slider from 1-20), if you tap the cog under 'Optimize switching for you', you can tailor each sound profile according to your actions. So if you want Adaptive ANC to kick in on your commute, here's how you do it.

That extra mic has paid dividends because the WF-C710N's dual noise sensor tech (feedback and feedforward mics) provides much more robust noise-cancellation performance. On a packed train from London to Dorset, I was struck by how cocooned in my music I felt.

Any omissions worth mentioning? Although there's multi-point to two devices now (you can toggle it off if you want, but why would you?), there's still no LDAC support. Why mention this? Because the WF-C710N's main rival, the Nothing Ear (a) do boast it.

Also, while there's now a 'Find Your Equalizer' tab in the app, it's a little basic compared to any hearing tests to create splodge-type graphs of your hearing profile you might have tried. Essentially, playing your choice of music, there are five profiles to pick from, and then a further four based on your initial pick. It's more than the older model offered, but given the lengths the competition is going to these days (see JBL, Nothing and Denon to name a few, and, of course, the AirPods Pro 2, for a surcharge), it feels a little basic. Yes, the WF-C710N are budget earbuds, but the Nothing Ear with their lengthy hearing tests are roughly the same price now…

• Features score: 4.5/5

(Image credit: Future) Sony WF-C710N review: Sound quality

• Agile, fun, energetic listen
• Minor treble distortion if we're being picky
• LDAC would be a great addition

The sound, as with the older option, is good for the money, but there are incremental gains to be had here. The opening keys in Grian Chatten's All of the People are textured and three-dimensional. There's a human quality to the depressing of each key that most entry-level earbuds cannot convey through the upper midrange.

Out of the box, the older WF-C700N feel just a little congested and treble-centric in direct comparison – although it took me a while to set up this comparative test, since once paired to either set of buds, my phone flat-out refused to pair to its siblings, and I'm still unsure why. Anyway, the Beatles' Helter Skelter is a great test of the stereo imaging, and with the C710N, drums sit dutifully in my right ear (until the fill, when the kick drum darts between each ear) as the driving bass sits in my left concha with pinpoint precision.

In more layered, complex and groove-heavy tracks (Michael Jackson's Billie Jean, for instance), timing and musicality are bang on across the frequencies. I can detect a minor shortfall in dynamic nuance to get all of that exuberance and volume – these are loud and proud earbuds, and for the most part, that's great news. There's just a small compromise to be made in the leading edges of lower-mids and bass notes, and just a shred of distortion through the treble, very occasionally.

Look, I'm nitpicking – and I'm better able to do it because the noise cancellation here provides such a glorious backdrop. Of course, you can tweak the sonic curve to your liking in the Sound Connect app, but it's important to note that, by default, these are zealous, unafraid earbuds. Compare them to the excellent Technics EAH-AZ100 and you'll get a greater rise and fall through each pensive, building musical passage in Dom Sigales' The Ghost is Me, with exhalations of breath, jagged keys, and waves of strings given an extra ounce of due diligence to be impactful. It's hardly a fair test given the price difference (the EAH-AZ100 retail for $299 / £259 / AU$479), but it's important to note that the sound is very good here for the money, rather than just very good, period.

• Sound quality score: 4.5/5

(Image credit: Future) Sony WF-C710N review: Design

• Bigger but still ergonomic earpieces
• Case is a little bigger – and a little cheap?
• Capacitive touch controls aren't very customisable

These are still some of the most comfortable earbuds I've had the pleasure of wearing (besides the aforementioned Technics), even though the buds and case are bigger this time around. While 4.6g to 5.4g may not sound like much of a size increase, it is noticeable. Given that the WF-C700N really were small, that's perhaps not such a bad thing, depending on your ears.

I still found them easy to fit. That said, the shinier plastic of my glass blue colorway did affect the in-ear security, and the right one fell out on a train. I don't think the fit was an issue, as they feel beautifully weighted and slipped easily into my ears with very little work. I think I just need a more matte, brushed plastic finish – and that is available.

See the difference in case (and earpiece) size, against the WF-C700N (Image credit: Future)

One potential bone of contention is the case: it's bigger – well, deeper – than the older WF-C700N case, and it feels a shade off high-end. Do I love the transparent finish? I'm not sure. Seeing the little red, yellow and black cables under the casework is novel, but the overall aesthetic feels a bit (dare I say it) cheap and cheerful, compared to the way Nothing has implemented transparent sections within its earbuds design language.

And the physical button is gone. I liked it, but it seems I'm in the minority. And to be honest, the new touch capacitive sensor is aided by a slightly larger concave top plate to help your finger find it, and it works fairly reliably.

My main gripe with this? You can now control volume in addition to playback, sound modes, and access to a virtual assistant, but a little more scope for customisation on what each tap does would be a huge bonus. Right now, the only way to up the volume a little is a quadruple press on the right earbud, and a quadruple press on the left lowers it just a tad. As you can probably imagine, these constant quick presses are hit-and-miss. Ah, well – and it hurts your tragus and external auditory meatus (the bit right before your ear canal) a little, after a while.

• Design score: 4/5

The case is quite a bit deeper than the previous model (Image credit: Future) Sony WF-C710N review: Value

• For ANC, there's real value-for-money here
• 360 Reality Audio isn't the draw it once was – LDAC would be excellent
• Nothing's products look and feel more premium

Before the Nothing Ear (a) arrived, with their LDAC and great audio quality, I'd have no issue recommending the Sony WF-C710N above all else. But times have changed. Nothing's earbuds are here, and they are impossible to ignore.

The design of the Sony WF-C710N is fine rather than groundbreaking, and the feature set is good, although 360 Reality Audio support is not the big draw it once was.

Then again, here I sit at our shared table-slash-desk, my partner hitting the keys of his MacBook Pro keyboard heavily, because he's under a tight deadline and is stressed. Can I hear him? Not really. And there's the value, folks – because I've never heard ANC this good for this money…

• Value score: 4.5/5

(Image credit: Future) Should I buy the Sony WF-C710N? Buy them if...

You need great ANC for budget money
These earbuds are some of the most gifted at noise-nixing as I've tried for the money, thanks to that new mic array.

You have an Amazon Music Unlimited account
Link Amazon Music Play Now (after taking photos of your ears, all guided by the app) and you unlock Sony's proprietary 360 Reality Audio for Sony's own spatial audio solution.

You like earbuds that pause the music when you take one out
The WF-C710N now have wearer detection, and you love to see it.

Don't buy them if...

You prioritize on-ear volume control
You can do it, but you still need to press each bud four times quickly to get an incremental increase or decrease. It's a bit much.

You're expecting buds the same size as the C700N
There's a difference: the C710N are a little bigger and heavier owing to that extra mic and capacitive touch plate

You want LDAC
No dice, sadly. You'll need to look to Nothing's Ear (a)

Sony WF-C710N review: Also consider

Nothing Ear (a)
The battery life isn't as good, and the ANC is close but no cigar. But if you need a better level of dust- and waterproofing and want LDAC audio support, these buds are oh-so-stylish and just slightly cheaper than the Sony WF-C710N.
Read our Nothing Ear (a) review for more information

Sony WF-C510
What if you want quality Sony sound in Sony's smallest earbuds (smaller than the WF-C710N) and even better battery life, because you don't care about ANC? This is the model you need, and you'll save money. But just to be clear, the noise cancellation is the WF-C710N is very good… 
See our Sony WF-C510 review for the full scoop

How I tested the Sony WF-C710N

(Image credit: Future)

• Tested for two weeks, compared against the Sony WF-C700N and Technics EAH-AZ100
• Used in the office, walking through London, on a train, and at home
• Listened to Apple Music Lossless tracks, Qobuz, Deezer and Spotify on an iPhone 12 Pro and a MacBook Pro

As always when testing portable earbuds, the Sony WF-C710N became my musical companions for two weeks – after a thorough 48-hour run-in period.

They accompanied me to work (walking brusquely to Weymouth station at an ungodly hour; boarding a train to London Waterloo; and at the office – yes, I really do this) and throughout a long weekend at Seaham, collecting sea glass from the stunning County Durham shoreline.

To better test the comfort and battery life claims of the Sony WF-C710N, I wore them throughout the working day on numerous occasions – and as you can see from the above over-share, my working days can be long.

To get through it all, I listened to various playlists (spanning everything from Korn to Dom Sigalas) on Apple Music and Tidal, but also to podcasts and albums on Qobuz and Deezer – and YouTube tutorials (mostly about making music on Cubase and using Cakewalk, since you ask) from my MacBook Pro.

I’ve been testing audio products for well over five years now. As a dancer, aerialist and musical theater performer in another life, sound quality, fit and user experience have always taken priority for me personally – but having heard how wonderful ANC can be when done well, I know what to look for.

Read more about how we test

• First reviewed: April 2025

• Andor's lead actor has opened up about the end of the Star Wars TV show after two seasons
• Diego Luna is relieved that the Rogue One prequel series wasn't cancelled
• It was originally supposed to run for five seasons

Diego Luna believes it's the right decision on Disney's part to allow Andor to end after two seasons rather than one.

Chatting to TechRadar before Andor season 2 debuts on Disney+, Luna expressed satisfaction and relief over the opportunity to tell "the story we wanted to" in the Rogue One prequel series. Indeed, Luna was glad that Disney afforded him, showrunner Tony Gilroy, and the rest of the cast and crew the chance to wrap up its narrative, rather than cancel the show after a single season.

Luna's worries about the Star Wars TV series ending before its time aren't unfounded. Despite the critical acclaim and award nominations Andor's first season was met with, it's no secret that its development was a costly endeavor.

Originally, Andor was supposed to run for five seasons, with its final installment leading directly into the events of Rogue One, However, per a report published by Forbes last December, it's estimated that the price for creating its first two seasons was an astronomical $645 million.

Development on Andor's two seasons reportedly cost over $600 million (Image credit: Lucasfilm/Disney+)

With Disney cutting costs across the board during Bob Iger's second stint as CEO, Andor's five-season plan was never going to materialize.

Thankfully, during development on one of the best Disney+ shows' first season, Gilroy had a "great idea", according to Luna, to condense four seasons' worth of character arcs and wider storytelling into one more season comprising 12 episodes.

It's a format that Gilroy discussed with me prior to season 1's release in August 2022, with the series' head writer calling them "very sexy" time jumps that would depict a single yet important event in each of the four years leading up to the start of Rogue One. Each 12-month period will span three episodes apiece, therefore allowing each narrative the same time and space to depict their individual stories.

The Empire must be stopped. Artwork inspired by Andor and illustrated by @nadamaktari.Don’t miss the three-episode premiere of Andor, streaming April 22 only on @DisneyPlus. pic.twitter.com/h6vdkclbWhApril 17, 2025

"From the beginning [of this show], we knew what we wanted to do," Luna told me. "Structurally, the plan changed because we soon realized we couldn't commit to five seasons. It takes a lot of energy, time, and money to make one, because each season takes two and a half years of our lives.

"But, while we were shooting season one, Tony had this great idea of squeezing four seasons into one and essentially make four chapters.

"I also think that, today in long format storytelling and TV in general, a lot of shows start without knowing where or when they're going to end. But, from beginning to end, we told the story we wanted to tell and that's a beautiful thing to be able to do."

I'll have more exclusive content to bring you from my interviews with Diego and more of Andor's cast in the build up to, during, and after season 2's debut. In the meantime, read more of my Andor season 2 coverage below ahead of its April 22 launch in the US, and April 23 arrival in the UK and Australia.

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• First Andor season 2 trailer teases Orson Krennic and K-2SO's return, the Death Star's creation, an absurd amount of action and... a Star Wars dance number?
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• Here's how you can watch the Star Wars movies in order

In a brief order, the court directed the Trump administration not to remove Venezuelans held in the Bluebonnet Detention Center "until further order of this court."

(Image credit: Cristian Hernandez)

Here are the answers for The New York Times Mini Crossword for April 19.

In a brief order, the court directed the Trump administration not to remove Venezuelans held in the Bluebonnet Detention Center "until further order of this court."

(Image credit: Manuel Balce Ceneta)

A recent Supreme Court ruling instructed the Trump administration to give migrants being deported under the Alien Enemies Act due process. The ACLU says a group of migrants in Texas have been given less than 24 hours.

(Image credit: Manuel Balce Ceneta)

A Trump administration document, cited by news reports, proposes eliminating funding for Head Start, which is dedicated to early child care services. An advocate says the move would be "catastrophic."

(Image credit: Rebecca Blackwell)

• IPVanish's malware and tracker blocking technology has been confirmed as one of the best on the market
• VIPRE Advanced Security received the highest rating in the latest AV-Comparatives' Malware Protection Test
• This achievement follows a successful independent audit confirming that IPVanish's no-log policy

Independent auditors have just confirmed that the technology behind IPVanish's malware and tracker-blocker tools is one of the best on the market.

VIPRE Advanced Security received the highest rating in the latest Malware Protection Test carried on by AV-Comparatives in March 2025. The antivirus bundle service stood out for its strong performance across several potential attack scenarios.

The results come about a week after an independent audit also confirmed that IPVanish never logs users' data, in line with what is stated in its no-log VPN policy.

A win for IPVanish users' security

In its latest Malware Protection Test, experts at AV-Comparatives checked the ability of 19 security products to detect and prevent infections from a wide range of malware threats. These include some of the best antivirus services like Avast, Bitdefender, McAfee, Norton, and more.

More than 10,000 of the most recent malware samples were tested on a fully updated Windows 11 machine, with the evaluation including offline and online scanning as well as live execution and mirroring real-world conditions.

VIPRE Advanced Security was among 10 providers to earn an Advanced+ rating from AV-Comparatives after excelling in all key metrics. Specifically, the tool detected 98.7% of threats consistently both online and offline, gaining a 99.93% protection score during live execution evaluations. It did all that while producing a minimum amount of false positives, too.

"This award is a win for all IPVanish users because the same cloud-based threat intelligence that earned VIPRE top marks is already working behind the scenes in IPVanish’s Threat Protection feature, along with our QR Code Checker and Link Checker security tools," the provider told TechRadar.

Our security just got a gold star. ⭐VIPRE, the engine behind IPVanish Threat Protection, earned AV-Comparatives’ top malware protection rating! That same power is built into your VPN. #IPVanish #CyberSecurity #AVComparatives #VPN #MalwareProtection https://t.co/k3LqbEoksTApril 16, 2025

IPVanish released its Threat Protection feature in March last year across all its apps, placing the provider alongside some of the best VPN services already offering a similar tool.

IPVanish Threat Protection works by filtering out third-party content before loading to preserve data usage while blocking third-party cookies and tracking scripts as well. At the same time, it prevents you from accessing known malicious websites, including phishing schemes and malware-embedded sites, to further protect users and their data.

Last June, IPVanish also launched a Link Checker service built on VIPRE's tech. The tool comes as a standalone website and is free to use for everyone, whether or not you're an IPVanish subscriber, to verify the safety of URLs before clicking and protect against phishing scams.

The provider has recently integrated a similar tool on its iOS and Android VPN apps. This is a QR Code Checker that allows users to scan QR codes to detect malicious links and phishing traps.

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Music has always had a love-hate relationship with technology. Every time a new tool shows up, there are some who are concerned that it will be the end of real music.

The same questions arose when the synthesizer appeared, when the drum machine became popular, and any time auto-tune is used on a popular song. But Cher proved that there was music after auto-tune, just as there is life after love.

Claims about the death of authenticity are almost always exaggerated, and accusations of 'cheating' sound absurd in retrospect. Eventually, people learn to sing along to the new tune, or at least admit that electric guitars didn't go around smashing up every acoustic version.

All that is overture for people playing the theme from Psycho over AI's presence in music. I'm not discounting the seriousness of a report by French streaming platform Deezer that 18% of songs being uploaded these days are entirely AI-generated. That’s over 20,000 robot-made tracks per day. Twice the number from just a few months ago. Cue the dramatic sting (you know the one, Dun, Dun, Dun!)

It’s easy to look at numbers like that and feel a little nervous. After all, the music industry already runs on razor-thin margins for most artists, and now the meager streaming revenue is going to go to robots? Add in the fact that major players like Universal, Sony, and Warner are actively suing AI music platforms like Suno and Udio for allegedly training on copyrighted songs, and you can see how high the stakes are.

The music industry is not the entirety of music, however. I firmly believe in robust protection for artists who face AI stealing their work or training on it to mimic them. But that's a business battle, not a war for the fate of human creativity.

AI has a place in the recording studio. Once upon a time, many people proclaimed that sampling portended the end of music, with a future of nothing but artists stealing other artists’ work. Now it’s the backbone of entire genres of music. Auto-tune has evolved from a gimmick to a legitimate tool across many music styles. And the aforementioned electric guitar was dismissed for being too loud within many people's lifetimes.

Nonetheless, here we are enjoying music made by people pushing buttons, twisting knobs, and bending sound in new ways. AI is just the latest tool. And like any tool, it’s only as good or bad as the person using it.

Allegro AI

(Image credit: Shutterstock)

What worries me isn’t the existence of AI music. It’s the idea that we might start mistaking it for a replacement instead of a collaborator. Left to its own devices, AI doesn’t make bad music, but it can feel empty or just a warmed-over imitation of real music. It’s elevator music, but more expensive.

That’s not to say it’s useless, far from it. AI can be a brilliant creative assistant. Stuck on a chord progression? It can help. Need to experiment with a new genre you’ve never written in? Fire it up. Want to turn a poem into a melody just to see what happens? Absolutely. AI can help bring the song in your head to life, but it won't do so without you as the source of the ideas.

The real debate should be about how to use AI in music, not whether to ban it outright. I'd be worried about the sheer number of AI songs appearing on streaming services if I were a musician, but not because AI created them. I'd be more concerned about where they are coming from, who's profiting from them, and if any artists' work was illicitly used to train the AI behind the songs.

And it's not like every human track is a unique snowflake. A lot of music shares DNA, and the most popular songs sometimes come across as only slightly tweaked versions of each other. Trends are trends, and algorithms have already been shaping what we listen to, nudging us toward the familiar, the market-tested, the sonically safe. AI isn’t creating that dystopia, though it may be speeding up the process.

Still, AI could be a boon to music as a whole. Imagine a rural teenager with few resources who can't hire a band, a piano teacher, or a recording studio. With a phone and some imagination, they could use free AI music tools to experiment and share the music in their minds.

AI music isn’t the death of music as a concept. It’s a powerful tool that should be handled carefully. It can be a shortcut, but it shouldn't be a thief, and it can't give a song any soul.

You might also like

• I tried using AI to create the background music for a podcast, but I may stick to music libraries for now
• Paul McCartney cautions against AI in music despite success of AI-enhanced Beatles song
• Will Adobe's AI agents cause the death of creativity?

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